Carnegie Hall Trombone Master Class: Schumann's Symphony No. 3
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- Опубликовано: 28 авг 2024
- Berlin Philharmonic principal trombone player Thomas Leyendecker coaches Carson King-Fournier on Schumann's Symphony No. 3. carnegiehall.or...
Select members of the Berlin Philharmonic woodwind and brass sections led two days of master classes focusing on orchestral repertoire and audition preparation. Participating young artists attended panel discussions with the master class leaders and heard the Berlin Philharmonic in performance, led by Sir Simon Rattle, at Carnegie Hall.
Trombone Master Class Participants:
Carson King-Fournier
Amanda Logue
Christine Mounger
Berlin Philharmonic Master Class playlist:
• Berlin Philharmonic Ma...
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• Education and Social I...
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![[PMF 2018] Open Masterclass ~Trombone~ ／ PMF公開マスタークラス～トロンボーン～](http://i.ytimg.com/vi/vTB_swYlBlc/mqdefault.jpg)
for someone who is not very good with english, Leyendecker worded his interpretation excellently
its not the mouthpiece anymore. its his years of experience of playing the trombone that gives him his beautiful tone
that beautiful tone is made by the musician, not the trombone or the mouthpiece. Years of practice can make a cheap trombone sound beautiful
This guy should've done more master classes
i really wanted to hear leyendecker play the whole thing
one good trombone player.
Muito bo exelente aula de mussica
7:14 7:15 ridiculously high Eb
The student is using an alessi model mouthpiece and horn, while the teacher is using a thein. At least I believe so, most Germans do, since thein is a German company.
It's a Michael rath trombone
Lisandro Hernandez it's an Edwards Alessi model lmao
Daniel Zachary Zapico I meant the teachers instrument lmao 😂
Lisandro Hernandez the teachers is still a Thein
That is 100% a Kromat CL-139. Thomas Leyendecker is listed as a reference musician on their website and the instrument looks exactly like the one on the picture, the only two differences being a Hagmann- instead of an axial-valve and a larger silver rim that's decorated with shell ornaments instead of a small one. But this is exactly what the Kromat workshop was crafting the last years. I don't know if anything has changed until today.
On any account the fine, warm, and simply beautiful sound of this gorgeous instrument is clearly recognizable! I can only say the very best about Mr. Kromat with his team and their instruments! Here's their website: www.kromatbrass.de/E-kromatbrass_de/e-kromatbrass_de.html
I guess the student was using the Alessi model but I don't know what horn the teacher was using.
What model is this trombone?
kromat
The student is using an Edwards T396A while Mr. Leyendecker is using a Kromat.
Isn't this part played on Alto trombone?
I think the top note (Eflat?) is too high and too hard to be played on tenor one.
A good player can play a piece on any horn ;P
Yeah I could play a F0 all the way to a Bb4 when I played in college on a tuba
That's what practicing every day does for you! Hard work pays off
It's possible to do it on tenor.
The practical ceiling for tenor trombone is considered to be G5, but some more conservative musicians will say it's D5. It all depends on the player.
macemaster124578 I applaud you. So true.
2:33 how did he do that?
he just blew air
what kind of mouthpiece is leyendecker using? His tone is beautiful.
It’s not the mouthpiece that makes the trombone sound good
he makes the boring excerpts into pieces of music!!
The teacher is playing on a Michael Rath trombone.
no he isn't it looks more like a German Schagerl. If it were a Michael Rath there would be the iconic 'R' on the tuning slide
Archie Young-Lee at first: schagerl isnt german. Its a austrian company. And he play not a schagerl
No, he is playing on a Kromar
What does the 'story' have to do with how to play this music? Why do they ALWAYS chatter about this meaningless dribble?
story of music is important, it gives the musician an understanding of what is going on in a particular piece of music, which in turns gives them an idea of how they should stylize the music. Musical story is a fundamental part of music, by understanding the idea and intent behind an excerpt, a musician can play it with the proper style.
@@superior_nobody07 amen
Before asking stupid questions like this maybe think about it.
@@Evanw10282 oh - okay. Thanks for this superlative advice.
@@Evanw10282 And now that I revisit this idiotic nonsense, it is more idiotic than it was the first time. It has NOTHING to do with how to play this glorious music. He needs to SHUT UP.