Concertgebouworkest - Symphony No. 3 - Brahms
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- Опубликовано: 4 окт 2024
- Today we stream an interview with Herbert Blomstedt about Brahms’ Third symphony followed by Brahms' Symphony No. 3 conducted by Herbert Blomstedt. First violinist Marijn Mijnders introduces the concert today.
From Friday 8 until Sunday 17 May we stream 10 symphonies of Mahler as a part of the Mahler Festival Online. You can watch a symphony every day at 8:30 pm: bit.ly/MahlerF... 
Видеоклипы
Have heard many recordings of this work, but none with such wonderful articulation, phrasing, and clarity!
One of The Most Beautiful Symphonies ever written!!! I Love BRAHMS!!!
I. 17:58 Allegro Con Brio
II. 31:48 Andante
III. 40:01 Poco Allegretto
IV. 46:02 Allegro
Thank you
Absolutely adore Blomstedt. Into his 90s and conducting like a 30 year old. My God how we'll miss him when he's gone.
Maestro Blomstedt is such a treasure. I love his insights into the works he conducts and his energy, passion and joy for making music into his nineties is inspiring. Thanks for posting this splendid concert. Looking forward to the Mahler cycle as well.
B
The best part I love Maestro Blomstedt is that he conducts from memory.
Herbert Blomstedt is a great conductor of our times.
The 3rd and 4th movements, Astonishingly Beautiful - made so by Blomstedt!
I love it so much when blomstedt explains.
Such warm words by one of the world's greatest conductors,
here conducting one of the world's greatest orchestras! Thank
you for sharing!
The Concertgewbouworkest never fails to brighten up my day! As a horn player I also want to say I love the balance in the horn section between the low and high players. Too often the lower horn disappears, or is asked to, and we lose something special from Brahms' thoughtful writing for the instrument which often has just as much interest coming from the harmonic support of the low horn as the principal's melody.
I call the horns the mediator between the winds and strings.
My hero, Herbert Blomstedt, I just adore him, the Swede I am!
I prefer Ibrahimović
ブラボー。こんなにも暖かくて、優しくて、人間の血が通った演奏は初めてだ。ブロムシュテットさんの人柄がよく出ていて素晴らしい。
Blomstedt is just an amazing musician and human being. At 92 he has more energy than most 40 year olds. Unbelievable!
What a joy to see and hear mr. Blomstedt talk about this music and conduct it with such clear passion and love for it! Thanks for a lovely 'concert'... :)
This clip, right here, is the way that Classical Music can attract more listeners: Get someone that knows The Music to explain it to people not as experienced or knowledgeable on how beautiful it is, and why?
So beautiful performance!! 🎶💛🎶 Thank you so much for sharing!
Awesome! Orchestra hight level. The conductor is incredible, I feel me accomplishment that performance!
Thanks so much for the whole orchestra.
Wunderschöne und detaillierte Aufführung dieser perfekt komponierten Sinfonie mit gut harmonisierten und perfekt entsprechenden Tönen aller Instrumente. Der zweite Satz klingt besonders schön und echt melodisch. Der intelligente und unvergleichliche Dirigent leitet das ausgezeichnete Orchester im flüssigen doch gut phrasierten Tempo und mit angenehmer Dynamik. Einfach wundervoll!
I love Maestro Blomstedt, have seen him conduct many times when he was a music director of San Francisco Symphony in 80s and 90s.
An outstanding performance. The concert hall is just gorgeous.
What a charming Dutch lady... so glad to have subtitles..
I have really appreciated your great direction since I was impressed by performance of NHK symphony orchestra you directed more than 30 years ago.
Wonderful, thank you.
The intro by Marijn was really nice and it helps in understanding the background of the performance. Blomstedt made excellent observations on the symphony. Really enjoyed the intro sections. This helps newcomers to classical music to dig deeper. Thanks Concertgebouworkest!
Je l adore ! Toujours le sourire agréable chef d orchestre calme
Gracias. Saludos desde Chile.
とても素敵な演奏ありがとうございます。さすがですね。
Wonderful playing !
Superbe!!!! Quel chef, quel orchestre... Qui sont ces 9 personnes qui n'aiment pas? No comprendo...!
The players look and sound as if they are really enjoying the music. !
Absolument magnifique ! 🤩🤩🤩
Blomstedt has both intuition and intellect in matters musical. This is what an orchestra needs to be inspired !
よく練られているにも関わらず若々しい音楽。すばらしい
プロムシュテットさんは音楽好きの少年がそのままおじいちゃんになったような方ですよね！
それが演奏に出ていると思います！！
Wow!!!Fantastic
Semplicemente meravigliosi! Meraviglioso Brahms!
Das Concertgebouworkest hat bei diesem Konzert einen besonders schönen Klang!
7 May!! Happy Birthday Brahms and Tchaikovsky~~
Fantástico! Parabéns e muito obrigado.
Bravooo!!!
Fantastica
Tchaikovsky's 6th (The Pathétique) also ends pianissimo--indeed, it trails off into silence,
mirroring the composer's own fate. Moreover, the codas are more or less identical in the
1st and 4th movements, just as in Brahms' 3rd. The difference is, the Russian prophesies
personal (and artistic) martyrdom, whereas Brahms resurrects German symphonic music..
Altijd in de veronderstelling geweest, muziek van Brahms is "gefühlskalt". Maar deze symfonie heeft me gepakt.
17:50 Concert
18:01 1st movement | 31:50 2nd movement |
Bliss.
Amazing chance of color in 19'37"
*change
Really nice read.
17:59 Music begins
❤
41:35 Emily Beynon and Lucas Macías Navarro, two amazing musicians.
Por qué NO aparecen los SUBTÍTULOS en ESPAÑOL a pesar de estar activados...?!?! Podrían solucionar esta anomalía...? Muchas gracias.
37:55 😢😢😢👏👏👏🙏🙏🙏
👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽
is the flutist ms. emily beynon?
Marijn said the violinists are working on Bach. I wonder how many of them have learned the solo fugues or the Chaconne. Here she plays the (relatively) easier E- Major Partita.
dsm2240 just thought I’d chime in because I am actually also a violinist who’s been playing the same prelude during quarantine! The solo violon works, both the partitas and sonatas are standard violon répertoire. Basically everyone learns them while they’re quite young. But because of the sheer joy one gets in playing them and the cosmic scale of these works, they remain a rare artistic challenge for a violinist that reveals itself more and more with experience. So yes, she’s played those pieces you mentioned many times. Listen to Ysaye’s “obsession” which is an homage to Thibault who was apparently was known to spend long hours perfecting the E major prelude.
@@JeSuisWhore Indeed, that’s the genius of Bach: we can go back to his music over and over for decades and still get something a bit different from it every time. I’m a violinist and violist, and it’s the same for violists and cellists with the suites for solo cello.
aerosol per l'anima
17:55~
38:54
Brown Mark Taylor Maria Johnson Anthony
Harris Sandra Walker Brian Young David
指揮は、前で振らないとバスが狂います、後付けは、ヤマハ和声よ！！
◑ 🌊🌊🌊🌊🌊 ◐
Is this really such an excellent conductor or is it more the lack of will (or guts) of the musicians and audience to stand out with a divergent and maybe even somewhat critical view. "He is considered excellent, so he must be excellent, so I will call him excellent too in order not to be considered stupid by everybody who says that he is excellent".
To my humble opinion, too many of far too old and often far too vain and complacent gentlemen still are appreciated for the qualities they might have had in the past, or just because they are appreciated for being appreciated, while in the meantime taking the place of next generations of energetic and talented conductors and, while doing so, depriving this young generation from what I would call essential 'stage experience'.
But I might be wrong. The way this conductor moves could be of the highest possible international level. However, with all due respect, I doubt that he -still- is the benchmark in conducting..
It is not because he is old. He is pulling out performances that can cause envy in a young conductor with more avant garde inclinations or even HIP or historical performers. You may be thinking in Haitink, late Abbado, late Wand... people who were rightly respected and fantastic performers in their prime but lacking something in the late years while people still try to push their late recordings as references to the following generations. I can not say the same with Blomstedt. He still has that something to inject into a performance, whatever it is. And any fan of big orchestral works would be a fool if he is stuck in the old era days that are still going on, because the recordings are still available, like the Beethoven sound of the Karajan-Berliners is what Beethoven compose and had in mind... So, I understand your concerns. But this man is not the right target.
43:38