And yet another concert HIGHLIGHT: Giovanni Sollima playing his composition Fecit Neap. 17 .. for Violoncello! We are looking forward to your comments, likes an shares. Thank you! 🙂 A big thanks to our patreon supporters, especially: H. Bayani, R. Kornberger, M. B. Lange, M. Mackensen, U. Mahrt, L. Mitnaul, K. Smith and H. Spjelkavik. Support us on Patreon: www.patreon.com/bremerbarockorchester
Bravo! The orchestra has shown its versatility not only within the baroque period, but also with more modern material. And Mr. Sollima, the cellist, is capable of traveling.for different kinds of musical experiences. I guess it’s his own composition. This piece could follow to a movie soundscore, or a ballet for a semi contemporary dance company. Great! He is a true “Giovannino Dal.violoncello” as his colleague Giovanni Battista Costanzi, teacher of Luigi Boccherini.😃😃
And yet another concert HIGHLIGHT: Giovanni Sollima playing his composition Fecit Neap. 17 .. for Violoncello! We are looking forward to your comments, likes an shares. Thank you! 🙂
A big thanks to our patreon supporters, especially: H. Bayani, R. Kornberger, M. B. Lange, M. Mackensen, U. Mahrt, L. Mitnaul, K. Smith and H. Spjelkavik. Support us on Patreon: www.patreon.com/bremerbarockorchester
Brilliant! Loved it tonight at Villa Pignatelli in Naples.
Bravo! The orchestra has shown its versatility not only within the baroque period, but also with more modern material. And Mr. Sollima, the cellist, is capable of traveling.for different kinds of musical experiences. I guess it’s his own composition. This piece could follow to a movie soundscore, or a ballet for a semi contemporary dance company. Great! He is a true “Giovannino Dal.violoncello” as his colleague Giovanni Battista Costanzi, teacher of Luigi Boccherini.😃😃
extraordinary performance : wonderful mix of Neapolitan baroque and oriental atmospheres
Beautiful music. Thank you.
Beautiful recording! Amazing! 🙂
Bravooooo amaizing
Großartig. Danke!
Wonderful!
Me encanta❤
Grazie mille, Maestro!❤
Anner Bylsma would be astounded.
Not quite my cup of tea, but an energetic performance of an interesting work.
In which year was this piece composed, and is Sollima using a Baroque cello with gut strings in this performance?
Seems like it