He’s one of my favourite ever pianists to come out of the Chopin competition, but the first movt was just very underprepared. Full of wrong notes and memory issues, tbh dunno how he got through with the amount of inaccuracies but I’m glad he did his concerto was amazing
il a juste un petit trou de mémoire au début du développement (entre 4.16 et 4.20), mais ça ne porte pas à conséquence, son interprétation est très belle, cohérente, brillante, chantante, maîtrisée!!!!
I almost get the feeling he didn't get enough sleep the night before, for this performance on this day. He must have to battle bodily pains and cognitive impairment to get through this ordeal.
Everyone agrees. I think she slept with 2 of the judges, she had too many errors in first 2 stages, judges suddenly changed how to evaluate them, then suddenly changed again in last stage.
@@gerdlindlar1980 Ups...da bin ich überfragt.Schlimmer noch.......ich hatte vorhin noch NIE von ihm gehört. Muß sagen....ich hab auch neulich von anderen deutschen Pianisten nichts mehr gehört. Ingolf erinnert mich einigermaßen an Rolf Plagge.Auch deutsch,und 80er Jahre Laureat Reine Elizabeth Wettbewerb Brüssel.Und genauso...Wolfgang Manz. Ach was....klar,daß ich hier welche hab ausgelassen!
@@gerdlindlar1980 Mannometer.....ich stieß auf ein video,worauf Ingolf die Chopin Etude op 25 no 6 spielte.Ja...die Terzenetude.Geh mal HIN, und hör dir das an,...verdammt noch mal.Das war eine unnachahmliche Leistung!!!! Was für ein "underrated"(verkanntes) Maestro er ist!!! Habe das Ding auch unter den Fingern gehabt ,nur als Student...konnte aber mein Studium nicht fortsetzen( bei uns in Holland nicht erlaubt wegen einem Unfall mit meiner rechten Hand.Zwei verkrüppelte,verstummelte Finger,gesteckt in die Speiche des Fahrrads,sowas von Blöd) Konnte aber nach Heilung spáter wieder spielen.Und das führte mich als Alternative zu Wartungsarbeiten für Konzerte in einem Theater.Ich war dort der Betreuer des Flügels und hatte mich zu jener Zeit mit vielen Pianisten ganz nett unterhalten. Ich war anfangs hobbyist ab 12 Jahre alt,..aber wurde umständehalber getrieben zu Profi,und ja..habe meine Ausbilding dazu gehabt bei euch in Deutschland.(volontiert in 2 renommierten Firmen) Folgendes sei eine Lehre.....meistenfalls ist nicht die Anatomie der Finger Spielverderber,sonder ein Mangel an Technik.Möglicherweise für viele eine Beruhigung.
I hate to say it, but I suspect the judges got turned off by the non-musical aspects, like the tails and the facial expressions; the pianist is expected to be emotionally involved, but not emotionally ostentatious. When "let themselves go" emotionally, looking like they're in rapturous spiritual communion with the composer, it can seem impressive to less sophisticated audience members, but experienced pianists know that can be easily turned on and off, particularly the facial expressions and the "staring into the heavens" look, combining joy and sorrow, then nodding etc. Judges probably automatically deduct points for nodding, which pianists pretend is spontaneous, automatic, un-selfconscious. But it's a gesture asserting some kind of moral claim or status to yourself: signaling agreement and approval of the music's sentiment. In any case, all that projected seriousness, authority, and moral and spiritual sensitivity, coming off as a kind of priestly-aristocratic affectation--- an impression heightened by the suit making one think of Rubinstein or Paderewski. Nowadays most pianists lean toward unpretentious attire. I think an unwritten rule of competitions is that any communication not strictly through the piano itself is going to be docked (outfit, rhapsodic or entranced facial expressions, and worst of all, nodding and head shakes). Although Pollini takes things extremely far in terms of austerity in these matters, seeming almost soulless and machine-like, I think he is responding to over-romanticization of piano performance and concert pianists. He plays sort of like a surgeon performing an operation. I don't know if one need go that far, but that austerity in that direction is certainly appreciated by competition juries that will hate extra-musical histrionics, and any sign of pretension. Between the tails, the nodding and dreamy "communing with the spirits" (worst of all when you look like you can't control it, as if to advertise how caught up you are; everybody knows it *can* be controlled), they probably got turned off.
I don't feel that Mr. Wunder is purposely trying to put on some "facial theater" in order to "amplify" the music here. For me he is simply deeply involved in the music. I do know what you mean about over-the-top "facializing" and also "peacocking theatrics" which some pianists (who shall not be named) indulge in. As someone watching a pianist, I prefer that their physical presentation not get in the way of the music. But I don't feel that Mr. Wunder is doing anything other than playing the music with total sincerity. I don't find anything in his manner at the piano or in his facial expressions while playing to be objectionable. To the contrary, I feel his sincerity and his passion for the music. But no doubt responses to pianists differ from person to person, but I must admit that I'm impressed by Mr. Wunder's passionate performances of Chopin's music. It is certainly true, though, that some pianists are better heard than seen. Of course, camera closeups aren't always flattering to pianists--or anyone else. But I actually enjoy watching Mr. Wunder play. In fact, I just got done with watching his performance of the Chopin Bolero and loved it once again! In any case, as my cousin likes to say, "That's what makes horse races." Wishing you well and lots of musical enjoyment to come as time moves along.
Ingolf, your playing is wonderful. God Bless You! 🙏🙏🙏
World class! I saw his performance in South Korea a few years ago and I felt so overwhelmed with his play. Unforgettable…
Brilliant pianist , enormous talent and incredible technique! Love to listening his playing !!!! More success in the future .
That final movement is one of my favorite pieces of piano literature. Mr. Wonder played it excellently. 💥💯💥
He’s one of my favourite ever pianists to come out of the Chopin competition, but the first movt was just very underprepared. Full of wrong notes and memory issues, tbh dunno how he got through with the amount of inaccuracies but I’m glad he did his concerto was amazing
@@emmanuelsebaali1767 wrong notes are inconsequential
@@joshyman221 Belong to live performance.
il a juste un petit trou de mémoire au début du développement (entre 4.16 et 4.20), mais ça ne porte pas à conséquence, son interprétation est très belle, cohérente, brillante, chantante, maîtrisée!!!!
I almost get the feeling he didn't get enough sleep the night before, for this performance on this day. He must have to battle bodily pains and cognitive impairment to get through this ordeal.
Wonderfull! Per ne era il vincitore del concorso Chopin quell'anno!
This is one of the most super angelical works of Chopin. When he play it the demons get angry with him. (True Story)
Keren Canelo Bendaña That it's true, but it's not this sonata, but the second. Love.
Pan Fryderyk Chopin jest dumą Polski! Cały naród jest z niego dumny! 🇵🇱
처음 도입이 진짜 미쳤다 듣자마자 소름 돋음
1. 0:00: Mvt 1 (repeat after 4:06)
2. 9:18: Mvt 2
3. 11:59: Mvt 3
4. 20:39: Mvt 4
This is a truly great performance.
Amazing! Love to watch Ingolf.
16:47 Aww lol
Wunderful ^.^
His hands are ridiculously huge
There not thaaaaat big, i think.
Is that why he smudges the notes?
@@katyab92 "smudges"? Can you link to a time in the video?
@@maulcs so many places. And he plays so loudly. Is that why you cited his ridiculously large hands?
@@katyab92 If it's in so many places surely it wouldn't be difficult to post a time?
I think this plays better than 1 prize winner play
I agree you.
한국인들만 유독 아브제예바 ㅈㄴ 싫어하더라 ㅋㅋ 왜지?
왜 싫어하겠어.. 못하니까 1등감이 아니어도 너무 아니니깐
1등감이 아니긴 ㅋㅋ 푸총스캔들 제외하고서라도 점수 1위받았으니까 1위한건데 뭔.. 내생각엔 그냥 물타기하는것같애~아브제예바 완벽한 피아니스트 아니지만 연주들 들어보면 정말 대단한연주자인걸 알수있을텐데 유독 한국인들만 아브제예바 존나 시러하더라고 ㅌㅋ
Everyone agrees. I think she slept with 2 of the judges, she had too many errors in first 2 stages, judges suddenly changed how to evaluate them, then suddenly changed again in last stage.
Bravo!!!!!!
Largo is my favourite.
Mil veces BRAVO, que perfeccion tecnica y expresiva, no lo conocia, me conmovio en extremo.
❤❤❤excepcional , genial intérprete
Brilliant performance
I prefer his 2005 performance, the 4th movement was truly epic there
Where can I find it?
@@ustadspencertracy7195 Unfortunately it looks like it's not on RUclips, I'd have to upload it
@@maulcs And I would be so grateful.
I agree- i think he held back here, since he was eliminated after the 3rd round in 2005, most likely for his wild (but amazing) interpretations.
Quando escuto Yuliana entendo pq ela venceu, e quando escuto Ingolf não entendo pq ele não venceu, e esse ciclo se repete.
0:11와...비통하다 비통해
chopin really liked b minor huh
Liszt too👀
Bravissimo!
4:17
badr - ksa lol ow
good
파워풀한 쇼팽ㅎㅎ
ganz großartig, tiefe Leidenschaft, vielschichtige farbvaleurs - souverän
Da pflichte ich völlig bei👍👍💕💕
@@shandfan danke........ freut mich.... aber: wo ist ingolf wunder eigentlich geblieben? spielt er noch??????
@@gerdlindlar1980 Ups...da bin ich überfragt.Schlimmer noch.......ich hatte vorhin noch NIE von ihm gehört.
Muß sagen....ich hab auch neulich von anderen deutschen Pianisten nichts mehr gehört.
Ingolf erinnert mich einigermaßen an Rolf Plagge.Auch deutsch,und 80er Jahre Laureat Reine Elizabeth Wettbewerb Brüssel.Und genauso...Wolfgang Manz.
Ach was....klar,daß ich hier welche hab ausgelassen!
@@gerdlindlar1980 Mannometer.....ich stieß auf ein video,worauf Ingolf die Chopin Etude op 25 no 6 spielte.Ja...die Terzenetude.Geh mal HIN, und hör dir das an,...verdammt noch mal.Das war eine unnachahmliche Leistung!!!! Was für ein "underrated"(verkanntes) Maestro er ist!!!
Habe das Ding auch unter den Fingern gehabt ,nur als Student...konnte aber mein Studium nicht fortsetzen( bei uns in Holland nicht erlaubt wegen einem Unfall mit meiner rechten Hand.Zwei verkrüppelte,verstummelte Finger,gesteckt in die Speiche des Fahrrads,sowas von Blöd) Konnte aber nach Heilung spáter wieder spielen.Und das führte mich als Alternative zu Wartungsarbeiten für Konzerte in einem Theater.Ich war dort der Betreuer des Flügels und hatte mich zu jener Zeit mit vielen Pianisten ganz nett unterhalten. Ich war anfangs hobbyist ab 12 Jahre alt,..aber wurde umständehalber getrieben zu Profi,und ja..habe meine Ausbilding dazu gehabt bei euch in Deutschland.(volontiert in 2 renommierten Firmen)
Folgendes sei eine Lehre.....meistenfalls ist nicht die Anatomie der Finger Spielverderber,sonder ein Mangel an Technik.Möglicherweise für viele eine Beruhigung.
@@shandfan yes breathtaking
Só achei o primeiro movimento rápido demais e pouco suave do que eu gostaria
언뻘리버블
Why "b minor" in name of the video?? It's h moll...
Because "B minor" is the english for "H moll"
B minor is Anglo-Saxon name for h-moll.
ahh the key of h and it's infinite beauty
I hate to say it, but I suspect the judges got turned off by the non-musical aspects, like the tails and the facial expressions; the pianist is expected to be emotionally involved, but not emotionally ostentatious. When "let themselves go" emotionally, looking like they're in rapturous spiritual communion with the composer, it can seem impressive to less sophisticated audience members, but experienced pianists know that can be easily turned on and off, particularly the facial expressions and the "staring into the heavens" look, combining joy and sorrow, then nodding etc. Judges probably automatically deduct points for nodding, which pianists pretend is spontaneous, automatic, un-selfconscious. But it's a gesture asserting some kind of moral claim or status to yourself: signaling agreement and approval of the music's sentiment. In any case, all that projected seriousness, authority, and moral and spiritual sensitivity, coming off as a kind of priestly-aristocratic affectation--- an impression heightened by the suit making one think of Rubinstein or Paderewski. Nowadays most pianists lean toward unpretentious attire.
I think an unwritten rule of competitions is that any communication not strictly through the piano itself is going to be docked (outfit, rhapsodic or entranced facial expressions, and worst of all, nodding and head shakes).
Although Pollini takes things extremely far in terms of austerity in these matters, seeming almost soulless and machine-like, I think he is responding to over-romanticization of piano performance and concert pianists. He plays sort of like a surgeon performing an operation. I don't know if one need go that far, but that austerity in that direction is certainly appreciated by competition juries that will hate extra-musical histrionics, and any sign of pretension. Between the tails, the nodding and dreamy "communing with the spirits" (worst of all when you look like you can't control it, as if to advertise how caught up you are; everybody knows it *can* be controlled), they probably got turned off.
I don't feel that Mr. Wunder is purposely trying to put on some "facial theater" in order to "amplify" the music here. For me he is simply deeply involved in the music. I do know what you mean about over-the-top "facializing" and also "peacocking theatrics" which some pianists (who shall not be named) indulge in. As someone watching a pianist, I prefer that their physical presentation not get in the way of the music. But I don't feel that Mr. Wunder is doing anything other than playing the music with total sincerity. I don't find anything in his manner at the piano or in his facial expressions while playing to be objectionable. To the contrary, I feel his sincerity and his passion for the music. But no doubt responses to pianists differ from person to person, but I must admit that I'm impressed by Mr. Wunder's passionate performances of Chopin's music. It is certainly true, though, that some pianists are better heard than seen. Of course, camera closeups aren't always flattering to pianists--or anyone else. But I actually enjoy watching Mr. Wunder play. In fact, I just got done with watching his performance of the Chopin Bolero and loved it once again! In any case, as my cousin likes to say, "That's what makes horse races." Wishing you well and lots of musical enjoyment to come as time moves along.
최근 연주 앨범 들어봐도 똑같아 발전도 없고