I had mixes come back because I didn’t understand the way the routing went. I have MYRX Studio as well. I used the Assembler because I didn’t understand but would like to learn the other way by applying an eq to the LFE Send
Hi! Question for you. I am a sound designer and re-recording mixer just getting into dolby mixing. Im trying to understand a little bit more about how objects work (using internal renderer). In my stereo world I would have all of my routing ending in a Mix bus of sorts doing my glue compression, saturation, metering etc. And while I can find an equivalent for the bed, it seems that the objets are separate and I cant route them further. I have seen your video on object busses using the objects as final points in routing, but if I am assigning a sfx track to an object is there a way to route that further or does it go straight to the renderer? Your videos are great, thanks!
Hi Sam, the OBED or Object Bed Buss is how you can apply “mix buss processing” to objects in Dolby Atmos. This is how I mix - I do not use the bed (except for the LFE channel - no choice there). But the OBED approach allows me to control and process audio prior to the Dolby Renderer receiving the input signal. I made a two part series on how to create an OBED for yourself. You might want to check those out and let me know if you need anything along the way.
That’s a great question. Full transparency: I tried to activate Aux IO, and I didn’t lean into it. For some reason, it didn’t work on my first try, and when I experience that, I rarely return to that product. I do use Loopback (from Rogue Amoeba) in my home mixing setup, and I love that. I’m also interested in Audiomovers OmniBus. I’ll have to experiment with what you’re asking and these options.
My monitoring all runs through an Avid MTRX Studio. Some software comes with that device called DADman, where you can set up your Dolby Atmos routing. It’s really powerful software and completely customizable. I love that product.
I understand that. It’s “one brick at a time” for me. I’ve been doing music since 2001. So, there’s a long journey behind anything you’ll see in my studio.
@kernjames - the Atmos topic is pretty technical, but like anything else once you get acclimated it’s not too bad. Let me know if you have any questions. I’m happy to help.
I had mixes come back because I didn’t understand the way the routing went. I have MYRX Studio as well. I used the Assembler because I didn’t understand but would like to learn the other way by applying an eq to the LFE Send
I’m happy to help! Where are you hung up?
Hi! Question for you. I am a sound designer and re-recording mixer just getting into dolby mixing. Im trying to understand a little bit more about how objects work (using internal renderer). In my stereo world I would have all of my routing ending in a Mix bus of sorts doing my glue compression, saturation, metering etc. And while I can find an equivalent for the bed, it seems that the objets are separate and I cant route them further. I have seen your video on object busses using the objects as final points in routing, but if I am assigning a sfx track to an object is there a way to route that further or does it go straight to the renderer? Your videos are great, thanks!
Hi Sam, the OBED or Object Bed Buss is how you can apply “mix buss processing” to objects in Dolby Atmos. This is how I mix - I do not use the bed (except for the LFE channel - no choice there). But the OBED approach allows me to control and process audio prior to the Dolby Renderer receiving the input signal.
I made a two part series on how to create an OBED for yourself. You might want to check those out and let me know if you need anything along the way.
Exploring Object Bed Mix Buses in Dolby Atmos Mixing - (Part 1 of 2)
ruclips.net/video/qJFrBltWoKQ/видео.html
Exploring Object Bed Mix Buses in Dolby Atmos Mixing - (Part 2 of 2)
ruclips.net/video/NxnLLA9_LK0/видео.html
Can You Use "Aux I/O" to pull in the 7.1.4 main out plus stereo & Binaural re-renders from the Atmos renderer?
That’s a great question. Full transparency: I tried to activate Aux IO, and I didn’t lean into it. For some reason, it didn’t work on my first try, and when I experience that, I rarely return to that product.
I do use Loopback (from Rogue Amoeba) in my home mixing setup, and I love that. I’m also interested in Audiomovers OmniBus. I’ll have to experiment with what you’re asking and these options.
Thank you 🙏🏻
How do you run like the monitor speaker set up
My monitoring all runs through an Avid MTRX Studio. Some software comes with that device called DADman, where you can set up your Dolby Atmos routing. It’s really powerful software and completely customizable. I love that product.
Nice man I will like to get in this kinda work flow but it cost so more money I don’t even have the right room to do this
I run my set up on a 2012 i mac
I understand that. It’s “one brick at a time” for me. I’ve been doing music since 2001. So, there’s a long journey behind anything you’ll see in my studio.
@@shanegrush nice how do you got them running
Way over my head.
@kernjames - the Atmos topic is pretty technical, but like anything else once you get acclimated it’s not too bad. Let me know if you have any questions. I’m happy to help.