I was at the world premiere performance of this remarkable composer's Eighth symphony in 2000. It is the most memorable of my 50+ years of live music performances (the 1972 Rolling Stones Philly summer concert also rates 😉😁.) It was commissioned for the Orchestra's one hundredth Anniversary season. When Mr. Sawallisch announced the piece he named the composer and pointed. Suddenly six aisle seats directly in front of me the composer stood and acknowledged the applause of the audience. It was a unique experience to listen in the presence of Mr. Rautavaara (then 71 or 72) to this incredible symphony that, for me, is second to none in his extensive list of compositions from his long life. I'm lucky enough to own many on CDs. The 8th is probably my most replayed along with the recent 2022 recording of four pieces for violin and orchestra that were among his last compositions, beautifully recorded by Simone Lamsa with Robert Trevino and the Malmö Symphony Orchestra. The one shame is that the premiere performance was recorded for radio broadcasts and once was available freely for streaming from the Ondine website. The Philadelphia Orchestra was supposed to studio record it, but the US musicians union rates were so high compared to Europe that an agreement was never be reached and the live recording disappeared about the same time the first recording was released.
A masterpiece of modern composition. Perplexing (and somewhat sad) that it did not receive a warmer reception from the audience at this performance. No matter; we can all enjoy it for years to come.
.. beeindruckendes Werk; gleichfalls beeindruckend - das Philadelphia Orchestra in Köln mit seinem beliebten bedeutenden Münchner Maestro Wolfgang Sawallisch - eine glückliche Alterskarriere "nur" als Konzertdirgent eines der Big Five of USA.
Spectacular. Great performance by the Philadelphia Orchestra. Einojuhani Rautavaara is clearly one of those gifted composers whose work has gone vastly underappreciated. Many fine orchestral compositions will not be found on the performance schedules of major symphony orchestras.
I absolutely love the ending of the first movement. He ends it on a pretty "jazzy" chord (Ebmin11 or D#min11 depending on however he notated it.) I thought that was so cool the way he voiced it and i got huge chills from it. And the ending of the last movement is just phenomenal as well. Such beautiful music.
I agree, the ending of both the first and third movement always give me chills. Rautavaara's music always gives chills when there is thick harmony, that's why he's my favorite composer.
So after writing 8 great symphonies this great composer decided to stop writing symphonies until his death at 2016. To me it's not a coincidence, sounds like he avoided the curse of the 9th. But he was a really great composer, one of the greatest surprises i got from hearing a modern composers lately. The fact that he was so unique and out there, yet never abandoned tonality completely is an amazing example of composition to me.
Музыкальное произведение необычно и сложно для восприятия, но постепенно слух привыкает. Оркестр и дирижер превосходны. Видео и звук прекрасны. Надо привыкнуть. Это можно расценивать как новое направление в музыкальной классике. Пока не знаю как оценить. Привет из Киева.
Seit seiner Fünften wieder einmal in großer Besetzung. Diese Achte kommt aber nicht an die (zugegebenermaßen sensationelle) Siebente heran - trotz vieler Zitate daraus. Das Publikum etwas spröde ob der neuen Klänge. Dabei bietet Rautavaara einen selten leicht gangbaren Weg in die Musik des dritten Jahrtausends.
I was at the world premiere performance of this remarkable composer's Eighth symphony in 2000. It is the most memorable of my 50+ years of live music performances (the 1972 Rolling Stones Philly summer concert also rates 😉😁.) It was commissioned for the Orchestra's one hundredth Anniversary season. When Mr. Sawallisch announced the piece he named the composer and pointed. Suddenly six aisle seats directly in front of me the composer stood and acknowledged the applause of the audience. It was a unique experience to listen in the presence of Mr. Rautavaara (then 71 or 72) to this incredible symphony that, for me, is second to none in his extensive list of compositions from his long life. I'm lucky enough to own many on CDs. The 8th is probably my most replayed along with the recent 2022 recording of four pieces for violin and orchestra that were among his last compositions, beautifully recorded by Simone Lamsa with Robert Trevino and the Malmö Symphony Orchestra.
The one shame is that the premiere performance was recorded for radio broadcasts and once was available freely for streaming from the Ondine website. The Philadelphia Orchestra was supposed to studio record it, but the US musicians union rates were so high compared to Europe that an agreement was never be reached and the live recording disappeared about the same time the first recording was released.
A masterpiece of modern composition. Perplexing (and somewhat sad) that it did not receive a warmer reception from the audience at this performance. No matter; we can all enjoy it for years to come.
An incredible Musical Space of incomparable Density , Colors and Spirit , indeed a Very Beautiful Journey 👍🏽🙏🏼🙏🏼
Nice to see & hear Philly doing Rautavaara!
.. beeindruckendes Werk; gleichfalls beeindruckend - das Philadelphia Orchestra in Köln mit seinem beliebten bedeutenden Münchner Maestro Wolfgang Sawallisch - eine glückliche Alterskarriere "nur" als Konzertdirgent eines der Big Five of USA.
The excitement the final moments is astounding.
Spectacular. Great performance by the Philadelphia Orchestra. Einojuhani Rautavaara is clearly one of those gifted composers whose work has gone vastly underappreciated. Many fine orchestral compositions will not be found on the performance schedules of major symphony orchestras.
The endings of both the first movement and the last one give me chills every time....
Thanks for this upload!
Glad you enjoyed it!
I absolutely love the ending of the first movement. He ends it on a pretty "jazzy" chord (Ebmin11 or D#min11 depending on however he notated it.) I thought that was so cool the way he voiced it and i got huge chills from it. And the ending of the last movement is just phenomenal as well. Such beautiful music.
I agree, the ending of both the first and third movement always give me chills. Rautavaara's music always gives chills when there is thick harmony, that's why he's my favorite composer.
So after writing 8 great symphonies this great composer decided to stop writing symphonies until his death at 2016. To me it's not a coincidence, sounds like he avoided the curse of the 9th.
But he was a really great composer, one of the greatest surprises i got from hearing a modern composers lately. The fact that he was so unique and out there, yet never abandoned tonality completely is an amazing example of composition to me.
Stunning.
Very powerful piece of music-loved it!
WDR could/should make a nice bluray-boxset with all the great concerts from this festival n 2000!
Masterpiece.
Музыкальное произведение необычно и сложно для восприятия, но постепенно слух привыкает. Оркестр и
дирижер превосходны. Видео и звук прекрасны. Надо привыкнуть. Это можно расценивать как новое
направление в музыкальной классике. Пока не знаю как оценить. Привет из Киева.
Beautıful.
This is indeed a journey. I dont need to go on vacation.
The last part of this work is based on the coda of Harmonie Der Welt from Paul Hindemith.
Seit seiner Fünften wieder einmal in großer Besetzung. Diese Achte kommt aber nicht an die (zugegebenermaßen sensationelle) Siebente heran - trotz vieler Zitate daraus. Das Publikum etwas spröde ob der neuen Klänge. Dabei bietet Rautavaara einen selten leicht gangbaren Weg in die Musik des dritten Jahrtausends.
I prefer the classical music like J.S.Bach, Haendel. Hydn ! That music is timeless and it lift's up your spirit !
Sorry, I find all three of those composers utterly boring!
@@michaelthoseby4682 Really… I can’t imagine how anyone could find them boring. Keep an open mind or should I say ear.
Das dürfen schlichte Gemüter auch gern tun - sie müssen es nur nicht gerade hier posten../ (Simple minds are allowed to do so..)
We can't be sure whether this music will stand the test of time, but it surely lifts up the spirit