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The cinematography in this was and is the best in any Bond film, lush and gorgeous colours and landscapes. John Barry’s score ties it all together.
All of this is gone. Thanks to that dreadful Shilthorn 20xx project or whatever the fuck it is called. The original place and cable cars will hopefully be rebuilt one day as they were, the minute people actually come to their senses.
The cinematography in this was and is the best in any Bond film, lush and gorgeous colours and landscapes. John Barry’s score ties it all together.
All of this is gone. Thanks to that dreadful Shilthorn 20xx project or whatever the fuck it is called. The original place and cable cars will hopefully be rebuilt one day as they were, the minute people actually come to their senses.