BRAVO ! the one and only pianist who plays in the right tempo the third movement which is marked "allegro assai" (and not "presto" as nearly all others pianists play it including Maria Joae Pires ...)
I love, love LOVE her choice of relatively modest tempi, her rock-olid rhythm, the extreme clarity and evenness of her technique, her beautiful phrasing and loving attention to fine detail. A magnificent artist not sufficiently well-known in the United States. What a perfect tole model for playing Mozart!
I am seventy eight now, and Ingrid Haebler has been all the years my star of Mozart. I took in all her piano concertos in their Vox Box as a baby takes in mother's milk. This, however, is my first piano sonata of hers. It is not letting me down as I write. Thank you, Ingrid!
I've never heard someone plays the mozart´s ornaments like her, every note it's like clear water in a pond reflecting like a mirror every detail 9:35 and by the way the sound of her piano is amazing , A rainbow of colours, thanks Ingrid for sharing your Mozart to us all.
Well now here's a strange coincidence! I own an album of Mozart sonatas, that I bought in about 1965. I always knew that it had, stuck inside the front cover, a cut out newspaper face pic of a woman, with a hand-printed note beneath. Some 53 years later, I am downsizing and disposing of much loved music books that I can no longer play. Just yesterday I decided to further investigate this. I Googled the name of the lady - Ingrid Graebler. I discovered that she is/was a much loved and famous classical performer. The words written beneath the pic read "HOME IN VIENNA. PLAYED K 331". From that I believe the album I possess, and was about to dispose of, once belonged to this lady, and that she would have actually owned and used it. I wonder, is this a valid conclusion to make. And should I keep the album in my possession? I chanced upon this present website/page and decided to let the world know of this amazing coincidence. Ed K
Somehow Ingrid Haebler's Mozart Sonatas have stayed my absolute favorites over the decades. Pure and elegant Mozart shines in her recordings. Never got to see a live performance though.
YES ! Ingrid Haebler is still the ultimate Mozart-Interpreter for me. I own the collection of her Sonatas, which are compressed into one box of records. An absolute treasure! Fabulous Ingrid Haebler! Hope you are still here to hear my praise! :o)
Ja, auch ich behaupte, daß Ingrid Haebler DIE BESTE MOZART-INTERPRETIN seit Mozart selbst ist ! Ihr Tod am 14. Mai 2023 hat mich sehr traurig gemacht !! ( ...ich hatte vor 60 bis 70 Jahren auch am Mozarteum in Salzburg studiert, wo sie später dann gelehrt gelehrt hat ! )
There is no one who so completely understands Mozart as Ingrid Haebler. Her playing is a joy and revelation. When I first heard Gilels play Beethoven, my comment was "Gilels reminds me of how great a composer Beethoven is!" The same can be said of Ingrid Haebler and Mozart. She is wonderful.
A wonderful sonata (especially the first movement) played by a superb Mozartean. She's also excellent with the four hand and duo piano pieces by Mozart and the Schubert sonatas. It's a shame that we don't hear her in the USA over the classical stations (what few are left).
Oh, that coda just seems to go and go and go, doesn't it? Such a long ending to a piece, that it almost makes me forget I'm listening to Mozart, and makes me think it might be listening to Beethoven. Lol On the important note...I find it extraordinarily difficult to find any pianist where I enjoy his or her Mozart. Sure, some have overall decent performances, but they aren't the quintessential “Mozart" sound,(some people do not have the crystalline-touch required for Mozart). Outside of Eschelbach, I've never heard any professional pianist perform Mozart with a brilliant crystalline-touch...that pure tone that's clear as magnificent crystal that's free from any blemishes. Absolutely stunning! Thank you for sharing. Cheers!
+ilovewiki who's this Eschelbach then? suggest you listen to the likes of Gieseking, Horowitz, Gilels, Richter and Michelangeli play Mozart, trust me that they make the grade even on the most stringent criteria
+punkpoetry I'm sorry, I had misspelled his name. It is Eschenbach, not Eschelbach. I love Christoph Eschenbach's Mozart, as well as Haebler's...Horrowitz's I do not particularly like. As for the others you've mentioned, I'm sure I have heard them at some point. Perhaps I'll go back and give another listen. Cheers!
Très belle interprétation! Au début on est surpris car on dirait que c'est un peu lent. Mais quand on écoute bien cela aide au "dramatisme" de la pièce. Rien ne nous indique qu'on doit la jouer plus vite. Surtout quand 'l'âme" est de la partie. Sûrement Mozart jouait ainsi avec le tempo. Il s'est souvent plaint des interprétations trop rapides de ses œuvres. Merci Ingrid Haebler.
Well now here's a strange coincidence! I own an album of Mozart sonatas, that I bought in about 1965. I always knew that it had, stuck inside the front cover, a cut out newspaper face-pic of a woman, with a hand-printed note beneath. Some 53 years later, I am downsizing and disposing of much loved music books that I can no longer play. Just yesterday I decided to further investigate this. I Googled the name of the lady - Ingrid Haebler. I discovered that she is/was a much loved and famous classical performer. The words written beneath the pic read "HOME IN VIENNA. PLAYED K 331". From that I believe the album I possess, and was about to dispose of, once belonged to this lady, and that she would have actually owned and used it. I wonder, is this a valid conclusion to make. And should I keep the album in my possession? I chanced upon this present website/page and decided to let the world know of this amazing coincidence. Ed K
Ingrid Haebler does not “play” Mozart for us. She slowly invites us into his meaning by subtle and erudite suggestion. I’m only sorry that I had not been that familiar with her until fairly recently.
yes ! One of the few from her generation who play Mozart well.Landowska before her and Arrau and Geiseking never could . Haskil, Lipatti ,Horszowski ,DeLarocha knew and hundreds recorded neer found out Lili Kraus I must go back again and hear but I remeber thinking she had better taste than anyone else in the 1950's in this music ! I myself will never be able to play C.PE.Bach or Mozart. for some reason I thikn I get Beethoven and Hadyn ! This is great music making !
Die historische Mozart-Aura von Ingrid Haebler strahlt auch heute noch. An ihr kommt auch heute noch kein Pianist vorbei - an dieser stilistischen Einfühlung, an diese lockeren Verspieltheit, an dem hintergründig schwermütigen Ton des Komponisten. - Übrigens trau ich mir fast zu wetten: das Instrument ist kein harter Steinway, sondern ein Bösendorfer...(?!)
Musicaux that 3rd movement is a tour de force, and quite operatic in its sweep and execution. This brilliant movement must have profoundly affected Carl Maria von Weber as the 3rd movements of his own 3rd piano sonata and 1st piano concerto seem inspired by this piece.
A Mozart for adults ! She makes the once naivete phrases sound like abstract music but still it speaks without the childishness this Sonata assumes in the best hands . She must have thought long and hard about how to present this music . Here one realizes what Maria Pires tells us the page does not give us even a tenthousandth of the possibility . the slower tempo she takes here would ruin most others it would sound cloying here and cute there . Other musicians will know what a feat this is .Youthful pianists who hear this often assigned sonata won't recognize it . Haebler might be a genius herself and only a true virtuoso can make music this way every note judged to her purpose without ever sounding automatic or rote . She has a musical personality also suited to Mozart . I had a tape of her in Chopin valses must find her recital programmes .
![I.N "HALLUCINATION" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/n5B5q1Hwt_U/mqdefault.jpg)
BRAVO ! the one and only pianist who plays in the right tempo the third movement which is marked "allegro assai" (and not "presto" as nearly all others pianists play it including Maria Joae Pires ...)
I love, love LOVE her choice of relatively modest tempi, her rock-olid rhythm, the extreme clarity and evenness of her technique, her beautiful phrasing and loving attention to fine detail. A magnificent artist not sufficiently well-known in the United States. What a perfect tole model for playing Mozart!
foda se velho. para de ser paga pau
gringo é assim kkkk
@@cristinamaiapm O que você está fazendo nesse vídeo então? Se não gosta de Mozart, vai ver outra coisa!
She is great Mozart interpretater,how is she sensitive every note.Breathtaking performance. Love it. Mozart my lovely composer for all times.
Ja, stimmt mit allen Noten..
Ich habe die Sonate genauso einstudiert , auch am Mozarteum !
I am seventy eight now, and Ingrid Haebler has been all the years my star of Mozart. I took in all her piano concertos in their Vox Box as a baby takes in mother's milk. This, however, is my first piano sonata of hers. It is not letting me down as I write. Thank you, Ingrid!
Danke für diese EWIGE ERINNERUNG an die beste Mozart- Interpretin ! Als ob sie ihn gekanntt hätte ...!!!
Her performance is warm like mom .😍😍😍
I've never heard someone plays the mozart´s ornaments like her, every note it's like clear water in a pond reflecting like a mirror every detail 9:35 and by the way the sound of her piano is amazing , A rainbow of colours, thanks Ingrid for sharing your Mozart to us all.
Well now here's a strange coincidence! I own an album of Mozart sonatas, that I bought in about 1965. I always knew that it had, stuck inside the front cover, a cut out newspaper face pic of a woman, with a hand-printed note beneath. Some 53 years later, I am downsizing and disposing of much loved music books that I can no longer play. Just yesterday I decided to further investigate this. I Googled the name of the lady - Ingrid Graebler. I discovered that she is/was a much loved and famous classical performer. The words written beneath the pic read "HOME IN VIENNA. PLAYED K 331". From that I believe the album I possess, and was about to dispose of, once belonged to this lady, and that she would have actually owned and used it. I wonder, is this a valid conclusion to make. And should I keep the album in my possession? I chanced upon this present website/page and decided to let the world know of this amazing coincidence. Ed K
I mean Haebler, not Graebler, of course ....
Really fantastic~
When I close my eyes, Mozart comes in.
Somehow Ingrid Haebler's Mozart Sonatas have stayed my absolute favorites over the decades. Pure and elegant Mozart shines in her recordings. Never got to see a live performance though.
LONG AGO UCHIDA WAS ALSO VERY FINE.
YES ! Ingrid Haebler is still the ultimate Mozart-Interpreter for me. I own the collection of her Sonatas, which are compressed into one box of records. An absolute treasure!
Fabulous Ingrid Haebler! Hope you are still here to hear my praise! :o)
Ja, auch ich behaupte, daß Ingrid Haebler DIE BESTE
MOZART-INTERPRETIN seit Mozart selbst ist !
Ihr Tod am 14. Mai 2023
hat mich sehr traurig gemacht !! ( ...ich hatte vor 60 bis 70 Jahren auch am Mozarteum in Salzburg studiert, wo sie später dann gelehrt gelehrt hat ! )
She's alive and hopefully well.
Ms. Haebler's recordings of the complete cycle of Mozart sonatas and concertos is well-respected.
Where does she live?
@@TheSunshinedreamer1 she Is austriac AND a former proffessor at mozarteum in Salzburgo Vienna
The Denon recordings are a benchmark.
😍💕
There is no one who so completely understands Mozart as Ingrid Haebler. Her playing is a joy and revelation. When I first heard Gilels play Beethoven, my comment was "Gilels reminds me of how great a composer Beethoven is!" The same can be said of Ingrid Haebler and Mozart. She is wonderful.
But Gulda is wonderful too. And listen Jean Muller too, he is doing it.
Stimmt völlig !
Stylishly pure, elegant... wonderful performance!
This is certainly one of the most sane interpretations of this I've heard. Very, very lovely and intuitive.
Благодарю!!!!!это одно из лучших исполнений!!!!!
I love the virtuoso Allegro Assai, very well played
Why aren't there any DVDs of her..her technique was so inspiring! Such a beautiful sound too..
A wonderful sonata (especially the first movement) played by a superb Mozartean. She's also excellent with the four hand and duo piano pieces by Mozart and the Schubert sonatas. It's a shame that we don't hear her in the USA over the classical stations (what few are left).
I love how she distinguishes the melody clearly from the accompaniment.
La piu bella esecuzione di questa splendida sonata.
Such modern, fascionable, lavish,... so much humor, drama the same time... LOVE IT!!!!
i like the way she played the adagio, so touching..
I'm learning the first movement at the moment and this interpretition helped me A LOT!!! Million Thanks to you :)
Hi, from which text are you learning?
How can I express the beauty of the 2mov especially? JUST LISTEN AND FEEL !
I agree. And, please, listen to Horowitz plays the second movement!
The way she plays it, the second movement is profoundly touching. Hah, thank you!
Just Superb!!!
The best performance ever!
Oh, that coda just seems to go and go and go, doesn't it? Such a long ending to a piece, that it almost makes me forget I'm listening to Mozart, and makes me think it might be listening to Beethoven. Lol
On the important note...I find it extraordinarily difficult to find any pianist where I enjoy his or her Mozart. Sure, some have overall decent performances, but they aren't the quintessential “Mozart" sound,(some people do not have the crystalline-touch required for Mozart). Outside of Eschelbach, I've never heard any professional pianist perform Mozart with a brilliant crystalline-touch...that pure tone that's clear as magnificent crystal that's free from any blemishes. Absolutely stunning! Thank you for sharing. Cheers!
+ilovewiki who's this Eschelbach then? suggest you listen to the likes of Gieseking, Horowitz, Gilels, Richter and Michelangeli play Mozart, trust me that they make the grade even on the most stringent criteria
+punkpoetry
I'm sorry, I had misspelled his name. It is Eschenbach, not Eschelbach. I love Christoph Eschenbach's Mozart, as well as Haebler's...Horrowitz's I do not particularly like. As for the others you've mentioned, I'm sure I have heard them at some point. Perhaps I'll go back and give another listen.
Cheers!
meravigliosa grazie
빠르지도 화려하지도 않은데 계속 듣고 싶은 음색이네요. 오히려 더 긴장감 있고 몰입하게 되는.. 듣는 내내 기분이 오묘합니다
this is very very good. been watching a lot of regular you-tubers play this and putting staccato in places where it is not on the sheet music
the perfection !!
Sublime
Très belle interprétation! Au début on est surpris car on dirait que c'est un peu lent. Mais quand on écoute bien cela aide au "dramatisme" de la pièce. Rien ne nous indique qu'on doit la jouer plus vite. Surtout quand 'l'âme" est de la partie. Sûrement Mozart jouait ainsi avec le tempo. Il s'est souvent plaint des interprétations trop rapides de ses œuvres. Merci Ingrid Haebler.
Jeder Satz stimmt zum vorher Gesagten !
Her interpretation is the best of what I heard😀😀😀, but some pitches are mistuned.☹☹☹
Well now here's a strange coincidence! I own an album of Mozart sonatas, that I bought in about 1965. I always knew that it had, stuck inside the front cover, a cut out newspaper face-pic of a woman, with a hand-printed note beneath. Some 53 years later, I am downsizing and disposing of much loved music books that I can no longer play. Just yesterday I decided to further investigate this. I Googled the name of the lady - Ingrid Haebler. I discovered that she is/was a much loved and famous classical performer. The words written beneath the pic read "HOME IN VIENNA. PLAYED K 331". From that I believe the album I possess, and was about to dispose of, once belonged to this lady, and that she would have actually owned and used it. I wonder, is this a valid conclusion to make. And should I keep the album in my possession? I chanced upon this present website/page and decided to let the world know of this amazing coincidence. Ed K
sehr elegant, danke!
She is the best
Ingrid Haebler does not “play” Mozart for us. She slowly invites us into his meaning by subtle and erudite suggestion. I’m only sorry that I had not been that familiar with her until fairly recently.
thanks to novel, I found this play. merci~ love her play!
I prefer Glenn Gould's but Haebler's expression in the piece is brilliant!
yes ! One of the few from her generation who play Mozart well.Landowska before her and Arrau and Geiseking never could . Haskil, Lipatti ,Horszowski ,DeLarocha knew and hundreds recorded neer found out Lili Kraus I must go back again and hear but I remeber thinking she had better taste than anyone else in the 1950's in this music ! I myself will never be able to play C.PE.Bach or Mozart. for some reason I thikn I get Beethoven and Hadyn ! This is great music making !
other than the pretty big tempo variations in the 1st and 3rd movements, great job!
on the 2nd movement Adagio
Superb
Yeah she played it quite lightly
Veramente superlativa.E' l'interprete di Mozart che preferisco
经典!经典。
Ellegant how Mozart should be.
very interesting performance. Listen also to Landowska 1938 performance on Pleyel piano Both are musical and epressive
MY GOD!!!
Well said.
Go Ingrid.
Die historische Mozart-Aura von Ingrid Haebler strahlt auch heute noch. An ihr kommt auch heute noch kein Pianist vorbei - an dieser stilistischen Einfühlung, an diese lockeren Verspieltheit, an dem hintergründig schwermütigen Ton des Komponisten. - Übrigens trau ich mir fast zu wetten: das Instrument ist kein harter Steinway, sondern ein Bösendorfer...(?!)
TRY TO LISTEN MARIA PIRES VERSION please
The piano certainly suits the piece and her playing - no hard atack sounds as the noe is struck.
Nice job on the 3rd movement.
Musicaux that 3rd movement is a tour de force, and quite operatic in its sweep and execution. This brilliant movement must have profoundly affected Carl Maria von Weber as the 3rd movements of his own 3rd piano sonata and 1st piano concerto seem inspired by this piece.
YES YES YES!!!
Why is Horowitz listed as the artist?
I cant wait to perform this piece at the Sydney Eisteddford
mokpo, what novel? I might want to read it too.
Aldous Huxley's Antic Hay, possibly? I'm reading that at the moment and it's mentioned several times in there.
소설속에서 말한 피아니스트가 이분인 것 같네 Herr Mozart wacht auf
영롱하면서도 뭔가 슬픔이 있는 소리
Wow!!!!like,like ,like!!
I wonder what that stands for.
OM SHRI PREMA SAI RAM
Do you think she is dead?
美しい！！！
A Mozart for adults ! She makes the once naivete phrases sound like abstract music but still it speaks without the childishness this Sonata assumes in the best hands . She must have thought long and hard about how to present this music . Here one realizes what Maria Pires tells us the page does not give us even a tenthousandth of the possibility . the slower tempo she takes here would ruin most others it would sound cloying here and cute there . Other musicians will know what a feat this is .Youthful pianists who hear this often assigned sonata won't recognize it . Haebler might be a genius herself and only a true virtuoso can make music this way every note judged to her purpose without ever sounding automatic or rote . She has a musical personality also suited to Mozart . I had a tape of her in Chopin valses must find her recital programmes .
海布勒的莫钢奏，调皮～
,,,,,,
トライ 産業革命
Lazy typists version of "great."
Não sabia que a Dilma tocava piano kkkkk
Kkkkkkkkkk
One of my favorites.
Tá certo que ela não é um pitéu, mas não precisa xingar a Ingrid, uai :)
Quanto a Dilma, tocar o piano... é na cabeça dela!
Me senti mal pela Ingrid kkk
Parece a Dilma! kkkk
Too slow