Dude, it's really awesome to see how your channel has evolved! I'm going through linear expressions now and can see how you adapted some of the lines. Very cool.
One of the most astonishing things I've ever seen is Pat Martino backstage, warming up for a small gig. I was friends with people who ran a small venue in PA, and was hanging out alone in their backstage area. Pat Martino came in to do his warmups for the gig. To this day, I have no idea what that was. His actual gig (with Bobby Rose) was almost anticlimactic. I don't think I've ever heard anyone, even Allan Holdsworth, weave in and out of tonalities like Martino's "Pre-game" playing.
Because C7 is a Dominant cord of F major scale So the two cord is G minor all 3 cords use the same basic 8 notes of the F major scale hence the 2 5 1 cadence or patten found in all keys ? Just practise stuff you will get it
I mean.. there’s a Bb in Gm7. Therefore, all the notes would fit in C7. C E G Bb , while Gm7 being G Bb D F.. So really, you can play a Gm7 shapes over C7 without problems.
-->Free PDF: www.guitarmin.info/webinar-optin
Dude, it's really awesome to see how your channel has evolved! I'm going through linear expressions now and can see how you adapted some of the lines. Very cool.
One of the most astonishing things I've ever seen is Pat Martino backstage, warming up for a small gig.
I was friends with people who ran a small venue in PA, and was hanging out alone in their backstage area. Pat Martino came in to do his warmups for the gig. To this day, I have no idea what that was. His actual gig (with Bobby Rose) was almost anticlimactic. I don't think I've ever heard anyone, even Allan Holdsworth, weave in and out of tonalities like Martino's "Pre-game" playing.
Hi Armin thank you for these videos, I am starting to work on the Martino book 👍. Is your course in pdf tab format?.
Hi man! Tabs+notes are included yes!
all the best!
Why can you ignore the f#m7 and B7? Is it thinking of them as sort of embellishments of the 2-5-1 so can lump them into that?
Exactly!!
If you only play minor language it gets a bit….samey?
Good point!
Youre thinking in minor but the substitutions you are using makes it not minor in context
Thanks for this. Is there another way to contact you apart from Instagram?
Sure! armin-sh@hotmail.com
And how is the Bflat minor the same as the Eflat 7? Thank you.
Based on the answer given to my previous question, I assume the 2 is the Bflat minor, the 5 is the Eflat7 and 1 is the Aflat maj 7.
@@dlgm161 yes you got it.
@@dlgm161🔥
Bb dorian = Eb7 mixo
Level 3 - how is G minor, the minor formation of C7?
Hi do you know what a II V I ( 2 5 1 ) is?
Because C7 is a Dominant cord of F major scale So the two cord is G minor all 3 cords use the same basic 8 notes of the F major scale hence the 2 5 1 cadence or patten found in all keys ? Just practise stuff you will get it
@@benben3210 Thanks Ben, I do. Think I get it now,.
@@dlgm161 ok basically when you have a 2-5 for example Gm/ C7 in the key of F you can skip the C7 and only play a Gm line.
I mean.. there’s a Bb in Gm7. Therefore, all the notes would fit in C7. C E G Bb , while Gm7 being G Bb D F.. So really, you can play a Gm7 shapes over C7 without problems.
I love your channel, but haven't you copied the cover from Nathan Borton?