Out of all of the complex and intricate pieces Schumann has composed, this piece might be my favorite for a number of reasons. To give some backstory, I’ve always used to play around with my grandparents’ Yamaha Clavinova (I couldn’t recall which model) and, one day while I visiting, found out about the demo songs feature. This piece, specifically Eintritt, was in place for Grand Piano 1’s demo song and I always used to let it play in the background when I was little, just because I liked how it sounded. I didn’t have any idea of who composed it or what it was called, I just knew it as “Grand Piano 1” on my grandparents’ Yamaha Clavinova. Much much later, I finally found out the name of the piece and found out it was composed by Schumann. As you’d imagine, I was utterly stoked upon hearing it. This single piece has played such a large role in my childhood. While I am older now and currently a sophomore in college, I always tend to go back to this piece to remind myself of the innocent and curious years of me growing up.
9 pieces: 1/ entry 2/ Hunters on the Lookout 3/ Lonely Flowers 4/ Haunted Place 5/ Friendly Landscape 6/ Wayside Inn 7/ Bird as Prophet 8/ Hunting Song 9/ farewell
I listen to the major large Schumann works like Faschingschwank. aus Wien and Kreisleriana and the C Major Fantasy. I come back to to this one as the most brilliant in its simplicity and subtlety.
You've got it on the mark, Howard Chasnoff! That's absolutely right! This is really the most brilliant in simplicity and subtlety. One of Schumann's most beautiful pieces he'd ever written yet so simple! :D
Agree. Each time I listen there is more I can dig out of it. The Eintritt sets the mood. Herberge ends quietly with the same statement as the beginning done so delicately. Only the second time that it is played.
+Howard Chasnoff Yeah, that's another amazing thing - it gets more beautiful the more you hear it. Personally I feel that both Schumann and Beethoven wrote music that gets more beautiful as you listen, whereas some other composers wrote music that you enjoy as much the first time as the other.
Escenas en el bosque. 1. Entrada (00:00) 2. Cazador al acecho (01:44) 3. Flores solitarias (03:02) 4. Lugar de mala fama (04:57) 5. Paisaje agradable (07:56) 6. Albergue (08:58) 7. Ave como profeta (10:56) 8. Canción de caza (13:57) 9. Despedida (16:19)
Maybe I'm crazy, but I feel there is some similarity at times to the prelude for BWV 885. Both use dotted rhythm, and at times it seems 885 is quoted. Perhaps just coincidence?
Scènes des bois (traduction consacrée sur Wikipedia) 1.Entrée(00:00) 2. Chasseur aux aguets (01:44) 3. Fleurs solitaires (03:02) 4. Lieu maudit (04:57) 5. Paysage souriant (07:56) 6. À l’auberge (08:58) 7. L’Oiseau-prophète (10:56) 8. Chant de chasse (13:57) 9. Adieu (16:19) Bravo à Maria Joao Pires
ironmaz1 what a coincidence! I just read the line where it was mention page (14 line 3). The moment I saw the name of this creation, I looked it up, and saw your comment
Robert Schumann:Erdei jelenetek Op.82 1.Belépő (Non troppo vivace) 00:00 2.Vadász a várakozáson (Molto vivace) 01:46 3.Magányos virágok (Semplicemente) 03:04 4.Elutasított hely (Andante mosso) 04:58 5.Barátságos táj (Vivace - Un poco piú lento - In Tempo)07:58 6.Szálló (Moderato - Leggermente riservato - In Tempo - Un poco piú lento - In Tempo) 09:00 7.Madár mint próféta (Lento,molto delicato - Un poco piú lento - In Tempo) 10:59 8.Vadászdal (Rapidamente,con forza) 14:00 9.Búcsú (Non vivace - Mai più debole)16:21 Maria João Pires-zongora
"Nicht zu schnell" means "not too fast", but the pianist rushes through like an ICE with highspeed. The ideal speed in my opinion is 30 - 40 % slower, all the nuances are lost otherwise. Fortunately i have a timestretching Speed Control plugin in my Browser :)
De facto vi agora que em 2010, descontente com o governo Português devido à falta de apoio que então sentia, ela naturalizou-se Brasileira. Foi mais um acto de protesto do que outra coisa qualquer. Ainda assim, será de Portugal e do Brasil, da Lusofonia e do mundo. Saudações.
Não poderia estar mais de acordo, meu caro. A música transpõe as barreiras nacionais: que ela seja brasileira, portuguesa e outra porção de nacionalidades. Abraço forte.
En 1, "Eintritt" la primera repetición es incorrecta, Pires omite la segunda mitad del octavo compás. In 1, "Eintritt" The first repetition is wrong, Pires omits the second half of the eighth bar
WHAT? Murakami mentioned it too? I must have overlooked it. No, I am reading The Picture of Dorian Grey right now and that's why I'm looking this song up. But it baffles me that it has been already mentioned in one of my fave books, Wind Up Bird Chronicles, as well lol. U also need to read The Colourless Mr. Miyazaki or smth.. forgot the name. There, Murakami brought me to one of the most beautiful pieces ever written, and that is Franz Liszt' Le Mal du Pays!
Some pianists purposely omit the the second half of the measure because some people feel it’s imbalanced. Which I agree that’s part of Schummans charm. But I guess in this case it’s doesn’t seem like there’s isn’t much reason to create a contrast how the beginning is played again, it could make that half measure make that part feel a tad longer than it needs to.
![Schumann - Waldszenen, Op. 82 (Audio+Sheet) [Kempff]](http://i.ytimg.com/vi/RpdOSbEJSqY/mqdefault.jpg)
Out of all of the complex and intricate pieces Schumann has composed, this piece might be my favorite for a number of reasons.
To give some backstory, I’ve always used to play around with my grandparents’ Yamaha Clavinova (I couldn’t recall which model) and, one day while I visiting, found out about the demo songs feature. This piece, specifically Eintritt, was in place for Grand Piano 1’s demo song and I always used to let it play in the background when I was little, just because I liked how it sounded. I didn’t have any idea of who composed it or what it was called, I just knew it as “Grand Piano 1” on my grandparents’ Yamaha Clavinova. Much much later, I finally found out the name of the piece and found out it was composed by Schumann. As you’d imagine, I was utterly stoked upon hearing it.
This single piece has played such a large role in my childhood. While I am older now and currently a sophomore in college, I always tend to go back to this piece to remind myself of the innocent and curious years of me growing up.
Same here, the model you are looking for might be CLP240 or 230 i think. :)
Same here also, good memories
Same here also, good memories
Vogel als Prophet is my favorite from this set; so eerie and atmospheric.
9 pieces: 1/ entry
2/ Hunters on the Lookout
3/ Lonely Flowers
4/ Haunted Place
5/ Friendly Landscape
6/ Wayside Inn
7/ Bird as Prophet
8/ Hunting Song
9/ farewell
Thanks! 😊
❤❤❤
I must say this is some of Schumann's best work
I listen to the major large Schumann works like Faschingschwank. aus Wien and Kreisleriana and the C Major Fantasy. I come back to to this one as the most brilliant in its simplicity and subtlety.
You've got it on the mark, Howard Chasnoff! That's absolutely right! This is really the most brilliant in simplicity and subtlety. One of Schumann's most beautiful pieces he'd ever written yet so simple! :D
Listening to these Schumann pieces is the music equivalence of reading something truly magical. Love it.
Agree. Each time I listen there is more I can dig out of it. The Eintritt sets the mood. Herberge ends quietly with the same statement as the beginning done so delicately. Only the second time that it is played.
+Howard Chasnoff Yeah, that's another amazing thing - it gets more beautiful the more you hear it. Personally I feel that both Schumann and Beethoven wrote music that gets more beautiful as you listen, whereas some other composers wrote music that you enjoy as much the first time as the other.
Sen der Even In Einsame Blumen, a very simple piece Schumann uses irregular phrasing. 4 measure phrase followed by a six measure phrase.
@@sender1496 that was from the straw line twister yesterday
makes sense why they were mentioned in A Picture of Dorian Gray
Escenas en el bosque.
1. Entrada (00:00)
2. Cazador al acecho (01:44)
3. Flores solitarias (03:02)
4. Lugar de mala fama (04:57)
5. Paisaje agradable (07:56)
6. Albergue (08:58)
7. Ave como profeta (10:56)
8. Canción de caza (13:57)
9. Despedida (16:19)
😊
I love the fourth piece Verrufene stelle! One of Schumann's most interesting pieces I heard
Maybe I'm crazy, but I feel there is some similarity at times to the prelude for BWV 885. Both use dotted rhythm, and at times it seems 885 is quoted. Perhaps just coincidence?
Sounds like MacDowell
Scènes des bois (traduction consacrée sur Wikipedia)
1.Entrée(00:00)
2. Chasseur aux aguets (01:44)
3. Fleurs solitaires (03:02)
4. Lieu maudit (04:57)
5. Paysage souriant (07:56)
6. À l’auberge (08:58)
7. L’Oiseau-prophète (10:56)
8. Chant de chasse (13:57)
9. Adieu (16:19)
Bravo à Maria Joao Pires
Merci de la traduction!
Merci ca m'aide beaucoup pour retrouver les morceaux dont j'ai besoin!
Merci!
Hermosa interpretación de la magnífica María Joao Pires. Gracias por permitir disfrutarla por medio de la partitura.
wonderful beautiful music
One of my favorite pianists. Beautiful smooth technique.
Very good played and a clean Interpretation , have a nice day.😊
The Picture Of Dorian Gray brought me here.
Oh my god me too *high five*
whaaat ive read that and didnt notice! pray tell, where is this marvelous work mentioned?
ironmaz1 what a coincidence! I just read the line where it was mention page (14 line 3). The moment I saw the name of this creation, I looked it up, and saw your comment
auspicious ! thanks nicky :) [eg my name also contains 'nick' so the prophet bird seems to be doing its work]
• Zomedia • me too! Haha
_Vogel als Prophet_ reminds me of Scriabin, amazing that this was composed in 1849!
True; at times, even of the impressionists' fetish for fleeting filigree notes.
Robert Schumann:Erdei jelenetek Op.82
1.Belépő (Non troppo vivace) 00:00
2.Vadász a várakozáson (Molto vivace) 01:46
3.Magányos virágok (Semplicemente) 03:04
4.Elutasított hely (Andante mosso) 04:58
5.Barátságos táj (Vivace - Un poco piú lento - In Tempo)07:58
6.Szálló (Moderato - Leggermente riservato - In Tempo - Un poco piú lento - In Tempo) 09:00
7.Madár mint próféta (Lento,molto delicato - Un poco piú lento - In Tempo) 10:59
8.Vadászdal (Rapidamente,con forza) 14:00
9.Búcsú (Non vivace - Mai più debole)16:21
Maria João Pires-zongora
Thanks for the translation!
Thanks, Dávid Véhak!
Köszönöm az értékelést
I thought it was Schubert who composed this! Wow....its amazing how Schumann composed something that sounded so schubert.
How would you describe Schubert's music?
@@CougheePls it sounds like Schubert. No words can describe it
@@CougheePls Highly melodic and spontaneous, I think
1. На опушке.
2. Охотник, подстерегающий дичь.
3. Одинокие цветы.
4. Проклятое место.
5. Приветливый уголок.
6. Ночлег.
7. Вещая птица.
8. Охотничья песня.
9. Прощание
Beautiful. Maria has very nice balance and subtlety for these pieces, for example the left hand in 10:27.
With Pires, technique is always subordinated to the music -- the true source of her brilliance.
Agree :) She's one of my fave pianists!
Vou levá-las emprestadas, Basil! Preciso estudá-las... São encantadoras!
Pires does have brilliant technique!!
Agree :))
Musica magica😍
brilliant.
"Nicht zu schnell" means "not too fast", but the pianist rushes through like an ICE with highspeed.
The ideal speed in my opinion is 30 - 40 % slower, all the nuances are lost otherwise.
Fortunately i have a timestretching Speed Control plugin in my Browser :)
yes, hans a little too fast, but maybe 20 percent??
El “Eintritt” es mi parte favorita y el escucharla absurdamente rápida como en esta interpretación se me hace muy desagradable.
I actually really like this one, for Schumann
What's your favourite?
Great portuguese pianist!
Great pianist!
Francisco Campos Lima, isn’t she Brazilian?
De facto vi agora que em 2010, descontente com o governo Português devido à falta de apoio que então sentia, ela naturalizou-se Brasileira. Foi mais um acto de protesto do que outra coisa qualquer. Ainda assim, será de Portugal e do Brasil, da Lusofonia e do mundo.
Saudações.
I made reference to the fact that she is portuguese to show that it is not only in football that Portugal has Cristianos Ronaldos!
Não poderia estar mais de acordo, meu caro. A música transpõe as barreiras nacionais: que ela seja brasileira, portuguesa e outra porção de nacionalidades.
Abraço forte.
Gli spot pubblicitari durante l'ascolto, sono peggio di uno sputo in faccia!
I love Pires but the tempos were a little too fast for me here overall. Vogel als Prophet and Abschied were perfect. What a beautiful set of pieces.
Hah, since I heard Volodos play these I can't hear any other interpretation :-)
Yes - Volodos interpretation Live in Vienna is the best!
yeah OpusTravels
En 1, "Eintritt" la primera repetición es incorrecta, Pires omite la segunda mitad del octavo compás. In 1, "Eintritt" The first repetition is wrong, Pires omits the second half of the eighth bar
Wow you're right actually
Also it says „Not too fast“ and he plays it way too fast, while completely ignoring the staccato in bar 5-6. Horrible interpretation.
Pope Francis I agree with you👍🏻 I don’t like his interpretation :/
@Franscessa Colla Pires is a she, not a he
I agree. A student has said me the same thing, that I haven't noticed yet until 3 days ago...
Wheel of Fortune and Fantasy brought me here.
Baby MacDonald: A Day on the Farm?
All .... too fast ....why?
Maria Jõao Pires
are you reading Wind Up bird chronicles while reading this?
WHAT? Murakami mentioned it too? I must have overlooked it.
No, I am reading The Picture of Dorian Grey right now and that's why I'm looking this song up.
But it baffles me that it has been already mentioned in one of my fave books, Wind Up Bird Chronicles, as well lol.
U also need to read The Colourless Mr. Miyazaki or smth.. forgot the name.
There, Murakami brought me to one of the most beautiful pieces ever written, and that is Franz Liszt' Le Mal du Pays!
17:02
Who’s here because Silent hill 2 remake ?
0:15 is it a mistake or did she intend to omit the second half of the measure?
it must be a mistake because it kinda takes away the charm of many of schumann‘s pieces with shifted measures and weird off-beat entrances or hemiola.
Some pianists purposely omit the the second half of the measure because some people feel it’s imbalanced. Which I agree that’s part of Schummans charm. But I guess in this case it’s doesn’t seem like there’s isn’t much reason to create a contrast how the beginning is played again, it could make that half measure make that part feel a tad longer than it needs to.
0:00
3:02
10:56
That's how we do it up here in Silent Hill.
Anyone else googled while playing silent hill 2?
He was so good
That movement at 1:47 lol
Why's it funny, nezkeys79?
16:58 Wrong note in this bar
The Yamaha Clavinova CLP 240 brought me here.
Silent Hill 2 brought me here.
Great melody.
Beat me to it
Einsame Blumen may be marked Einfach, but this is a total lack of effort in putting in any meaningful thought to the interpretation at all.
sorry but SH2Remake brought me here
2:18
There' s no phrasing.
Phrasing ✅
Horrible version... always too fast, totally lack of poetry. This is not Schumann
hah
Totally agree. But at the same time, this is not Schumann's best work. He wrote far better things
Kaj vi iru al la diablo. Li kun plezuro boligas vin en via propra galo.
???
Listen to Christian Ihle Hadland.
silent hill gang here!
silent hill gang
silent hill
Vergognoso....
Ugly tempo ...
Vou levá-las emprestadas, Basil! Preciso estudá-las... São encantadoras!