General public in Australia have no idea about recuerdos, apart from the very few classical players, it is unknown. It takes 25 hours in a silver coffin to get here from Europe. Just a pity I cannot play it but started before the 69 year old fingers don’t work. Great lesson and il sueno is great. Thanks.
i see Ana Vidovic plays tremolo without the ring finger, (@1:00 you can see closeup on her right hand) Ana Vidovic plays Recuerdos de la Alhambra by Francisco Tárrega on a Jim Redgate classical guitar
I was wondering the same thing? She does it with two. I'm new to the technique and they feel pretty similar in speed to me. I've always finger picked, but was never formally trained. Jut bought pumping nylon. Happy with my progress. Thank for all your help bud
@Eiermaler Eiermaler Technique is a means to an end, if you can play a classical guitar piece as written with any finger combination, pick style, hybrid picking style etc. it doesn't matter. You gotta do what works for you.
thanks for these excellent lessons, you are agreat teacher! I can feel how im improving my techniques following you advices and watching you playing . greetings from México
great lesson indeed and you really covered it , but we both know the hours devoted to playing this piece,i try to remember parts of my pass when i play
Does it need to be louder? There is nothing wrong with soft playing if it is good playing! But yes, having nails does help with projection and clarity especially in large halls. Modern professional level classical guitars are also much louder and responsive than factory made ones that are generally overbuilt to withstand abuse by the general crossover guitar crowd.
Excellent lesson. A great way I used to even out my tremolo was doing it on ONE STRING. It makes the minutest differences in timing between thumb and fingers show up super clearly and helps avoid the galloping triplet sound that even the finest players struggle to avoid. Check out Pepe Romero's performance for perhaps the most amazingly even tremolo out there.
My teacher wants me to learn this piece, but I'm hesitant to devote so much time to learn tremolo. To me it seems like such a specific technique only found in a handful of pieces. Will learning tremolo help my right hand technique overall and teach me things I can apply to other pieces?
It is good for the right hand as most techniques. Tremolo is quite good for working out evenness and accuracy. It really depends, if your scales and arpeggios with all finger combos are all worked out then tremolo shouldn't give you tooo much trouble.
@@Thisisclassicalguitar Hey, thank you for taking the time to reply. It shows the notation only is free but not the tab version; is that how it's intended to be? Thanks again!
Maybe, I find it tricky to talk about the sound and difference and then have the microphone change it all. I do have a write up and review section for strings though: www.thisisclassicalguitar.com/review-classical-guitar-strings/
+This is Classical Guitar great lesson ,this piece must be the pinnacle of classical guitar playing ,if you can play this well you are there ! tho I know there are more difficult pieces but tremelo pieces are so impressive to everyone ,you mentioned easier tremelo pieces to start with ,can you mention here again please ?
You need to practice a wide variety of technique from scales, arpeggios, exercises, and more. It's more a question of accuracy, relaxation, and control over the evenness.
14 minutes of so much talk and I bet nobody learns shit; the main thing is not learning that old rusty melody, the main thing is learning the pattern in which the upper strings are played; that’s what makes this melody great; if you use a different picking pattern for the upper strings, you would kill that melody. The right hand is doing wonders for that melody and all you can think of is, saying that the tremelolo is difficult and that you need to practice. There is no way anybody can do anything with your teaching.
General public in Australia have no idea about recuerdos, apart from the very few classical players, it is unknown. It takes 25 hours in a silver coffin to get here from Europe. Just a pity I cannot play it but started before the 69 year old fingers don’t work. Great lesson and il sueno is great. Thanks.
Thanks for the lesson and pdfs for this - with out no strings attached - no pun intended.
No worries! Thanks for watching.
Thanks your explanation is very apt. ❤🙏
i see Ana Vidovic plays tremolo without the ring finger, (@1:00 you can see closeup on her right hand)
Ana Vidovic plays Recuerdos de la Alhambra by Francisco Tárrega on a Jim Redgate classical guitar
That is crazy. The vast majority use a, m, i. Pretty impressive with only two fingers for sure.
She is maybe the only professionist guitarist that play tremolo in this way. Keep.practing tremolo in the standard way PAMI, dude
I was wondering the same thing? She does it with two. I'm new to the technique and they feel pretty similar in speed to me. I've always finger picked, but was never formally trained. Jut bought pumping nylon. Happy with my progress. Thank for all your help bud
@Eiermaler Eiermaler Technique is a means to an end, if you can play a classical guitar piece as written with any finger combination, pick style, hybrid picking style etc. it doesn't matter. You gotta do what works for you.
thanks for these excellent lessons, you are agreat teacher! I can feel how im improving my techniques following you advices and watching you playing . greetings from México
You're very welcome! Thanks for watching.
great lesson indeed and you really covered it , but we both know the hours devoted to playing this piece,i try to remember parts of my pass when i play
My tremolo sounds really soft and I play the strings without nails, how do i make it louder, does having nails help?
Does it need to be louder? There is nothing wrong with soft playing if it is good playing! But yes, having nails does help with projection and clarity especially in large halls. Modern professional level classical guitars are also much louder and responsive than factory made ones that are generally overbuilt to withstand abuse by the general crossover guitar crowd.
I have the same problem no matter how hard i try the base notes overpower the melody @@Thisisclassicalguitar
Excellent lesson. A great way I used to even out my tremolo was doing it on ONE STRING. It makes the minutest differences in timing between thumb and fingers show up super clearly and helps avoid the galloping triplet sound that even the finest players struggle to avoid. Check out Pepe Romero's performance for perhaps the most amazingly even tremolo out there.
Thanks a lot!
You're welcome!
My teacher wants me to learn this piece, but I'm hesitant to devote so much time to learn tremolo. To me it seems like such a specific technique only found in a handful of pieces. Will learning tremolo help my right hand technique overall and teach me things I can apply to other pieces?
It is good for the right hand as most techniques. Tremolo is quite good for working out evenness and accuracy. It really depends, if your scales and arpeggios with all finger combos are all worked out then tremolo shouldn't give you tooo much trouble.
@@Thisisclassicalguitar
Thanks for taking the time to reply! Very helpful as always!
Tutorial for adagio from concerto de aranjuaz full version and una laminosa por el amour which named la ultima cancion by agustin barios
what is rebarto
It's a flexible push and pull to the rhythm (as opposed to mathematically exact): en.wikipedia.org/wiki/Tempo_rubato
Hello, I really appreciate your videos! Did you change the PDF to not free? I'm not able to access it from the link you provided. Thank you.
It's still free: www.thisisclassicalguitar.com/recuerdos-de-la-alhambra-tarrega-free-pdf/
@@Thisisclassicalguitar Hey, thank you for taking the time to reply. It shows the notation only is free but not the tab version; is that how it's intended to be? Thanks again!
Could you do a video about carbon strings vs regular?
Maybe, I find it tricky to talk about the sound and difference and then have the microphone change it all. I do have a write up and review section for strings though: www.thisisclassicalguitar.com/review-classical-guitar-strings/
Carcassi Study No. 5. is a good intermediate piece. Level 5 I think.
I think you mean No.7, Op. 60, my video and free PDF: www.thisisclassicalguitar.com/carcassi-etude-no-7-op-60-free-pdf/
+This is Classical Guitar
great lesson ,this piece must be the pinnacle of classical guitar playing ,if you can play this well you are there ! tho I know there are more difficult pieces but tremelo pieces are so impressive to everyone ,you mentioned easier tremelo pieces to start with ,can you mention here again please ?
Donde está el pdf free? Gracias!
The link is in the description, or here: www.thisisclassicalguitar.com/recuerdos-de-la-alhambra-tarrega-free-pdf/
triplets: 12:35
Good lesson... As you expert in Music how to get speed to play that piece well? do you think what the time need to play Tremolo so good?
You need to practice a wide variety of technique from scales, arpeggios, exercises, and more. It's more a question of accuracy, relaxation, and control over the evenness.
Cool! Espanhol ajuda mui bien
14 minutes of so much talk and I bet nobody learns shit; the main thing is not learning that old rusty melody, the main thing is learning the pattern in which the upper strings are played; that’s what makes this melody great; if you use a different picking pattern for the upper strings, you would kill that melody. The right hand is doing wonders for that melody and all you can think of is, saying that the tremelolo is difficult and that you need to practice. There is no way anybody can do anything with your teaching.