Yeah, Tony, I really got a lot out of this. Actually, I've never heard anyone go through all the steps to working out an arrangement of a great jazz tune. I truly didn't know that some actually work out which inversion is used, when. That's something I've needed to know. I do wonder if you ever notate somewhere which inversion you're using or whether you use a rootless voicing, etc. Anyway, this is really helpful to witness. Now I see I need to do many of these, on my own so I really understand and experience that. Thanks a lot! I'll be working!
I watch a lot of barry harris videos. 6th diminished scale stuff. Do you use any of that? You could probably explain how to use it more clearly than he does.
wicked gr8 lesson man ! sry 4 deaf question but in solo section i on the 3- are you using an F blues scale ,starting on a diff note or the A min//maj blues scale ? like your bass lines too...think Osvar Peterson goes to a B in second bar of A section...tryingvto learn when subs sound good and not like a math yank ...TY
No, I don't think so. When the cords are in this register they are much higher than the bass. Rootless voicings would be best, but I don't know if I cover them in this video.
there was a time that allnJazz Musicions had no Gigs anymore..So one guitarist went to a circus....there xame a man in black he told himnif he could work there and plays his All of me You can take all of me...after t minutes the man comes.back with a little man at his legs...he says itt is okay as long as you practice trapese to play your song 12 meters high you have 12 weeks to learn it...so The man was glad with his gig etc he started to practice All of me You can take it all of me while being w meters high walkinf...on the rope...after.1e weeks he was ready so when it was his time all the people were clapping and he ayarted his all of me Yo cam take it all of me then he looke down and he was shocked he saw lions behind him so he fell down wothngiitar and all...then after fallen daon real hard The Lipns put of there masks and said " We were Jazz Musicions too"!
Not bad. However, please try my version of the first bars of „Have You Met Ms. Jones“ | F Bb9 | Am7 D 7/9b | Gm7 ///| C13 ///| Notes in left hand: The F and then just the Bb and 7th ( the melody is the 9th) Then the Am7 (just root and 7th) then the D7 with the finished 9th. I love all the rest of your changes in this and your counter melody.
![Noob To Max With DRAGON REWORK In Blox Fruits [FULL MOVIE]](http://i.ytimg.com/vi/LnBMOinoOvA/mqdefault.jpg)
One of the best (and wittiest) jazz piano tutors on RUclips.
Khayyam1048 glad you said wittiest and not shittiest 😉
You're certainly not that, Tony. You're up there with the Kent Hewitts and Aimee Noltes of the RUclips world.
Tony Winston..You are Awesomely Wonderful.. I love your series...and It's very concise.... Thank you!!! Be well..
Tritone sub on the 2-5 at 31:25. That’s the way I think Ab minor to Db dom resolving to C 7 but put a minor 2 in front of it
Wonderful Tony ! I’m writing to you from France, I follow your videos for a long time and it helps me a lot !
You are the best with Aimee ;-)
Thanks Tony Learned a lot from this video. Great teaching and humour!
Wonderful lesson as always. Relaxed and full of knowledge.
wow what a lesson. that's about 8 lessons in one. you are the best
one of the best piano lessons ive seen
jerryjoejackaroe thanks J
Great lesson. Love the variations. Thank you!
Yeah, Tony, I really got a lot out of this. Actually, I've never heard anyone go through all the steps to working out an arrangement of a great jazz tune. I truly didn't know that some actually work out which inversion is used, when. That's something I've needed to know. I do wonder if you ever notate somewhere which inversion you're using or whether you use a rootless voicing, etc. Anyway, this is really helpful to witness. Now I see I need to do many of these, on my own so I really understand and experience that. Thanks a lot! I'll be working!
I watch a lot of barry harris videos. 6th diminished scale stuff. Do you use any of that? You could probably explain how to use it more clearly than he does.
Thank you so much. Great!
So much good information.
Thanks!
Bro these videos are fantastic! I'm a classical pianist by heart (especially stuff from the romantic period
George Chadwick Much jazz came out of the Romantic period, so you've pretty much kept up. 😉
Aha I know! It's amazing how similar ragtime is to the likes of Chopin with the stride style!
Thanks Master Tony
wicked gr8 lesson man ! sry 4 deaf question but in solo section i on the 3- are you using an F blues scale ,starting on a diff note or the A min//maj blues scale ? like your bass lines too...think Osvar Peterson goes to a B in second bar of A section...tryingvto learn when subs sound good and not like a math yank ...TY
Brilliant explanation...👍🎹
Tony would love to hear you cover TWILIGHT TIME!
thank you!
Ha, when I leave out the ii chords on the B part it sounds like ?
Thanks Tony, I’m a new subscriber and looking forward to study your lessons. What fake book would you suggest I get . Thanks again, Kurt
I usually have a chart in the description. I like all the real books...#1,2 or 3...also the New Real Books are great too.
Tony , can you do one on Just Friends
I have one but it mostly focuses on guide tones. I'll put it on my to do list
@@TonyWinston Thanks Tony, your vids are Magic!
30:00 girls do reharm too, damn yes!!
Would be appreciate if your screen display with the picture of notes as well. It's too faster to capture the ideas. Thanks^^
Bear Ieep yes, I should figure out how yo do that
Can it be played slow?
Sure! It would probably sound better slower
So many of your voicings have the 5th on the bottom, doesn't that interfere with the bass?
No, I don't think so. When the cords are in this register they are much higher than the bass. Rootless voicings would be best, but I don't know if I cover them in this video.
Do you have the link to “A mellow tone”?
Ana I don't think I've done much on this song yet
Sorry, I meant “In A mellow tone” it’s on the list
Ana I will do a video on it next week. I think I remember doing something a while back but I'll do a proper video on it. Good
Tony Winston
Great! Looking forward to watch it. I really admire your work, thank you.
there was a time that allnJazz Musicions had no Gigs anymore..So one guitarist went to a circus....there xame a man in black he told himnif he could work there and plays his All of me You can take all of me...after t minutes the man comes.back with a little man at his legs...he says itt is okay as long as you practice trapese to play your song 12 meters high you have 12 weeks to learn it...so The man was glad with his gig etc he started to practice All of me You can take it all of me while being w meters high walkinf...on the rope...after.1e weeks he was ready so when it was his time all the people were clapping and he ayarted his all of me Yo cam take it all of me then he looke down and he was shocked he saw lions behind him so he fell down wothngiitar and all...then after fallen daon real hard The Lipns put of there masks and said " We were Jazz Musicions too"!
I think nobody commented on this because it was too hard to read
Not bad. However, please try my version of the first bars of „Have You Met Ms. Jones“
| F Bb9 | Am7 D 7/9b | Gm7 ///| C13 ///|
Notes in left hand:
The F and then just the Bb and 7th ( the melody is the 9th)
Then the Am7 (just root and 7th) then the D7 with the finished 9th. I love all the rest of your changes in this and your counter melody.
Man! That high pitched sound in the background makes it difficult to watch this video.