This is so good, I will definitely take inspiration and study as much as I can from this, I was listening to it and it felt only like 3 minutes and it surprised me when it ended! Maybe just my thought, the beginning, I think you were trying to get the audiences attention though it might sound loud and annoying and maybe connect some of them together? Once again this was such a pleasure to listen to and it sure is a banger.
Beginning was interesting, there was no satisfying resolve at the point where you expect the melody to hit. At 0:49-51 there's a huge cresendo and gathering of all the instruments and right at that hit, it just turns into something different. Then again at 1:15 , where it starts to sound like a Hallmark background for an awkward scene with the main character. Then at 1:34 it becomes a...kingdom fanfare? Obviously the application is the main source for the oddity of the sound, but it does lack something in it that could be worked on regardless, this is constrictive criticism I promise I'm not dunking on you. the middle was like Lord of the Rings/the opening to New Hope, especially at 4:15 . And I haven't gotten to the ending yet. It's good, but definitely has a missing sense of literature to it.
@@WitchKing-Of-Angmar I composed it with a friend who is a film composer and his parts are in the middle while i composed the intro and second half so that’s why it turns into somthing different. It’s just hard when you’re not composing it alone because you don’t full control over everything
@philip.stigaard I always say compromise with the person, explain your direction and let them explain theirs. It's still a very compelling piece but has room to grow of course, much like anything else. You should compose a christmas piece, short sweet style. Intersecting melodies of different genres from Nutcracker, Frosty, Let it snow, and Feliz Navidad/alternative, and then have a blend style chart where all the melodies come up with transitional sections. Transition is the word of the day for your book I think, it's easy and yet not at the same time, some people go up a half step, have a single soloist, or the terrifying Robert Sheldon approach of just changing key every 5 seconds, or that one 21 christmas songs piece that somehow made it work. Best of luck
@@onewhogetsbread9975 it’s made in Dorico so it will be very messy in musescore. Also when i try to put it in musescore it crashes. I’ll try to fix it tho and put it in the description
![I.N "HALLUCINATION" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/n5B5q1Hwt_U/mqdefault.jpg)
a concert band arrangement would go absolutely insane
@@thecymbster true haha
I'd love to work on that to be honest
RUclips randomly recommended this to me and I have to say, this is great! Adding it to my D&D music playlist :)
This is amazing work! I'm beyond impressed.
this deserves more likes, it mustve taken 2 centuries to make
Outstanding musical sense and holding tension.
the transition at 1:26 was superb
I was honestly so impressed by that
Blew my mind how awesome this sounded!
Really great work. I love this a lot.
@@ericwarncke Thank you :)
This is awesome and very well written! I hope your school ensemble can do it justice💪🏿😤
This is so good, I will definitely take inspiration and study as much as I can from this, I was listening to it and it felt only like 3 minutes and it surprised me when it ended! Maybe just my thought, the beginning, I think you were trying to get the audiences attention though it might sound loud and annoying and maybe connect some of them together?
Once again this was such a pleasure to listen to and it sure is a banger.
Love this, keep composing!
This is freaking awesome omg
Great work!!!
0:26 oh yeah, caprice in a minor by Paganini moment
Well done this is a banger
Sounds like a smash bros boss theme ! Love it !
Highkey a banger
hey this is good
Instant favorite!
sick
lovely compostion
Better than I could do. Great Job!
Flot er det😍😍
ANDERS
Wait…his writing is fire?
ngl a banger
sygt nok
This is excellent! A bit crude sounding, but in such a way that it merely counts for effect.
okay så youtube ved jeg er tidligere sag elev i guess... men fed overture, held og lykke med sag show i år!
ej hvor sjovt😭 hvordan vidste du at det var til sag show?
@philip.stigaard "fortæller tema" var på dansk, og derfra er det ikke så svært at gætte hahaha
Beginning was interesting, there was no satisfying resolve at the point where you expect the melody to hit. At 0:49-51 there's a huge cresendo and gathering of all the instruments and right at that hit, it just turns into something different. Then again at 1:15 , where it starts to sound like a Hallmark background for an awkward scene with the main character. Then at 1:34 it becomes a...kingdom fanfare? Obviously the application is the main source for the oddity of the sound, but it does lack something in it that could be worked on regardless, this is constrictive criticism I promise I'm not dunking on you.
the middle was like Lord of the Rings/the opening to New Hope, especially at 4:15 . And I haven't gotten to the ending yet.
It's good, but definitely has a missing sense of literature to it.
@@WitchKing-Of-Angmar I composed it with a friend who is a film composer and his parts are in the middle while i composed the intro and second half so that’s why it turns into somthing different. It’s just hard when you’re not composing it alone because you don’t full control over everything
@philip.stigaard I always say compromise with the person, explain your direction and let them explain theirs. It's still a very compelling piece but has room to grow of course, much like anything else. You should compose a christmas piece, short sweet style. Intersecting melodies of different genres from Nutcracker, Frosty, Let it snow, and Feliz Navidad/alternative, and then have a blend style chart where all the melodies come up with transitional sections. Transition is the word of the day for your book I think, it's easy and yet not at the same time, some people go up a half step, have a single soloist, or the terrifying Robert Sheldon approach of just changing key every 5 seconds, or that one 21 christmas songs piece that somehow made it work. Best of luck
Villain entry ahh type of piece.
hypothetically what software do you use?
From what I can tell, I'm pretty sure it's Dorico.
@@EliGearsCo.yes, Dorico with noteperformer
Niceee do u happen to have the xml or MSCZ?
@@onewhogetsbread9975 it’s made in Dorico so it will be very messy in musescore. Also when i try to put it in musescore it crashes. I’ll try to fix it tho and put it in the description
What software are you using?
@@spiffyblueeyes6102 dorico + noteperformer
What program did you use to make this?
@@reddblu4489 dorico + noteperformer
I think it's Musescore
Lucky mf
This sounds so easy to do but when I write it just turns into a pile of trash
same lowkey but then i just spend forever making it better😭😭
@@philip.stigaard me too I have no skill but I've been working on the same 7 minute piece for over a year lmao just tweaking little things every day
What musical?
@@nathanielpergamit6840 SAG show
Give this man an scholarship to Juilliard NOW
MORE DISSONANCE
Nah, It’s good enough
@FredericChopin-if5rn bruh dissonance makes things expressive don't you know?
Yeah it does, I like ravel because of that, I just feel like most teens would not like dissonance in music. Either way it isn’t my decision.
@@FredericChopin-if5rn bruh I'm a teenager and like I get drunk in the dissonance
Let see if people buy that for a dollar.
huh?
i would buy it for all the money in my wallet, which aint much, but id still buy it🤷♂️
What musical?
SAG show