Masterful, humble interpreter, not trying to overrun the song, so beautiful in everything here. Best work on this almost too popular lieder... Thank you,
Most singers take a virtuoso approach and make this a 'big' song, a showpiece. It has that capability, but Hotter sings the sentiment, the pleading of the words is embodied in his voice.
Dear ComteAnckarstrom, Thank you for posting this. I agree with your comment about Hotter. He is the best interpreter of lied that I have ever heard. He has an integrity in his singing with is without equal.
I've always interpreted the poem of this lied not as a simple seremade, but as Beast begging for the attention of a Beauty he deep down knows won't come to him. Hans Hotter's voice fits that role flawlessly.
Que maravilla!!!, extraordinario bajo-baritono cantando con la dulzura de un angel!!! Que maravillosa técnica vocal y que gran talento y sentimiento musical. BRAVO!!!
John Schofield Es que el registro de voz Bajo para mí es muy bueno porque permite ser juntado con otro registro de voz ya que un Bajo tener el tipo Barítono o tener el tipo Ligero también llamado Bajo Cantante que es el que puede llegar al Do5. Ademas fui Bajo Barítono ya que en la página web del entrenador vocal Ulises Calvo usé el audio de la subida y no la pude hacer del todo por lo que hubo una parte de la subida en la que no quise seguirla del todo para no arriesgarme a forzar la garganta en caso de que me pudiese haber pasado. Actualmente soy muy bueno usando todos los registro de voz ya que usé todos en mi coro adaptándolos de forma que se puedan usar de forma adecuada pero primero fue mi voz lírica de Contratenor. A la hora de la verdad entono mejor las notas del Bajo y las notas del Barítono porque hace un tiempo atrás en una clase de Canto aprendí a entonar bien las notas del Do4 a Fa4 por lo que canto como Bajo Barítono cuando quiero hacer la subida hasta que yo decida subir a Contratenor lírico.
There is so much to study, to reflect upon in this extraordinarily restrained and beautiful interpretation. And the partnership between Hotter and Moore is unmatched. Thank you for posting.
@BrianDonaldMcKay Ce morceau est tout en clair-obscur.Il balance entre passion et angoisse,espoir et doute,révolte et résignation.Le timbre et la nature de Hotter neutralisent trop ces contrastes car ils manquent de brillance et de nervosité.
Ständchen Serenade Leise flehen meine Lieder Softly my songs plead Durch die Nacht zu Dir; Through the night to you; In den stillen Hain hernieder, Down into the silent grove, Liebchen, komm’ zu mir! Beloved, come to me! Flüsternd schlanke Wipfel rauschen Slender treetops whisper and rustle In des Mondes Licht; In the moonlight; Des Verräters feindlich Lauschen My darling, do not fear Fürchte, Holde, nicht. That the hostile betrayer will overhear us. Hörst die Nachtigallen schlagen? Do you not hear the nightingales call? Ach! sie flehen Dich, Ah, they are imploring you, Mit der Töne süssen Klagen With their sweet, plaintive songs Flehen sie für mich. They are imploring for me. Sie verstehn des Busens Sehnen, They understand the heart’s yearning, Kennen Liebesschmerz, They know the pain of love, Rühren mit den Silbertönen With their silver notes Jedes weiche Herz. They touch every tender heart. Lass auch Dir die Brust bewegen, Let your heart, too, be moved, Liebchen, höre mich! Beloved, hear me! Bebend harr’ ich Dir entgegen! Trembling, I await you! Komm’, beglücke mich! Come, make me happy!
Softly plead my songs Through the night to you; Down to the silent grove, Darling, come to me! Whisper sweet nothings In the moonlight; Listening to the traitor's hostile My fair, don't be afraid. Hear the nightingales beat? Ah! They beg you, With the sounds of sweet laments Beg for me. You understand the sinews of the bosom, Know love's pain, Stirring with the silver tones Every soft heart. Let your chest move too, Sweetheart, hear me! I await you trembling. Come, make me happy.
@@ethiopianenterprises1524 thanks! FINALLY!!! lol.. they really talking about awaiting the trembling and knowing bosoms and all that, huh?!? WELL, WELL, WELL!!
@abracadabranque Quand le vent fait murmurer les cimes des arbres, au clair de lune, et c'est plutôt les rossignols qui expriment le désir du poète, on ne va pas crier ses Fa et son crescendo comme le fait un Fischer-Dieskau. Stutzman va dans le même sens que Hotter.
Beautiful, but very much of its time. It's funny how there are fashions even in lieder interpretations. If somebody sang this like him now, I don't think it would work.
A. Schier wish if somebody would sing the lied in this way! this is true art and this is the spirit of Schubert. Unfortnately today lied is spoken, not sung, the love, the eros inside the lied are gone. I fall in love with this great artist.
Видеоклипы
Gerald Moore at the piano, Hans Hotter singing.....incomparable.
Love this Lied. Rosa Larsen
Wie berührend! Danke!
The best ever, indeed.
Masterful, humble interpreter, not trying to overrun the song, so beautiful in everything here. Best work on this almost too popular lieder... Thank you,
Mon Dieu, que c'est beau.
This is just so beautiful that I ca not help but cry.
Intense, because of the modesty of Hotter and Moore. Not one ounce of emotion too much. Perfect.
I like it very much.
It is a lesson in how to sing with feeling.
The 'mellow cello' at his finest...and the long, long breaths...very few can sing in such long, glowing phrases. Thanks to Conte Anckarstom for this.
Impeccable!
Hans Hotter was a great artist with good taste. I love his voice very much!
Most singers take a virtuoso approach and make this a 'big' song, a showpiece. It has that capability, but Hotter sings the sentiment, the pleading of the words is embodied in his voice.
It's for just this reason that Hans Hotter is my favorite male interpreter of Schubert's Lieder.
yes. well stated, his timbre is so warm and beautiful, sang in humble way, such a rare thing nowdays...
That is maybe because of the fact that he is actually a wagner's singer... That's why his voice is so powerful but also warm
Such beauty in music, lovely version of a really tender song, Hotter magical and G M masterful.
Dear ComteAnckarstrom,
Thank you for posting this. I agree with your comment about Hotter. He is the best interpreter of lied that I have ever heard. He has an integrity in his singing with is without equal.
his performance is so tender...
I have to meet the 5 thumbs down. All I hear is a beautiful song sung by a beautiful voice. I must be missing something.
speechless...very moving interpretation. Had never felt the meaning of the lyrics so painfully as in this version
Si la perfection existe, alors on l'atteint avec Hans Hotter !
Un très grand Monsieur. C'est très émouvant.
Complètement exceptionnel. Un ton si tendre et si approprié à l'ensemble.
I've always interpreted the poem of this lied not as a simple seremade, but as Beast begging for the attention of a Beauty he deep down knows won't come to him. Hans Hotter's voice fits that role flawlessly.
This is such a beautiful rendition.
Quelle magnifique voix, une des plus belles que le bon Dieu puisse donner à une être humain
Que maravilla!!!, extraordinario bajo-baritono cantando con la dulzura de un angel!!! Que maravillosa técnica vocal y que gran talento y sentimiento musical. BRAVO!!!
John Schofield Es que el registro de voz Bajo para mí es muy bueno porque permite ser juntado con otro registro de voz ya que un Bajo tener el tipo Barítono o tener el tipo Ligero también llamado Bajo Cantante que es el que puede llegar al Do5. Ademas fui Bajo Barítono ya que en la página web del entrenador vocal Ulises Calvo usé el audio de la subida y no la pude hacer del todo por lo que hubo una parte de la subida en la que no quise seguirla del todo para no arriesgarme a forzar la garganta en caso de que me pudiese haber pasado. Actualmente soy muy bueno usando todos los registro de voz ya que usé todos en mi coro adaptándolos de forma que se puedan usar de forma adecuada pero primero fue mi voz lírica de Contratenor. A la hora de la verdad entono mejor las notas del Bajo y las notas del Barítono porque hace un tiempo atrás en una clase de Canto aprendí a entonar bien las notas del Do4 a Fa4 por lo que canto como Bajo Barítono cuando quiero hacer la subida hasta que yo decida subir a Contratenor lírico.
La perfection dans l'art de raconter en chantant !
Really lovely,have listened 3 times one after the other it is so good.
Sorrow and nostalgia touch my heart.
Greetings from Japan.
さようなら❗
un gigante de manos callosas acariciando la poesia schubertiana con ternura y humanismo. llega al corazon.
Hansi our unforgettable WOTAN sings
Schumann, simply irresistibile❤❤❤
perfect, so intimate, lovely tone. Joanne Koehn
QUEL MERVEILLEUX INTERPRETE !
gounisse06 xx I DO AGREE.
There is so much to study, to reflect upon in this extraordinarily restrained and beautiful interpretation. And the partnership between Hotter and Moore is unmatched. Thank you for posting.
Two congenial artists… This is real excellency - and beauty… ⭐️♥️⭐️
Thank you for sharing this masterful performance! 🙏🍀
An anforgandable voice and personaliyu
fabuleux merci!!
Lasting this song now, I love his interpretation
Absolut meisterhaft und ohne Konkurrenz!
Göttlich. Schubert , Hotter und Moore.
Very unique technique. Unusual to hear this kind of breathiness but it works well.
Hans Hotter had asthma all his life.
Prodigiosos los dos.
Merci ...
À vous :)
Superb - thanks for posting.
Simplemente hermosa... excelente interpretación! Gracias por subirla! / Simply beautiful... wonderful interpretation! Thanks for uploading
Wow. Finally, someone interpreting it good, thank you, dear friend.
mit dieser gewaltstimme solche feinheiten-einmalig
Well put and I agree wholeheartedly,BEAUTIFUL SOUND.
❤
Wonderful!
Timeless for me. If it's brill.... well, it's brill. It is though, isn't it?
completely
Unglaublich herrlich!
@embenadorfinearts Oui! Il est ... vrai. C'était un chanteur qui pénétrait dans le coeur du morceau et le vivait, avec simplicité et autencité
So much romantic tension..!
Monumental! Inatteignable! Grandiose!!!
👏👏👏❤️🌺💐🌹
原曲キーより低いけど良いですねぇ…💕
@BrianDonaldMcKay Ce morceau est tout en clair-obscur.Il balance entre passion et angoisse,espoir et doute,révolte et résignation.Le timbre et la nature de Hotter neutralisent trop ces contrastes car ils manquent de brillance et de nervosité.
🥀☘️🌹
秘めやかに 闇をぬう 我が調べ
静けさは 果てもなし 来よや君
ささやく木の間を もる月影 もる月影
ひとめもとどかじ たゆたいそ たゆたいそ
君聞くや 音にむせぶ夜の鳥
我が胸の秘め事を そは歌いつ
鳴く音に込めつや 愛の悩み 愛の悩み
わりなき思いの かの一節 かの一節
深き思いをば君や知る わが心 さわげり
待てるわれに 出で来よ君 出で来よ
Absolutely solendid, but it is not the Hotter/Moore 1954 EMI version !!!
Ständchen
Serenade
Leise flehen meine Lieder
Softly my songs plead
Durch die Nacht zu Dir;
Through the night to you;
In den stillen Hain hernieder,
Down into the silent grove,
Liebchen, komm’ zu mir!
Beloved, come to me!
Flüsternd schlanke Wipfel rauschen
Slender treetops whisper and rustle
In des Mondes Licht;
In the moonlight;
Des Verräters feindlich Lauschen
My darling, do not fear
Fürchte, Holde, nicht.
That the hostile betrayer will overhear us.
Hörst die Nachtigallen schlagen?
Do you not hear the nightingales call?
Ach! sie flehen Dich,
Ah, they are imploring you,
Mit der Töne süssen Klagen
With their sweet, plaintive songs
Flehen sie für mich.
They are imploring for me.
Sie verstehn des Busens Sehnen,
They understand the heart’s yearning,
Kennen Liebesschmerz,
They know the pain of love,
Rühren mit den Silbertönen
With their silver notes
Jedes weiche Herz.
They touch every tender heart.
Lass auch Dir die Brust bewegen,
Let your heart, too, be moved,
Liebchen, höre mich!
Beloved, hear me!
Bebend harr’ ich Dir entgegen!
Trembling, I await you!
Komm’, beglücke mich!
Come, make me happy!
Franz Liszt, Schubert - Schwanengesang, S560/R245
@BrianDonaldMcKay Merci pour votre pertinent commentaire ! It is apprecaited ! embenadorfinearts
Als tenorale Alternative bietet sich auch hier die Aufnahme mit Peter Anders & Günther Weißenborn von 1954 an.
Absolument d'accord...
faut le chanter alors c trés good pour moi. bien sur chacun sont style...
I’ve heard of Hans now after 50 years finally--- he is great but I’d prefer a true lyric tenor
May I suggest you look up Thomas Quasthoff version with orchestra conducted by Claudio Abbado. It’s available in RUclips.
it would be cool if ya''ll could translate the lyrics for dummies like me!
Softly plead my songs
Through the night to you;
Down to the silent grove,
Darling, come to me!
Whisper sweet nothings
In the moonlight;
Listening to the traitor's hostile
My fair, don't be afraid.
Hear the nightingales beat?
Ah! They beg you,
With the sounds of sweet laments
Beg for me.
You understand the sinews of the bosom,
Know love's pain,
Stirring with the silver tones
Every soft heart.
Let your chest move too,
Sweetheart, hear me!
I await you trembling.
Come, make me happy.
@@ethiopianenterprises1524 thanks! FINALLY!!! lol.. they really talking about awaiting the trembling and knowing bosoms and all that, huh?!? WELL, WELL, WELL!!
@@MrDizzyvonclutch So are you disappointed? Or intrigued?
@abracadabranque Quand le vent fait murmurer les cimes des arbres, au clair de lune, et c'est plutôt les rossignols qui expriment le désir du poète, on ne va pas crier ses Fa et son crescendo comme le fait un Fischer-Dieskau. Stutzman va dans le même sens que Hotter.
Os dejo la versión para piano sólo de F. Liszt interpretada por Yerokhin
ruclips.net/video/zRh1YyL9-h0/видео.html
this is transfixing
Beautiful, but very much of its time. It's funny how there are fashions even in lieder interpretations. If somebody sang this like him now, I don't think it would work.
A. Schier If you were looking at a Rembrandt painting would you make such ill chosen comments?
A. Schier wish if somebody would sing the lied in this way! this is true art and this is the spirit of Schubert. Unfortnately today lied is spoken, not sung, the love, the eros inside the lied are gone. I fall in love with this great artist.
it would work for me
@@gentleeyes Nothing else works for me.
True. Performance is not static. This makes Hotter's Ständchen all the more precious. I love it.
@BrianDonaldMcKay Ecoute Petre Munteanu et tu me dis.
Salut!
Beautiful, but I still give the edge to Fischer Dieskau.
Bit hard to compare . Different voice type. I also like Quasthoff and Stutzmann..
@abracadabranque Pas convaincu. Dès vous acceptez l'homme, en tant qu'amoureux -et chanteur - tout passe.
...Hans Hotter, das Monument ! Er bleibt als Liedinterpret erwähnenswert, wenn auch anstrengend zu hören, nasal ! LES
Une couleur étrange au début,presque infantile,puis on s'habitue.Musical,mais pas transcendant.Un ténor reste plus indiqué pour ce lied.