Congratulations - absolutely brilliant. (Program notes from New York Philharmonic archives) Mozart’s choice of music for his own wedding included the masterpiece we know as his Serenade No. 10 in B-flat major, K 361. At least, all the evidence assembled by Mozart’s greatest biographer, Hermann Abert, points to this work. Mozart had begun the composition of the Serenade in Munich early in 1781 at the time of the production of his opera “Idomeneo” at the Bavarian Court Theater ... The Serenade was completed in Vienna in the summer of 1781, during the height of Mozart’s struggle to escape from the “slavery”, as he called it, of his service to the Archbishop of Salzburg. The score may well have been intended for the highly skilled players of the Munich Orchestra (formerly the famous Mannheim Orchestra, which had moved to Munich with the Mannheim court when the Elector Palatine inherited the Dukedom of Bavaria). Very likely, too, it was written in the hope of winning an appointment to the Bavarian court, which never materialized. One does not have to be unduly sentimental to find the mixed moods of this Serenade ideally suited to a wedding celebration: from the heart-piercing beauty of the Adagio to the spirited humor and infectious abandon of the concluding rondo, with its recurring refrain. Mozart confessed to his father that both he and his wife, Costanze, wept at the ceremony in St Stephen’s Cathedral, Vienna, on August 4, 1782, and that the witness and even the priest were so moved that they all wept too. Afterwards they were merry at the wedding breakfast, or rather "souper" as Mozart called it, given them by the Baroness von Waldstädten. According to Mozart, this "Hochzeitsfestin" was “more princely than baronial”. No wonder that Mozart chose this Serenade. Its magical Adagio, one of the most profound and at the same time most ravishingly beautiful movements he ever wrote, seems to embody a felicity so sharp, so intense, that it is very close to pain, perhaps to tears. Alfred Einstein called it “a Notturno … a scene from Romeo under starry skies, a scene in which longing, grief and love, are wrung like a distillation from the beating hearts of the lovers”… (If copyright is a problem, these program notes can be removed)
Creo que ni los más grandes a su lado, piensa en los que quieras.. Bach, Händel, Haydn, Beethoven, Chooin, Brahms, Wagner, Mahler.... Etc tenían tal facilidad para escribir música y eso se nota al escucharla y por eso te atrapa.
The adagio was way way way to fast. My heart was continuously a beat behind the players. The rest of the piece is quite excellent - but to blow the adagio on this piece is hard to take
Exactly, imho the Winds Show their most weak side in this movement ,sorry : sound quality? , Intonation ?, articulation? , phrase? This music is worth to show respect.
17:24 The beginning simple, almost comic. Just a pulse - bassoons and basset horns - like a rusty squeezebox. And then suddenly, high above it, an oboe, a single note, hanging there unwavering, until a clarinet took it over and sweetened it into a phrase of such delight! This was a music I’d never heard. Filled with such longing, such unfulfillable longing. It seemed to me that I was hearing the voice of God
Nice bit of script by the screenwriter, but I've often wondered do bassoons and basset horns played together sound like a rusty squeezebox. Maybe in the movie soundtrack. Maybe it was just character depiction of lunatic Salieri.
Beautiful music, beautifully played! By people who love what they're doing, and who communicate their love so infectiously! How wonderful to see smiling faces! Thanks to everyone involved in this ravishing production - already watched and enjoyed many times!
Right now I am hearing this Gran Partita for the first time, except that slow movement that was used in the movie Amadeus. I knew instantly 20 minutes ago that this is something special. I always loved that slow movement that to me sounds like modern music, not classical or baroque. When I was a teenager in the 1950s I played clarinet. Of course the Adagio was taught first, as being slow it is easier to play. But later I played the whole concerto every night, twice. It takes half an hour. So I played it. Then I took a break for milk and cookies. Then another half hour. I have it on records, heard it live several times. But it never dawned on me that it was considered anything special. Now in Denver the classical radio station uses the adagio for a quick filler between other music, and the whole thing when they play a weekend of the best music. Its like having parents who are accomplished and famous. To their children they are nothing special.
J'aurais aimé un tempo plus lent dans le 3ème mouvement. Lorsque c'est aussi rapide, l'émotion a moins le temps de monter. Hormis cela, les pupitres sont colorés, fruités, on sent tout ce qu'il y a d'espiègle et de joyeux dans cette musique et chez Mozart. Quel chef d'oeuvre.
Wonderfully prepared. Addictive to listen. Deliciously sweet and tasty music. It’s like a massage for the inner body. But the people that clap between movements!! This is not a scripted TV show. Stop making noise during the concert. D*nm it!!!
Agreed. This suddenly became acceptable about 20 years ago and I first encountered it during a Brahms symphony played by the NY Phil. I was shocked and thought it a one-off fluke until it happened later somewhere else. I understand that it may have been done in Europe 200+ years ago (I'm not sure) but the effect today is quite irritating and intrusive.
Many fine renditions available on RUclips and elsewhere, and I'm not going to compare, but very nicely played. Not everything by Mozart was genius, but this is; One of his greatest works, I think (plus the Clarinet Concerto).
@@andref3419 Any symphony before #25. Before that it's mostly "Hey, that's pretty good for a teenager." For starters. He got better as he got older; nothing wrong with that.
When I was a teenager in the 1950s I played clarinet. Of course the Adagio was taught first, as being slow it is easier to play. But later I played the whole concerto every night, twice. It takes half an hour. So I played it. Then I took a break for milk and cookies. Then another half hour. I have it on records, heard it live several times. But it never dawned on me that it was considered anything special. Now in Denver the classical radio station uses the adagio for a quick filler between other music, and the whole thing when they play a weekend of the best music. Its like having parents who are accomplished and famous. To their children they are nothing special. Right now I am hearing this Gran Partita for the first time, except that slow movement that was used in the movie Amadeus. I knew instantly 20 minutes ago that this is something special. I always loved that slow movement that to me sounds like modern music, not classical or baroque.
@@prager5046 Kinda gratuitous. Of course Mozart was extraordinary. The Gran Partita is magic, and underrated. Magic Flute is amazing. I could live all my life practicing nothing but the Clarinet Concerto. La Finta Giardiniera is not. His Symphony #1 is not (ruclips.net/video/f7Dj5yUdf-w/видео.html). His string quartets? Good for a mere mortal, but they're not the late Beethoven quartets. It's no slam on Mozart to say that not everything is at the same level as his greatest works and that not everything needs to be heard/played on an equal basis. I actually think Wagner may have been the greater genius. Mozart just picked up and continued the style and traditions that he learned from his father, Haydn, or CPE Bach; he took what they did and did it better. Wagner created an entirely new world, and had far less formal training; was basically self-taught.
Retrouver Mozart dans sa nature profonde, c'est se plonger dans le charme magique de ses compositions pour instruments à vent... concerto pour cor et basson, quintette pour piano et vent et autres sérénades. ..Cette grande partita est une sorte de synthèse du genre où wolfgang déploie avec jubilation la tendresse toute particulière qu'il avait pour les ensembles à vent! L'interprétation de l'Orchestre philharmonique de Radio France, garde cette fraîcheur, cette spontanéité nécessaire à un tel chef d'oeuvre.
Bonsoir. Cette œuvre de Mozart est pour moi l' une des plus belle pièce de musique de chambre pour instruments à vents Dans le cas de cet interprétation nous avons la chance d' entendre des musiciens prestigieux comme par exemple Mr Julien Hardy au basson Les deux cors de basset ajoutent une tendresse particulière à cette composition et une couleur sans précèdent à cette pièce. Bravo à tous les interprètes pour cette si belle pièce qu'elle leçon de musique!
@@jacquesgras1084 Votre commentaire me touche par sa sincérité et sa conviction profonde en affirmant la qualité unique de cette oeuvre exceptionnelle! Ce que je partage sans réserve... Avec Mozart on n'a jamais fini de s'émerveiller, depuis plus de 60 ans, je découvre sa pensée musicale étoilée!
There are those who enjoy the spritely and bubbly sound of Mozart like the carbonation of a fresh, cold soda. However, there are those who, when they have the Soda Stream, they gainsay the Soda Stream and poopoo it because they want champagne. There is no pleasing some people. 10 cents for the fuzz from a nameless nickel, right?
What lovely, gritty playing! What I love is when the players take as much interest in what their neighbor is playing as their own playing. CHAMBER MUSIC!!!!
Por qué Mozart siempre suena tan familiar, tan redondo, circulando por nuestro cerebro exactamente por donde debe hacerlo? Que suerte poder disfrutarlo !!!!
"On the page it looked nothing. The beginning simple, almost comic. Just a pulse, bassoons and basset horns, like a rusty squeezebox. Then suddenly; high above it, an oboe, a single note, hanging there unwavering, till a clarinet took over and sweetened it into a phrase of such delight! This was no composition by a performing monkey! This was a music I'd never heard. Filled with such longing, such unfulfillable longing. It seemed to me that I was hearing the very voice of God." (17:22)
C'est super beau, adore cette magnifique pièce de Mozart ! Petit bémol... pourquoi toujours la scène dans le noir, on distingue à peine les musiciens, pourtant ils sont " beaux " quand ils jouent ! Ça doit être un parti pris que prennent les éclairagistes... L'autre jour, un plateau noir , musiciens en noir, masque noir et chef en col roulé noir... c'est plutôt lugubre tout ça, de grâce ! de la lumière ! Dominique
"The beginning simple, almost comic, just a pulse. Bassoons and basset horns, like a rusty squeezebox. And then suddenly, high above it, an oboe. A single note, hanging there, unwavering. Until a clarinet took over and sweetened it into a phrase of such delight! ...... This was a music I'd never heard. Filled with such longing, such unfulfillable longing, it had me trembling. It seemed to me that I was hearing the voice of God." Antonio Salieri on Mozart's Serenade No 10 for Winds 'Gran Partita', III. Adagio
Tiens, je voir un clétage inhabituel sur le corps du bas de la clarinette de Nicolas.. un prototype, peut-être ? Magnifique interprétation, en tous cas, symbiose parfaite entre pupitres. Merci.
Wundervoller Klang und herausragend musiziert! Ganz besonders hervorzuheben, ist der 1. Klarinettist, welch eine Tongebung und gestalterische Qualität!
Wunderschöne Aufführung dieser fein komponierten Serenade im lebhaften Tempo mit gut harmonisierten Tönen aller Instrumente. Der fünfte Satz klingt echt elegant. Ausgezeichnetes Ensemble!
They actually started slower, and then the clipped articulation in the 2nd oboe picked up the tempo. So how can musicians this good not hear the tempo that this music needs to breathe? Because they are too motivated by technique, and not enough by heart and soul.
Probably so. Most symphonies I've been to have a " Your first Symphony" Etiquette paragraph. If you like to clap during the music, hit a Jazz festival. 😉
@@jestubbs69 "Most", but not all. What was odd was they continued throughout the performance. One would thought they would have figured it out at some point.
@@dbkfrogkaty1 No doubt. There's only one section where there's no applause between movements. Such a great performance I downloaded and remastered it, sans applause for the pure enjoyment of the piece.
I've been sampling various versions of this Serenade tonight and this performance is a delight. The music is the richest and warmest I've heard, and the musicians play as one. Perhaps it's because they all are using modern instruments, while others I watched had period instruments. Whatever, this is the one I will come back to in the future.
Congratulations - absolutely brilliant.
(Program notes from New York Philharmonic archives)
Mozart’s choice of music for his own wedding included the masterpiece we know as his Serenade No. 10 in B-flat major, K 361. At least, all the evidence assembled by Mozart’s greatest biographer, Hermann Abert, points to this work.
Mozart had begun the composition of the Serenade in Munich early in 1781 at the time of the production of his opera “Idomeneo” at the Bavarian Court Theater ... The Serenade was completed in Vienna in the summer of 1781, during the height of Mozart’s struggle to escape from the “slavery”, as he called it, of his service to the Archbishop of Salzburg. The score may well have been intended for the highly skilled players of the Munich Orchestra (formerly the famous Mannheim Orchestra, which had moved to Munich with the Mannheim court when the Elector Palatine inherited the Dukedom of Bavaria). Very likely, too, it was written in the hope of winning an appointment to the Bavarian court, which never materialized.
One does not have to be unduly sentimental to find the mixed moods of this Serenade ideally suited to a wedding celebration: from the heart-piercing beauty of the Adagio to the spirited humor and infectious abandon of the concluding rondo, with its recurring refrain.
Mozart confessed to his father that both he and his wife, Costanze, wept at the ceremony in St Stephen’s Cathedral, Vienna, on August 4, 1782, and that the witness and even the priest were so moved that they all wept too. Afterwards they were merry at the wedding breakfast, or rather "souper" as Mozart called it, given them by the Baroness von Waldstädten. According to Mozart, this "Hochzeitsfestin" was “more princely than baronial”.
No wonder that Mozart chose this Serenade. Its magical Adagio, one of the most profound and at the same time most ravishingly beautiful movements he ever wrote, seems to embody a felicity so sharp, so intense, that it is very close to pain, perhaps to tears. Alfred Einstein called it “a Notturno … a scene from Romeo under starry skies, a scene in which longing, grief and love, are wrung like a distillation from the beating hearts of the lovers”…
(If copyright is a problem, these program notes can be removed)
Excellent comment, thank you.
When I hear this serenade, Mozart brings to life his glorious melodic gifts!
Una obra entrañable, para dejarse llevar entre sus melodiosos sones, felicito a estos musicos excepcionales!!!
Maestro Baldeyrou!
It's simply gran!
The adagio is played very fast, the rest is great...
Bellissimo
Mozart ti rapisce,non mi succede con altri musicisti,non c’è giorno che io non ascolti qualcosa di questo genio
Creo que ni los más grandes a su lado, piensa en los que quieras.. Bach, Händel, Haydn, Beethoven, Chooin, Brahms, Wagner, Mahler.... Etc tenían tal facilidad para escribir música y eso se nota al escucharla y por eso te atrapa.
17:22 isn't it supposed to be an Adagio??
Yeah it’s really fast
Exactly!!!
The adagio was way way way to fast. My heart was continuously a beat behind the players. The rest of the piece is quite excellent - but to blow the adagio on this piece is hard to take
Exactly, imho the Winds Show their most weak side in this movement ,sorry : sound quality? , Intonation ?, articulation? , phrase? This music is worth to show respect.
Haha yeah they butchered that one.
ruclips.net/video/NecLh4YOT9M/видео.html
The final theme is the same as mozarts k19d rondo
camelot há 3 anos editou e consertou a cronometragem
Pouvez-vous me dire les noms et prénoms des musiciens et musiciennes avec les instruments. Merci beaucoup. Vous jouez merveilleux.
Je ne connais que Nicolas Baldeyrou, premier clarinettiste, à droite de l'ensemble.
A scorner seeks wisdom in vain,
an inteligent person will easily acquire knowledge.
the 2nd oboist guy is so cute. name, anyone?
17:24 The beginning simple, almost comic. Just a pulse - bassoons and basset horns - like a rusty squeezebox. And then suddenly, high above it, an oboe, a single note, hanging there unwavering, until a clarinet took it over and sweetened it into a phrase of such delight! This was a music I’d never heard. Filled with such longing, such unfulfillable longing. It seemed to me that I was hearing the voice of God
Wo hast Du denn das abgeschrieben...? Wie hieß denn gleich wieder dieser Zeitgenosse Mozarts?
@@wolfgangklofat594 Das war doch Salieri :-)
Why invoke invoke silly gods, Tony? Mozart is right in front of you!
Nice bit of script by the screenwriter, but I've often wondered do bassoons and basset horns played together sound like a rusty squeezebox. Maybe in the movie soundtrack. Maybe it was just character depiction of lunatic Salieri.
Mozart liked those deep, earthy tones.
1. Largo (0:05)
- Allegro molto (1:57)
2. Menuetto. Trios 1 & 2 (9:03)
3. Adagio (17:22)
4. Menuetto. Trio 1 & 2 (22:05)
5. Romanze. Allegretto (26:42)
6. Thema mit Variationen (33:23)
7. Finale (42:19)
Thanks for that information
You are the best ! I was looking for Adagio from the bright star movie
Joonho Chung muq
Largo. Molto Allegro
Menuetto
Adagio. Andante
Menuetto - Allegretto
Romance - Adagio
Tema con variazioni - Andante
Finale - Molto allegro
Ce cuprinde o serenadă
Glad at 91 to have discovered this genius and His world! Well played by this group!
May this music (and much of Mozart's creative work) keep you young. Best to you in life. May you enjoy as much health as you can have.
Beautiful music, beautifully played! By people who love what they're doing, and who communicate their love so infectiously! How wonderful to see smiling faces!
Thanks to everyone involved in this ravishing production - already watched and enjoyed many times!
Dear France Musique - please put the name of the performers above . Thanks !
Right now I am hearing this Gran Partita for the first time, except that slow movement that was used in the movie Amadeus. I knew instantly 20 minutes ago that this is something special. I always loved that slow movement that to me sounds like modern music, not classical or baroque. When I was a teenager in the 1950s I played clarinet. Of course the Adagio was taught first, as being slow it is easier to play. But later I played the whole concerto every night, twice. It takes half an hour. So I played it. Then I took a break for milk and cookies. Then another half hour. I have it on records, heard it live several times. But it never dawned on me that it was considered anything special. Now in Denver the classical radio station uses the adagio for a quick filler between other music, and the whole thing when they play a weekend of the best music. Its like having parents who are accomplished and famous. To their children they are nothing special.
What a great anecdote, thanks for sharing!
J'aurais aimé un tempo plus lent dans le 3ème mouvement. Lorsque c'est aussi rapide, l'émotion a moins le temps de monter. Hormis cela, les pupitres sont colorés, fruités, on sent tout ce qu'il y a d'espiègle et de joyeux dans cette musique et chez Mozart. Quel chef d'oeuvre.
Je suis d'accord, l'adagio est un peu trop rapide. Néanmoins, magnifique performance du Philarmonique.
C'est qui ,au fait, ce Mozart ?
That's a rather brisk adagio isn't it? What's the hurry?
Cosa dire Mozart e Mozart, il più grande genio musicale.
Wonderfully prepared. Addictive to listen. Deliciously sweet and tasty music. It’s like a massage for the inner body.
But the people that clap between movements!! This is not a scripted TV show. Stop making noise during the concert. D*nm it!!!
Agreed. This suddenly became acceptable about 20 years ago and I first encountered it during a Brahms symphony played by the NY Phil. I was shocked and thought it a one-off fluke until it happened later somewhere else. I understand that it may have been done in Europe 200+ years ago (I'm not sure) but the effect today is quite irritating and intrusive.
The clapping between music bites at my soul 🫠
Some people didn't get the memo. They were in the bathroom, playing a video game on their iPhone.
Une clarinette est comme un oiseau qui chante perché sur une porté au dessus des autres instruments...
Elle chante avec grâce...
Very nice indeed. Played with pace and spirit.
"Such unfulfillable longing".
Salieri
One of the best episodes in Amadeus
Andrei Ermakov And great acting from F. Murray Abraham!
@@stevefinnemoreAbsolutely! Amadeus is my favorite movie!
Bravíssimo!!!!!!
Many fine renditions available on RUclips and elsewhere, and I'm not going to compare, but very nicely played. Not everything by Mozart was genius, but this is; One of his greatest works, I think (plus the Clarinet Concerto).
Not everything ? Possible, but am not able to judge. What’s not (genius) ? Do you have a clear opinion 😀 ? Please make me know !
@@andref3419 Any symphony before #25. Before that it's mostly "Hey, that's pretty good for a teenager." For starters. He got better as he got older; nothing wrong with that.
When I was a teenager in the 1950s I played clarinet. Of course the Adagio was taught first, as being slow it is easier to play. But later I played the whole concerto every night, twice. It takes half an hour. So I played it. Then I took a break for milk and cookies. Then another half hour. I have it on records, heard it live several times. But it never dawned on me that it was considered anything special. Now in Denver the classical radio station uses the adagio for a quick filler between other music, and the whole thing when they play a weekend of the best music. Its like having parents who are accomplished and famous. To their children they are nothing special. Right now I am hearing this Gran Partita for the first time, except that slow movement that was used in the movie Amadeus. I knew instantly 20 minutes ago that this is something special. I always loved that slow movement that to me sounds like modern music, not classical or baroque.
@ Marko Velikonja Mozart is the most gifted human being ever lived...a little man like you will never understand this.
@@prager5046 Kinda gratuitous. Of course Mozart was extraordinary. The Gran Partita is magic, and underrated. Magic Flute is amazing. I could live all my life practicing nothing but the Clarinet Concerto. La Finta Giardiniera is not. His Symphony #1 is not (ruclips.net/video/f7Dj5yUdf-w/видео.html). His string quartets? Good for a mere mortal, but they're not the late Beethoven quartets. It's no slam on Mozart to say that not everything is at the same level as his greatest works and that not everything needs to be heard/played on an equal basis.
I actually think Wagner may have been the greater genius. Mozart just picked up and continued the style and traditions that he learned from his father, Haydn, or CPE Bach; he took what they did and did it better. Wagner created an entirely new world, and had far less formal training; was basically self-taught.
Let's to be honest, Mozart was a Genius man. He was the gift from God to this Universe
And so are so many others as well. Yes your right, Mozart was a genius but to say he was the greatest is to belittle other great genius Composers!
never a truer word said...Mozart was music to the ear, light to the eyes, scent to the nose..subliminal
Mozart es la prueba de que Dios existe.
Magnifique! ! Musique Fabuleux !! Grand bravo !!! 👌❤‼
Mozart sublimemente interpreatado, un paseo por el cielo ❤
Retrouver Mozart dans sa nature profonde, c'est se plonger dans le charme magique de ses compositions pour instruments à vent... concerto pour cor et basson, quintette pour piano et vent et autres sérénades. ..Cette grande partita est une sorte de synthèse du genre où wolfgang déploie avec jubilation la tendresse toute particulière qu'il avait pour les ensembles à vent!
L'interprétation de l'Orchestre philharmonique de Radio France, garde cette fraîcheur, cette spontanéité nécessaire à un tel chef d'oeuvre.
Bonsoir.
Cette œuvre de Mozart est pour moi l' une des plus belle pièce de musique de chambre pour instruments à vents
Dans le cas de cet interprétation nous avons la chance d' entendre des musiciens prestigieux comme par exemple Mr Julien Hardy au basson
Les deux cors de basset ajoutent une tendresse particulière à cette composition et une couleur sans précèdent à cette pièce.
Bravo à tous les interprètes pour cette si belle pièce qu'elle leçon de musique!
@@jacquesgras1084 Votre commentaire me touche par sa sincérité et sa conviction
profonde en affirmant la qualité unique de cette oeuvre exceptionnelle! Ce que je partage sans réserve... Avec Mozart on n'a jamais fini de s'émerveiller, depuis plus de 60 ans, je découvre sa pensée musicale étoilée!
Hélène Devilleneuve, hautbois Nicolas Baldeyrou, clarinette !!
vraiment bien :) ... adagio un peu vite , dommage ...
The tempo is all wrong!
There are those who enjoy the spritely and bubbly sound of Mozart like the carbonation of a fresh, cold soda. However, there are those who, when they have the Soda Stream, they gainsay the Soda Stream and poopoo it because they want champagne. There is no pleasing some people. 10 cents for the fuzz from a nameless nickel, right?
El adagio más lento por favor, el resto muy bien
Fantástico!! Bravíssimo 👏👏👏
Ich liebe diese Musik und hoffe ich kann sie noch oft hören!!!
What lovely, gritty playing! What I love is when the players take as much interest in what their neighbor is playing as their own playing. CHAMBER MUSIC!!!!
Bestemmierò perché i musicisti sono fantastici ma si sente la mancanza di un direttore
Wonderful performance, beautiful recording. Thanks a lot for sharing this gorgeous video.
Just found this. Terrific playing.
Por qué Mozart siempre suena tan familiar, tan redondo, circulando por nuestro cerebro exactamente por donde debe hacerlo?
Que suerte poder disfrutarlo !!!!
Never angry and serious. Because applause(on the way) means that there are new customers.
they are just faced with rich emotion.
???? why so rush in the serenade ..?????
o Adagio machuca muito ....!!!
Absolutely delightful. Thank you for sharing it!
Remarkable performance. Thanks for publishing.
"On the page it looked nothing. The beginning simple, almost comic. Just a pulse, bassoons and basset horns, like a rusty squeezebox. Then suddenly; high above it, an oboe, a single note, hanging there unwavering, till a clarinet took over and sweetened it into a phrase of such delight! This was no composition by a performing monkey! This was a music I'd never heard. Filled with such longing, such unfulfillable longing. It seemed to me that I was hearing the very voice of God." (17:22)
What are you quoting?
@@RikardPeterson amadeus
@@hgbaotnt5474 The movie?
@@RikardPeterson salieri in the Forman's movie "Amadeus"
I god, how ancient I feel after that comment! Surely everyone who loves music has seen Amadeus?!
Brillant Klarinetist Baldeyrou!
And brilliant oboist Helene Devilleneuve.
Who is the principal basset horn?
"It started without me!"
👏🏽👏🏽👏🏽❤
So beautiful 🎼🎵
Je préfère ce travail avec des instruments vintage, mais c'est très bien joué !!
5:47 ❤️
Magnifique
I LOVE IT!!! Merci beaucoup....
Lovely! Just how it should be - also comme il faut, which is not the same - and with gorgeous romantic feeling!
Great performance! Greetings from the UK.
So clean and lovely even the adagio!
Also in love with the clarinettist.
played too fast.
To fast
Utterly beautiful harmony.
Sublime
When, and more importantly why, did it become acceptable to applaud between movements of classical music?
Is that Nicolas Baldeyrou on the very right?
yep.
The Blending Sounds of the Wind Instruments Sounds Amazing ,🎶✨✴️ Classical Music / Reference ⭐⭐⭐⭐🎶👏🎶✴️💞
Quelle Beauté ! Bravo ! 👏💐
Bravi tutti! Magnifique!
Amazing ❤️
I would've preferred the tempo be significantly slower in places. Was on the side of rushing quite a bit.
C'est super beau, adore cette magnifique pièce de Mozart !
Petit bémol... pourquoi toujours la scène dans le noir, on distingue à peine les musiciens, pourtant ils sont " beaux " quand ils jouent !
Ça doit être un parti pris que prennent les éclairagistes...
L'autre jour, un plateau noir , musiciens en noir, masque noir et chef en col roulé noir... c'est plutôt
lugubre tout ça, de grâce ! de la lumière !
Dominique
A good performance...except, however, I was disappointed that my favourite part, the Adagio, was played far too fast in my opinion.
"The beginning simple, almost comic, just a pulse. Bassoons and basset horns, like a rusty squeezebox. And then suddenly, high above it, an oboe. A single note, hanging there, unwavering. Until a clarinet took over and sweetened it into a phrase of such delight! ...... This was a music I'd never heard. Filled with such longing, such unfulfillable longing, it had me trembling. It seemed to me that I was hearing the voice of God."
Antonio Salieri on Mozart's Serenade No 10 for Winds 'Gran Partita', III. Adagio
👏👏👏👍💐
Tiens, je voir un clétage inhabituel sur le corps du bas de la clarinette de Nicolas.. un prototype, peut-être ? Magnifique interprétation, en tous cas, symbiose parfaite entre pupitres. Merci.
Esta Gran Partita es una de las obras mas importantes del genio de WAM interpretada por estos magnificos camaristas´
Wonderful, thank you.
Excellente!
Esse é o timbre total esperado! Muito bom escutar.
Wundervoller Klang und herausragend musiziert! Ganz besonders hervorzuheben, ist der 1. Klarinettist, welch eine Tongebung und gestalterische Qualität!
Le générique donne le nom du moindre assistant à l'adjoint du chargé de.....et pas celui de ces magnifiques musiciens!!!
Lovely performance, thank you.
That horn player is definitely covering up a hickey under that bandaid. NICE
11:06 !
Bravo-bravisimo!
Explendida y Hermosa, Gracias
Maravilloso
Wunderschöne Aufführung dieser fein komponierten Serenade im lebhaften Tempo mit gut harmonisierten Tönen aller Instrumente. Der fünfte Satz klingt echt elegant. Ausgezeichnetes Ensemble!
The fast tempo wrecks the Adagio here. What were they thinking?
Really fast indeed
domage
They actually started slower, and then the clipped articulation in the 2nd oboe picked up the tempo. So how can musicians this good not hear the tempo that this music needs to breathe? Because they are too motivated by technique, and not enough by heart and soul.
Exactly. My heart was always a beat behind the players
17:24 - WOW!!!
Le troisième mouvement est une pure merveille !
Yes. Divine Genius Mozart. 🌹
A splendid performance. Unfortunate so few have any concert etiquette these days. It subtracts from the music.
Noobies. Give them some time to understand. At least they are there. Nice to know classical music can still attract them.
Probably so. Most symphonies I've been to have a " Your first Symphony" Etiquette paragraph. If you like to clap during the music, hit a Jazz festival. 😉
@@jestubbs69 "Most", but not all. What was odd was they continued throughout the performance. One would thought they would have figured it out at some point.
@@dbkfrogkaty1 No doubt. There's only one section where there's no applause between movements. Such a great performance I downloaded and remastered it, sans applause for the pure enjoyment of the piece.
Indeed, your Highness, these peasants do not know their place.
Meritevoli bravi bella esecuzione😊
Adagio!!! Pas presto bon sang de bonsoir! Ecoutez comme le "continuo" devient grotesque par votre bête empressement!
I've been sampling various versions of this Serenade tonight and this performance is a delight. The music is the richest and warmest I've heard, and the musicians play as one. Perhaps it's because they all are using modern instruments, while others I watched had period instruments. Whatever, this is the one I will come back to in the future.
Bravo! Absolutely beautifully played.