TV Tokyo is the smallest private broadcaster based in Tokyo, but they've made some of my favorite shows, including this Aoi Honoo, as well as The Hero Yoshihiko and the Demon King's Castle & Kodoku no Gourmet. Ganbare TV Tokyo!❤
0:55, I'm reminded of Sid being afraid of the toys being alive in Toy Story. Tho tbh, Honoo's drawings are like Yoshinori Kanada-esque but Hideaki Anno's realism packs. 2 of their styles are different but cool in their own right.
"He apparently just reads encyclopedia articles on Judeo-Christian Gnosticism in the library most of the time, I hear he actually has problems completing his assignments. I guess he's taking Psych 101 as an elective too."
The problem is that he is comparing it, Anno loves to push himself to the limit, it doesn't mean you cannot making something meaningful. The problem is he could also make something meaningful, so unless you can craft a masterpiece, it is over for you.
We always had that one "gifted and talented" classmate during our art school classes. All artists who went thru art school know the feeling of having to watch the one classmate showcase their work hahaha.
The impact of the hit, the weight of the car is conveyed perfectly. It's hard to do it right. That's why it's so impressive. The first animation while good is much simpler in concept.
In my opinion, is because they don't fully understand the meaning of adapting. It's obvious that there are things that can not be translated from manga to live action, hence, you have to adapt them to the more ground of reality, however, they usually just take the same scenes from the manga/anime and recreate them exactly as they are but with real people. Americans do the exact opposite, they change too many things to the point the work is almost unrecognizable. The first death nove live adaptations are a good example of an adaptation done right; they changed a lot of things to fit them on a two part movie, but they kept the escence of the series.
First of all, this show is, itself, a live-action adaptation of a manga, and it is good. Second, a lot of Japanese live actions suck because, like any other film industries, the Japanese film industry loves cash grabs: made to make quick easy money by riding on trends and beloved IPs without actually understanding what makes the trend/IP good and without giving the creators proper resources and time. Third, unlike a lot of Western animation and comics, anime and manga are less tethered to realism and are more surreal and stylised making the process of replicating them in live action extra difficult. You become required to change stuff or sacrifice great parts of the source material (like atmosphere or character designs) just to make the work translate better to live action. However, when Japan nails their live action animanga adaptations, they nail them real well: the Rurouni Kenshin adaptations are imperfect but pretty badass, Alice in Borderland is well-loved for a reason and is way better than the anime, Ichi the Killer is a classic, Anno's Cutie Honey live action is one of the best tokusatsu films ever, Our Little Sister is a critically acclaimed arthouse drama, Lady Snowblood and the Lone Wolf & Cub saga are some of the most influential movies ever (just ask Tarantino where he gets his ideas), the Nana live action is also influential in Asian cinema, the Helter Skelter live action is a very interesting interpretation of the manga, and the live action Toki wo Kakeru Shoujo that was made by the same director that made Hausu is an all time "weird movies" great. I haven't even mentioned all the good TV show live actions that arent Netflix-released: From Today It's My Turn, My Love Mix-up, Draughty Seasonal Maidens, The Way of the Househusband, Cherry Magic, Gokusen, etc.
Now I want a show where it's just every major animator of the 90s all going to the same school. See it's a battle anime but the battles are just their drawings fighting each other.
It's not just the glasses, but even the grin is straight up Gendo.
😂😂😂
おっぱげた…！
Can you imagine being an aspiring animator and going to school with Anno? I think I'd drop out and spend the rest of my life in a monastery.
NOT THE MONASTERY
I'd be his friend and learn from him.
Or he would make you overwork in a monastery
A lot of his schoolmates are also good animators, some better than him, and they would later on form Gainax.
Yeah but can you imagine being Anno? That seems like the worst fate
Holy fuck even his glasses are shining
Just what you’d expect from the master, Mr Anno.
Just like Gendo…
hentai protagonist persona loading
Dont worry about it
ウズベキスタンイスラエル侍
I just watched the series. For all anime/manga enthusiasts and artists of that style, I highly recommend it.
sorry to be that guy, but where did you watch it?
@@takofinn kissasian or smth like that. There's tons of ads though, so better install an adblock.
@@takofinn TORRENTS! MY DUDE
Hahaha it’s also based on a long running Kazuhiko Shimamoto manga biopic.
not just of that style either. Artists can learn a lot from studying up on his works, even if they hate anime
その庵野が学生時代の友達は島本だけって言ってるのいいね
本当に色々ありましたからね…
まあ、現状を見るとね…
島本先生はマンガでもそこそこ名を成したし実家家業の社長でもあって懐も余裕あるし、仕事上ガッツリ絡んでた訳でもないから、他の連中とは違って純粋に学生時代の友達のままでいられるんだろうな
そもそも庵野監督から見ても学生時代に漫画家デビューしてる島本先生は間違いなく天才なんよな
全然良くねぇ
19 years old Anno Hideaki is amazing.
any age Anno Hideaki is amazing
おい和三盆…(北上麗香)
「絵が動いてる！」という表現が秀逸です
よくある表現じゃない？
@@musemomuberg1751 原画と動画を理解している方と素人のパラパラ漫画の違いを表現した言葉だと思われます
他の人達が凄いとしか感想ない中での台詞だからか、その後の庵野の「お前、分かってるじゃないか」ってニヤリが好きだなw
TV Tokyo is the smallest private broadcaster based in Tokyo, but they've made some of my favorite shows, including this Aoi Honoo, as well as The Hero Yoshihiko and the Demon King's Castle & Kodoku no Gourmet. Ganbare TV Tokyo!❤
この顔芸、ドラマ監督は大満足だっただろうな
Poor Hoono, he is literally going against one of the gods of animation
手を入れる専門家も呼んであるからな(無慈悲)
1:17 - “hi there folks, imma be messing with your heads for the next 30 years”
Me watching Evangelion when I was 14:
Cool robots, but why is Shinji such a bitch?
LMAO😂
ラバーガールみたいな人だなぁと思ったら、ラバーガールだったよ
両雄の出会い。しかも庵野秀明のメガネが絶妙な反射で輝いているという、神演出!!!
このドラマ本当に好きだ
柳楽くんっておそらく庵野秀明とか島本和彦の事を全く知らないはずなのにこんなに役柄に入り込んで演じられるのはすごい
定期的に見返したくなる
ホノオ君の表現力もすごいと思うよ
He man, the myth, the legend, but also the jerk, the nerd, the genius.
アニメーター目指す心をへし折るこのパワー、バイオリンのハイフェッツか
後の庵野ウルトラマンを見て、クリエーターになるのを諦めた私がここに居る・・・
このお二人の俳優さんが、ファブルではヤクザの兄貴分と弟分でしたねー。更にこのドラマのギトギトの担当編集さんも、ヒロインの女優さんも同じファブルに。全員このドラマで初めて顔も名前も知った俳優さんです。このドラマほんとに好きで、毎週楽しみにしてましたー。そういえばムロさんも中村さんも、このドラマで知りました。
1:21 Also known as,the future creator of Shin Japan Hero Universe 27 years after Evangelion'debut
Hono (Shimamoto) will go on to design the characters of G Gundam, and remake Ishinomori's Skull Man manga.
He also has a manga series about mangakas at work, predating Bakuman by a couple of years.
G Gundam is a great series!
It's not as industry- and culture-defining as Evangelion, but... it's great!
ANNO said “He(SHIMAMOTO) quickly stood out as a manga artist. So I choose anime-movie for work.”
He is great artist up to now, too.
Welp that’s the best thing I’ll see this month
0:55, I'm reminded of Sid being afraid of the toys being alive in Toy Story.
Tho tbh, Honoo's drawings are like Yoshinori Kanada-esque but Hideaki Anno's realism packs. 2 of their styles are different but cool in their own right.
Yep,Honoo one isn't bad but compared with Anno,it's definitely underwhelming……
すげえ高画質な「じょうぶなタイヤ」ですね
他の8mm作品もフィルムリマスターで出してくれんかな？
Cool, now I have to watch this entire show
I'm Japanese, but this drama is the best I've ever seen.
What is the show called?
@@griffin__sutek4958 It's called Blue Blazes.
@@RunningPenguinFilms
THANK YOU, FAM! 🙏 ❤
@@RunningPenguinFilms is it recent?
意識が大水にいってしまう
He’s a great director.
Damn, and even his glasses were glistening in the light too!
Imagine doing your homework so well one of your peers screams and faints
...why wouldn't you want to watch this? it's incredible ~Chara
I was expecting the punchline to be current day adult Anno just hanging out to style on college students
The shining/glare on the glasses is the cherry on top. That was such a good shot! lol
The drama is based on a manga artist, Kazuhiko Shimamoto's experiense.
0:50
Rohan Kishibe; Heaven’s door!
庵野秀明を演じた安田顕もスゴい、再現度が半端ないって⁉︎
このドラマおもろかったわ
後の｢00年代くらいにそれほど演技が上手くないのに、いくつかのマイナー邦画に出ていた謎のおじさん｣である
茶の味いいよね！
I'm surprised that one guy getting freaked out over animation wasn't crying Witchcraft!
この車のぶっ壊れる神作画、庵野秀明のマジの絵じゃん。
庵野秀明展に展示されとったぞ。
いやそれは庵野のパラパラを元に新たに描き起こされた複製だよ
ドラマに出てくる作品や原稿類は全て島本先生の妹分とでもいう(なんとも説明しづらい関係w)一本木蛮女史が描いてるそうだ
@@bd9523
一本木蛮とはなつかしいｗ
今で言うとコスプレイヤーのえなこが漫画家になったような物ｗｗ
当時のラムちゃんのコスプレはヲタク界隈で有名なはなしｗｗ
ファンロードで特集を組まれるほどの人気ｗｗ
ラバーガールが外国人に見られてると思うと草
ラバーガールっぽいなと思ったらマジでラバーガールなんかよ草
They even stylized the kanji to match the Eva title card format.
そいつに勝てなくて自信無くすことはこれっぽちも無いぞ
ウメハラに勝てなくて格ゲーの才能無いんだなあって落ち込むようなもの
プロ目指すような人は「一番になりたい」がモチベだから仕方ない
when the fiction is peak‼️‼️
かっこえー…
"He apparently just reads encyclopedia articles on Judeo-Christian Gnosticism in the library most of the time, I hear he actually has problems completing his assignments. I guess he's taking Psych 101 as an elective too."
The problem is that he is comparing it, Anno loves to push himself to the limit, it doesn't mean you cannot making something meaningful.
The problem is he could also make something meaningful, so unless you can craft a masterpiece, it is over for you.
idk doesn't he later come to the conclusion that he doesn't have to be the best, just good enough?
@@PandaXs1yes at the end he understand that sometimes good enough is okay.
Let Anno shine for his talent.
圧倒的な天才
HIDEAKI ANNO/Flashback Story [part-2]
柳楽くんの演技最高‼️
実際には振り向いてニヤリはしなかったと思うけど面白い
ラバーガールの新しい動画かと思ったわ
Okay this had me laughing my butt off.
これはすごすぎる！
the legendaly work , The Heavy Duty Automobile.
Aoi Hono TV live-action is a wild TV live-action.
Your english grammar is so stupid & pathetic 🤣
僕は島本先生の方も好きですよ😄
世界のみなさん！
Anno もすごいけど、主人公の Honoo (Kazuhiko Shimamoto) の作品も面白いから見てな！
（英訳されてなかったらすまぬｗ）
After I make my time machine I'm fighting budda and then him
ANNNNOOOOOOOOOOOOOOOOO!
Jajjaja que chistoso .
Anno? Man.. he look like young Kojima
We always had that one "gifted and talented" classmate during our art school classes. All artists who went thru art school know the feeling of having to watch the one classmate showcase their work hahaha.
数年後、この学校に「ハヤテのごとく！」の作者も入学するんだな…。
I would've told my mom we're moving out the country.
Yes, WE
1:08 this guy looks like yotasuke from blue period lol
庵野の画力と島本の画力w
庵野君は画力が凄いw
ホノウ君は某人間w
これよくよく見ると、純粋な画力や緻密なアニメーションは庵野の方が圧倒的だけど、
ハッタリを利かせたポージングの躍動感やセンスといった漫画力は島本の方が上なんよね…。
島本（ホノオ）はこの件で庵野との実力差を思い知って「やっぱ俺には漫画しかねえ！」って決意する訳だけど、
庵野も庵野で、在学中に漫画家としてプロデビューして大学辞めていった島本を見て、自分には漫画は無理だなって確信持ったとか。
島本が庵野を一方的にライバル視してるのが面白すぎた
Ultraman
Kamen Rider
Cutie Honey
Little secret.♡
Godzilla
Genius party
焔（手塚）「庵野みたいなヤツ、全国で30人はいる。
やっぱ、漫画家を目指そう」
庵野「手塚（島本）がデビューか。よし、アニメーターに専念しよう」
今や、親友同士だもんな
お互いが相手を心の底から慮っているのが丸分かり、なんだよな
羨ましい関係
the master himself
btw where can i watch this series?
I torrented it a few months ago
Ok, but you still haven't really answered...
Anno could not draw something that is not a tragedy event.
Fake News: Anno would've never smiled, as a student. He'd be in a corner judging everyone and being edgy.
According to his peers, Anno in real life was very sociable & unlike the other guys, always had girlfriends.
Anno Hidieki, the future director of Evangelion Neon Genesis.
Bro making the same faces as speed
Pls someone tell me where i can find this show i'm searching it since forever
Aoi Honoo
Based on a manga
@@binterwinterboyii1095 I know the name, I was asking where I can find it
Uhh, probably you could find them in nyaa(dot)si change the 'dot' to an actual dot cus' youtube won't allow links
😱🤯
No idea what this is but it seems like nick-at-night
0:02 Whose the dude in black? He looks familiar
Yuya yagira. The first Japanese actor who wins cannes award for actor when he is 12 years old and he is the youngest winner of the award.
*acting*
What show is this????
Blue blazes/Aoi Honoo
And then we got a 1 minute still frame of EVA holding Kaworu while music plays
absolut L comment
Would it help your enjoyment if there was Subway Surfers gameplay and Minecraft parkour superimposed over that scene?
Steven Spielberg submitted Schindler's List for his final project in film school.
Your unfunny attempt at humor has failed. Completely ignored 🤣
Such movement so few frames
still funny af
what is this drama/movie titled?
Aoi Honoo.
Sauce?
@ET Mutant i love cheese burger yes
Aoi Hono
素晴らしいアイデアです～庵野秀明監督は日本を代表する素晴らしいアニメ監督です～(*´∀`*)ノ😂🎉
Which movie is this? Title?
Japanese series adaptation of a manga with the same title "Aoi Honō" or Blue Blazes.
庵野のパラパラ漫画見た時変な声でた
I don't get the point here. The second animation actually feels more rigid to me, although no doubt the individual frames are far more detailed.
The impact of the hit, the weight of the car is conveyed perfectly. It's hard to do it right. That's why it's so impressive. The first animation while good is much simpler in concept.
나의 에반게리온을 돌려줘
지옥에서 비참하게 DIE
How come they can do this but still suck at live action adaptations of their own anime series?!
In my opinion, is because they don't fully understand the meaning of adapting. It's obvious that there are things that can not be translated from manga to live action, hence, you have to adapt them to the more ground of reality, however, they usually just take the same scenes from the manga/anime and recreate them exactly as they are but with real people.
Americans do the exact opposite, they change too many things to the point the work is almost unrecognizable.
The first death nove live adaptations are a good example of an adaptation done right; they changed a lot of things to fit them on a two part movie, but they kept the escence of the series.
First of all, this show is, itself, a live-action adaptation of a manga, and it is good. Second, a lot of Japanese live actions suck because, like any other film industries, the Japanese film industry loves cash grabs: made to make quick easy money by riding on trends and beloved IPs without actually understanding what makes the trend/IP good and without giving the creators proper resources and time. Third, unlike a lot of Western animation and comics, anime and manga are less tethered to realism and are more surreal and stylised making the process of replicating them in live action extra difficult. You become required to change stuff or sacrifice great parts of the source material (like atmosphere or character designs) just to make the work translate better to live action.
However, when Japan nails their live action animanga adaptations, they nail them real well: the Rurouni Kenshin adaptations are imperfect but pretty badass, Alice in Borderland is well-loved for a reason and is way better than the anime, Ichi the Killer is a classic, Anno's Cutie Honey live action is one of the best tokusatsu films ever, Our Little Sister is a critically acclaimed arthouse drama, Lady Snowblood and the Lone Wolf & Cub saga are some of the most influential movies ever (just ask Tarantino where he gets his ideas), the Nana live action is also influential in Asian cinema, the Helter Skelter live action is a very interesting interpretation of the manga, and the live action Toki wo Kakeru Shoujo that was made by the same director that made Hausu is an all time "weird movies" great.
I haven't even mentioned all the good TV show live actions that arent Netflix-released: From Today It's My Turn, My Love Mix-up, Draughty Seasonal Maidens, The Way of the Househusband, Cherry Magic, Gokusen, etc.
I'll prefer animated manga manhwa etc then anime
Where did you get this scene from?
Its called aoi honoo (blue blazes), the show is fire.
Thanks :) @@jonathanchung3684
These "characters" are real life person?
Yep
Gunbuster is better
evangelion is dead
LOL 0:48 THAT CAUGHT ME OFF GUARD
庵野役は米津玄師は無理やったんやねw。
Who is Anno Hideaki and why is it in my recommendations? 😳
The creator of evangelion,nadia, gunbuster
@@markshinderu2607+ Shin Godzilla, Shin Kamen Rider, Shin Ultraman
Now I want a show where it's just every major animator of the 90s all going to the same school. See it's a battle anime but the battles are just their drawings fighting each other.
Wow...what a stupid idea coming from a worthless piece of 💩 So lame 🤣
Name of the show ?
aoi honoo/blue blazes