bro big ups this is crazy. can you explain how you pitched the sample down for the second bar without affecting the drums. or is that pitched down part another part of the song, lol ik im 10 months late but hope u see this. ALSO LISTEN TO DREW DELLA PLSSS
one semitone pitch shift was enough to make the melody audibly different but kept the drums more or less the same unless you're reallllly listening for it ONLY LISTENING TO DREW DELLA IF YOU LISTEN TO KAHRI!
@@saveuskahri KAHRI u know i been bumping every remake cmon now. thanks for explaining cause every time i hear the song then go back to the cardigans sample im always looking for the change in the drums lol but i cant. i wonder if peggy uses sampling isolation program like serado
you shoulda played the whole thing
ruclips.net/video/V6NHXUNuplI/видео.html
bro big ups this is crazy. can you explain how you pitched the sample down for the second bar without affecting the drums. or is that pitched down part another part of the song, lol ik im 10 months late but hope u see this. ALSO LISTEN TO DREW DELLA PLSSS
one semitone pitch shift was enough to make the melody audibly different but kept the drums more or less the same unless you're reallllly listening for it
ONLY LISTENING TO DREW DELLA IF YOU LISTEN TO KAHRI!
@@saveuskahri KAHRI u know i been bumping every remake cmon now. thanks for explaining cause every time i hear the song then go back to the cardigans sample im always looking for the change in the drums lol but i cant. i wonder if peggy uses sampling isolation program like serado
@@TheDrewDella man i gotta release more of my own music i dont wanna be known as the remake guy 😖😖
@@saveuskahri do it bro. lmk if u wanna collab on anything id fr love to
How did you get the bass so accurate
i'm really REALLY good
do you know the phone ringing sound he used?
super common trap sound, can be found in any run of the mill trap kit !
@@saveuskahriSure? I think it's the same phone sound filthy uses for his producer tag
its a nextel phone
FLP?