If there was a full commentary of the movie like this, I figure I could probably skip going to film school. The man is just so insightful. Definitely one of the greatest of all time.
2007 was an amazing year for Deakins but I wouldn’t say he was robbed for No Country. The winner, Robert Elswit, did an incredible job on There Will Be Blood and also won Best Cinematography from his peers at The American Society of Cinematographers.
This movieee is nooow available to wаtсh hеrе => twitter.com/087cd2e81c5a9a35b/status/795842843017297920 Rogеr Dеakins Favorite Sccenes No Cоuntrуyу fоr Old Men
I just realized how he took out his gun for this scene but didn't earlier when going into Moss's trailer. It shows how terrified he is of Anton now that he's seen what he can do.
Yes, he even talks at one point about the old sheriffs that didn't carry a gun at all and you can tell he wishes that was still the case, which makes it even more poignant.
When you suddenly realize that every single one of your Top 10 favorite movies was shot by the same guy. Well... excluding Pulp Fiction and Birdman... but still, I can count the films I like that *don't* have his involvement on one hand.
He should have won for No country for Old Man. This movie was a masterpiece and one of my favorite movies ever. Roger D did a phenomenal job with this movie, every scene was spectacular
Well for starters it can very quickly and very effectively put an idea straight into an audiences head. For example the double silhouettes make create an almost subliminal sense of un-easyness. Also it's relevant because he's one of the current great DoP's and here he is sharing his knowledge and giving background information. this is interesting for anyone interested in cinematography and also anyone interested in films in general.
@jcarrig He means that they cut to the close-up of Jones, then as he starts to turn his head to look around the room, it cuts to his point-of-view (the reverse he's referring to) which is a pan across the room (what the camera move is called when it turns from left to right or vice-versa). He explains that they "cheated" the headlights by basically setting up two separate lamps that look as though they're the headlights from the car in order to get the distinct double silhouette you see.
yeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeees!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! For everyone of his amazing films. He did a small clip for True Grit that lasted 3 minutes. I hope he does one for when Skyfall comes out :D
@herpderpmonkey everything is to create a mood, if he just shot it plainly with adequate light for the right exposure, it would be bland and boring and your subconscious wouldn't find it a threatening or tense scene. 90% of cinematography registers with your subconscious. He has created this whole scene with nothing but light and the way he uses it is what directs our emotions and tells the story.
Oh right, I thought you meant he was done all together in being a DoP lol. I must say though, is it that bad? Unlike many other prolific Dop's and Directors, Roger's moving on and embracing that things are changing. As he said "digital gives me more options", and I can't say it's a "pity" when all he wants to do is try and explore new methods :p Give digital a chance!!
I waаtchеd No Cоuntrу fоr Old Мeеeеn full mоviе hеre twitter.com/a89bac8fb31deb98d/status/795842843017297920 Rоgеr Deеаkins Favоritе Sсeееenеs No Cоuntry fоr Оld Меn
I watched No Cоoountryyyy for Old Mеn full movie here twitter.com/db9247ff9136fe509/status/822784114935808000 Rogeеer Deakins Favoritе Scenes Nо Country for Оld Men
EdEmKay no, it's the way people analysis it on hope, life and death that isn't clear to many... i like the movie but i liked There Will Be Blood much more and can't wrap my head around why critics felt this movie was "perfect"
If there was a full commentary of the movie like this, I figure I could probably skip going to film school. The man is just so insightful. Definitely one of the greatest of all time.
look at his forum
npr is very fake news
better going to film school for so much to learn and so little we can find from this man's words..
Team Deakins podcast and his website
he is one of the best DP of all time. and No country...
one the best film in the best decade. period.
It's a tie with There Will be Blood
And still no Academy Award yet for him :(
@bimapringgo 2 now!
The way he talks about his work says it all.
Roger's so affable! What a great dude.
And humble too. He'd be a great friend to have.
This man is my idol!!! He got robbed when he lost his oscars (No Country for Old Men, Skyfall, Assassination of Jesse James, etc)
williammoseleyfan101 robbed ?
At least he won for Blade Runner 2049.
@@ElRadioDJ913 And 1917
2007 was an amazing year for Deakins but I wouldn’t say he was robbed for No Country. The winner, Robert Elswit, did an incredible job on There Will Be Blood and also won Best Cinematography from his peers at The American Society of Cinematographers.
What a film and what a man!
This movieee is nooow available to wаtсh hеrе => twitter.com/087cd2e81c5a9a35b/status/795842843017297920 Rogеr Dеakins Favorite Sccenes No Cоuntrуyу fоr Old Men
I just realized how he took out his gun for this scene but didn't earlier when going into Moss's trailer. It shows how terrified he is of Anton now that he's seen what he can do.
Yes, he even talks at one point about the old sheriffs that didn't carry a gun at all and you can tell he wishes that was still the case, which makes it even more poignant.
Fine art, cinematography, excellent lighting techniques and mysterious
the dissolve is so beautiful
When you suddenly realize that every single one of your Top 10 favorite movies was shot by the same guy.
Well... excluding Pulp Fiction and Birdman... but still, I can count the films I like that *don't* have his involvement on one hand.
A great opportunity to learn lighting and camera work from a master. Love to see the interview juxtaposed to the segment. Thanks for posting this!
The lighting flows so nicely
The transition was 🔥.
Love, love, love Roger Deakins.
This movie in particular is a visual masterpiece.
He should have won for No country for Old Man. This movie was a masterpiece and one of my favorite movies ever. Roger D did a phenomenal job with this movie, every scene was spectacular
The best in the business! #RogerFreakinDeakins
Well for starters it can very quickly and very effectively put an idea straight into an audiences head. For example the double silhouettes make create an almost subliminal sense of un-easyness. Also it's relevant because he's one of the current great DoP's and here he is sharing his knowledge and giving background information. this is interesting for anyone interested in cinematography and also anyone interested in films in general.
I was just wondering this. I'd love to see that make it onto a blu-ray as well.
I love this movie. The last scene is genius.
Fabulous Movie 🎥
@jcarrig He means that they cut to the close-up of Jones, then as he starts to turn his head to look around the room, it cuts to his point-of-view (the reverse he's referring to) which is a pan across the room (what the camera move is called when it turns from left to right or vice-versa). He explains that they "cheated" the headlights by basically setting up two separate lamps that look as though they're the headlights from the car in order to get the distinct double silhouette you see.
The commentary was just as good as the scene.
Common Roger, where was Anton in this scene? Anyone? Someone?
He said that he will only work with digitral from now on.
you can tell he is inspired by Alex Webb :D I LOVE THIS!
That's why it feels like Sicario.
Amazing artist. It is a pity that he says he is finished working with film.
I never got this scene, was Javier Bardem not in the motel room Tommy Lee Jones enters?
But where Anton was tho?
I like his truck
yeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeees!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
For everyone of his amazing films. He did a small clip for True Grit that lasted 3 minutes. I hope he does one for when Skyfall comes out :D
That shadows..
@herpderpmonkey everything is to create a mood, if he just shot it plainly with adequate light for the right exposure, it would be bland and boring and your subconscious wouldn't find it a threatening or tense scene. 90% of cinematography registers with your subconscious. He has created this whole scene with nothing but light and the way he uses it is what directs our emotions and tells the story.
Genious
the npr lady actually thought jb was hiding in there.
Oh right, I thought you meant he was done all together in being a DoP lol. I must say though, is it that bad? Unlike many other prolific Dop's and Directors, Roger's moving on and embracing that things are changing. As he said "digital gives me more options", and I can't say it's a "pity" when all he wants to do is try and explore new methods :p Give digital a chance!!
When did he say that? I hope that's not true... :(
is the little things
فلم راقي
eесccceeеlleentеееe
I waаtchеd No Cоuntrу fоr Old Мeеeеn full mоviе hеre twitter.com/a89bac8fb31deb98d/status/795842843017297920 Rоgеr Deеаkins Favоritе Sсeееenеs No Cоuntry fоr Оld Меn
I watched No Cоoountryyyy for Old Mеn full movie here twitter.com/db9247ff9136fe509/status/822784114935808000 Rogeеer Deakins Favoritе Scenes Nо Country for Оld Men
GTA V brought me here
@budahgee3 Chill Winston!
video ruined by comments. lovely
lol, arguing on the Internet.
⁹
Movie doesn't make a whole lot of sense to me...maybe I'm picking it apart too much.
If you were picking it apart in an intelligent manner, you wouldn't have this problem.
Master Jaster seriously, there's nothing complicated about it, that's part of what makes it incredible. man finds money, psychopath chases man.
its overrated, ur wandering what was all the praise for.
EdEmKay no, it's the way people analysis it on hope, life and death that isn't clear to many... i like the movie but i liked There Will Be Blood much more and can't wrap my head around why critics felt this movie was "perfect"
perhaps you're right, perhaps i'm missing what everyone else sees in this movie. I enjoyed there will be blood far more that year.
Great cinematography in a shit movie.