Love the idea of Fred rescuing another engine. And that cliffhanger really has me excited for the next story. As a certain helicopter would say “well done, cheers, and keep up the good work!”
That was a fantastic episode. Nice to see Fred in action again and Lyra seems like an interesting character. Sir Handel really judges too soon on things. The accident serves him right. Smudger's new look was a surprise and I think I might have recognized who the engine was at the Steamworks at the end.
the 2:35 minute mark to 2:45 make no sense. A tree is just randomly on the line. Rusty buffers are bent? (he'll just of derailed slightly but not bent frames for god sake)
as much as I like your work, I have to admit that episodes start too much like early HiT era and some scenes are too long don't drag the episodes too much when there's nothing to say so the flow is nicer and check your volume levels. There's too much bass in vocal lines and these are 'booming' and getting distorted, but that's easily repairable in EQ. Music can be too loud, so when there's voice, drop it down a bit. Also - watch the volume levels on voice clips because some are louder and some quieter. I enjoy your episodes but these things make the watching experience a bit challenging sadly
@@JamezP I will always admit. Volume balancing is not my speciality and can need some work. But I ultimately do these videos for my own enjoyment and hobby. So my writing style isn't going to change.
@@TenShine1productions you don't need to change - it's good but you need to catch yourself so you don't repeat anything. If a narrator says that someone saw something, that someone doesn't need to repeat the narrator. If you do voices, let them speak instead of narrating what they're going to say. Otherwise it's like in thomas' season 12. That's all you'd need to fix to make it better. And of course all that 'on the island of sodor...' intro. I know it's just one sentence in your case but if it's a single long story, it's better to jump straight to the action. Every episode connects to the earlier ones so it's not really necessary to say it. But that's one sentence so I tend to overlook that. about volume - there's no magic needed if something is recorded too loud, just lower the volume in your editing software. For example in vegas is just one move of a mouse. But the thing that takes me out of the pleasure of watching it is the abuse of bass. Try to use the equalizer on vocal lines (mostly narrator's) and just drop the lower frequencies to a half of their volume so it's not booming like an old vhs. Other than this - your stories are amazing and don't need to change the style etc
Oooooh a purple engine?! My money is on ivo hugh. Also Laura’s expression and face when she saw smudger I was laughing so hard
You'll have to wait for the season finale.
@@TenShine1productions okie dokie 👍
I’m also thinking of one of the Culdee fell engines based on the shade of purple though I’m not sure which one but ivo hugh is also up there. 💜💜
@@TenShine1productions is that purple engine MSR Stanley
@@Daminator11 Stanley is smudger
Love the idea of Fred rescuing another engine. And that cliffhanger really has me excited for the next story. As a certain helicopter would say “well done, cheers, and keep up the good work!”
Nice use of the Grange Hill Theme for Smudger
That was a fantastic episode. Nice to see Fred in action again and Lyra seems like an interesting character. Sir Handel really judges too soon on things. The accident serves him right. Smudger's new look was a surprise and I think I might have recognized who the engine was at the Steamworks at the end.
Nice to see Fred not being a lazy engine.
Brilliant episode.
Great Episode of Fred and Sir Handel You Created There Tenshibe1 Productions
Keep Them Coming
Nice follow-up to Lyra being ex-MSR engine❤
I wonder also if a narrow gauge Garratt locomotive could be the basis of a future character?
No
@@TenShine1productions It was meant as an idea for all the users who see the comment.
@@jamesthomas5109 sorry. It sounded like you were suggesting it to me. Also I don't think a garrat would fit on the SKR
@@TenShine1productions That's ok, that's your view. Everyone else can respond too.
Who’s the engine pulling the goods train when Fred is introduced
You'll have to wait and see
5:30 Billy shoepack
I like how Stanley edgebudger had become California and I'm asleep turned into one engine.
I wonder if Lyra will meet Sunny in a future video? 🐑 🐏
If I can think of an episode plot, maybe she might
@@FlyingRabbitMedia Heck yeah
Is Fred a Geordie? Cornish? Bristolian? He sounds like a unique mix of accents to me.
He's an accent I made up
@@TenShine1productions oh...ok
the 2:35 minute mark to 2:45 make no sense.
A tree is just randomly on the line.
Rusty buffers are bent? (he'll just of derailed slightly but not bent frames for god sake)
Very good story, but i feel its pacing is too quick, and the scene transitons are too quick
So we gonna ignore smudger came back just for a bit or is he returning
@@emagenevanhorn1543 wait and see
5:40 Ratchet the green engine?
@@jamesthomas5109 maybe
@@TenShine1productions nice addition 👌
as much as I like your work, I have to admit that episodes start too much like early HiT era and some scenes are too long
don't drag the episodes too much when there's nothing to say so the flow is nicer and check your volume levels. There's too much bass in vocal lines and these are 'booming' and getting distorted, but that's easily repairable in EQ. Music can be too loud, so when there's voice, drop it down a bit. Also - watch the volume levels on voice clips because some are louder and some quieter.
I enjoy your episodes but these things make the watching experience a bit challenging sadly
@@JamezP I will always admit. Volume balancing is not my speciality and can need some work.
But I ultimately do these videos for my own enjoyment and hobby. So my writing style isn't going to change.
@@TenShine1productions you don't need to change - it's good
but you need to catch yourself so you don't repeat anything. If a narrator says that someone saw something, that someone doesn't need to repeat the narrator. If you do voices, let them speak instead of narrating what they're going to say.
Otherwise it's like in thomas' season 12. That's all you'd need to fix to make it better.
And of course all that 'on the island of sodor...' intro. I know it's just one sentence in your case but if it's a single long story, it's better to jump straight to the action. Every episode connects to the earlier ones so it's not really necessary to say it.
But that's one sentence so I tend to overlook that.
about volume - there's no magic needed
if something is recorded too loud, just lower the volume in your editing software. For example in vegas is just one move of a mouse. But the thing that takes me out of the pleasure of watching it is the abuse of bass. Try to use the equalizer on vocal lines (mostly narrator's) and just drop the lower frequencies to a half of their volume so it's not booming like an old vhs.
Other than this - your stories are amazing and don't need to change the style etc