Not sure why RUclips changed my feed and is now offering channels that have lower sub counts, but I am here for this. So many gems out there and it's honestly refreshing to see new faces in the space instead of the same channels all the time. Sub'd in under 1k, pumped for your growth
great video, loved your insights. I bought my mini half a year ago with almost the same accessories (owned a monitor etc. before it), with all licenses installed for round about 28k€ (5000 hours), freshly serviced by arri. So for everyone considering buying a mini after watching this video - you can get a mini for way less money. For a long time, I was figuring out what camera would be the best investment for me: mini, minilf or alexa35. But you are completely right - production companies don‘t really have that more budget for a mini lf or 35. Really an eye-opening insight, thank you. I thought I could contribute by sharing some of my own experience and yes, the camera is still in high demand for being rented out. And personally, I don‘t worry about the resolution so much, especially with topaz 8k video upscaling around the corner. And 200 fps is still enough for most of the jobs out there. So all in all, I‘m really happy with my purchase and don‘t regret it at all.
Yes they have definitely came down in price the last few years, but like I said in a different comment mine only had 846 hrs on it so that’s why I paid around 5-10k more in 2021
Got an Alexa Plus half a year ago and even that has really elevated opportunities and improved my work ten fold. Only downside is my BMPCC4K is now super neglected lol
You are totally right with red looking digital, I owned multiple DSMC2, Komodo etc, and all the sensors always had a digital sharpness to them, even with some difffusion it still rendered skin tones more clinically, so its good for TV etc, but anything 'filmic' based, cant beat arri.
loved this video. i've seen a couple other folks on youtube with an alexa and i always finish their videos wondering things that you spoke about, that no one else seems to cover. thanks!
I ask ChatGTP to write an engaging comment, here it is: This video on "Owning an Arri Alexa Mini in 2023" is a must-watch for any filmmaker or cinematographer looking to up their game. The host provides an in-depth look at this top-of-the-line camera and its capabilities, giving viewers a behind-the-scenes look at what it's like to own and operate such a powerful piece of equipment. The footage captured with the Arri Alexa Mini is nothing short of breathtaking, and it's clear that this camera is worth the investment for those looking to produce high-quality content. Whether you're a seasoned professional or an aspiring filmmaker, this video is a valuable resource for anyone interested in the art and science of cinematography. So grab some popcorn, sit back, and enjoy this fascinating look into the world of Arri Alexa Mini ownership!
My Gemini --- is the exception with Red. It boggles my mind why no one every mentions Gemini. That sensor is MUCH MUCH closer to Alev III in color science and filmic noise.
Gemini is great. But now everyone wants V-Raptor if they ask for RED, because producers only know the buzz words. I own a Komodo, but think the image is clean, but doesn't have that organic look that Gemini or even old Dragon sensor has. The Komodo looks a lot like Pocket 6K. Gemini sensor renders gorgeous skin tones. Sadly RED DSMC2 is becoming red-headed step child that no one wants. Haha.
@@willvazquez3218 yeah I have used the Red Epic Dragon and Red Weapon Dragon, and I like that sensor alot it feels a little more gritty. I had the Komodo for a year and a half and you can definitely create some great images with it but the image always felt a little “plasticy” to me. The V-Raptor looks like a really cool camera, and like I said in the video, for the right project I would choose it for it’a look, which from what I’ve seen the skin become more smooth and polished in a way, and the image overall looks a little “liquidy” in a good way.
I actually side-graded to an alexa mini from an Alexa XT Plus. To be completely honest it was more for health reasons than for the mini itself. I kinda fell in love with the operating style of the "good old studio camera" although this definetly has its downsides. But I started getting really intense backproblems even with an appropriate Easyrig (the bloody thing is almost 20 pounds, just the body and viewfinder) And on recent virtual production projects I pushed it to around 45 pounds. So there was really just the option, getting the lighter Mini or stop working in this Industry because of health issues in a couple of years:( But enough sad storys told; really enjoyed you video mate 😀
This is a solid video, I appreciate your honest take and just telling us how it is. I'm considering buying one and this is massively helpful. Thank you and subbed.
Good perspective. I almost pulled the trigger on a mini last year and it got sold right as I told the person I wanted to buy it. Then as I was looking for another I got a stupid deal on a Gemini and jumped on it. Bought a Scarlett w as a backup, but ended up selling it when I got an even crazier deal on a monstro…so now I run a Monstro/Gemini combo and it’s been really good to me. I still find the red image to be very organic…just in a different way. The arri certainly has its own magic to it. Def think often tho about how life would be if the one I almost bought hadn’t sold.
@@joshherumdp it def seems like the creamiest of the reds I’ve shot…but haven’t compared it directly to raptor or anything. But I feel the same way and really enjoy many things shot on monstro or even the dxl2 which also uses the Monstro sensor. I’ve been seeing XTs go for such good deals lately I’ve been tempted to pick one up.
Woww, found your video while randomly scrolling, Really calm and well described . Loved knowing that you've been to Nepal. Much love, your channel deserves more attention .. Love from nepal 🇳🇵 ❤
It's been a dream of mine to own an ARRI camera, but I wouldn't feel comfortable dropping that kind of $$$$ on something I wasn't 100% sure on in terms of how often I'd actually shoot with it. That's really smart what you did by having people rent it out. The only "cinema" cameras I have ever operated were the Blackmagic Ursa and Ursa Mini. They were a great beginner course on how to build and operate a cinema camera. I've been looking up to see if anybody offers classes on how to operate the ARRI or RED cameras but if not, then I'll have to rent one of them and see how that goes.
I would love to have the mini lf for more reasons than just the LF sensor. Like the position of the memory and EVF cable port, the newer EVF, and the 1.8 ND instead of the 2.1 internal on the mini. Such a cool camera!
Love your Rig, that build intro was Hot! living vicariously for now I only have a DSLR kitted out and enjoying it, but one day.....Just love the punch and mood that Arri brings.
Dang the rates in ur area are so different from LA. Full package w batteries, media, tripod, filters, follow focus, two monitors, is renting for 350/day here. And the used price on a 3500 hour mini is 26k. I’m debating trying to get one to rent mostly, but the competition here so fierce.
High risk, high reward. I subscribed just because this video is a sort of inspiration for me an upcoming DP/Cinematographer. I just got a P6K for DP work, Short Films and Music Videos. Quite an investment for me but I’m going to make it work.
The idea that you use a camera because it gives you a certain "look, characteristics, color, skintones" has been proven to be outdated and completely false when you take into account modern day color correction/grading. I would say all digital cameras look inherently "digital". I have yet to see one that looks like film, cineon, or print film out of the box. Recently I did a test comparing both the V-Raptor and Alexa 35 at Keslow Camera. In about two minutes, I was able to match both cameras easily to my personal look. Any perceptible differences were smaller compared to shooting on different batches of 500T. Both digital cinema cameras at this point look flat and lack any skin tone tonality or film quality, no matter what nonsense marketing departments makes up. This is my assessment of course. For the last five years or more, any modern day cinema camera can be matched or altered in anyway you like. To choose a camera because of branding, or because someone specific uses it, or because it is the most expensive camera is extremely dangerous to the creative process. It's something I see alot of companies, influencers, and youtubers saying. Basically one is saying that they limit their creative possibilities, based on what a company or other individual feels is a "cinematic image". Rather than taking full control of your look in pre, production, and post. As I always say in today's age, people are more focused on the guitar than the song. The guitar is only a part of the creative process of creating the song. Even than, chances are the guitarist is going to change the sound and character of the guitar out of the box. Whether it be the amplifier, pedals, strings, etc. Please read Steve Yedlin's analysis on Color Science. www.yedlin.net/OnColorScience/index.html Nonetheless, good luck on your endeavors and most importantly take care of yourself in this difficult industry!
Yes! Great comment! I would love to shoot 35mm! The first feature i get that has the budget for 35mm i will shoot with it and get some Panavision glass!
And i do hope you watched to the end when i say the very thing you said about, its not about the camera, its about your work, and encouraged people to go out and shoot with whatever camera they have access too
Definitely will impact it but since it is such an expensive camera I think most indie features, medium size commercials won’t have the budget to rent one but all the big commercials or studio features will switch to shooting on it. And not just expensive to buy, but also expensive to shoot between memory and batteries, watch @lewispotts newest video on his YT channel
It’s the only thing for me I mean come on it’s only 50000 give or take plus all the accessories I have which is another 10. Gotta love youtube…oh ur renting it out
thinking myself to get the classic now they’re so cheap, and for a 19 year old in film school. idk how people have 50 grand just ready to spend on a camera though: are there loans involved and stuff? arri classic has same sensor as mini if im right, just lower max resolution. i still think jobs would rather an arri camera than an fx9
Arri just released the SM sensor camera, announced today. You may want to get on the train and get one! Stupid Millenial sensor is even better than this one you're toiling on about!
Buying a camera just for rental purpose is a bit silly to be honest. It's 2024 right now and you can rent it for 450€/day (so I guess it's even cheaper in dollars). In the real estate business it's the opposite, you ll get more years after years. (Btw sorry if my English is not perfect, it's not my first language). For exemple you can find a ARRI ALEXA mini (full kit) for 18000€ in 2024. And ask your rental company, they will always say that if you want to invest for a rental purpose, simply choose a Sony (it's the most rented cameras out there). I would say something else; buy it if you really need it for your projects or simply if you want it (don't overthink about this), especially now at this price. I'm going to buy an Amira, not for rental purpose but only because I always wanted to own an Arri (I shot multiple times with it tho). And at this price I prefer to get this than a Komodo X, a FX9 or a URSA Cine 12k, I'm just in love with the image quality. It's not even a wise investment, I know that but who cares, filmmaking is my passion before being my job ;-)
Not sure why RUclips changed my feed and is now offering channels that have lower sub counts, but I am here for this. So many gems out there and it's honestly refreshing to see new faces in the space instead of the same channels all the time. Sub'd in under 1k, pumped for your growth
Thanks man! I have alot of videos planned, just started 7 weeks ago, and I’m tryin to hit one video biweekly at the least.
Dude mine too
Same for me and I'm loving it! Josh is super cool and chill!
@@alessioferreri thanks man!
This arri Alexa mini will still Relevant for now never gets old
great video, loved your insights. I bought my mini half a year ago with almost the same accessories (owned a monitor etc. before it), with all licenses installed for round about 28k€ (5000 hours), freshly serviced by arri. So for everyone considering buying a mini after watching this video - you can get a mini for way less money.
For a long time, I was figuring out what camera would be the best investment for me: mini, minilf or alexa35. But you are completely right - production companies don‘t really have that more budget for a mini lf or 35. Really an eye-opening insight, thank you. I thought I could contribute by sharing some of my own experience and yes, the camera is still in high demand for being rented out. And personally, I don‘t worry about the resolution so much, especially with topaz 8k video upscaling around the corner. And 200 fps is still enough for most of the jobs out there. So all in all, I‘m really happy with my purchase and don‘t regret it at all.
Yes they have definitely came down in price the last few years, but like I said in a different comment mine only had 846 hrs on it so that’s why I paid around 5-10k more in 2021
@@joshherumdp alrighty, yea 846 hours is like fresh out of the box ;)
Got an Alexa Plus half a year ago and even that has really elevated opportunities and improved my work ten fold.
Only downside is my BMPCC4K is now super neglected lol
Haha awesome man! Congrats! Sad for your pocket 😢
You are totally right with red looking digital, I owned multiple DSMC2, Komodo etc, and all the sensors always had a digital sharpness to them, even with some difffusion it still rendered skin tones more clinically, so its good for TV etc, but anything 'filmic' based, cant beat arri.
loved this video. i've seen a couple other folks on youtube with an alexa and i always finish their videos wondering things that you spoke about, that no one else seems to cover. thanks!
Awesome! Thank you!
hehe here is me owning a 8bit camera and admiring people who buy these things, you are really remarkable!
Create with what you got!
I ask ChatGTP to write an engaging comment, here it is:
This video on "Owning an Arri Alexa Mini in 2023" is a must-watch for any filmmaker or cinematographer looking to up their game. The host provides an in-depth look at this top-of-the-line camera and its capabilities, giving viewers a behind-the-scenes look at what it's like to own and operate such a powerful piece of equipment. The footage captured with the Arri Alexa Mini is nothing short of breathtaking, and it's clear that this camera is worth the investment for those looking to produce high-quality content. Whether you're a seasoned professional or an aspiring filmmaker, this video is a valuable resource for anyone interested in the art and science of cinematography. So grab some popcorn, sit back, and enjoy this fascinating look into the world of Arri Alexa Mini ownership!
Haha love it!
My Gemini --- is the exception with Red. It boggles my mind why no one every mentions Gemini. That sensor is MUCH MUCH closer to Alev III in color science and filmic noise.
Yes I’ve heard that, a DP in my city who i really respect uses the Gemini all the time and makes incredible work with it
Gotta be honest. I’m still rocking my Scarlet-w and it still gets busy.
Gemini is great. But now everyone wants V-Raptor if they ask for RED, because producers only know the buzz words. I own a Komodo, but think the image is clean, but doesn't have that organic look that Gemini or even old Dragon sensor has. The Komodo looks a lot like Pocket 6K. Gemini sensor renders gorgeous skin tones. Sadly RED DSMC2 is becoming red-headed step child that no one wants. Haha.
@@willvazquez3218 yeah I have used the Red Epic Dragon and Red Weapon Dragon, and I like that sensor alot it feels a little more gritty. I had the Komodo for a year and a half and you can definitely create some great images with it but the image always felt a little “plasticy” to me. The V-Raptor looks like a really cool camera, and like I said in the video, for the right project I would choose it for it’a look, which from what I’ve seen the skin become more smooth and polished in a way, and the image overall looks a little “liquidy” in a good way.
Thanks for the shout out Josh!
Of course man! I got the website in the description too man!
I actually side-graded to an alexa mini from an Alexa XT Plus. To be completely honest it was more for health reasons than for the mini itself. I kinda fell in love with the operating style of the "good old studio camera" although this definetly has its downsides. But I started getting really intense backproblems even with an appropriate Easyrig (the bloody thing is almost 20 pounds, just the body and viewfinder) And on recent virtual production projects I pushed it to around 45 pounds. So there was really just the option, getting the lighter Mini or stop working in this Industry because of health issues in a couple of years:( But enough sad storys told; really enjoyed you video mate 😀
Thanks man!
Thankyou G.
Loved your video ❤🎉
Watching from Botswana 🇧🇼
Thanks for watching!
The mini and even classic or xt will still be alive for at least 8 to 10 more years
Love it!
This is a solid video, I appreciate your honest take and just telling us how it is. I'm considering buying one and this is massively helpful. Thank you and subbed.
Awesome man! Glad you enjoyed it and thanks for subbing
Somewhere I red, that the Last of Us show was shot with Arri Alexa Mini as well, so I guess its pretty fair to own one like this 2023 :D
Haha! Yeah it’s still used a lot many of the Oscar noms were on the mini
Good perspective. I almost pulled the trigger on a mini last year and it got sold right as I told the person I wanted to buy it. Then as I was looking for another I got a stupid deal on a Gemini and jumped on it. Bought a Scarlett w as a backup, but ended up selling it when I got an even crazier deal on a monstro…so now I run a Monstro/Gemini combo and it’s been really good to me. I still find the red image to be very organic…just in a different way. The arri certainly has its own magic to it. Def think often tho about how life would be if the one I almost bought hadn’t sold.
Sounds like a killer setup you got! I’ve only worked with Dragons and Komodos but love a lot of movies shot on the Monstro
@@joshherumdp it def seems like the creamiest of the reds I’ve shot…but haven’t compared it directly to raptor or anything. But I feel the same way and really enjoy many things shot on monstro or even the dxl2 which also uses the Monstro sensor. I’ve been seeing XTs go for such good deals lately I’ve been tempted to pick one up.
Woww, found your video while randomly scrolling,
Really calm and well described .
Loved knowing that you've been to Nepal.
Much love, your channel deserves more attention ..
Love from nepal 🇳🇵 ❤
Thank you so much 😀
It's been a dream of mine to own an ARRI camera, but I wouldn't feel comfortable dropping that kind of $$$$ on something I wasn't 100% sure on in terms of how often I'd actually shoot with it. That's really smart what you did by having people rent it out. The only "cinema" cameras I have ever operated were the Blackmagic Ursa and Ursa Mini. They were a great beginner course on how to build and operate a cinema camera. I've been looking up to see if anybody offers classes on how to operate the ARRI or RED cameras but if not, then I'll have to rent one of them and see how that goes.
Great review for 2023. I really think it holds up still! I own the Mini LF and don’t rent it much. But I’ve fallen in love with it. 😅 now I’m stuck.
I would love to have the mini lf for more reasons than just the LF sensor. Like the position of the memory and EVF cable port, the newer EVF, and the 1.8 ND instead of the 2.1 internal on the mini. Such a cool camera!
Love your Rig, that build intro was Hot! living vicariously for now I only have a DSLR kitted out and enjoying it, but one day.....Just love the punch and mood that Arri brings.
Keep going man!!
Love the video! Currently looking at purchasing an Alexa mini for some of the same reasons you got one.
That’s great man!
such a great camera, congrats on your purchase!
Thank you! I love it!
Yes brother thank you for this awesome look at what this setup can accomplish for you financially and economically. Subbed!
Awesome, thank you!
Solid video. Exactly what I was looking for. Subbed!
Awesome, thank you!
Dang the rates in ur area are so different from LA. Full package w batteries, media, tripod, filters, follow focus, two monitors, is renting for 350/day here. And the used price on a 3500 hour mini is 26k. I’m debating trying to get one to rent mostly, but the competition here so fierce.
High risk, high reward. I subscribed just because this video is a sort of inspiration for me an upcoming DP/Cinematographer. I just got a P6K for DP work, Short Films and Music Videos. Quite an investment for me but I’m going to make it work.
Great camera man! You will be able to create a lot of great videos with that!
Proper vid man. Thanks for sharing.
You bet!
Thx for such an honest review!
Glad it was helpful!
The idea that you use a camera because it gives you a certain "look, characteristics, color, skintones" has been proven to be outdated and completely false when you take into account modern day color correction/grading. I would say all digital cameras look inherently "digital". I have yet to see one that looks like film, cineon, or print film out of the box. Recently I did a test comparing both the V-Raptor and Alexa 35 at Keslow Camera. In about two minutes, I was able to match both cameras easily to my personal look. Any perceptible differences were smaller compared to shooting on different batches of 500T. Both digital cinema cameras at this point look flat and lack any skin tone tonality or film quality, no matter what nonsense marketing departments makes up. This is my assessment of course. For the last five years or more, any modern day cinema camera can be matched or altered in anyway you like. To choose a camera because of branding, or because someone specific uses it, or because it is the most expensive camera is extremely dangerous to the creative process. It's something I see alot of companies, influencers, and youtubers saying. Basically one is saying that they limit their creative possibilities, based on what a company or other individual feels is a "cinematic image". Rather than taking full control of your look in pre, production, and post. As I always say in today's age, people are more focused on the guitar than the song. The guitar is only a part of the creative process of creating the song. Even than, chances are the guitarist is going to change the sound and character of the guitar out of the box. Whether it be the amplifier, pedals, strings, etc. Please read Steve Yedlin's analysis on Color Science. www.yedlin.net/OnColorScience/index.html Nonetheless, good luck on your endeavors and most importantly take care of yourself in this difficult industry!
Yes! Great comment! I would love to shoot 35mm! The first feature i get that has the budget for 35mm i will shoot with it and get some Panavision glass!
And i do hope you watched to the end when i say the very thing you said about, its not about the camera, its about your work, and encouraged people to go out and shoot with whatever camera they have access too
Shoot with what you have!! I like that man nice video!
Thanks!
Hi Josh, I am a big fan of your work. Just wanted to know what lenses did you use with this camera? Thank you
Thank you! I’ve used Cooke S5i, Arri Ultra Primes, Sigma Cine Zooms, Leica R, Contax Zeiss, Hawke C-Series, Greatjoy 1.8x Anamorphics, Tokina Cinema Zooms, Zeiss Supreme Primes, Atlas Orion
Thanks for this! Great content!
No problem! Thanks for watching!
Thanks for sharing your unique insight. That’s quite the investment. Glad it’s profiting!
Thank you and It really is!
Great video! Hope to own one soon!
Thx! Good luck!
Came here for the Seiko!
Hahaha
Good info
would love to hear about the feature work in Nepal !
Check out my other videos on this channel, I have a cinematography breakdown for each of the features and a behind the scenes video in the Shortfilm
Awesome video, subbed. 🤟🏻
Awesome thank you!
great video!
Thanks!
RED Gemini looks more like film than an Alexa. I own both.
don't agree, got an Amira, shot a couple of times on Gemini, Alexa more dynamic range, especially in highlights, better Colors in my opinion
Hey I know you’ve since sold your mini. What are the shape handles on your rig. I’m interested in getting a set
Just type in shape handgrips
How do you think the Alexa 35 will change the market for the Mini?
Definitely will impact it but since it is such an expensive camera I think most indie features, medium size commercials won’t have the budget to rent one but all the big commercials or studio features will switch to shooting on it. And not just expensive to buy, but also expensive to shoot between memory and batteries, watch @lewispotts newest video on his YT channel
It’s the only thing for me I mean come on it’s only 50000 give or take plus all the accessories I have which is another 10. Gotta love youtube…oh ur renting it out
thinking myself to get the classic now they’re so cheap, and for a 19 year old in film school. idk how people have 50 grand just ready to spend on a camera though: are there loans involved and stuff?
arri classic has same sensor as mini if im right, just lower max resolution. i still think jobs would rather an arri camera than an fx9
If you watch the whole video I answer those questions ;)
What is your monitor cage? Do you have purchased link?
Hey Will, yeah I’ll add in the description now
amzn.to/3YN2PWA
@@joshherumdp I appreciate!!!👍🏼
bibek is the goat
before I watch this whole video, can I get one too ?
Go for it man!
Arri just released the SM sensor camera, announced today. You may want to get on the train and get one! Stupid Millenial sensor is even better than this one you're toiling on about!
What are you talking about?
Buying a camera just for rental purpose is a bit silly to be honest. It's 2024 right now and you can rent it for 450€/day (so I guess it's even cheaper in dollars). In the real estate business it's the opposite, you ll get more years after years. (Btw sorry if my English is not perfect, it's not my first language). For exemple you can find a ARRI ALEXA mini (full kit) for 18000€ in 2024. And ask your rental company, they will always say that if you want to invest for a rental purpose, simply choose a Sony (it's the most rented cameras out there).
I would say something else; buy it if you really need it for your projects or simply if you want it (don't overthink about this), especially now at this price.
I'm going to buy an Amira, not for rental purpose but only because I always wanted to own an Arri (I shot multiple times with it tho). And at this price I prefer to get this than a Komodo X, a FX9 or a URSA Cine 12k, I'm just in love with the image quality. It's not even a wise investment, I know that but who cares, filmmaking is my passion before being my job ;-)
That hat… (shaking head in disapproval)
This was honest
Thank you
@@joshherumdp thank you for being an honest human being :) i'm even not into cameras, i just felt it
Anamorphic will future proof this camera.
yeah 40 thousand. out of the question
Haha
They key words is lusting for a camera. But you don't really need it.
Yes!! Thanks for making it to the end of the video!
I feel bad for anyone with an Alexa Amazon device
Haha