It is often misconstrued as his final statement before his slow meander into the abyss, but his death was quite unexpected. Still, perhaps there are powers at play we could never begin to comprehend , and when I hear those final arching chords before the gradual end, I think maybe on some unfathomable level he perhaps knew.
What is guaranteed to give me resounding fits of the vapors is his 1812 Overture, beginning with the very first bar with the Hymm, "God Preserve Thy People", and then all throughout the rest of the piece, I carry on as though I'd personally witnessed the sudden death of my entire family by firing squad!
@@JessicaC642 many people believe that this was his suicide note. He died like only 8 days after it premiered. You can really feel the overwhelming dread and despair in the last movement imo.
interesting to note that entire brass section ignores crescendi. twice. and would purirsts 'what what's on the page' say about that? It's always a choice, always.
It seems that in this recording the trumpets are muted. I've never heard that before, and it's not in the score. It works, but I think I prefer unmuted.
@@joelclifton6312 The trumpets are not muted. The performance practices and recording equipment of that era, along with this being Leningrad, that's just the sound that Mravinksy wanted. Not a huge fan of it either, but it's what was desired at the time I guess
It always bursts my ear drums when I try getting closer to the speaker to listen to that delicate clarinet and then… BOOM!!!! Still have to agree with you on your statement.
*Часть I* Сонатная форма Вступление - 0:08 Главная партия - 1:53 Побочная партия - 4:35 Разработка - 9:32 Разработка, Главная партия - 11:45 Реприза, Побочная партия - 13:51 Кода - 16:30 *Часть II* Сложная трехчастная форма Первая часть А - 17:45 Средняя часть С - 20:11 Реприза А - 22:43 Кода - 24:36 *Часть III* Сокращенная сонатная форма (сонатная без R) Главная партия - 25:54 Побочная партия - 27:36 Реприза, Главная партия - 29:15 Реприза, Побочная партия - 31:23 Кода - 33:27 *Часть IV. Финал* Трехчастная развитая форма Первая часть A - 34:15 Средняя часть C - 36:37 Реприза A - 39:05 Кода - 42:16
The favourite part of this and any other symphony is from 12:40min... The feeling is like someone ripped my heart out and left me on my knees. And then... Hope ❤️
@@DeeCeeHaichOh shut up, you will never be able something even close to being that good, Tchaikovsky cannot be surpassed by a random composer that thinks that what they are writing is better
That last movement is the height of pain; in it everything leads to ultimate tragedy. Every time I listen to Tchaikovsky's 6th I feel a jolt between the 3rd and 4th movts
@@hypermahler5873 Tchaikovsky was gay, his lover was his nephew Davydov is all I know, idk anything about this being dedicated to him but this symphony's program is a mystery
The 4th movt especially I call it the height of utter pain; Ken Winters on CBC Radio (I think it was) referred to it in the early '90s as "ultimate tragedy"
🎉симфония 6 Часть I Вступление - 0:08 Главная партия - 1:53 Побочная партия - 4:35 Разработка - 9:32 Часть II Тема вальса - 17:45 Часть III Побочная партия - 27:36 Часть IV. Финал основная тема - 34:15 тема 2 - 36:37 Реприза тема 1 - 39:05 Кода - 42:16
The Author died at the mature age (at that moment) of 53. At that age the mere hypothesis of suicide out of love Affairs (homosexual or Not) SOUNDS Crazy and is absolutely unconvincing.
I got to hear this live and after the fourth movement ended the audience was silent. We didn't start clapping until about 20 seconds after the conductor lowered his baton
Interesting to think that even though the piece was composed in the nineteenth century, and even though 58 years separate it and its recording and another 60+ the recording and us, we can still hear what the composer had in mind and what sounds he envisioned
I read about this 6th symphony and did not know it was so beautifully and intricately constructed. It seems to take the listener by the lap and throw him to the ground in complete helplessness. The end is a brutal example of chaos, a feeling that precedes death...
Classical music is frequently used to create a relaxed atmosphere and reduce stress. It has the ability to transport listeners into a state of mental ease and tranquility.
THE most shattering, moving symphony--- move over Mahler. Where did Tchaikovsky get this depth of feeling? And his premature death soon after its premiere-- like it or not-- adds extra non musical poignancy to it all....we are beneficiaries in this musical pyrric victory....
🧕👄🥀Maybe someone doesn't like this symphony because it sounds kind of melancholic, but it's wonderful because it's like that, a symphony composed in 4 movements and I like it simply because it is what it is, there is no middle ground.😯😃😭👏
Lol don't heed @@FreakieFan. Great pieces are mountains to climb on and surpass. Guido is likely bitter not apparently having the inspiration and/or creativity you seem to possess.
@@FreakieFan Correct, most masterpieces don't come out of thin air, but are the perfecting of predecessors' work and contributions. See Handel, who took from multiple different Baroque traditions throughout Europe, Bach's perfecting of contrapuntal forms he didn't invent, Mozart's entire output as an absorption, amalgamation, perfection of Classical styles invented by others throughout Europe, Brahms building on Beethoven, the Beatles taking from many people, etc. Mozart plagiarized and expanded on many others' works throughout his career; see for example the closing theme and chord progression from the 4th fugato movement of his Jupiter Symphony, which he lifted from the closing theme of the fugato 4th movement Michael Haydn's symphony of the same key, or his Requiem which is inspired by Michael Haydn's requiem in C minor (especially the Quam olim Abrahae, at the end of Domine Jesu, which is from Michael Haydn's own Quam oim Abrahae.) If they had youtube comments back then, I guess they'd be knocking anyone who used Alberti bass who wasn't D. Alberti himself, and Mozart's K183 Con Brio would be knocked for using Stamitz's Mannheim rockets. A composition building on preexisting music can count as creativity any day, and the quantity and quality of the creativity is based on what the new composer actually adds to and improves on the original. You didn't hear what Finn Music wrote, so of course you are not in any position to actually gauge what his level of creativity is. But we /do/ know that he imagines places where that music can be expanded/elaborated/ improved/perhaps built to greater heights and depths, even if a small improvement, and has the drive to execute, as well as the critical thinking attitude to not be easily satisfied with some predecessors' work as being sufficient. Much better that than a complacency and/or lack of imagination and inspiration to see past what Tchaikovsky created, as you have. IMO a great critical thinking composer should always ask of a piece, no matter how great it is, "hypothetically, if this is the threshold for garbage, what/where/how would great be?" Shakespeare, Mozart, Beethoven, Bach, Einstein etc didn't kick the ball forward by having the reverent attitude: "my predecessors did a great job, they are right, they did everything right, have perfected everything and did everything to completion; nothing more in this field is needed."
Favorite song of a crazy hyper intelligent russian military AI with arsenals of planet destroying weapons and I can see why after hearing bits of this in destiny 2 for a while and now coming to listen to the whole thing. What a beautiful piece.
Pyotr Ilyich Tchaikovsky’s Symphony No. 6 in B Minor, Op. 74 “Pathetique” Listen to the seven minute fourteen second mark of this video; shit will change your life. [Right Here]: 7:14 Although, on Apple Music you need to go to the six minute thirty-nine second mark.
@@thesilvershining I agree. I think it’s the saddest moment in all of music literature. Immediately proceeding is probably the brass chorale at the end of Mahler’s Sixth finale. That octave fall on the tuba from the high A to the low A is really sad.
الانسان و رحلة البحث عن السعادة المنشودة و حقيقة الفشل او النجاح اثناء حياته في ذالك البحث المحير عنها الطويل و المضني صنع الحزن الدفين حين اظهره الى العلن
Does the name Pathetique for Tchaikovsky's sixth symphony have anything to do with Beethoven's eighth piano sonata, also named Pathetique? Just wondering, because I'm seeing a slight resemblance between the 2 Pathetiques, especially in their respective first movements(slow tempo coming back in the middle of the first movement, emotional drama, Tremolo in the Allegro)
Pathetique means emotional Tchaikovsky died nine days after the premiere of this, leaving us with a “hidden message” but no clues or answer. He is definitely known for his epic endings, and surely surprised his audience when they first heard this.
![BLACK BAG - Official Trailer [HD] - Only in Theaters March 14](http://i.ytimg.com/vi/Du0Xp8WX_7I/mqdefault.jpg)
that bass at the end sounds like Tchaikovsky's heart beating, until it stops, and he is no more.
No doubt This right after experiencing ultimate tragedy
Except after finishing the Pathetique, he went on to write the Piano Concerto No. 3.
It is often misconstrued as his final statement before his slow meander into the abyss, but his death was quite unexpected. Still, perhaps there are powers at play we could never begin to comprehend , and when I hear those final arching chords before the gradual end, I think maybe on some unfathomable level he perhaps knew.
Am I supposed to be doing homework? Yes. Am I instead listening to mvt IV and trying not to cry? Always.
YES YES YES.
Mvt. _Four??_
@@artyjaycayairlines yes, the legendary mvt
18:20
What is guaranteed to give me resounding fits of the vapors is his 1812 Overture, beginning with the very first bar with the Hymm, "God Preserve Thy People", and then all throughout the rest of the piece, I carry on as though I'd personally witnessed the sudden death of my entire family by firing squad!
FORMAL ANALYSIS
edit: updated movement 3 analysis
I. Adagio - Allegro non troppo (B minor, sonata form, 4/4):
Introduction (Adagio, E minor): 0:07
Exposition: 1:52
First Subject (Allegro non troppo, B minor): 1:52
Theme A1: 1:52
Transition: 2:18
Theme A2: 2:42
Modulating Bridge: 3:04
Second Subject (D major):
Theme B1 (Andante): 4:33
Theme B2 (Moderato mosso): 5:34
Theme B1' (Andante, 12/8): 7:04
Theme B3 (Moderato assai): 7:56
Theme B1'' (Adagio mosso): 8:45
Development (Allegro vivo): 9:31
Pre-Core (rising sequence, atonal): 9:31
Core 1 (D minor): 9:46
Episode 1 (fugato on Theme A1): 9:46
Episode 2 (based on Theme B1): 10:15
Episode 3 (based on both themes): 10:33
Retransition (based on Theme A1, C# major): 11:19 (SKIP AT 11:23)
Recapitulation: 11:45
First Subject (B minor): 11:45
Modulating Bridge: 12:10
Dominant pedal (based on B1): 12:38
Second Subject (Andante come prima, B major): 13:51
Coda (based on theme B1): 16:29
II. Allegro con grazia (D major, ternary form, 5/4): 17:47
Menutto (D major): 17:47
Theme A1: 17:47
Theme A2: 18:50
Theme A1': 19:23
Trio (B minor): 20:10
Theme B1: 20:10
Theme B2: 20:56
Theme B3': 21:40
Retransition: 22:04
Menutto (D major): 22:44
Theme A1: 22:44
Theme A2: 23:16
Theme A1': 23:47
Coda (based on Trio, D major): 24:37
III. Allegro molto vivace (G major, sonatina form, common-12/8): 25:54
Exposition: 25:54
First Subject (G major)
Ostinato: 25:54
Theme A: 26:08
Modulating Bridge: 26:48
First Subject Reprise (E major): 27:37
Second Subject (E major)
Theme B: 28:14
Theme A': 28:37
Recapitulation: 31:24
First Subject: 29:15
Modulating Bridge: 30:07
Sequence (D major): 30:37
Retransition: 31:13
First Subject (G major): 31:24
Second Subject: 32:01
Transition: 32:30
Theme A: 32:41
Sequence on Theme A: 33:08
Coda: 33:29
Beethoven 5 Quotation: 33:29
Finale on Theme A: 33:38
Final Cadence: 33:59
IV. Adagio lamentoso (B minor, sonata rondo form, 3/4): 34:16
Exposition: 34:16
Theme A: 34:16
Modulating Bridge: 35:22
Theme B (Andante, D major): 36:38 - based on II Trio
Closing theme (Piu mosso - Vivace, C major): 38:15
Transition on Theme B (Andante, B minor): 38:37
Development (B minor): 39:05
Pre-core on Theme A (Andante non tanto): 39:05
Core: 40:16
Recapitulation: 40:59
Theme A (Andante): 40:59
Theme B (B minor, Andante giusto): 42:17
My hero
Thanks for the analysis 🤯🤯
Amazing, we needed it ❤
That's cooooool, never seen it broken down like that before, thank you
Putting ads in the middle of symphonies like this should be a godd*mn crime
Indeed
Yeah.
Try premium, it is fantastic! No add
I went premium a couple of months ago, it’s marvellous. Well worth it!
@@jamescrawford9883 walking ad, just get an ad blocker! No need to spend like 20 dollars a month for something you can do for free.
the 4th movement becomes even more haunting when you realise what Tchaikovsky is expressing through it
What is he expressing? It feels like a Dvorak New World Symphony type of feeling
@@JessicaC642 many people believe that this was his suicide note. He died like only 8 days after it premiered. You can really feel the overwhelming dread and despair in the last movement imo.
o h
@@MuhDog He died shortly after the premiere, true, but it isn't his final work. His final work was the Piano Concerto No. 3.
@@MuhDoghe died of cholera
16:32 one of the most beautiful and tear inducing symphonic moments I’ve heard. I never knew trumpets could sound so pure
interesting to note that entire brass section ignores crescendi. twice. and would purirsts 'what what's on the page' say about that? It's always a choice, always.
There are some beautiful brass chorales. I recommend Mahler 2 (IV).
@@Nitsua360I agree
It seems that in this recording the trumpets are muted. I've never heard that before, and it's not in the score. It works, but I think I prefer unmuted.
@@joelclifton6312 The trumpets are not muted. The performance practices and recording equipment of that era, along with this being Leningrad, that's just the sound that Mravinksy wanted. Not a huge fan of it either, but it's what was desired at the time I guess
One of the greatest symphonies EVER composed! Mind you, no computer, no plugins, no DAW! Just a pen, score paper and his brilliant mind! ❤❤❤❤❤❤❤
Piano, he knew how to play an instrument or two.
The heart attack moment at 9:17 is unquestionably one of the greatest moments in the symphonic repertoire
It always bursts my ear drums when I try getting closer to the speaker to listen to that delicate clarinet and then… BOOM!!!!
Still have to agree with you on your statement.
i always go from suddenly in my feels to suddenly in cardiac arrest when I listen to the first movement :/
He truly wanted to get rid off his old critics
It’s actually at 9:32
@@Dylonely_9274 No
*Часть I*
Сонатная форма
Вступление - 0:08
Главная партия - 1:53
Побочная партия - 4:35
Разработка - 9:32
Разработка, Главная партия - 11:45
Реприза, Побочная партия - 13:51
Кода - 16:30
*Часть II*
Сложная трехчастная форма
Первая часть А - 17:45
Средняя часть С - 20:11
Реприза А - 22:43
Кода - 24:36
*Часть III*
Сокращенная сонатная форма (сонатная без R)
Главная партия - 25:54
Побочная партия - 27:36
Реприза, Главная партия - 29:15
Реприза, Побочная партия - 31:23
Кода - 33:27
*Часть IV. Финал*
Трехчастная развитая форма
Первая часть A - 34:15
Средняя часть C - 36:37
Реприза A - 39:05
Кода - 42:16
Спасибо огромное❤
The favourite part of this and any other symphony is from 12:40min... The feeling is like someone ripped my heart out and left me on my knees. And then... Hope ❤️
Totalmente de acuerdo, se me cerró el pecho. Fue como si me estrujaran el corazón.
The two clarinet solos are ones of the most beautiful solos I know in music.
It cannot be as this is not music.
@@DeeCeeHaich I’m pretty sure that you have better to do than losing your time on RUclips.
@@DeeCeeHaichOh shut up, you will never be able something even close to being that good, Tchaikovsky cannot be surpassed by a random composer that thinks that what they are writing is better
That last movement is the height of pain; in it everything leads to ultimate tragedy. Every time I listen to Tchaikovsky's 6th I feel a jolt between the 3rd and 4th movts
The final movment is absolutely ingenius creation.
40:34-41:34 is probably my favorite part of anything music related. It's so much more powerful and emotional than anything else I've heard before.
Ever listened to Mahler's 2nd?
@@Angelo-z2i yup. Not too long ago
i would disagree, but only because it is another place in this very same symphony! In the dramatic heights of the drama in the first movement
@@tj-co9go that's top shit too
His last piece is truly wow...
Tchaikovsky dedicated this symphony to Davydov his nephew.
Just read his diary, very interesting!
@@lialoredopaz2962 incest go brr
@@jackminto7062 why...
@@hypermahler5873 Tchaikovsky was gay, his lover was his nephew Davydov is all I know, idk anything about this being dedicated to him but this symphony's program is a mystery
This was the last piece he wrote to be premiered in his lifetime. Actually the last piece he ever wrote was the third piano concerto.
The pain is incredible
The 4th movt especially I call it the height of utter pain; Ken Winters on CBC Radio (I think it was) referred to it in the early '90s as "ultimate tragedy"
The tam-tam at 41:35 always sends shivers down my spine. Amazing recording!
I can’t agree more !
The ending sounds like the instruments are weeping, so sad and beautiful :(
Such painfully beautiful melodies...💔
I agree, and the fast movement reminds me this piece open.spotify.com/track/5cRCQb5Eim9mz5rml7SyEL?si=ecf55668e2834859
I know hey; he just poured himself right out in this last piece of his
It’s a roller coaster of emotions…
Its my war of life wich I almost can't win 💔
The incredible desperation and pain from 12:40
Heartbreaking
One of the best moments in music history imo
And the last movt too especially; the first one ends in peace but the finale ends in utter pain and ultimate tragedy
This movt ends peacefully though unlike the finale which is unbearable pain and ultimate tragedy (leading to death as it were)
No doubt There's lots of conflict there
This entire symphony is gold. Standouts are Mvmt 2 in 5/4 to and that famous melody in Mvmt 4
4th Movement is just something, it is just a Funeral, nothing can top this level of death. Not even Mozart!
Cello excerpt
2:13
3:04
3:18
4:01
Sorry I accidentally disliked😅
Funny observation: the second theme in the second movement (20:10) also appears later in the fourth movement (42:34), but much darker.
Tchaikovsky also often does this in his 4th and 5th symphony. Later using the same melodies but in altered form (major/minor for instance)
The beauty of Tchaikovsky's art!
@@jakehouston3377
It's called cyclical sonata form! Pioneered in the classical era by Haydn/Mozart, but perfected to how we know it today by Liszt.
@@jakehouston3377 I agree
It's just cyclic structure. Beethoven invented it in his famous 5th Symphony (the da-da-da-duh)
LPO....wow, this orchestra is phenomenal! 1961 was a good year...
woah 5:15 sounds so angelic, it's like an angel is singing the melody there
I take it you've witnessed an angel singing?!
Who else is crying on the last movement?
So many people…
1楽章 (Allegro non troppo) 0:08
2楽章 (Allegro con grazia) 17:47
3楽章 (Allegro molto vivace) 25:55
4楽章 (Adagio lamentoso) 34:16
谢谢
Thank you, very very much!
4:33
I : 0:07 , 1:25 -> 1:28 ; 1:52 ( 1:54 ) , 4:03 -> 4:33 (4:35 ) , 7:00 , 8:43 ; 9:20 -> 9:32 , 9:45 ( 9:46 ) , 10:13 , ( 10:30 ) 10:32 , 11:18 , 12:15 -> 12:22 , 12:53 ; 13:50 ; 16:30 ;
II : 17:47 , 20:10 ;
III : 25:55 , 26:07 -> 27:36 ;
IV : 34:16 , 35:22 , 36:37 -> 36:43 ; 39:02 -> 39:58 , 40:17 , ( 40:58 ) 41:01 , 41:27 -> 41:38 , 42:16
Bellisima e inspirada sifonía ,para mí representa al amor enloquecido no correspondido lleno de romanticismo.Muy fuerte emocionalmente.
2. daļa g.t. 17:46
3. daļa g.p. 25:55
3. daļa b.p. 27:37
4. daļa g.p. 34:16
4. daļa b.p. 36:37
0:07 Introduction
1:53 1st theme
4:34 2nd theme
Thanks for the great recording with score. It’s very useful, I love so much this symphony.
Tchaikovsky poured himself right out in this last and most tragic piece of his
This year i'm playing the sixth symphony. Movements I and IV always make my cry.
I always feel a jolt btw. movts 3 & 4 all that joy in the 3rd is suddenly followed by pain which in turn leads to ultimate tragedy
Fantastico! I am so glad that I was able to listen to this fully without interruptions.
🎉симфония 6
Часть I
Вступление - 0:08
Главная партия - 1:53
Побочная партия - 4:35
Разработка - 9:32
Часть II
Тема вальса - 17:45
Часть III
Побочная партия - 27:36
Часть IV. Финал
основная тема - 34:15
тема 2 - 36:37
Реприза тема 1 - 39:05
Кода - 42:16
非常に勉強になりました。ありがとうございます！
I had tears rolling down my face watching the Dallas Symphony place this. Just beautiful beyond words.
34:11 * LOUD APPLAUSE! *
The very next second: ( Inside the clappers' brains ) WHAT HAVE I DONEEEE!!!!!! 😫😫😫😫
Seriously lol. The symphony ends on a slow movement, which was very unusual. That's why people mistake the third movement as a finale.
Twoset reference
Apparently it’s kind of a traditional in-joke for the audience to clap there. 😅
An outpouring of a broken heart by Tchaikovsky and such a beautiful and melancholic genius expression
The Author died at the mature age (at that moment) of 53. At that age the mere hypothesis of suicide out of love Affairs (homosexual or Not) SOUNDS Crazy and is absolutely unconvincing.
First time listening to this piece and I didn't know that 5/4 minuets existed until now, but I'm delightfully surprised.
It's a waltz, but yeah it's really interesting that it feels so natural in an irregular time signature.
Another successful evocation of a dance in 5/4 is Danse Générale in Ravel’s Daphnis et Chloé
The second movement shows that Tchaikovsky was one of the very few composers who knew how to use the melodious aspect of the Cello.
i’m playing bassoon in this for youth orchestra (send help)
I got to hear this live and after the fourth movement ended the audience was silent. We didn't start clapping until about 20 seconds after the conductor lowered his baton
12:55... the most painful moment i've ever heard in a symphony... it's beautiful.
Interesting to think that even though the piece was composed in the nineteenth century, and even though 58 years separate it and its recording and another 60+ the recording and us, we can still hear what the composer had in mind and what sounds he envisioned
I read about this 6th symphony and did not know it was so beautifully and intricately constructed.
It seems to take the listener by the lap and throw him to the ground in complete helplessness.
The end is a brutal example of chaos, a feeling that precedes death...
4:18- that viola line gives me chills every time.
Classical music is frequently used to create a relaxed atmosphere and reduce stress. It has the ability to transport listeners into a state of mental ease and tranquility.
Not this and for good reasons.
4:45 Theme 1
7:25 Theme 1 recur
9:00 closing?
10:53 rhythmic displacement
9:30 development?
13:55 Theme 1 recur (recapitulation)
Plz keep updaing, thanks!!!
I love the bassoon❤️
It sounds so sad…
@@Dylonely_9274 u have a clash royale pfp, i dont hear you.
@@sashasrhiI don’t think they weren’t trying to hate😭
@@krishdafish714 ye, he edited the comment i got it now lol
THE most shattering, moving symphony--- move over Mahler. Where did Tchaikovsky get this depth of feeling? And his premature death soon after its premiere-- like it or not-- adds extra non musical poignancy to it all....we are beneficiaries in this musical pyrric victory....
The last part is awesome
🧕👄🥀Maybe someone doesn't like this symphony because it sounds kind of melancholic, but it's wonderful because it's like that, a symphony composed in 4 movements and I like it simply because it is what it is, there is no middle ground.😯😃😭👏
Love the third movement so much, that i expanded it in one of my own compositions, truly wonderfull
Nothing to 'expand' on. That's absurd.
Lol don't heed @@FreakieFan. Great pieces are mountains to climb on and surpass. Guido is likely bitter not apparently having the inspiration and/or creativity you seem to possess.
@@johnnidark6463
Writing a 'composition' based on an established existing work counts as "creativity" these days? My god.
@@FreakieFan Correct, most masterpieces don't come out of thin air, but are the perfecting of predecessors' work and contributions. See Handel, who took from multiple different Baroque traditions throughout Europe, Bach's perfecting of contrapuntal forms he didn't invent, Mozart's entire output as an absorption, amalgamation, perfection of Classical styles invented by others throughout Europe, Brahms building on Beethoven, the Beatles taking from many people, etc. Mozart plagiarized and expanded on many others' works throughout his career; see for example the closing theme and chord progression from the 4th fugato movement of his Jupiter Symphony, which he lifted from the closing theme of the fugato 4th movement Michael Haydn's symphony of the same key, or his Requiem which is inspired by Michael Haydn's requiem in C minor (especially the Quam olim Abrahae, at the end of Domine Jesu, which is from Michael Haydn's own Quam oim Abrahae.) If they had youtube comments back then, I guess they'd be knocking anyone who used Alberti bass who wasn't D. Alberti himself, and Mozart's K183 Con Brio would be knocked for using Stamitz's Mannheim rockets. A composition building on preexisting music can count as creativity any day, and the quantity and quality of the creativity is based on what the new composer actually adds to and improves on the original. You didn't hear what Finn Music wrote, so of course you are not in any position to actually gauge what his level of creativity is. But we /do/ know that he imagines places where that music can be expanded/elaborated/ improved/perhaps built to greater heights and depths, even if a small improvement, and has the drive to execute, as well as the critical thinking attitude to not be easily satisfied with some predecessors' work as being sufficient. Much better that than a complacency and/or lack of imagination and inspiration to see past what Tchaikovsky created, as you have. IMO a great critical thinking composer should always ask of a piece, no matter how great it is, "hypothetically, if this is the threshold for garbage, what/where/how would great be?" Shakespeare, Mozart, Beethoven, Bach, Einstein etc didn't kick the ball forward by having the reverent attitude: "my predecessors did a great job, they are right, they did everything right, have perfected everything and did everything to completion; nothing more in this field is needed."
@@johnnidark6463 Also the great Stravinsky even said, "Lesser artists borrow, great artists steal."
bro größter ehrenmann was würd ich ohne dich tun...
Happy birthday, Tchaikovsky.
That PPPPPP dynamic marking in the first movement tho…
I could be wrong, but it is extremely difficult for a bassoon to play that at pppppp, so sometimes, a bass clarinet covers that part.
@@cousinparty7266 yep that’s how most conductors do that part
and then sudden ff at 09:32
Still can't get over that 5/4 "3-legged waltz" time signature.
It's more of a limp waltz bc of just that, the 5/4 meter
I’m doing this for the regional youth orchestra this year omgg ❤❤
thank you for this upload. It's excellent.
What a great melodist composer!
What kind of psychopath puts ads in the MIDDLE of a movement???!!!
Magnifique
SO GOOD I LOVE IT ITS LIKE DIGGING YOUR FACE INTO A CAKE and the last movement is sad because you finished it lmfaoooo
I
C 3:28~
E 5:58~
F 6:20~
G 8:08~
K 10:27~
N 11:39~
O 12:08~
Q 12:40~
S 14:30~
U 17:12~
Ⅱ
C 19:46~
G 22:04~
M 24:10~
Ⅲ
G 27:20~
I 27:52~
T 30:28~
U 30:46~
Cc 32:19~
Ll 33:52~
Ⅳ
E 37:56~
H 39:59~
L 41:29~
36:44 is such a wonderful theme
Favorite song of a crazy hyper intelligent russian military AI with arsenals of planet destroying weapons and I can see why after hearing bits of this in destiny 2 for a while and now coming to listen to the whole thing. What a beautiful piece.
9:32 how pleasant 😍
Indeed
Indeed
Indeed
Indeed
Indeed
I've been trying to make an argument that Mvt II is one of the most elegant and romantic 'slow' movements and is underrated--
Pyotr Ilyich Tchaikovsky’s Symphony No. 6 in B Minor, Op. 74 “Pathetique”
Listen to the seven minute fourteen second mark of this video; shit will change your life.
[Right Here]: 7:14
Although, on Apple Music you need to go to the six minute thirty-nine second mark.
9:32 ⚠️
This part scares everyone off
Music is the only real thing in my life
thanks for those uploads :D
12:52 Death
42:16 to the end... MY GOD!!! 😭😭😭😭
The saddest two minutes in symphonic literature. The musical equivalent of giving in to utter despair and death T_T
@@thesilvershining I agree. I think it’s the saddest moment in all of music literature. Immediately proceeding is probably the brass chorale at the end of Mahler’s Sixth finale. That octave fall on the tuba from the high A to the low A is really sad.
I agree, and the fast movement reminds me this open.spotify.com/track/5cRCQb5Eim9mz5rml7SyEL?si=ecf55668e2834859
So dark
@@thesilvershining It is utter despair and ultimate tragedy
Bass at the end>>
And to think there was once a time when Tchaikovsky's ability as a symphonist was in question.
38:02 - Powerful!
38:01
For personal reference
-2:45
-13:54
-30:59
-34:15
4:50 Is a Beautiful Part
4:35
I cried at the end scene of the film The Music lovers film about Tchaikovsky by Ken Russell
Viola all state audition - 2:19 - 3:14
Wow. Thats about all I can say... wow
الانسان و رحلة البحث عن السعادة المنشودة و حقيقة الفشل او النجاح اثناء حياته في ذالك البحث المحير عنها الطويل و المضني صنع الحزن الدفين حين اظهره الى العلن
If you here because you chose an excerpt recording drop a like on this comment 🗣️🔥🥶
It's interesting how he modulated from Em6 to Bm in the ending, because it's very traditional to modulate Em6 to B instead of Bm...
This rendition of the march is positively terrifying. Reminds me of the mechanized and devious cheerfulness of Prokofiev's later symphonies.
Mravinsky🙌🏼
1:56 - 3:09 is my practice spot💪🏻
36:23 (bassoon) a chopin ballad 1 reference???
(I'm pretty sure it's a coincidence but funny nonetheless)
15:34 amazing...
Gorgeous.
Why's no one commenting about 10:32-11:08?
There is too much great parts in this symphony. We can’t comment about all of them !
I have the Mravinsky, it is marvellous! My other favourite (2nd) Is Levine & CSO. Great, it’s a shame about his antics!
9:34 minutes into the movment we finaly get to the development
Lo más conmovedor de esta joya sinfónica del genial maestro ruso es el prolongado silencio con que se cierra la obra
Sin duda
Tchaikovsky's string parts is most unforgettable and genially thing in classical music.
P.S. Me at math exam 12:51
jumpscare at 9:31
Does the name Pathetique for Tchaikovsky's sixth symphony have anything to do with Beethoven's eighth piano sonata, also named Pathetique? Just wondering, because I'm seeing a slight resemblance between the 2 Pathetiques, especially in their respective first movements(slow tempo coming back in the middle of the first movement, emotional drama, Tremolo in the Allegro)
The nickname for the symphony was given by Tchaikovsky's brother after the composer's death...
Pathetique means emotional
Tchaikovsky died nine days after the premiere of this, leaving us with a “hidden message” but no clues or answer. He is definitely known for his epic endings, and surely surprised his audience when they first heard this.
The original russian title should be translated as Passionate instead of Pathétique.
@@davidecarlassara8525 1.Yes, the evening after the premiere
2. No, he died 9 days after
@@bullshitman155 ah okay then!
Could you do the Cinderella Suites by Prokofiev or Glazunov’s The Seasons please?