Improv on Cantaloupe Island - how to sound like Herbie
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- Опубликовано: 18 июл 2018
- Tony Winston - Jazz Piano College
chart (pdf): bit.ly/46v7K2R
quartal harmony: bit.ly/3rtxcGY
Tony Winston Jazz Piano College
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Большое спасибо, so far you are the best on RUclips .
Great tutorial on one of my favourite pieces. Thanks for sharing.
Glad to see this blues course expanding in every direction, I find your approach very useful also for songwriters like me that are learning piano to improve songwriting and composition. Thanks from Italy
Great tutorial! I have never learned new jazz tune that fast, thank you.
Great video and advice, thanks for sharing your knowledge and analysis
Excellent work Tony, i find myself analyzing your videos more and more...i've got my work cut out for me :-) Thanks!
I am so glad to see this great video
Thanks a lot. Very good as always.
Bravissimo😊very useful …thank you maestro
Glad you liked it!
Thank you, great video !
thanks for your great tutorials Tony! perfect closing time calm down stuff here. some single malt, checking your video and get straight to the backing track.
Sounds good. I like your channel too. tetris , harry potter
@@TonyWinston thanks for checking 🤩
Hello Tony, uow, so many thanks you did the video ! Great, the idea of F dorian at the end, that's the type of colour to make a difference !
Glad you saw it! I've got some more video on it - coming soon...
Great stuff.
Flibberty-jibbits.
It's a very nice video (suit to my level) that worth much more views.
Hey, I was messing around with this tune and for the D min part, I stumbled across the C Harmonic Minor scale (2nd mode thereof, whatever). It shares a lot of notes with the other two modes, just about splitting the difference.
On the one hand, A-flat replaces the fifth of the chord (making it D dim 7), but on the other hand, A-flat is a strong blues note, and that weird E-flat shows up too.
So I'm a little ambivalent, but I think it's ok for solos, but "out of bounds" for accompaniment. D Dorian leaves me feeling cold, too, something about it not flowing well to and from the other modes.
had to come after listening to Chad LB with Randy Brecker @ Emmet Cohen then Wynton then Freddy... little tough acts to follow...
It feels like a minor blues where the IV chord is replaced with the bVI chord like in the Pink Panther. But I can't explain the Dm11 except that it functions as a V chord.
I feel like the B natural in the bass in the D flat 7 section should be rewritten as a C flat. Why isn't it written like that in the first place?
Yes it should be a C flat. It sometimes depending on the signature. In classical Theory, d flat to B is considered an augmented 6th that tends to resolve to the 5 chord.
Doesn't the blues form (or feel) come from the fact that Fm is similar to Abm, so the change to Db feels like a I to IV change?
Did you mean Abm. Ab(Major) is relative major to Fm so you could look at Fm as a I chord and Db as the IV chord.
I still can't figure out the D minor part with the E flat hanging around! :-o
Kick that e flat out!
@@TonyWinston Also makes it tricky to figure out how to vary the left hand, especially if there might be other players eventually. A few different possible scales that have D G C in common but otherwise hate each other! X-D
Probably going to go to bed and look at it again tomorrow.
Drug videos. Can't stop watching them and not taking them to the practice at all
Guillermo Cabrera Haha, I know the feeling
Keep it, and one day get to it .