Color Grade Osmo Pocket 3 HLG in DaVinci Resolve
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- Опубликовано: 28 авг 2024
- How to color grade HLG from DJI Osmo Pocket 3 in DaVinci Resolve without LUTs.
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Watch next: DJI Osmo Pocket 3 Settings Guide ruclips.net/video/LvPsEKyJIXM/видео.html
I had dismissed HLG in favour of D-Log-M, for no good reason in retrospect. Thanks to this video I have reevaluated this decision. I've now set up a dedicated group definition in Resolve for HLG. If you also have group definitions for D-LogM (and mobile phones and any other cameras you use) it makes it easier to mix sources on the same timeline. HLG looks great ! Thanks again.
Thanks so much for that great comment Graham - glad it helped! :) :)
very interesting. I just bought a DJI osmo action 4, so dlog-m is the only option. As many in the forums have noted "well guess i'm screwed" I found just recording in standard color mode looks better.
Super informative and so far the best explanation I've found of why one could choose to shoot in either HLG or D-Log M. Thanks Jason!
Wow that's so great to hear - glad to help Kyle - thanks :) :)
Wow man, that footage looks beautiful! I'm waiting for my DJI OP3 to be delivered, and watching this video made me extra excited about getting it!
Thanks Simon! Hope you like you OP3 :) :) Make you sure you check this Pocket 3 playlist for more tips: ruclips.net/p/PLF3XxzX27iiI96cA-qDPI4zBEMzNskwSm
This was one of the best explanations I have come across, thank you! I hope you will produce more like this, including how to export to HDR.
Thanks so much!! Glad it was helpful! :) :)
Brilliant.
Love the ability to see the input colour space column. Thank you.
Subd, saved & liked
Awesome, thank you! Glad it helped :) :)
Nice video mate, frustrating isn't it, they just give you a broken "log" which is actually a worse HLG!
Thanks :) :)
Perfect. Just what I needed. Thanks Jason.
Thanks Johnny - glad it helped :) :)
Again a perfekt tutorial. Thank you.
My pleasure - glad you liked it! :) :)
My second point is to uses Colour Managed and DaVinci Wide Gamute then click on the DLog M clip on the and select Colour Space HLG 3 1000 NIT’s. It was either that or Rec.2020. It will then be far better. I discovered this when using Action 4 DLog-M.
Yeah I've seen people use a few different hacks using different input spaces/CSTs to get D-Log m into a DWG workflow, I've also seen some evidence that d-Log M is just flat rec.709 and not log at all and also some people have tested it and say it's basically the same as D-Cinelike! I wish DJI would actually release details and work with black magic to avoid all this.
In case you did not know, RUclips can show HDR, it knows what the viewer’s device is capable of and will show HDR or Rec.709 automatically. With iPhones, iPads, Mac computers all being capable of editing and displaying HDR then it’s a real miss to downgrade HLG to Rec.709. HDR does not mean over colourised.
Thanks yeah I knew about YT HDR, that's the good thing about using DWG/Intermediate that you can deliver for different output spaces easier. As don't have a calibrated HDR reference monitor so that's why I don't grade HDR.
Thanks for the additional info
@@JasonRobertsVideo that’s a shame on the monitor front, you are aware, I’m sure however, that if you’ve got an iPad, iPad Pro, that you can set everything up to work with that and colour grade and export in HDR? I currently use an XDR pro and have it all set up to the Apple colour space. I’m travelling at the minute so I’m a bit lazy with my response but happy to expand if this is used to you.
I'm waiting for export to hdr
You're welcome :) :)
Awesome dude! Thank you!
You're welcome - thanks :) :)
Thanks for this. It's been frustrating trying to work with D-Log M without proper format support from DJI. Are there benefits to using DaVinci YRGB Color Managed? If so how different is the set up for that?
Hi, these 2 vids show the 2 aspproaches ruclips.net/video/JxaLCRjQ8YM/видео.html ruclips.net/video/iaYi6zNNCKc/видео.html for general use. For D-LogM specifically there is no special benefit to either approach depending on how you want to grade it. ruclips.net/video/M6z0GR_t1xE/видео.html
Excellent! I´ve been looking all around for this solution. If you would also want to use a LUT I presume you place at the end of the node tree?
Glad it was helpful, yeah if the LUT expects rec.709 put it after the last node. You can get some LUTs deigned to work with DWG so they would not go after a rec.709 CST node.
Thanks Jason - it looks like a diploma in grading might be a good idea. Otherwise one could be doing more halm than good. Nice to know I have to check through scores of LUTs now and hope I'm doing the right thing ! :) @@JasonRobertsVideo
Don't give yourself a hard time, there are technically better ways of doing things that will preserve more detail/data but if your viewers/client is happy and you are exporting/rendering in the correct color space etc. then that's still a win :) :) Doesn't mean you can't improve and keep learning just don't beat yourself up - you will get there! :)
Hello sir, could you please share some OP3 HLG & D-LogM footage for us to test the fun?
Thanks for the tutorial. my footage is Rec709(Scene) recorded by Pocket 2, for colorgrading I have to transform it to DaVinci Wide Gamut at the beginning and at the end transform DaVinci Wide Gamut to Rec709?
Yes, correct :) :)
@@JasonRobertsVideo Thanks a lot for your reply 🌹
You're welcome :) :)
THANK YOU!!!!!!!!!!!!!!!!!!!!!!!!!!!
You're welcome!!!!!! :) :)
Thanks for Sharing
You're welcome :) :)
Hi my friend - great job on your videos 👍🏼
Been watching a few of them as a new pocket 3 owner
Curious what camera you’re using in your studio ?
Would love to use the pocket 3 in a studio but obviously it needs plenty of light. I do have a Sony Zv-e10 which is better but maybe it’s fun to grab the pocket and move in studio at times as I’ve seen you do
Anyway, cheers 🎉
Thanks so much :) :) Main studio cam is Sony a7s III but I have filmed a few vids recently with Pocket 3 too :)
Can all those adjustments be saved as a single setting.
You can save nodes for use in other clips by "grabbing a still" and you can also save them as power grades so you can use them across multiple projects
this is another tutorial for day time few seconds video. Why so many tutorials making color grading just few seconds video. I have same camera video is recorded in HLG bu i am recording long term video over 1hr. I wanted to add luts and HDR but ended up with complete pitch black . I am using Davinci 18 studio.
thx,Where is the export setup to HDR? and also youtube take 24h to process and wach back shit HDR footage..anyway if you dont want to wach back HDR dont use HLG on pocket 3 ! 2x have more noise!
It is too complicated that make the Pocket 3 video worthless and no fun to use.
It is good to have the option for people that want it - I agree the Pocket 3 is very fun :) :)