Studio Tour - Setup / Routing and Workflow Example
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- Опубликовано: 28 июл 2024
- Electronic music studios are always changing and so is my setup. However I feel that I got to a point where my setup supports my creativity and I can concentrate on making music instead of dealing with cables and routing. So I´d like to do a little studio tour and show you how I use my gear.
COMPLETE LIST:
SYNTHS:
Access Virus TI
Arturia Microfreak
Elektron Analog Four mk2
Elektron Digitakt
Elektron Analog Rytm
E-MU Ultra Proteus
Eurorack Modular
Moog Matriarch
Moog Sub37
Oberheim Xpander
Oberheim Matrix 1000
Roland Juno 60
Sequential Rev2
Waldorf M
Waldorf Microwave 1 Rev A
Waldorf Iridium
Yamaha TG77
INTERFACES:
Focusrite Scarlett 8Pre
Motu Midi Express 128 (2x)
RME Fireface 802
UAD Apollo Firewire Duo
Waldorf Midibay
SOUND:
Neumann KH120A
ADAM Sub8
COMPUTER:
Apple Mac Mini M1 16gb RAM, 1TB SSD
00:00 Setup and Workflow
03:04 Ableton for Sequencing
13:29 All Synths
21:13 Final Thoughts
My latest ambient releases:
➽ phelios.bandcamp.com/album/dy...
➽ phelios.bandcamp.com/album/th...
➽ phelios.bandcamp.com/album/te...
➽ synphaera.bandcamp.com/album/...
Follow me:
➽ BANDCAMP: phelios.bandcamp.com
➽ SPOTIFY: spoti.fi/31PB71q
➽ SOUNDCLOUD: / martinstuertzer
➽ FACEBOOK: / martinstuertzer 
Видеоклипы
one day in this massive studio would be a dream
Hey Martin - I love studio tours and you included lots of useful info. I'm always curious about how musicians connect their gear together 👍 I currently have all the audio connected, just need to decide on the best routing for MIDI 😱
I have been hoping for quite some time that you would make a video like this Martin - thank you :) Really admire and enjoy your work - deeply impressive in every aspect: the careful sound design and spatial/timbral/temporal layering, the clarity and depth of your production, and the hauntingly beautiful quality of your composition. Your work has helped me to get through a very difficult 20+ months. The fact that you make it look almost 'effortless' is another mark of your skill and talent, and a sign of how well organised your studio and workflow is.
Inspirational.
I am very happy that my music helped you. Music is the only thing that helps me when I am going through difficult times, so I know that your words have a meaning. About the other thing: the camera is only running when it looks effortless, I am also hitting walls all the time when making music. But these days are often followed by a new day with good ideas.
Danke, das Du uns mitgenommen hast auf Deiner Tour durch das traumhafte Studio. Es ist mit Sicherheit ein langer Weg bis man es geschaftt hat zu sagen, das es so perfekt ist.
Ich befinde mich, glaube ich, nach Jahren immer noch am Anfang dieses Weges, was auch daran liegen kann, das ich mich nur sehr schwer von Equipment trennen kann.
Leider aber sehr oft dazu neige zu schnell neue Sachen zu kaufen. Die Geschichte von dem Juno ist natürlich genial. Ich wünsche mir auch schon seit einer Ewigkeit mal so ein Glück zu haben.
Übrigens, der Octatrack, den ich vor Jahren mal von Dir gekauft habe leistet bei mir immer noch seine Dienste. Das ist auch so ein Teil, welches ich nicht mehr hergeben werde.
Grüsse nach Wuppertal.
Martin, thank you so much for sharing, it is great to see your workflow and thought process.
Thank you for taking us through your studio setup, Martin! Very functional indeed, and obviously well thought out. Inspiring :)
Quick & easy access to the intruments and sounds you want really makes a difference when in the creative mood!
So well thought out and functional! Thanks for sharing your set-up. Lots of good ideas for all of us viewers to use wherever we are now too.
Thx Martin. Really fantastic instructional content.
Brilliant, smart, inspirational, and of course quite humorous! Thanks so much for taking the time to make this, Martin!
Sehr schönes Studio!
Very nice overview. Amazed at how you’ve hidden most of the cabling!
Thank you very much for these insides - more of those very welcome
Thanks for sharing your knowledge Martin.
Danke für dieses tolle Video.
Thank you for the tour :)
I was impressed by all your synth instruments and how you create certain sounds.
Your studio is a universe of creating great music.
Super interessant gut gemacht viele wichtige hinweise die ich direkt einmal ausprobieren werde Danke für das tolle Video Martin
Great video Martin, such a nicely streamlined studio, thank you for sharing.
Great set up. Very cool to see how similar our workflows are! I follow dam near every philosophy and work flow you've presented here!
Happy to see your Ableton routing. Very inspiring!
Hey Martin I found it! Excellent tour, and a very good workflow overview. Makes a lot of sense how you've set things up and integrated it with the way you like to add and control tracks in Ableton. Thanks for talking about your audio and MIDI interfaces too - that's helpful and answers some questions I have about my own (very tiny) setup and possibilities for expansion. The synths you've got there are fantastic! I know you don't need me to tell you that - but WOW what a nice mix of gear. 👍😎👍 Keep up the amazing music and thank you for sharing with us!
Thank you, Martin. I only dabble in synthesis and recording, so my setup is nowhere near this. The information and knowledge you have presented here is greatly appreciated.
All very interesting - thanks for making this video. My studio is growing too and I'm facing connection problems so great to see how you tackled this. Love the music too!
Hallo Martin,
ich habe dein Video sehr interessiert verfolgt und nach und nach mein Netzwerk mit Logic, Novation Launchpad pro mk3, Hardware Racks und Modular Racks ähnlich aufgebaut. Damit hat sich mir ein jahrelanger Wunsch erfüllt. Gerade deine Hintergrundinformationen sind Gold wert. :). Vielen Dank dafür!
ciao herw
Thanks for these kind of helpful videos!
Amazing synth collection. Especially that Virust TI. But I gotta say, Neptun is the best part. That cat is adorable.
Very nice and easy understandable tour around your setup and way of working!
I'm still fighting every time with audio cables, midi mergers and splitters. Recording is a complete nightmare with today's equipment and working without computer.
I appreciate videos like this very much. It concentrates on the everyday essentials of making, composing, improvising music without all the fuzzy talk that is usually presented.
Vielen dank Martin!
Thank you! Since my music ends up in the computer anyway (or nobody could listen to it except Neptun) I keep my workflow organised in the computer from the start.
Super interesting! Thank you, Martin!
Such a cool in-depth view into your workflow. Thank you for sharing. Really have to look into the external instruments stuff in ableton now.
Hello Martin. What a valuable and inspiring video offering. I am in the early stages of assembling a home Studio. Thank you for explaining clearly the methods for creating the magic that is electronic music. Fully dedicated to moving forward with confidence now. You are going to be a great mentor, so again thank you and I hope you continue creating wonderful soundscapes (and sharing videos) Very cool.
ultimate studio
Really interesting - thanks for sharing Martin.
Thanks for sharing this! I was just about to write you a question on Facebook and decided to check your videos to see if I could find the answer there. This video answered my question! Love your tunes. I rarely comment, but have been listening for a few years now. Keep it up!
Really interesting,thank you Martin
I really loved the tour, and enjoy the way you explained your workflow as you went.
I think Neptun is the only irreplaceable component in the studio
Very nice Studio 🍀 a huge source of Inspiration 👍
Danke Martin! :-) Hast dir da ein phänomenal funktionales Setup aufgebaut, so macht Musik machen spaß
Danke für diesen Einblick. Sehr interessant!
Nice and systematic
It’s all in control.
No more unplugging cables, however to setup something like this takes time and planning.
Super job 👍👍
When the studio looks good
The music comes out better.
Always 😜
Great Video-tour!!! Thank you
Excellent walkthrough, thank you very much. I’m recently trying to improve my home studio layout. My one challenge is I have rack gear that I’m trying to incorporate in a more usable fashion. I find rack furniture seems to focus on space efficiency over usability
Wow, tolles Video! Sehr informativ, gerade für mich, der vor einiger Zeit angefangen hat in der Art zu musizieren (und schon den ersten Unsinn gekauft hat) . Vielen Dank, sehr inspirierend 👍👍
Thank you for sharing, Martin! Sehr inspirierend, wie immer! :)
Thank you for this, Martin. Very similar to my arrangement. It has inspired me to do a similar video sometime soon.
Tremendo! Thanks for share it!!
Love the channel!
Great video. I think one of the most important aspects of having a setup like this is to just stop buying gear all the time.
Hi Martin, thanks for putting this up it was great. Love your studio and Neptun 😂. Definitely going to get a push probably a version 1 as it’s so much cheaper than a 2. Cheers Glyn.
Martin, this setup is quite ingenious. Thx a lot for sharing this very useful info. I am at the point that I try to work me into the subject of synth and everything in correlation with that. But now I got an idea how I could route all those signals that maybe one time I would produce with my synths (that have to be bought like all the other stuff). Now I only need the courage to start learning (and buying) all this, which I hope will not be to hard for me in the age of 59 and as an absolutely noob to this subject.
I am glad that you found some useful information here! Don´t let the age hold you back from being creative! In your case I would start with one or two synths and really learn everything about them before jumping to a bigger setup. Music making is possible without a rather excessive setup like this one. :)
@@MartinStuertzer Thank you, Martin, for your reply. I thought I want to start with a Roland JU 06a and later maybe go on with an Arturia Microfreak and a Dreadbox Typhon.
I'm learning all sorts, here. Thanks 😊
Thanks for the studio tour! I love the lofi video part, feels like back in the 90ies... ;)
Sehr informativ, vielen Dank!
Thank you!
Thank you so much for the studio tour. Very interesting (as always).
Now we not only know for sure (we already assumed this) that Neptune is an integral part of the studio ...
... but also that you studio has a telephone. 😁
All the best, Henrik
The telephone is usually not on my desk but on that day the line was very busy. :)
brilliant, amazing setup... not sure if i can ever get to this level in my lifetime lmao im more of a compact guy i think .. love the kitty towards the end !!!
Thanks for sharing! I have a similar approach about using ableton as a central hub although I don’t improvise as much as I’d like to. I always end up in writing mode in the session view. I’d like to have a more free flow of music making.
thank you
Great Runemagick Shirt!
Nic one mate
Sub +1 great content. I have my studio routed the same as you only differences are that I patch each of my synths when I want to use them, same with my pedals and outboard processing. Dope studio man.
love Neptune!!
Thanks for doing this, Martin! I wish more musicians would share the details of their setups. I take a very similar approach, except that I have an Ableton template that has all the instruments already in it. I have a 16-track mixer, so each instrument always is assigned to the same mixer slider, and I like having the physical sliders to adjust the levels in Ableton. I am amazed at how few cables I see! My floor is covered in a rat's-nest of cabling! :) You have a very neat clean setup.
I also tried templates but I like the idea of starting with a blank canvas every time. With the presets that I made I can quickly put together what I need.
Thanks a lot for the amazing content!
I would be interested if you could share some insights on how it is connected power-wise, there is never enough content on that on the internet, and I think it could be very helpful for beginners.
Sehr schön zu sehen,ich mach seit 2003 nur per Pc ;) einfach kein Platz
Hey Martin, back for another watch and learn session for me. So midi in and out to Ableton but I remember you saying audio records somewhere else and not into Ableton. How do you record the audio output then from everything?
Thanks so much for doing this Martin. As I watch your process I’m trying to think of how I could translate this workflow to Logic now that it has a loop/grid mode with a launchpad pro. But that doesn’t have a screen like the Push. Anyhow, you’ve got me thinking, and inspired, as usual!
That is a very good question! My last Logic version was 5.5.1 on PC, so I can´t contribute anything here.
Ableton truly is the end all be all for this type of stuff, I feel like they made mainstage to give you the logic sounds in a setting similar to this if you set it up right but the looping capabilities and sequencing abilities of main stage don’t come close to ableton unfortunately. Logic witb the yellow looper at the top is possible but different and less versatile then ableton but still possible
👍🖖💯😂🙏…. ❤️ your music!
Thank you for this great video showing how you make ambient music. I have the Akai Force and I’ll love to make ambient music on it. I use the plug-ins on it because it’s all I have for now. So do you make arpeggio track, pad track, and a bass track? Or would a drone bass (low tone) with pad chords progression(mid tone), with an arpeggio melody (high tone) would work? I’m trying to figure it out the ambient music production. Thank you for your help and response. 🧔🏽♂️🙏🏽
Thanks for the great video always,! Just wonder if all your synth is connected into the Motu midi interface?
Awesome workflow description, thanks :). I’m also trying out different flows for years now and now I’m more or less at the same point: ableton with presets for hardware synths. Still, I feel like missing out on the arps and sequencers of the units themselves, since they are so much fun to use while jamming, also since you have more control at the same time without having to switch tracks in the push. Is that something you still use for ideation before recording, or do you really do everything straight out with the push?
This is pretty much how i am making my studio atm. Awesome.
I am wondering if you use digitakt for drums, how would you incorporate it into this setup.
Can you use it in combination with the push because of overbridge?
Great video Martin - I am considering a similar setup myself. Looking at probably getting an RME fireface thunderbolt interface. Just wondering whether you are using a Mac or PC and how powerful it is - given you are running plugins on every track in real time
hi martin,
thanks for your nice music contribution and also for sharing your setup with us.
can i jsut ask 1 question? noticed your recent waldorfs. at the same time found no analog rytm, digitakt, nor either machinedrum !!
you gave up on elektron? :)
also glad to know your Virus cool history!! also whouldn't sell mine for nothing!!!
thanks for your time and your good music.
Super clean setup. My cable management is nowhere near as good lol
19:21 Catty love 😻
Hi Martin, thank you for sharing. I Wish do the same, but with a behringer x32 mixer. The mixer Is like One audio interfacce, for the mac, so i dont undestand where im falling.
@MartinStuertzer Hi, Martin! Great channel!
I am in the process of building my studio and I am concearned about the length of the audio and midi (DIN) cables from the midi devices (synths, groove boxes, midi step sequencers, etc) to the sound and midi interfaces.
Initially, I put 3 meter long audio (balanced) and midi cables in my wish list. But as I plan to have a lot of music gear and to be able to move it around, the 3 meter cables might be too short.
I also want all the cables to be the same length, no matter if the respective devices are close or far from the audio and midi interfaces - to avoid timing discrepancies between devices.
4 meters in length would be the sweet spot. Unfortunately the midi DIN cables that I want have 3 m and 5 m in length, and the balanced audio cables 3 m and 6 m. Nothing in between.
What cable lengths are you using for your audio and midi devices?
Will the length of 5 m for midi DIN and 6 m for balanced audio cause any problems (no matter how small the problems are)?
What are your opinions and suggestions?
Thanks in advance!
Hallo Martin. Ich schreibe dir einfach mal in unserer Muttersprache... Ein sehr sehr cooles Setup nutzt du da. Danke das du deinen Workflow mit der Community teilst. Da auch ich in der Corona Phase mit Hardware angefangen habe, und immer wieder vor den üblichen Problemen stehe, ist es sehr hilfreich zu erfahren was und wie andere User arbeiten.
Auch gefallen mir deine Ambient Sessions sehr gut. Hat mich schon durch so manchen "ich Verkabel mein Studio neu" Phasen begleitet. 🙏🏻
Und Neptun ist ein echter Star! Hast du den mal gesampelt und z.B. mit dem Iridium verwurstet? 😁
Falls du mal lust hast, den Argon8 oder den Hydrasynth (desktop) auszuprobieren, meld dich bei mir. Ich komme aus Erkrath, was jetzt nicht so weit von W-upper Valley entfernt ist ;)
LG
Michael
Hallo Martin,
erstmal dickes Lob vorab immer für die tolle Ambient-Musik und die guten Erklärungen von dir - das Studio Setup hat mich hierbei besonders interessiert.
ich wollte dich schon Fragen wie genau du die Synthesizer alle mit dem Interface verbindest - Mono oder Stereo? Dann hab ich beim wiederholten mal gesehen das die Verbindung vom Synthesizer jeweils mit L und R (Klinke) angeschlossen ist, im Interface belegst du damit ja aber 2 Kanäle also rechts und links - und da stellte sich mir die Frage - wenn du in Ableton Live das Instrument als externes Gerät einbindest - werden hier ja die 2 Kanäle vom Interface angezeigt (Audio From).
Ich bin nämlich gerade dabei mir ein neues Interface zu kaufen, das RME Fireface UFX II oder das neue RME Fireface UFX III hat ja hinten schon mal 8 Eingänge per Klinke,
damit kann ich meine 4 Hardware Synthesizer direkt anschließen und gleichzeitig nutzen. (DSI OB6, DSI REV2, Waldorf Iridium und Korg Minilogue XD.
Meine bisherige Anbindung war über ein Mischpult (Mackie 1202 VLZ4) die Synthesizer angeschlossen und mit 2 Kanälen in das Interface (Roland UA-55 Quad-Capture),
hierbei konnte bzw. habe ich immer nur einen Synthesizer nacheinander im Ableton aufgenommen. Allerdings war mir nicht klar wie ich die Verkabelung so durchführen kann, dass ich das Mischpult auch noch für den Mix vom Ableton nehmen kann ohne dass es zu einer Feedback-Schleife kommt (die Boxen sind direkt am Mischpult angeschlossen).
In einem deiner Videos hast du mal genau das Mischpult auch genutzt (aber vermutlich nur für ein Hardware Livesetup) - gibt es eine Möglichkeit das Mischpult weiterhin zu Nutzen (ich hätte halt gerne immer einnen Hardware-Regler für die Summen-Lautstärke direkt im Zugriff) - du hast das ja mit einem Midi-Controller gelöst?
Und noch eine letzte Frage, ich würde gerne einen Hardwarekompressor zum Beispiel den SSL BUS+ in das neue Setup mit einbauen, macht es dann Sinn den VOR dem Eingang des Audiosignals in Ableton zur Aussteuerung zu nutzen oder erst nach dem Interface (damit die Boxen nicht übersteuern) - aber dann geht ja der Mix damit verloren?
Wie würde sich hier der Anschluss SSL BUS+ zusammen mit dem RME Fireface realisieren lassen?
Vielleicht Summe extern Ausgang vom Interface zum Kompressor und danach wieder zurück ins Interface (also ähnlich wie beim Mischpult mit dem externen Signalweg)?
viele Grüße an dich und alle Soundbegeisterten Kollegen und KollegInnen die hier dem gleichen Hobby/Leidenschaft zur Musik fröhnen :)
Thomas
I’m sure you updated your MicroFreak recently 😁
Hallo Martin, vielen Dank für das "How To make a phelios song" video. Dein Workflow hat mich am meisten interessiert und auch ein Stück weit inspiriert. Arbeitest du im weiteren Verlauf im Arrangement View? Wie hast du deine Sounds organisiert (Ordnerstruktur, Init Patches, ...)? Nutzt du ab und an auch Software zur Klangerzeugung?
Aber schon einmal vielen Dank fürs Teilen! Bis zur nächsten Stay at Home Session. Fun Fact: Ich habe meinen TI in 2008 nach Wuppertal verkauft. Ich bereue es noch heute...
Vielleicht kommt mir der Sub25 mal ins Haus - warum hast du dich damals für den Sub37 entschieden? Wegen der Livemöglichkeiten?
Vielleicht habe ich mit den ganzen Fragen dir ein paar Ideen für ein weiters Studio Tour Video generiert ;-) ... sorry
Thank you for your excellent tutorials. For me i have all the synthesizers i need and like you i use ableton as my central control. To find a workflow has been difficult so will purchase the midi twister and push 2 as they are logical choices for sure. When i am setting everything up is is possible for me to request some consultation from you , i can pay a daily rate as required. Where would be best to email you? Thanking you
Great video, thanks for sharing! Curious if you're at all concerned about heat on the synths in front of the radiator?
No. I monitor the moisture and try to keep a constant temperature.
Thanks for this video and explanation of your nice setup. What happened to the Korg Wavestate, do you still own and use it?
Thanks! No, the Wavestate is not part of my setup anymore.
I also have a cat , Semyon , and he looks very much like Neptune ! :)))
Awesome studio tour. Love Martin's setup. Silly question, but what was the name of the tiered keyboard stands he uses? Thanks in advance.
Thank you! I use Jaspers Keystands
@@MartinStuertzer Thanks so much Martin!
Hallo Martin, danke für diese interessante Führung.
Habe eine Frage: diese Einstellungen auf Live sind nur auf Life 11?
Danke und entschuldige mein schlechten Deutsch..
Grüße
Ich arbeite mit Live 11, aber früher hatte ich das selbe Setup mit Live 10 und Live 9.
Hi Martin,
And thx for making these videos!
Could you please let me know if you connect your virus with spdif as well to your interface for proper clock synchronization? I just observed that if I don't use the spdif cable in addition to the usb to the computer for connecting my virus the arp and delays get out of sync randomly and they are simply unusable.
Interesting, I never used the spdif ins or outs. My midi interface sends the clock with midi and it works fine. Audio is connected through the regular output jacks. Do you use the usb stuff? That never worked here.
I see you don’t have the Wavestate anymore. What’s the reason you didn’t like it? And thx.
1000 Dank für das informative Video! Zwei Fragen, wenn ich darf ;-) Nutzt Du bei allen Synths ausschließlich Midi-In oder auch Midi-Out um beispielsweise Automationen vom Synth in Ableton aufzunehmen? Und nutzt Du auch USB-Midi bei Synths, bei denen es möglich ist oder schließt Du ALLES an die Motus an? Vielen Dank schon mal!
Midi Out benutze ich meist nur um die Tastaturen zu benutzen und Sequenzen am "richtigen" Keyboard spielen zu können. Automationen zeichne ich nicht so gerne auf, weil das Ergebnis fummelig zu bearbeiten ist. Hier liegen aber Zettel mit allen Midi CCs meiner Synths, so dass ich umgekehrt von Ableton aus die Parameter fernsteuern kann. Midi USB habe ich nicht im Setup weil ich nicht so lange USB Kabel habe und es bei einigen Synths zu Störgeräuschen kommt, weil billige USB Ports verbaut sind. Timing-technisch habe ich keine Schwierigkeiten damit, diese beiden Anschlussarten zu mischen.
@@MartinStuertzer 1000 Dank für die schnelle und informative Antwort. Also hast Du alle Synths per Midi in beide Richtungen verkabelt. Davor graut es mir momentan ein wenig, weil ich ein ähnlich umfangreiches Setup habe und zur Zeit noch viel über USB-Midi verkabelt habe. Eben mit dem von Dir erwähnten Problem (Störgeräusche) und Latenzen. Aber dann führt wohl kein Weg dran vorbei komplett auf USB-Midi zu verzichten. Danke!
irgendwelche tips und empfehlungen zum thema latenz und treiberfehlerkompensation? das würde ich gerne von dir gecovered haben, wenn du magst! Danke für die tour, intelligentes setup!
Ich versuche möglichst viele Geräte auf möglichst gleiche Weise anzuschließen und dadurch unterschiedliche Latenzen zu vermeiden. Wenn es zu größeren Latenzen kommt lohnt es sich die Ursache zu finden. Ein Gerät oder ein Plugin kann alleine die ganze Konfiguration zerstören.
@@MartinStuertzer und noch eine frage: wie bindest du externe Effekte wie zb das specular tempus ein? Danke für die Antwort!
@@rayflux Gar nicht! :) Wenn ich mal was ausgeliehen habe an Effekten kommt das direkt zwischen den Synth und den Eingang und wird mit aufgenommen.
Xpander, one of the most complicated analog synthesizer in the world. Juno-60, one of the most simple analog synthesizer in the universe (as far as i know). Both are tremendous sounding Instruments. Did you ever checked the Roland JX-8P?
BTW: Beside the Moogerfooger at the shelf, do you use any external effects, stomp boxes etc.?
I rarely use stomp boxes, I also have the Timeline and a H9. And no JX-8P yet. :)
You should include a Kurzweil K2500/2600 on there seeing that you have a thing for digital synths,it's deep like the Iridium if not more,digging your workflow setup very nicely done, congratulations 👏🎉
schönes studio! wenn du nur midiclips aufnimmst, wie nimmst du denn letztendlich audio auf?
Danke! Schau dir mal dieses Video an, hier erkläre ich, wie ich das mache: ruclips.net/video/h-_qQH91yyE/видео.html
Thanks for sharing! How do handle latency issues with abletons external instruments? are you experiencing latency at all with your interface?
I don´t have issues with latency. I try to connect all gear using the same interfaces and the automatic latency compensation in ABleton works good for me.
Hi Tim, I asked Martin about this on a live stream a couple of months ago and he has no latency issues whatsoever! My guess is that there will be *some* latency if you go looking for it, but it will not be enough to warrant a 'solution' when it's fine the way it is.
In mid size Ableton projects latency compensation in Ableton is not reliable at all and will cause drastic ever evolving latencies. On a minimal DAW processing setup and applied to Ambient music it should work but not ideal with tight rythmic stuffs tho
To solve that problem the only way is to use the direct monitoring capabilities of the soundcards and bypass the DAW monitoring (so no Ableton FX when printing), after years trying a workaround it's the only one that way.
Maybe a Neptun is what I'm missing in my workflow!
Not for sale!
price(
I set my synths up and do the same through abelton and none of them play in time.
I am trying to move to a similar set up to this, with the external instrument plug in controlling hardware synths in Ableton. It's all working well, but I have to manually select the midi track on my Arturia Keystep to determine with external instrument I am controlling. On this video, though, it looks as if Martin can select that just by clicking on the track his wants in Ableton without having to manually change the midi channel - can anyone please explain to me how this can be done, please? Thank you in advance if you can help!
You need to "arm" the channel by hitting the arm button on the channel that you want to control with the midi keyboard. Does that work?
@@MartinStuertzer Wonderful - thank you so much, Martin - I think that's done it. Vielen Dank!
hey Martin which camera are u using ??? would love to know , thnx and greetings my freünde alles gute ... ;)
Thank you! I am using a Canon M50 with a Sigma 15-35mm lense
@@MartinStuertzer thnx again ... I will check it out ... ;)
What do you use to sync all your midi stuff together? And how do you manage all the latencies?
@@tB3o3tR9o9 If you use just Ableton with all those synths, you'll get a lot of latency. I'm curious if he uses an external clock or sync device like a Multiclock
@@dangayle there is no midi latency
@@tB3o3tR9o9 Have you ever tried used Ableton as the main sequencer and recorded a bunch of drum machines and synths together? There's latency in the recording. That's precisely why they make the Multiclock, because the midi signal from your DAW is less reliable and introduces latency.
@@dangayle i did not had any sync issues in my setup. currently i only use hardware with a Steda SR 909 as master or a MPC 1000