R.Schumann : Gesänge der Frühe op.133 (Anatol Ugorski)
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- Опубликовано: 30 июл 2024
- Recording found on ADGO's channel : / antoniodgo .
Go check it out for rare recordings of Russian artists! ⚠️
This set is one of the last piece composed by Schumann. At the time, he was diving into insanity. He threw himself in the Rhine river only days after achieving these.
Commenting on this piece seems almost futile as the music speaks for itself.
The only thing I can say is that Schumann really pushes the limits of his art to the point of an almost indecent sincerity.
This opus is an absolute denudement. Some of the musical ideas can be difficult to assimilate at a first listen but behind the veil, hides a uncut diamond.
Anatol Ugorski doesn't only sings at the piano, he also speaks to us in an incredibly mature and vibrant musicality.
What's striking is the coherence of the whole : All the pieces are connected, each note float and deliver its own unique message.
0:00 I. Im ruhiges Tempo
3:27 II. Belebt, nicht zu rasch
5:28 III. Lebhaft
7:50 IV. Bewegt
11:38 V. Im Anfange ruhiges, im Verlauf bewegtes Tempo 
Видеоклипы
Schumann fan for almost 40 years.
Lol what a waste of 40 years
Number 4 of the group is my favorite....
He seemed so far away from his earthly troubled life.......🌹🌹🌹🌹🌹🌹🌹❤❤❤❤🙏🙏🙏🙏Tears...!
Good tempo and expression.
These compositions are one of the most interesting ones from Schumann. He wrote them already in a state of confusion and troubles. They are lucid and splendid. Really visionary! Thank you for this such great and deep interpretation!
This and the op. 12 Fantasiestücke are my favourite Schumann opuses.
Same, except Op.111 are also one of my favourites
Humoresque is lovely also
@@SCRIABINIST op.111 is cruely underrated, it is stunning
Thank you so much for posting this with the music. I was searching for song 4 after hearing it as an encore at a recent piano concert (Dmitry Sin, waiting until after concert to ask him what it was). How amazing to find it with the written music as well. So beautiful. Thanks for the brief history of the piece as well, which adds sadness to the beauty, but also makes it even more beautiful. THANK YOU!
Это нечто грандиозное,что может заставить трепетать Душу и сердце. Что чувствовал композитор в момент ,когда эта музыка приходила ему в голову,что хотел нам передать ,или он говорил с кем то,мысленно. Божественное творение. Все больше и больше окунаюсь в Шумана и пооучаю удовольствие от звуков. Спасибо. Великолепное исполнение.
The older one gets, the more one is attracted to Schumann.There is a depth in him that comes with one's growing more mature and thinking more deeply.❤❤
Ethereal, unnervingly, achingly beautiful. Wow.
beautifully played i do not play the piano well, but i try to learn the first part. transcendent....
i know, still started. tricky but not unmanagable. alas, with me it is still not music and will remain so for quize some time
No. 1 has some challenging voices I also read it when I as an early intermediate pianist 4 years ago
This is very beautiful and sensitive!
Probably one of his last compositions, (1853 is written in the screen) since de spent the last 3 years of his life in a sanatorium, where couldnt compose anything, because he got more agitated when composing. He passed away in 1856. In the time of opus 133 composition he got depressed, we can realize that in the music. He was bipolar, I know, but in this time he probably was in depression.
Nr. Iv is one of the most beautiful piano music ever written.
Not as beautiful as Nr.1 or 5
I agree, nr. iv, heard it on the radio and had to find which it was but this performer phrasing was not on the level of what i heard on the radio. Simpler playing gets higher results with schumann.
Википедия говорит, что он бросился с моста 5 месяцев после сочинения этой композиции, а не несколько дней. Я не знаю кто прав. Но композиция очаровательная. Глубочайший Шуман.
5:28 It remind me at the "Parsifal theme" in Wagner's Parsifal.
Sounds kinda unsettling :')
Bravo. Très poétique. Vous êtes un artiste.
L’interprète n’est pas l’auteur de la vidéo, mais Anatol Ugorski.
No.4 is an insperation to all the Brahms Intermezzi. Wow didn't knew that piece until today
To me it screams Brahms Ballade in B major. Same exact shape
Was Schumann divinely inspired?
3:28 Beet 10
Did you mean denouement?
When i first listened, i thought this was easy
No.4 screaming Brahms B Major Ballade
don,t know this work at all. Regardless of Schumann,s state ,his compositions are the most logical of all Romantic period ,I think anyway. Very hard to play too. I,m learning Preamblue from Op 9 Carnival,it,s worth the work.
Butchered the second
We tolerate
agreed and the rest too. His musical phrasing does not understand Schumann.
Schumann already butchered all his pieces. They're all incoherent mush.
@@Whatismusic123 It's incoherent music made by someone incoherent that touches other incoherent people.
Terrible playing. No phrasing, no rhythm, no articulation.
Yes!
The piece is just terrible