@@MrRunamuckroadie do you think a neural DSP archetype plugin would be more likely, considering Manson and Neural DSPs recent affiliation? Or even some Bellamy patches on cortex cloud?
@@MrRunamuckroadiehaha, fair enough. I have to say though, I know it’s a guitar signal split into 3, then sent to whammy pedals, one an octave up and one an octave down, and a signal at normal pitch then sequenced… I just wanted to know what is used to sequence the opening and closing/switching of each signal. I do it in Logic Pro by automating the three channels to turn on and off, but it took a long time to draw that automation in to get the exact correct sequence (especially when it came to lining it up to the grid perfectly 😩). Do you guys use automated sequencing software to control the sequence, or was it done manually, the way I do it in a DAW? If it is a program, is it one that’s commercially available?
@@MrRunamuckroadie Ahh, wow, that's cool! are they still routed through synths like they did in the studio, with the +1 octave sent to a spring reverb? Rich Costey give a bit of a run down of how they did it in studio, but wasn't sure how much of that process carried over to the live situation.
Awesome content! Can you ask chris to suggest we get a Fractal Tone pack for Muse. It would be very popular to say the least!
Probably not gonna happen.
@@MrRunamuckroadie do you think a neural DSP archetype plugin would be more likely, considering Manson and Neural DSPs recent affiliation? Or even some Bellamy patches on cortex cloud?
@@drsmook they would be recreations and not as accurate. We want Matt's presets from his Fractals.
This is great, thank you RJM 😃👍
Amazing interview! If he comes on again, could you ask him about the setup for map of the problematique?
Nope some things are just going to be secret
@@MrRunamuckroadiehaha, fair enough. I have to say though, I know it’s a guitar signal split into 3, then sent to whammy pedals, one an octave up and one an octave down, and a signal at normal pitch then sequenced… I just wanted to know what is used to sequence the opening and closing/switching of each signal. I do it in Logic Pro by automating the three channels to turn on and off, but it took a long time to draw that automation in to get the exact correct sequence (especially when it came to lining it up to the grid perfectly 😩). Do you guys use automated sequencing software to control the sequence, or was it done manually, the way I do it in a DAW?
If it is a program, is it one that’s commercially available?
@@drsmookit’s a bit more than that but everything you said so far was correct..
@@MrRunamuckroadie Ahh, wow, that's cool! are they still routed through synths like they did in the studio, with the +1 octave sent to a spring reverb? Rich Costey give a bit of a run down of how they did it in studio, but wasn't sure how much of that process carried over to the live situation.
I don't get guys who break guitars every show... what a waste.