PINK FLOYD - A SAUCERFUL OF SECRETS - LIVE AT POMPEII (REACTION!!)

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  • Опубликовано: 8 авг 2020
  • #PinkFloyd #Pink #Floyd #A #Saucerful #of #Secrets #Pompeii #reaction #live
    Link to original video : • PINK FLOYD - A SAUCERF...
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Комментарии • 11

  • @marielavidal985
    @marielavidal985 3 года назад +4

    Perfecta evolución del caos a la armonía, de la sombra hacia la luz, con Gilmour cantando como ángel como cierre!! De mis favoritas de Pink Floyd 🖤

  • @glennbrock6560
    @glennbrock6560 3 года назад +4

    Nice Reaction, bit of a crazy song, but these guys create art.

  • @pauldocmusic2411
    @pauldocmusic2411 3 года назад +3

    Richard Wright is on keyboard /synth, sadly died in 2008

  • @kiwitheebird9493
    @kiwitheebird9493 Год назад

    You need to come back and make more videosssss

  • @noahw4189
    @noahw4189 3 года назад +3

    David Gilmour makes great solo stuff. You should check out Yes, I have ghosts he made it a couple months ago with his daughter and it’s a nice melo track

  • @jeffreywolff329
    @jeffreywolff329 3 года назад +3

    no drugs used at all Richard Wright organist can't play high

    • @c0rpster462
      @c0rpster462 Месяц назад

      Although Roger was big into his weed during that time 😂

  • @Grithron2
    @Grithron2 3 года назад +1

    Two comments
    1. You picked the wrong version of Saucerful - the trouble with this is that they hurry through the atonal/noisy sections, because they were already getting tired of this piece. (They'd played it at every show since mid-1968, and they were still playing it sometimes on the first DSoTM tour).
    Earlier live versions, especially in 1970, could be overwhelming, running for 14-20 minutes as they were really revelling in the textures, especially Gilmour with his slide.
    2. It's nothing to do with drugs, or UFOs (don't be fooled by the "saucer") - you have to be aware that in the late '60s rock bands like Pink Floyd, King Crimson, Amon Duul and the nascent Tangerine Dream were becoming aware of, and learning from, the European post-jazz "free improvisation" genre, and pieces like this allowed them to incorporate what they'd learned from Derek Bailey, Hugh Davies and so on. Floyd couldn't really dive into free improv (at least not now with Syd Barrett gone), so they structured this piece, famously drawing up a chart using architectural symbols as notation!