There's certainly more interesting little variations and tones than the usual fuzz, drive or distortion. The Darkglass B3K which I love really only has one sound. OTOH the Rogers can be noisy. Combing it with a really viscous gate could be interesting too.
Very nice indeed Richard - from 5 45 i call this the Humpty Dumpty song because the words fit nicely with the driving,insistent,hypnotically unambiguous rhythmic pulse that the LXR-02 generates in the quintessentially capable hands of the seasoned syncopated synthesist - and by seasoned i don't mean someone who has been sprinkled with mustard,salt and pepper but a much richer enigmatically emboldened sonically sensational sequestor - a man who single handedly armed only with his trusty sequencer and some super duper glue - could put Humpty together again !
So many ways to make it, too! Don't even need pedals! All kinds of stuff can be used. For example, I use a Panasonic RN-112 microcassette recorder switched to pause, while record is engaged, as an interesting sounding mid-range overdrive, because it has a mic input, and a monitor output. Imagine all the old cassette recorders, and like kinds of devices that can be used to drive a signal. 😉 @@RichardDeHove
Es ist ein interessantes Pedal, nicht wie die üblichen Verzerrer, die dazu neigen, einen engen Klangbereich zu haben. Dafür zahlen Sie in Bereichen mit Lärm und Quietschen - aber das gehört zum Spaß dazu.
Thanks! There's a few sounds in there that only a dog could love but the Roger That's are pretty chaotic. Been using the trusty old NS-10M's for many years powered by a Crown.
@@RichardDeHove nice! would love to see you try out the Korg Volca Beats with this pedal set up, if possible. The Beats is full of character and would work well with the Roger That I believe. Cheers.
One of the strangest pedals I've found use for in this realm is the Infinite Jets by Hologram. I sort of hate the pedal, I thought I'd be different and get the one nobody else has and now I know why lol. It's very difficult to find a proper use for, I've found some cool uses on nylon guitar and with toy piano like synths if they're not too busy, but somehow I got some really gnarly sounds out of it when running some small drum synths and samplers through it. It creates these sort of snarling aftershock sounds, it's a little like heavy distorted breathing or something.
It certainly looks interesting and it's always worth a try to see if you can come with something unique. I had the same optimistic thoughts with the 'Infinite Sample Sustainer'. What a disappointment that was. I thought I'd capture little snippets and then rhythmically reprocess them. Nope. So awful I couldn't even get 3 minutes of interesting sound out of it.
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double roger that is insanely cool
They're beautiful aren't they! A shame there's so few stereo manglers
Very efficient effect chain. I will probably get soon the Roger That.
There's certainly more interesting little variations and tones than the usual fuzz, drive or distortion. The Darkglass B3K which I love really only has one sound. OTOH the Rogers can be noisy. Combing it with a really viscous gate could be interesting too.
This sounds SO good.
Great concept and routing here. looking forward to other iterations.
LOVE this video, Grinder!!
Awesome video Richard, Roger That sounds really good
Thanks Wayne, always good to see you :)
Great series idea!
Awesome idea, video, and jams. Inspiring as always!
that was absolute pandemonium.
Food for thought Excellent
sounds amazing
sounds great!
Very nice indeed Richard - from 5 45 i call this the Humpty Dumpty song because the words fit nicely with the driving,insistent,hypnotically unambiguous rhythmic pulse that the LXR-02 generates in the quintessentially capable hands of the seasoned syncopated synthesist - and by seasoned i don't mean someone who has been sprinkled with mustard,salt and pepper but a much richer enigmatically emboldened sonically sensational sequestor - a man who single handedly armed only with his trusty sequencer and some super duper glue - could put Humpty together again !
Tipples too many
The Twiglet upon a lexiconic roll
The machine drums
The river of Sound
Flows freely
Down the Plugholes
Of my Lugholes !
Ha ha
You've really gotten into the distortion. 👍
There's so many different delicious flavors! Who knew?
So many ways to make it, too! Don't even need pedals! All kinds of stuff can be used. For example, I use a Panasonic RN-112 microcassette recorder switched to pause, while record is engaged, as an interesting sounding mid-range overdrive, because it has a mic input, and a monitor output. Imagine all the old cassette recorders, and like kinds of devices that can be used to drive a signal. 😉 @@RichardDeHove
@@DetroitMicroSound Interesting. I used to use those things all the time for work and it never occurred to me to use it for music...
Try it out sometime.@@RichardDeHove
Eine sehr krasse Distortion Siesta wird hier geboten auf dem schwarzen Brettel. Sehr hübsch. Und erst noch in Stereo. 🙂RogerThat ist wirklich krass.
Es ist ein interessantes Pedal, nicht wie die üblichen Verzerrer, die dazu neigen, einen engen Klangbereich zu haben. Dafür zahlen Sie in Bereichen mit Lärm und Quietschen - aber das gehört zum Spaß dazu.
"All.... She... want's... is..." Not sure why Duran Duran came to mind at 6:27 , but it's a cool industrial deconstruction.
I am fortunate enough to listen to that through some Bower and Wilkins headphones and that was unbelievable. What PA Speakers do you use?
Thanks! There's a few sounds in there that only a dog could love but the Roger That's are pretty chaotic. Been using the trusty old NS-10M's for many years powered by a Crown.
@@RichardDeHove nice! would love to see you try out the Korg Volca Beats with this pedal set up, if possible. The Beats is full of character and would work well with the Roger That I believe. Cheers.
One of the strangest pedals I've found use for in this realm is the Infinite Jets by Hologram. I sort of hate the pedal, I thought I'd be different and get the one nobody else has and now I know why lol. It's very difficult to find a proper use for, I've found some cool uses on nylon guitar and with toy piano like synths if they're not too busy, but somehow I got some really gnarly sounds out of it when running some small drum synths and samplers through it. It creates these sort of snarling aftershock sounds, it's a little like heavy distorted breathing or something.
It certainly looks interesting and it's always worth a try to see if you can come with something unique. I had the same optimistic thoughts with the 'Infinite Sample Sustainer'. What a disappointment that was. I thought I'd capture little snippets and then rhythmically reprocess them. Nope. So awful I couldn't even get 3 minutes of interesting sound out of it.
😍😍