I complessi tedeschi sono generalmente ad alto livello. La preparazione tecnica è superlativa. E questa orchestra conferma le mie conoscenze. La serenata è bellissima. Aria festosa e musica ispirata per una festa del borgomastro di Salisburgo. Mozart non poteva fallire un appuntamento così importante. Il tono un po’ “ paesanotto “( un complimento 🤩) ci fa rivivere a pieno la serata
What a wonderful orchestra, and a wonderful performance. This orchestra has a real, solid "German" sound to it, which I love! Please post more of this wonderful orchestra/conductor. Many thanks indeed from the UK.
The Serenade for orchestra in D major, K. 250 (248b), popularly known as the Haffner Serenade, is a serenade by Wolfgang Amadeus Mozart named for the Haffner family. Mozart's friend and contemporary Sigmund Haffner the Younger [de] commissioned the serenade to be used in the course of the festivities before the wedding of his sister Marie Elisabeth Haffner and her intended, Franz Xaver Spaeth. The Serenade was first played on 21 July 1776, on the eve of the wedding. It is in eight movements: I. Allegro maestoso - Allegro molto II. Andante III. Menuetto IV. Rondeau: Allegro V. Menuetto galante VI. Andante VII. Menuetto VIII. Adagio - Allegro assai The second, third and fourth movements feature prominent violin solos. Indeed, the rondeau (the fourth movement) has been arranged for solo violin and used as a popular virtuoso piece. It is assumed that the Marcia K. 249 was intended as entrance and exit music together with this Serenade.
Stuttgarter Kammerorchester are absolutely first class, follow direction brillintly and as a result the note intervals and lengths, for example, are absolutely perfect throughout. Thomas Zehetmair has as good a grasp as anyone of the nature of these serenades and how to perform them, compared with, for example, the symphonies, so this is a wonderfully lively, lilting, lyrical and melodic performance. His violin playing is technically very good, although I prefer the rounder tone obtained by some violinists, for example Elizabeth Wallfisch. Overall, an exceptional performance and one which has immediately joined my short list of favourite Mozart serenade interpretations, thank you.
Normalerweise wird der Solopart bei der Haffnerserenade vom Konzertmeister des Orchesters gespielt. Für ihn (oder für sie) ist das eine sehr schöne Aufgabe, eines der ganz besonders schönen Konzertmeistersoli. Ich denke, auch die Konzertmeisterin des Stuttgarter Kammerorchesters hätte sich über diese Aufgabe gefreut. Das Endergebnis wäre möglicherweise sogar noch idealer geworden. Thomas Zehetmair hat sich vom Geigensolist zu einem ganz hervorragenden Dirigenten entwickelt, der es versteht Musiker zu inspirieren und zu motivieren, höchste musikalische Ansprüche zu stellen und besondere Interpretationen zu schaffen. Wenn er gleichzeitig dirigiert und solo spielt sollte er sich die Frage ob er damit seinem eigenen Anspruch wirklich gerecht wird. Ich habe ihn im Sommer 2021 mit einem denkwürdigen außergewöhnlichen Konzert mit allen 6 Bachsolosonaten erlebt. Eines der Konzerte die man nicht mehr vergisst, so eindrucksvoll. Ich glaube, weniger ist manchmal mehr und höchste Ansprüche brauchen einfach die volle Konzentration auf eine Sache.
Concordo perfettamente. L’orchestra suona bene. Ma è senza anima. Direzione metronomica! Quanto di peggio esiste. I grand’ violinisti ,al contrario dei violoncellisti, non sono mai stati veri direttori. Molti anni fa ascoltai al Mercadante di Napoli, un’opera di Mozart sotto la direzione del famoso Accardi( il miglior violinista italiano della nostra epoca). Una pena per il povero Mozart. Saluti
Though the performance sounds very much satisfying, I am a bit confused with the use of timpani in this work. In many recording it is absent. Presence of trumpets in the score might be seen as an intended but probably lost timpani part. Yet the implementation here sounds a bit too dramatic for a serenade at certain moments such as 9:15. Thanks for the upload. Great, really great work by ensemble and konzertmeister!
The orchestra is very good but I have some reservations with the violinist. He is good, but here and there he does not play what is written in the score, neither convince me his personal decorations. Just personal taste of course. .
Haffner Serenade und Serenade für das Posthorn sind unvergleichliche Meisterwerke, Diamanten der Weltmusik.
Bravo Mozart ! Excellent Performance 🔝 11:31 - 26:03 - 34:57 - 49:21 - 51:47 - 1:00:20 🎶
I complessi tedeschi sono generalmente ad alto livello. La preparazione tecnica è superlativa. E questa orchestra conferma le mie conoscenze.
La serenata è bellissima. Aria festosa e musica ispirata per una festa del borgomastro di Salisburgo. Mozart non poteva fallire un appuntamento così importante.
Il tono un po’ “ paesanotto “( un complimento 🤩) ci fa rivivere a pieno la serata
What a wonderful orchestra, and a wonderful performance. This orchestra has a real, solid "German" sound to it, which I love! Please post more of this wonderful orchestra/conductor. Many thanks indeed from the UK.
I'm very much intyo the german sound myself. I was never too confident if such a thing existed, but after all these years I'm afraid it does.....
Meraviglia. Tutto perfetto
Splendido primo violino
0:00 導奏
3:40 第一樂章（奏鳴曲式）
13:22 第二樂章（小提琴協奏曲：行板）
22:50 第三樂章（小提琴協奏曲：小步舞曲）
26:52 第四樂章（小提琴協奏曲：輪旋曲）
得救了
35:55 - 4º movimento
49:02 - 5º movimento
53:47 - 6º movimento
Vielen Dank für die wunderbare Aufnahme!
Als ob uns Mozart den Blick in eine zarte Seele ermöglichte (2. Satz Haffner Serenade).
The Serenade for orchestra in D major, K. 250 (248b), popularly known as the Haffner Serenade, is a serenade by Wolfgang Amadeus Mozart named for the Haffner family. Mozart's friend and contemporary Sigmund Haffner the Younger [de] commissioned the serenade to be used in the course of the festivities before the wedding of his sister Marie Elisabeth Haffner and her intended, Franz Xaver Spaeth. The Serenade was first played on 21 July 1776, on the eve of the wedding. It is in eight movements:
I. Allegro maestoso - Allegro molto
II. Andante
III. Menuetto
IV. Rondeau: Allegro
V. Menuetto galante
VI. Andante
VII. Menuetto
VIII. Adagio - Allegro assai
The second, third and fourth movements feature prominent violin solos. Indeed, the rondeau (the fourth movement) has been arranged for solo violin and used as a popular virtuoso piece.
It is assumed that the Marcia K. 249 was intended as entrance and exit music together with this Serenade.
Stuttgarter Kammerorchester are absolutely first class, follow direction brillintly and as a result the note intervals and lengths, for example, are absolutely perfect throughout. Thomas Zehetmair has as good a grasp as anyone of the nature of these serenades and how to perform them, compared with, for example, the symphonies, so this is a wonderfully lively, lilting, lyrical and melodic performance. His violin playing is technically very good, although I prefer the rounder tone obtained by some violinists, for example Elizabeth Wallfisch. Overall, an exceptional performance and one which has immediately joined my short list of favourite Mozart serenade interpretations, thank you.
Thank you!
Normalerweise wird der Solopart bei der Haffnerserenade vom Konzertmeister des Orchesters gespielt. Für ihn (oder für sie) ist das eine sehr schöne Aufgabe,
eines der ganz besonders schönen Konzertmeistersoli.
Ich denke, auch die Konzertmeisterin des Stuttgarter Kammerorchesters hätte sich über diese Aufgabe gefreut. Das Endergebnis wäre möglicherweise sogar noch idealer geworden. Thomas Zehetmair hat sich vom Geigensolist zu einem ganz hervorragenden Dirigenten entwickelt, der es versteht Musiker zu inspirieren und zu motivieren, höchste musikalische Ansprüche zu stellen und besondere Interpretationen zu schaffen. Wenn er gleichzeitig dirigiert und solo spielt sollte er sich die Frage ob er damit seinem eigenen Anspruch wirklich gerecht wird.
Ich habe ihn im Sommer 2021 mit einem denkwürdigen außergewöhnlichen Konzert mit allen 6 Bachsolosonaten erlebt.
Eines der Konzerte die man nicht mehr vergisst, so eindrucksvoll.
Ich glaube, weniger ist manchmal mehr und höchste Ansprüche brauchen einfach die volle Konzentration auf eine Sache.
Concordo perfettamente. L’orchestra suona bene. Ma è senza anima. Direzione metronomica! Quanto di peggio esiste. I grand’ violinisti ,al contrario dei violoncellisti, non sono mai stati veri direttori. Molti anni fa ascoltai al Mercadante di Napoli, un’opera di Mozart sotto la direzione del famoso Accardi( il miglior violinista italiano della nostra epoca).
Una pena per il povero Mozart. Saluti
Sehr gut...danke!!
Son uns intèrprets de Mozart senzillament FABULOSOS!!! 😮
Bravo!
Wonderful performance! Thank you!
I realize it's pretty off topic but do anybody know of a good site to watch new series online ?
Though the performance sounds very much satisfying, I am a bit confused with the use of timpani in this work. In many recording it is absent. Presence of trumpets in the score might be seen as an intended but probably lost timpani part. Yet the implementation here sounds a bit too dramatic for a serenade at certain moments such as 9:15.
Thanks for the upload. Great, really great work by ensemble and konzertmeister!
The orchestra is very good but I have some reservations with the violinist. He is good, but here and there he does not play what is written in the score, neither convince me his personal decorations. Just personal taste of course. .