All'idea di quel metallo - Giménez-Nucci (Il Barbiere di Siviglia-Rossini)
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- Опубликовано: 4 окт 2024
- Il Barbiere di Siviglia
Melodramma buffo in due atti di Cesare Sterbini
Musica di Gioacchino Rossini
Dal Teatro Regio di Parma
Direttore: Maurizio Barbacini
Maestro del coro: Martino Faggiani
Orchestra e coro del Teatro Regio di Parma
Regia: Beppe De Tomasi
Conte D'Almaviva: Raul Giménez
Bartolo: Alfonso Antoniozzi
Rosina: Anna Bonitatibus
Figaro: Leo Nucci
Basilio: Riccardo Zanellato
Fiorello: Paolo Barbacini
Berta: Gabriella Corsaro
Un ufficiale: Gezim Myshketa
Gimenez, un MAESTRO en Rossini, Nucci UN MAESTRO EN TODO, Bartoli, experta en Rossi I, debe ser una versión FANTASTICA,
all'idea di quel metallo, portentoso, onnipresente!
Un vulcano un vulcano la mia mente eee!
Già comincia già comincia a diventare, si!!
,Molto Bravo merita il Massimo.
Insuperable interpretación de la obra maestra rossiniana con dos grandes maestros del bel canto Leo Nucci y Raul Gimenez. Así se canta e interpreta Rossini. BRAVISSIMI !!!!
Gorgeous performance. Meravigliosi tutti e due, cantanti di razza.
Tutta quella recita è meravigliosa, purtroppo non si può caricare qui per il diritto d'autore... Ma meriterebbe di essere vista ogni volta integralmente
Maestro Gimenez was 55 and he still sang and looked young enough for young Almaviva.
60-something Figaro, 50-something Count...doesn't matter!
Magnificent singing and spectacular acting!
Leo Nucci is magnificent! I'd know that powerful, sonorous voice anywhere! He lives his character on the stage, and his expressive face with the playful smile and twinkling eyes is priceless.
He is so good
che bellezza a piene mani si dispensa da quel palco!
Rossini è un genio!
Figaro y Almaviva: maravillosos.
Giménez Nucci un canto a la vida!!!!!
Brillantes
FANTASTICI!
Parma 2005 se non sbaglio.
WOW.
Sublime regia ❤❤❤❤❤❤❤❤❤❤❤
BRAVISSIMI!!!
Así se canta Rossini. Hay que acordarse de Raúl Giménez.
Leo nucci y gimenez maestros del bel canto asi se canta rosini
Bravissimi!!!
A me Gimenez non piace, la voce è ok ma a mio avviso rende il personaggio troppo duro...Nucci invece è bravissimo in ambito recitativo, ma la voce non mi fa impazzire.
@@GiovanniGGori Già, la penso come te: Gimenez ha una voce un po' piccola e nasale, e la sua recitazione non è il massimo... Anche se Nucci vocalmente ora non mi piace, però ho sempre pensato che reciti molto bene, e in generale mi sta simpatico 🙂
@@esterbruno8604 condivido in pieno
@@esterbruno8604 Comunque, vocalmente, val più un Gimenez di cento Florez (sebbene trovo JDF abbia un'estensione vocale più ampia).
Bravo!
la bottega.....e poi il duetto...
Viva il Bel canto!
Scusate si potrebbe avere il video di tutto lo spettacolo?
verissimo.
geniales
Okay !!
uniqueee
Questa versione è di quando?
Mi ricorda qualcuno...
when was this recorded please?
I'd like to know too !
Parma 2005
Gimenez é il gentiluomo dil canto rossiniano.
Parole sante
:D
два старикана.
лутшэ Тэйлора Стэйтона и Бьорна Бюргера небыло и нибудит.
фсьо харашо в свайо время.
pesaro rossini festival?
Parma 2005
Un po' veloci....
No
It hurts my ears when I see a mediocre performance of my favorite aria...Horrible and laughable....the baritone really needs to slow down the tempo, otherwise, it starts to sound like some kind of talking / rap.Yuck ! I understand that this iconic opera is among the toughest to perform, but nevertheless...the singers here need to synch with the orchestra.After watching Placido Domingo`s version of the aria in " Hommage a Sevilla ", I do not think that anything in the world can match this.I also do think that Florez is way overrated, although he is a singer from the third world.
Is not Florez the tenor, is Jimenez. and the tempo is fine, the problem is that the are few baritones that really has capability to have coloratura and agility like Nucci and believe me, the speedy part is mean to be at this speed. It calls patter and is classic of Rossini
Thanks, Mr. Pedro Guzman, for this valuable information.Maybe I was too harsh.Have you heard Domingo's version ?
STFU!
I find very ironic the fact that you are saying that domingos version is way better despite the fact that he doesnt have the voice for this (yes, he does it for fun) and then said that Florez is from the third world when Domingo learned how to sing in Mexico has mexican nationality too and a statue over there.
But I also understand you seem to love music so let me explain.
1) The tempo is fine believe me they just sing it in a different way, maybe you felt those interpretation differences and assumed there was something wrong in the music itself but its ok.
2) Florez is a leggero you cant compare him to heavier tenor such as Domingo, but what you could do is judge them by their own achievements search Florez biography see all the prices and how Domingo gave an interview saying that Florez is the best leggero EVER believe he is not overated just different.
What happened is that the voices who brought opera to the common ears were heavy voices such as Domingo (Spinto) or Pavarotti (liric) and the public forgot about the light ones. The same thing happened to the deeper ones most people believe that the better bassos were the heavier ones such as Kurt Moll or Ghiarov and forgot about the bassos cantabiles (light basses) who have beautiful voices too and I say that as a very heavy bass.
3) South América or the "third world" as you called it is not that you are wrong IT IS the third world is just that a lot of asian and even european countrys are also third world so you should say south america to be more precise. Ok anyway south america have always been an excellent producer of tenors such as Francisco Araiza one of the greatest mozart tenors of all time or Javier Camarena such as Florez a great leggero tenor but to be fair south america doesnt do well when it comes to bassos or baritones.
Also another third world places around east europe are famous for producing EXCELLENT bassos so there is nothing wrong about that.
This is one of the best interpretation.