These quartets are wonderful; I had never heard them before. They show how subtle and versatile the horn is as a small ensemble instrument. We are so used to hearing the horns as part of an orchestra or as a solo instrument, but not so much as just a small ensemble of only horns. This is the polar opposite of bells up, full-throttle Mahler. Clearly there is so much more to the horn. It would be great if you could tour as an ensemble overseas. Come to New York, play at the Wigmore Hall in London. Have an agent persuade BBC Radio 3 of the virtue of you playing one of their Monday lunchtime live broadcast concerts from Wigmore Hall. You deserve a much wider audience.
The 6 quartets by Tcherepnine are a real inspiration to me as an amature horn player. This version and the version done by the Austrian Horns are the very best. My favorite players in this group are Sara Willis playing 4th ( incredible with those low notes) and Stefan Dohr on first. The 5th piece in the lineup is sooo beautiful, but all 6 are wonderful.
These are my favorite Horn Quartets and it is so nice to hear them played by maybe the best collection of 4 horn players on this earth. Loved every minute!
Herrlich! Ich hätte mir nie denken können, dass ein Hornensemble so schön klingen könnte! Vielen Dank für dieses ganz besondere Erlebnis und bitte weiter machen.
!Sublime! !Excelso! Qué mejor reconocimiento para una composición para trompas,que parece llovida del cielo,que una interpretación tan emotiva,pasional,virtuosa y genial,de mis trompistas favoritos.
This performance had me hooked in the first 30 seconds. I wonder if Sarah has ever played with Evelyn Glennie? I would loooove to see what they would come up with together. Peace!!!
Naja, da wo man sonst auch Noten her bekommt. Einfach kurz googlen. Es gibt sie auch bei IMSLP, damit ist aber vorsichtig umzugehen, da sie in der EU noch urheberrechtlich geschützt sind.
Hmm, the first three notes of the 4th movement, sound like the first 3 notes of the “titanic fantasy”… different rhythm of course. Mr Horner, rest in peace, but did you swipe something, me thinks? 😉
I don't want to be "that guy", as a graduated professional horn player myself: but first thing first. I really love your sound. I'm an all time fan of you guys individually, because your sound is inspiring. Sarah, your low horn sound is something I could never imagined to dream off. Yes it's a live concert: but the part is (2nd part), tempo wise was just something I'd disagree with. It was out of time, not that I'd put a metronome next to it, but it's a 12/8th measure and sometimes you blatantly skipped 3 eigths! It felt "wonky" and not in time, the 2nd part of the Tscerepnine is really beatiful, but it felt rushed because it wasn't in time. One of the conductors I had the joy of playing with stated: "Please 'PLAY' the breaks". I never forgot that, because they carry so much weight to how a piece feels.
These quartets are some of the most beautiful horn quartets I've ever come across. So nice to hear them played by you guys!
These quartets are wonderful; I had never heard them before. They show how subtle and versatile the horn is as a small ensemble instrument. We are so used to hearing the horns as part of an orchestra or as a solo instrument, but not so much as just a small ensemble of only horns. This is the polar opposite of bells up, full-throttle Mahler. Clearly there is so much more to the horn. It would be great if you could tour as an ensemble overseas. Come to New York, play at the Wigmore Hall in London. Have an agent persuade BBC Radio 3 of the virtue of you playing one of their Monday lunchtime live broadcast concerts from Wigmore Hall. You deserve a much wider audience.
The 6 quartets by Tcherepnine are a real inspiration to me as an amature horn player. This version and the version done by the Austrian Horns are the very best. My favorite players in this group are Sara Willis playing 4th ( incredible with those low notes) and Stefan Dohr on first. The 5th piece in the lineup is sooo beautiful, but all 6 are wonderful.
0:00 第1楽章
2:11 第2楽章
4:33 第3楽章
7:02 第4楽章
9:15 第5楽章
12:10 第6楽章
So schön .. für mich eine herrliche Inspiration, für den vor mir liegenden Tag.
Bravo! The best quartet ever written, performed by the best quartet in the world today. Can't beat that!
These are my favorite Horn Quartets and it is so nice to hear them played by maybe the best collection of 4 horn players on this earth. Loved every minute!
Love this (specially Sarah)
I’m so happy to hear my most favorite piece played by them.
So wonderful, brought tears to my eyes. Love this group!
Listened to your performance, always following Tscherepnine's score, a pleasure ❣
Oh my goodness, this is exquisite
Un régal de beauté sonore par de très grands cornistes merci à eux pour cette oeuvre spirituelle et d une profondeur peu commune
Absolutely beautiful
Herrlich! Ich hätte mir nie denken können, dass ein Hornensemble so schön klingen könnte! Vielen Dank für dieses ganz besondere Erlebnis und bitte weiter machen.
Wonderful quartet, it seems to be listen some Christmas music.
I’m absolutely entranced by #2. Wonderful playing all and what a wonderful thing to share. Thank you Sarah.
First time to hear. They are mellow!
Sentar, ouvir e flutuar!!!!📯🎶👏👏👏👏🇧🇷
Estupendo como siempre es un gusto y un placer oírlos bravo 👏📯
These work wonderfully also for trombone quartet. Played them with the Basel Trombone Quartet.
Sublime....
Sublimely beautiful. Thank you so much. These are among my favorite horn pieces, across the board.
БРАВО!!!
So beautiful!! Thank you!!
Just brillant !
Exquisite!
Love! Bravissimi!
!Sublime! !Excelso! Qué mejor reconocimiento para una composición para trompas,que parece llovida del cielo,que una interpretación tan emotiva,pasional,virtuosa y genial,de mis trompistas favoritos.
Gorgeous
Bravo 👏!!
Bravo👏👏👏
Wonderful
Bravo！
Bravo 👏
Bravo👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👍🏻
Молодцы!
Som magnífico!!!
This performance had me hooked in the first 30 seconds. I wonder if Sarah has ever played with Evelyn Glennie? I would loooove to see what they would come up with together. Peace!!!
Not yet but would love to, Evelyn is amazing!
😍😍😍
Fab!
Schöne Stücke...
Gibt es zu kaufen Noten davon?
Auf jeden Fall!🎶😁👍😁
@@delewaldhorn , danke für Ihre Antwort. Haben Sie nähere Angaben dazu?
(ich meine: Bestellnummer, Preis usw.)
Naja, da wo man sonst auch Noten her bekommt. Einfach kurz googlen. Es gibt sie auch bei IMSLP, damit ist aber vorsichtig umzugehen, da sie in der EU noch urheberrechtlich geschützt sind.
@@herkules593 danke
Please: why is it impossible to find a CD of these quartets? Any help would be extremely appreciated. Thanks :)
I can't help but worry about that horn on the dock. things fall off of docks all the time. Still, these guys do play pretty good.
Hmm, the first three notes of the 4th movement, sound like the first 3 notes of the “titanic fantasy”… different rhythm of course. Mr Horner, rest in peace, but did you swipe something, me thinks? 😉
I miss playing the horn so badly.
There's a solution to that problem. It's not so bad to start over again. I did and I'm glad. You will find that you sounds will be pleasing to you!!
I am guessing that this is Alexander Tscherepnine.
Good guess! You are right!
Nicolai!
@@john-horn Too many Tcherepnins
Nicolai Tscherepnin 1873-1945
Alexander Tscherepnin 1899-1977
6 Quartette: Nicolai T.
@@john-horn I went to graduate school with Serge.
Orch. doesn't seem to write them so low.
sehr schön geblasen, wunderbare Stücke sehr dynamisch interpretiert, Bravo Armin Rosin
I don't want to be "that guy", as a graduated professional horn player myself: but first thing first. I really love your sound. I'm an all time fan of you guys individually, because your sound is inspiring. Sarah, your low horn sound is something I could never imagined to dream off. Yes it's a live concert: but the part is (2nd part), tempo wise was just something I'd disagree with. It was out of time, not that I'd put a metronome next to it, but it's a 12/8th measure and sometimes you blatantly skipped 3 eigths! It felt "wonky" and not in time, the 2nd part of the Tscerepnine is really beatiful, but it felt rushed because it wasn't in time.
One of the conductors I had the joy of playing with stated: "Please 'PLAY' the breaks". I never forgot that, because they carry so much weight to how a piece feels.
🤦♂️