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Why Use Wireless Video Transmission? Mars 300 PRO
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- Опубликовано: 14 авг 2024
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Wireless video transmission is a fantastic way to open out and improve your skillset as a video creator; expanding on the versatility of your camera movements, improving communication and fluidity when working in teams - and just a good tool to have when you need it. The Hollyland Mars 300 PRO is a great wireless video transmission system and an extremely useful tool!
Cameras:
Blackmagic Cinema Camera 2.5K
Blackmagic Micro Cinema Camera
Samsung Note 8
Lenses:
Sigma 18-35 f/1.8 ART
Sigma 85mm f/1.4
Panasonic Lumix G 14mm f/2.8
Nikkor 200m f/4 AI
Genus Eclipse Variable ND Filter
Hoya UV/IR Cut
#filmmaking #cinematic #hollyland
Bro I really want you to succeed in your youtube career. youre putting up a great content. keep it up.
Thank you so much man! :)
Once you see me belting it upstairs through the window on the "crane" shot after I close the door, you can't unsee it and it's absolutely fantastic 😂
Don't forget you can grab my 20 minute colour grading tutorial for just £8 at robelliscinematography.com/downloads
Thanks!! :)
I see new Rob Ellis video, I upvote.
Thanks Shaheed!! :)
Your videos are top shelf. Masterfully crafted, full of practical information, and no fluff. Thanks for doing these!
This channel is a godsend for me, seriously. So much useful information that I’ve been longing for. Thanks a million!
It would be amazing to see an episode focusing on lighting in a forest at night, or house exteriors at night on a budget.
This video came out the moment I finished my shrine to Rob, what a funny coincidence!
Is it constructed entirely of blackmagic micro cinema camera sensors?
By the way I just trawled through your channel and I love it, subbed!
@@RobEllisCinematographer Lol exactly, I surround the pile with candles and chant ' *What we may lack in low light performance we make up for in flange dissssstannnnncce* '.
Oh bless your heart man! That means a ton coming from you after having rewatched your tutorials so often. My video "Joe Rogan Fanboys" actually wouldn't exist if it wasn't for you; I never intended to make a comedy video, it was just lighting test where I was experimenting with short lighting after you put out such an amazing guide on it. Thank you for all the knowledge man, truly, its helped immensely.
Hahahaha love it!
Absolutely, that combo of absurdity and humour, and the humour in absurdity, is a difficult thing to nail - laughing and being inspired in equal measure is a great feeling!
Glad to know I've helped man, comments like this mean a lot! And the lighting in that video looks beautiful!
@@RobEllisCinematographer Thank you so much! All thanks to you.
This is great. I come from Teradek's. This is really nice to have on smaller crew size. I would recommend getting an HDMI male to female dongle for the unit. To protect the HMDI hardwire for the unit since I have been on sets where HDMI gets broken inside wireless receivers. It sucks when that happens.
Thank you :) yeah it's a great tool! Sound advice - my cable/port management is severely lacking at the best of times!
Thank you for today's knowledge. Im a mural Art But I love videography
Absolutely! Thank you for watching, always nice to know creatives from other fields of work are enjoying the content! :)
Always a pleasure to watch some of your work dude, I personally went for the Acsoon wireless transmitter to avoid carrying NP's around (extra weight) and only use my phone, it's not perfect but I get away with it and I definitely agree with you, monitoring wirelessly gives you so many options to create such as pulling focus on yourself, by yourself, being away from the camera 👌Thank you for taking cinematography to this level bro, keep up with the great stuffs 👊🏼😉
Dre.
Thank you! :) absolutely that's fair enough on the weight, nice to keep everything a bit lighter! And it's pretty great being able to monitor just on a phone now too. For sure, what with everything going on at the moment I've been doing a lot of these videos just by myself and it's much nicer not having to squint across the room trying to check I'm in focus haha! Thank you so much for the kind words man, will do!! :)
@@RobEllisCinematographer Those pieces of technology allow us to focus more on creativity at the end of the day, still being able to produce great visuals by ourselves. AHAHAH I know what it is to nail that focus by yourself without the right tools using broom, tripod or whatever ^^ it's probably something of this filmmaking journey that keeps the spark alive 😉
Haha love it, I've used a stack of books to focus before, whatever gets the job done 😂 that's it, if everything was too easy where would the fun be! ;)
@@RobEllisCinematographer The DIY has to become a second nature to make it happen on screen! As they say "easy come, easy get but easy go" 😉
Nice work. One of the drawbacks of these units are that the fans are a little noisy, and that can be bothersome when recording sync sound.
Lol it’s always early Christmas for me when you upload!
I’ll definitely have to look into this! I also do a lot of gimbal work so the chance of splitting the work of gimbal operating and focusing using a wireless follow focus and a transmitted monitor is super enticing!
How is the battery life like with the Sony batteries? And how heavy is the transmitter? I’ve had my external monitor snap off the ball mount I use for my gimbal a few times so I have to be weary of how much weight load I put on it.
Thank you again and I look forward to your next video!
Haha thanks man! :)
Yeah it's a great thing to have, definitely when on a budget and someone is trying to see the monitor over your shoulder! Plus if you're shooting something like a music video, it's really good to be able say, give the rest of the band something to watch whilst you film an individual band member, etc.
The battery life with the NPF's I haven't actually had a chance to test! But I think it's rated to be around 3 hours. So give or take around there! Oh and weight-wise, they're super light, it's the battery that adds a little weight! Probably weighs about the same as my BMD video assist 5" with batteries, maybe a tiiiny bit less!
Thank you! :)
My o my 👏👏, another awesome video 🔥🔥
Thank you!! :)
Sweet! A commercial. Great content. Why get adblocker when the content youre watching is just ads anyway?!
Amazing review.. You sold it to me.. Quick question.. What car suction mount do you recommend?
Always the best! 🙏🏾🙏🏾🙏🏾
Thank you so much!! :)
That 2.5k sensor is still producing images better than most modern cameras!
Yes! Still the best way to shoot with an image close to an Alexa Classic, without paying for an Alexa Classic, in my opinion! ;)
@@RobEllisCinematographer with about 1/5 the weight (or less)!
Have you ever been able to successfully pull focus wirelessly with the 300? We got one a while back but notice there is always a noticeable lag in the transmission and I'm wondering if its because we're using cheap amazon hdmi cables? Thanks, I love your channel and presentation!
Looks great! Wish it had SDI also.
I believe the 400S has SDI, although a little pricier!
@@RobEllisCinematographer Still a good price! Thanks, man. Great channel!
It is! And thanks man! :)
Ha the bmcc. I still think highly of the images from it. Sad I sold mine.
Still making great images 6 years later! The MFT versions are pretty hard to get hold of now unfortunately!
Hi, the low latency is okay for pulling focus?
Thank you and jeep the good work 🙌🏻
I've not had the chance to test yet but for my uses I think it would be fine, but I've seen varying opinions on it, have a good search around! :) thank you!
what export settings do you use for the bmcc 2.5k? In resolve my footage looks amazing but then when I export it, the quality sucks...
I always export to a 4K DNxHR file, usually I superscale to 4K before that but even if I dont superscale I output to a 4K DNxHR anyway - I find the biggest best quality file (within reason) you throw at RUclips, the better! In terms of just generally rendering, h264 MOV usually looks fine to me!
@@RobEllisCinematographer thank you for the response!
I really love this driving shot! Can you tell me how did you lit this shot?
Thank you! That was simply a little handheld RGB light, set to an orange hue, shot through a little bit of muslin material, down by the dash :)
@@RobEllisCinematographer Thanks! I actually thought about that, using a RGB light, because my dashboard is not that bright even on max brightness. 😅
Please make a video of using a gimbal as a jib. some effective ways
I'm actually currently making a video for Moviola on gimbal movements - some crane-esque shots in there, but for proper jib shots you do kind of need a jib!
@@RobEllisCinematographer yeah... Gimbal can't replace jib, but for those who can't afford renting jib, gimbal gets the job done
you said that 820ft was impressive. however, i think its more impressive that you measured it in ft for us yankee blokes