I host a now-and-then friendly jam session in my home, and last time, the drummer shows up wearing one of your t-shirts. I ask him if he plays guitar, and he tells me he doesn't - he just really likes watching your videos. So do I!
For those who moan about other people spending $$.... I once spent $350 to get an Epiphone Les Paul that would have been worth $150 in mint condition into playable shape. It was my late brother's guitar. He left very little to my nephews when he passed. It was worth it to me to spend more than the guitar was worth to get it put back together.
My favorite guitar is an Epi LP100. It was my first guitar. I put new tuners, I replaced every plastic part with acrylic transparent parts (because I’m a 90’s kid), even the tulip tuning knobs, put EMGs, CTS pots, Switchcraft switch and jack, a gotoh bridge, stainless steel frets, white nácar inlays and a tusq nut. I have lost count of how much money I have spent on this guitar, and I don’t care. I enjoy working on it and no one has a guitar like mine. Leaving it to my kids when I die and will come back to pull their feet in their sleep every night if they sell it.
I just repaired an Epiphone A model mandolin for the same basic reason. Sadly his mom took it to someone else first and they did a horrible job. He works at my bank so I took the job. Make any money? Not really but I made a family a bit happier at the young man's life celebration. It's not always all about money. Sometimes you just have to do the right thing!
@@LosRockson I've got Epiphone LP-100 in my lap right now. I paid $100 for it off Craigslist a few years back and I'm never afraid to hand it to the children to let them play it. Those memories are priceless.
I 'd like to say thanks Mr. Tedd. for repairing Japan made guitar. I always like to watch your video and I always respecting your skills and craftsmanship. have a lots of good days!! god bless you!!
I did a cheater "neck reset" on a beater guitar by clamping it on a stout plank, pulling the neck down where I thought it should be, blocking off most of the cavity with a towel and blowing in steam from a clothing steamer until it seemed really hot, and letting it sit for a week before unclamping. Two years later, still good.
And I love you. I had no idea about this till you set me on the internet trail (although I was vaguely aware there were 'corporate songs')! Presumably there are many real and equally crass 'hooray for our side' pep songs that predate the Simpsons. In the UK, it's more: 'We go in, we go out, get our wage is what it's all about'. Actually, I prefer that and feel better.
Just a couple of tricks: 1. You can use small rare-earth magnets to locate steel rods and screws within the wood. 2. You can sometimes unscrew a bolt like the one under the acorn nut by using two thin nuts locked together. Thanks for sharing!
It seems impossible that he didn't solve that issue or that someone hasn't told him how those guitars were built. I thought about the 2 nut thing too. Why didn't he even consider it? I'm thinking he has enough on his plate as it is without stepping into a potentially liable situation. "Hey, I wrecked your guitar." I'm still curious about this. His explanation about how the companies treat the actual physicality of the guitar seems totally plausible. Wood comes in/ Guitars go out. Shame we left the question unanswered. Maybe it will surface again.
Your definition of a loss is different than mine Ted. A loss is me standing in the back yard pissing on the smoldering ashes of a Japanese-made Epiphone.
I JUST FIXED AN EPIPHONE GUITAR OF MY NEIGHBOURS. AFTER WATCHING YOUR CHANNEL I KNEW HOW TO FIX THE HIGH ACTION, UNLESS SHE WANTED TO USE IT FOR BOW HUNTING. I HAVE BEEN DOING MY OWN WORK FOR A COUPLWE YEARS NOW BUT I LIKE YOUR TECHNICS THE BEST THANKS FOR THE VIDS AND INFO
A couple years ago I had to do some work on an early 70's Morris 12 string. It needed a new top, so I wanted to remove the neck first. I was hoping there might be a dovetail neck joint, but found no indications on a dovetail. To get a look at how the neck was joined, to the body, I decided to take the fretboard off the neck. That ended up telling me that the only option to remove this neck would have been to saw the neck off, which I did not do. I did manage to put a new top on that guitar, but it was not an easy task. I did learn that removing the fretboard from an old Japanese made guitar is a good first step. You get to see what you are dealing with, then you can go from there.
ahhh, mr. sparkle!! My uncle has a similair guitar, though not the exact same model. It belonged to a close friend who died, and so it has incredibly high sentimental value, but much of the bracing has come loose and we've brought it to a couple luthiers who won't touch it.
I used to work in electronics manufacturing (retired now) and we had a few X-Ray machines to look closely at defects and do inspections on process. This issue made me wonder if you had availability to an X-Ray machine would it help you to determine what is going on in those areas. And.. to those that don't know and think that you do... You can fully adjust continuous XRAY for depth, density and have control on contrast. You can even magnify the area you want to observe and adjust the angle on the fly. This isn't the simple film xrays of the 50's.
That would be so awesome... Maybe somebody at the hospital in Hamilton could sneak something in after hours? Or maybe there's a radiology lab that would want to cooperate? I would love to see what Terry could do if the guesswork is removed...
Apparently this sort of thing is occasionally done for very high end violin repairs. I suppose it makes sense in that case as the value of the instruments they're working on starts at five figures and climbs fast.
@@gramursowanfaborden5820 There is no danger of that. If it is a machine you are shielded by it and if its on a table then you just go behind the lead wall.
I wondered whether it would have been possible to drill into the heel to find the head of that screw and extract it. The extent of my knowledge on the subject, however, is pretty much what I've seen in your videos - so I figure there has to be a good reason why you didn't do that. Thank you for making these videos. I look forward to them every week.
I don't think that screw has a head. It's a stud with machine threads on one half of it and wood-screw threads on the other half. It's screwed into the heel and then bolted to the guitar body.
"some days you get the bear, some days the bear gets you" that said, one thing i thought of is inspired by the first video i saw of a guy using the original stewmac soldering iron heat stick; he mounted the neck in the big padded clamp and did all the wiggling and pulling on the body itself. that provides a lot more leverage and would (i imagine) allow for pulling the body straight away from the neck with a lot more force compared to having it sitting loose on the bench
I'm just a player but after binge watching your videos I have been able to do some minor work on my guitars... Always looking forward to your next video....keep up the great work!
I would certainly pay more for repairs than guitar worth in situations. I have two guitars in my collection that I will never replace. Those two have aged well over the years and developed awesome sound. I would always choose to fix them over replacing them.
Hello Ted. I've been watching your videos for years now and I have always found them very enlightening. Thank you for taking the time. I'm semi-retired and have been fixing guitars and tube guitar amps for a few years now. I have worked on the bolt on ones, but you just lit my OCD bulb lol. I have to know. I will pick one up and disassemble and get back to you.
Valiant effort sir! I have the same situation with a beautiful Japanese Sigma Martin. Needs a neck reset, has already had the bridge shaved by the previous owner. Also, the truss rod extends THRU the forward-most brace (the brace just behind the sound hole). I haven't found anyone yet who has had sucess resetting a Sigma neck. No sentimental value so it's a corner hugger.
i used to work for a UPS sorting facility and before you start working you have to watch corperate safety videos, and the very last one was calisthenics "suggestions" to do evey morning,, a15 minute long syncronized richard simmons esqe work out video that was featuring official ups employees. thank god we werent actually required to do them that job was rough i wouldnt have been able to deal with jazzersize every morning
Don here from Hamilton, NZ.,I love the information you always share on your videos, thanks for taking the time to share that, keep it up, very informative, thanks a lot
To me, a particular instrument's value is what I believe it to be, for me, personally. I have several 'bargain' guitars, that I have worked on, and made to play and sound well above their price point. Those are the one's I play, and not my Gibsons or Fenders. I'm not sure why - maybe sentimental reasons? That Epiphone is a very nice looking guitar - too bad it was kind of obstinate in the repair department.
Indeed. I have a late 1970's Yamaha 12 string that is in beautiful condition, but it needs a neck reset, and no one will do it. What a pity that during the period they (the manufacturers) decided to do things to the neck joint (including using some type of epoxy), that just wasn't the norm....or even necessary.
@@realjumper Epoxy on any wooden instrument should only be used for filling a gap, and never for bonding two surfaces. Titebond Original responds very well to heat and moisture. There is even a company video showing how to unglue using heat and moisture. Hide and fish glue are also fairly easy to un-bond. But epoxy is virtually impossible to break loose.
@@perihelion7798 I think you misread what I wrote. The instrument needs a neck reset, but this is virtually impossible because the neck was secured with epoxy from the Yamaha factory in the 1970's
@@realjumper I did read it correctly. I used repairs as an example of not what to do, and that goes double for epoxy bonding during construction as well.
@@DynamicRockers Good suggestion. I've got a Walabot Stud Finder that connects to cellphone and provides a visual representation of what lies below the surface of a few types of materials. It requires a flat surface, but something like it might actually work.
My early 70's Ventura V6 is in that same category. I bought it for 125dollars in a "Head Shop" in Waterbury ct. I still have it. I did over 400 gigs , stage , r adio and lots of jam sessions. All the Martin guys kept watching me! Great to hear the comments from the community!🎶🎵🎶
The first guitar repair I ever attempted was the 12 string version of this guitar that my dad had. It was the fender style bolt on variety you talked about, and the huge(!) neck block had separated from the body inside and split. Removed the top, made a new block out of maple and fudged it all back together. Aside from the messed up bindings, good as new! Never did replace the bindings, and dad played it til he passed 2 years ago.
It' s an " It is what it is guitar" , it should be appreciated for How it sounds " as it is" and bearing the innate flaws, since it' s a cheap; anyway even that " barely better then it was" it' s a great result!👌🏼
Seen the Japanese dry dock workers singing company song and exercising before starting work (71) surreal. Enjoyed your video allways learn something. 👍🥃Respect to you mate
I have a 1970s Kiso Suzuki D35 clone guitar, and it's very strangely made but sounds reaaally good. Mine has the 60s gibson style metal saddle but doesn't have those crazy neck bolts. Maybe you could have used those stud wall finder/detector to check if there was another bolt above. Great video! Thanks
We are having the same kind of week sir. Id do the 'lol" but we both know, it is not funny. carry on sir, thanks for your videos. very very helpful to my daily running shop in my store. respectfully, Vinny.
I have an epiphone of the exact same vintage. 1972 FT570-BL made in japan.I've had a few problems I've had to fix over the years, but thankfully, I never had to remove the neck!
I totally understand fixing stuff even tho it makes no financial sense. I love having things that I made memories with, that I have used for a long time, that have character from repairs, use and so on. That's worth it to me as it far surpasses the joy I get from having something new. Whilst it is exciting getting something new that feeling wears off really quickly, unlike the joy I get from things I that have history as this type of joy only grows with time.
I'm going through this exact thing with a 90s estaban guitar. I replaced the neck with a martin 23" scale and swapped the drilled bridge for a classical. Nothing like the labor of love.
One possible fix: remove the frets and plane the fingerboard so it slopes downwards from the highest fret to the nut, then deepen the fret slots, refret, and hopefully the fingerboard is thick enough to pull this trick off. Once upon a time, CF Martin used this procedure on guitars that needed a very slight neck reset. If feasible, this would allow you to raise the bridge saddle and get back some volume and tone, while keeping the action playable.
I love Gibson's euphemism 'laminate' meaning plywood. Hofner archtops of the 50's and 60's that I've seen had spruce soundboards carved from solid like violins and were sadly underrated at the time.
An online catalog of strange neck joint systems would be a fantastic resource. Also, by adding the guitar type to all your titles would stop those emails....maybe......probably not..... :)
Wonderful done video As always. Old epiphone looked licked it was well cared for. With the small amount of adjust ment done no harm no fowel. Next 70s Japanese guitar might benifit from a trip to border security. Explane of some concerns you might have of shipping arrangements Maby get a free xray.
I think if I were to really try and fix that with a time / cost no object approach, I'd drill into the front of that heel block looking for the head of that screw or bolt that had the acorn nut fitted onto it inside the guitar. But yeah the outcome would still be uncertain... I know what you need in your arsenal next, Ted: an X-ray machine! This video was truly intriguing. Not least because I have loads of '70s Japanese acoustics! Three Arias, a Suzuki, a Yamaki, a Tokai and K. Yairi. That's clearly too many! None of them need a neck reset, but I put a bridge doctor in the Suzuki
I'd consider using a dremel extension hose - cut the threaded shaft then drill that out You'd most likely have to do the same after cutting through the inner block higher up too
@@no1beatsj Yeah that could work too or a hole saw from the inside, picking up on your idea of working from inside... In any event it would entail some terrifying, expensive, time consuming surgery. No wonder Ted backed off. He's a smart one!
@@Iazzaboyce Yeah like Ted said the idea was get the guitars made and shipped who cares how they are put together. Not are they built using time honoured methods of luthiery! So built in clamp buried in the heel join? Why not eh? Mine all seem to be built conventionally, thankfully although one or two of them look outlandish!
I'm in the middle of restoring my mothers Epi FT from that era. It's the guitar I started on. Thankfully the neck angle is still good but many braces have let go and I decided to pull the back off. The whole time im just thinking that I wouldn't bother if it was a customers...
Somebody asked me to take a look at a similar guitar with the neck bolt. there was no movement in it at all . On researching the guitar it was suggested that the neck bolt was used to hold the neck in place as they glued it in . A no go job !!!!
Ted, I found that sometimes taking the back off allows me to tip the neck and block to get a reset. I use a long clamping beam with shims against the bridge to hold my desired angle. Then re-install the back. The back will be a bit too long and the binding channels will have to be re-routed. Still a lot of work but, when it absolutely has to be fixed, it's a viable option! 😉🙃🤣
I had the same thought. Double lag bolt in the heel (like a banjo neck). I wonder if neodymium magnets would be able to detect them through the heel? The nut will be under those triangular neckblock braces.
On an early Taiwan-built Yamaha, I could not loosen the fingerboard from the body. I heated it a lot, with an iron like your’s, and the glue would not budge a bit. With an unplayable string height, I resorted to a kung-foo neck reset, sawing the neck along the body (carefully) and doing lots of sandpaper pulls, then glueing the neck back together. It came out surprisingly good and saved a nice-sounding guitar from the scrap heap.
@@twoodfrd There was nothing but wood until I got to the truss rod. Angling the saw around each side of the rod and stopping at the fingerboard, it weakened things enough to bring the neck back tight to the body at the bottom of the heal. I did a number of sandpaper pulls to further widen the slot and glued it back together. Some sawdust and glue filled the open areas of the saw slot - not real pretty, but not too bad. It brought the old girl back to life…
@@twoodfrd there was no screw, luckily. Near the truss rod, I sawed as close to the fingerboard as I could on each side, while avoiding the truss rod. It was close enough to allow the neck angle to change without much stress.
Had similar dilemma with 1975 Takamine with epoxy set neck. No one wanted to work on it. Sometimes it’s time to just hang it on the wall and enjoy the memories.
I had an 80's "Aria" as kid ad after a fall fro the bike due to a missed ice patch the guitar "developed" a very similar crack to the lower one showed here as well as a good amount of flaking between neck and body. Wish I still had it but it got stolen from my parents basement (and they didn't tell me so I could go looking in the local pawnshops etc)
Another great insight into what comes into the shop. It's a good illustration about how the cost/benefit ratio comes into play. Based on your $1200 quote for the necessary fix, I did a quick search and found a good selection of Larrivee guitars well under that price.
I have a Sigma guitar from that time frame and the construction looks much the same. Mine needs a reset, but the cost over runs the value... bummer!! It was giving to me new, when I was fifty years younger and I am preparing to attempt the reset myself?? I double nutted the strange bolt and backed it out with a 10mm wrench (wood screw /threaded bolt combo). I have not yet gained the bravery to put heat and drill to the guitar, but I really don't need a wall hanger. My feeling is 6 to one, half dozen to the other!! Wish me luck!!!
I have a couple of the bolt on Norlin era Epis. One is a 6 string and plays and sounds fine. One is a 12 string basket case I bought cheap back when I was too young to know better. Somthing horrible has happened at the neck joint. I didn't pay much for it so I probably got my money's worth in tuners.
People rag on about Fender and Epiphone acoustics with bolt on necks but as you said, if you need a neck reset it's going to be a lot more economical for the user. Once again - Leo was right!
I haven't read the comments and I'm two years late to help. It's a horizontal mortise encasing the truss rod. I know this because I had one come through my shop. The glue joint came loose and after loosening the fretboard over the body and removing the nut I was able to just yank the neck out. So this was a Friday guitar whereas somebody was in a hurry to leave.
This answers my questions about whether it would be worth it to try to fix the action on a mid-70's Suzuki dreadnought I've had for decades. At least it looks good hanging on the wall :(
I hope the postal service down here gets on the ball for you. I had a recent package go from philidelphia, to phoenix, then to virginia, before getting to me in tucson. All for the new higher shipping rates.
I have a 1975 Fender F65, with snow frets. The action is a little high..its a great guitar, I just don't know how to fix it myself. I'll have to take it to a repair store
I always enjoy your videos! Do you sometimes wish you could do a necropsy to figure out how the neck was set even if it's a one-way trip? And might the white cap on the heel be hiding something?
It would be interesting to get an industrial x-ray of that joint. I've got a late-70's or early-80's Korean import that I bought used in 1983. It has a 3-dowel mortise and tenon neck. I've seen photos of the same model with the neck off. Not impossible, but not worth it. I'm going to re refret it with a little bit taller wire and lower the saddle as much as can be done. It's not bad, and that should do the trick.
just spent £50 on a frequensator tailpiece because i thought it was a good idea.. it was really, as i look at it and love it in a new way. it’s good for soul i think. i get the same feeling knowing onions are in the house or toilet rolls 😀
I have repaired 3 guitars with big bellies without bridge doctors. A torpedo level with a 5 pound weight + 3 months wait time. Add humidity to speed it up as you like.
Sorry it didn't come up as another win. In fact, this was a first in the videos I watch of yours that you couldn't fix? So why not? I think (if trying to be honest) it's just as important that we (me) learn from our mistakes sometimes more. Like a video you did on Yamaha guitar. You show me that taking my FG-180's (red label) neck out may truly ruin the guitar and might lead to a broken guitar and by watch all various repairs it would be best to put a bridge back on, check for best placement of the bridge and making the bridge to be thin down with a saddle that can sit lower, but that's for later. Thank to you Ted, I learned a lot of better Luthiering from your work you filmed.
Why not loosen the back off of the neck block and sides near the heel? Then you can pull the headstock back which will take the end of neck heel closer to the end block. This can get you the desired neck angle but you’ll have trim the back near the heel.Then re glue it and you should have the neck angle you want. I’ve tried it a few times and it works. It might be the only choice for guitars that need resets but aren’t designed to come apart.It would be less work and less of a bill for these Asian guitars. I explained to my luthier one time and he was not into the idea.
If you disconnect the headblock from the back of the guitar, and disconnect the sides from the back a few inches either side of the neck joint you can freely change the action. Just trim a few MM off of the back, align and clamp back together and fix the binding. Voila, quick neck reset on any low quality guitar without touching the actual neck joint.
I want you to post a video showing this operation. I've slipped the back on 7 guitars, but I want to see you do it. You're the only person I've come across that describes it as easy.
@@twoodfrd you would've been separating only slightly more wood than what you did with the fretboard tongue and the worst added difficulty is messing with binding which I believe you are quite good at. I wasn't trying to step on any toes, but it's a legitimate way to fix these type of guitars that no one else had brought up yet. I've done it on a couple cheap 70's import guitars fairly easy and I'm nowhere near as good of a guitar repairman as you. I don't post videos of repairs I do because I don't want to deal with everyone telling me I did it wrong.😂 I am genuinely sorry if I offended you I've learned a lot from your videos.
Another very interesting video! You have to wonder exactly what is going on with that heel, I suspect that there’s a dowel or another screw somewhere I don’t think that the manufacturers were looking to far into the future and the problems that would be encountered carrying out a neck reset when building these instruments . I’m a bit curious as to why the action is so high as everything looks ipretty good condition wise with no apparent evidence of top distortion or heel movement and the neck is straight. I suppose that one solution would be to fit a tapered fingerboard but that would cost many times the value of the guitar. I used to have one of the bolt on Japanese Epiphone flat tops and it was a really good sounding guitar with a very low action for an acoustic. I seem to remember seeing you work on repairing some body damage on one some time ago.
I host a now-and-then friendly jam session in my home, and last time, the drummer shows up wearing one of your t-shirts. I ask him if he plays guitar, and he tells me he doesn't - he just really likes watching your videos. So do I!
As a fellow drummer, I approve this message.
As a non-fellow drummer but a semi-fellow guitar player but not fellow, I approve of this message.
There was that one video where he modified a kick drum for someone.
For those who moan about other people spending $$.... I once spent $350 to get an Epiphone Les Paul that would have been worth $150 in mint condition into playable shape. It was my late brother's guitar. He left very little to my nephews when he passed. It was worth it to me to spend more than the guitar was worth to get it put back together.
My favorite guitar is an Epi LP100. It was my first guitar. I put new tuners, I replaced every plastic part with acrylic transparent parts (because I’m a 90’s kid), even the tulip tuning knobs, put EMGs, CTS pots, Switchcraft switch and jack, a gotoh bridge, stainless steel frets, white nácar inlays and a tusq nut. I have lost count of how much money I have spent on this guitar, and I don’t care. I enjoy working on it and no one has a guitar like mine. Leaving it to my kids when I die and will come back to pull their feet in their sleep every night if they sell it.
I just repaired an Epiphone A model mandolin for the same basic reason. Sadly his mom took it to someone else first and they did a horrible job. He works at my bank so I took the job. Make any money? Not really but I made a family a bit happier at the young man's life celebration. It's not always all about money. Sometimes you just have to do the right thing!
Much respect to you, I would've definitely done the same thing, it's not about money it's about sentimental value
@@LosRockson I've got Epiphone LP-100 in my lap right now. I paid $100 for it off Craigslist a few years back and I'm never afraid to hand it to the children to let them play it. Those memories are priceless.
really doubt this was the case at all with this guitar lmao
A wise old Tedian saying ......."Human life is exceptionally brief and there are other things to do"........ Words to live by my friend.
I 'd like to say thanks Mr. Tedd. for repairing Japan made guitar.
I always like to watch your video and I always respecting your skills and craftsmanship. have a lots of good days!! god bless you!!
I did a cheater "neck reset" on a beater guitar by clamping it on a stout plank, pulling the neck down where I thought it should be, blocking off most of the cavity with a towel and blowing in steam from a clothing steamer until it seemed really hot, and letting it sit for a week before unclamping. Two years later, still good.
I agree, a heated reset of the neck makes the most sense in this case, but it can also sometimes introduce warping, even when clamped tight.
You just rolled the dice there bro and got really lucky..😁
Maybe it was lucky, but there wasn't much to loose on a guitar that was unplayable and not worth fixing properly.
"Knife goes in, guts come out: that's what Osaka Seafood Concern is all about". I love you too, Ted.
Came here to say this!
And I love you. I had no idea about this till you set me on the internet trail (although I was vaguely aware there were 'corporate songs')! Presumably there are many real and equally crass 'hooray for our side' pep songs that predate the Simpsons. In the UK, it's more: 'We go in, we go out, get our wage is what it's all about'. Actually, I prefer that and feel better.
It's good to see I haven't been the only lutheir stymied by a 1970s Japanese guitar. Thank you for this video, you've made my day.
Just a couple of tricks: 1. You can use small rare-earth magnets to locate steel rods and screws within the wood. 2. You can sometimes unscrew a bolt like the one under the acorn nut by using two thin nuts locked together. Thanks for sharing!
It seems impossible that he didn't solve that issue or that someone hasn't told him how those guitars were built. I thought about the 2 nut thing too. Why didn't he even consider it? I'm thinking he has enough on his plate as it is without stepping into a potentially liable situation. "Hey, I wrecked your guitar."
I'm still curious about this. His explanation about how the companies treat the actual physicality of the guitar seems totally plausible. Wood comes in/ Guitars go out.
Shame we left the question unanswered. Maybe it will surface again.
Your definition of a loss is different than mine Ted. A loss is me standing in the back yard pissing on the smoldering ashes of a Japanese-made Epiphone.
I JUST FIXED AN EPIPHONE GUITAR OF MY NEIGHBOURS. AFTER WATCHING YOUR CHANNEL I KNEW HOW TO FIX THE HIGH ACTION, UNLESS SHE WANTED TO USE IT FOR BOW HUNTING. I HAVE BEEN DOING MY OWN WORK FOR A COUPLWE YEARS NOW BUT I LIKE YOUR TECHNICS THE BEST THANKS FOR THE VIDS AND INFO
Those were intended to be played awhile then thrown on the burn pile.
Dealing with a guitar that refuses to be repaired right now, so this is inspiring!
I don’t know how you do it, but thank god great craftsmen such as yourself still exist.
Just ran into this on an old Sigma today. Makes me feel better that I'm not alone. Really love all your work, Thanks!
Thanks for sharing one that didn't go as planned.
A couple years ago I had to do some work on an early 70's Morris 12 string. It needed a new top, so I wanted to remove the neck first. I was hoping there might be a dovetail neck joint, but found no indications on a dovetail. To get a look at how the neck was joined, to the body, I decided to take the fretboard off the neck. That ended up telling me that the only option to remove this neck would have been to saw the neck off, which I did not do. I did manage to put a new top on that guitar, but it was not an easy task. I did learn that removing the fretboard from an old Japanese made guitar is a good first step. You get to see what you are dealing with, then you can go from there.
ahhh, mr. sparkle!! My uncle has a similair guitar, though not the exact same model. It belonged to a close friend who died, and so it has incredibly high sentimental value, but much of the bracing has come loose and we've brought it to a couple luthiers who won't touch it.
I used to work in electronics manufacturing (retired now) and we had a few X-Ray machines to look closely at defects and do inspections on process. This issue made me wonder if you had availability to an X-Ray machine would it help you to determine what is going on in those areas.
And.. to those that don't know and think that you do... You can fully adjust continuous XRAY for depth, density and have control on contrast. You can even magnify the area you want to observe and adjust the angle on the fly. This isn't the simple film xrays of the 50's.
i expect with a guitar and most other inanimate objects, you don't need to worry so much about radiation dosage either.
That would be so awesome... Maybe somebody at the hospital in Hamilton could sneak something in after hours? Or maybe there's a radiology lab that would want to cooperate? I would love to see what Terry could do if the guesswork is removed...
Apparently this sort of thing is occasionally done for very high end violin repairs. I suppose it makes sense in that case as the value of the instruments they're working on starts at five figures and climbs fast.
@@gramursowanfaborden5820 There is no danger of that. If it is a machine you are shielded by it and if its on a table then you just go behind the lead wall.
I wondered whether it would have been possible to drill into the heel to find the head of that screw and extract it. The extent of my knowledge on the subject, however, is pretty much what I've seen in your videos - so I figure there has to be a good reason why you didn't do that.
Thank you for making these videos. I look forward to them every week.
Great suggestion. Or then Could then drill the head and attach two nuts on the inside and screw it through the body
I don't think that screw has a head. It's a stud with machine threads on one half of it and wood-screw threads on the other half. It's screwed into the heel and then bolted to the guitar body.
"some days you get the bear, some days the bear gets you"
that said, one thing i thought of is inspired by the first video i saw of a guy using the original stewmac soldering iron heat stick; he mounted the neck in the big padded clamp and did all the wiggling and pulling on the body itself. that provides a lot more leverage and would (i imagine) allow for pulling the body straight away from the neck with a lot more force compared to having it sitting loose on the bench
I'm just a player but after binge watching your videos I have been able to do some minor work on my guitars... Always looking forward to your next video....keep up the great work!
You are way too versed in non essential trivia. I love your inside jokes. Keep them coming!
That guitar had a beautiful crisp sound there at the end.
Great job once again.
I would certainly pay more for repairs than guitar worth in situations. I have two guitars in my collection that I will never replace. Those two have aged well over the years and developed awesome sound. I would always choose to fix them over replacing them.
Hello Ted. I've been watching your videos for years now and I have always found them very enlightening. Thank you for taking the time. I'm semi-retired and have been fixing guitars and tube guitar amps for a few years now. I have worked on the bolt on ones, but you just lit my OCD bulb lol. I have to know. I will pick one up and disassemble and get back to you.
@Bert, did you get to do this yet?
Valiant effort sir!
I have the same situation with a beautiful Japanese Sigma Martin. Needs a neck reset, has already had the bridge shaved by the previous owner. Also, the truss rod extends THRU the forward-most brace (the brace just behind the sound hole). I haven't found anyone yet who has had sucess resetting a Sigma neck. No sentimental value so it's a corner hugger.
i used to work for a UPS sorting facility and before you start working you have to watch corperate safety videos, and the very last one was calisthenics "suggestions" to do evey morning,, a15 minute long syncronized richard simmons esqe work out video that was featuring official ups employees. thank god we werent actually required to do them that job was rough i wouldnt have been able to deal with jazzersize every morning
Don here from Hamilton, NZ.,I love the information you always share on your videos, thanks for taking the time to share that, keep it up, very informative, thanks a lot
To me, a particular instrument's value is what I believe it to be, for me, personally. I have several 'bargain' guitars, that I have worked on, and made to play and sound well above their price point. Those are the one's I play, and not my Gibsons or Fenders. I'm not sure why - maybe sentimental reasons?
That Epiphone is a very nice looking guitar - too bad it was kind of obstinate in the repair department.
Indeed. I have a late 1970's Yamaha 12 string that is in beautiful condition, but it needs a neck reset, and no one will do it. What a pity that during the period they (the manufacturers) decided to do things to the neck joint (including using some type of epoxy), that just wasn't the norm....or even necessary.
@@realjumper Epoxy on any wooden instrument should only be used for filling a gap, and never for bonding two surfaces. Titebond Original responds very well to heat and moisture. There is even a company video showing how to unglue using heat and moisture.
Hide and fish glue are also fairly easy to un-bond. But epoxy is virtually impossible to break loose.
@@perihelion7798 I think you misread what I wrote. The instrument needs a neck reset, but this is virtually impossible because the neck was secured with epoxy from the Yamaha factory in the 1970's
@@realjumper I did read it correctly. I used repairs as an example of not what to do, and that goes double for epoxy bonding during construction as well.
@@perihelion7798 uh huh...ok then
Good attempt that neck was never going to come off,Cheers,love your work and channel!
You need a home X-ray machine to fix a guitar like that.
Oh yeah, A wall stud finder could do the job I think.
Available from Stewmac…
@@DynamicRockers Good suggestion. I've got a Walabot Stud Finder that connects to cellphone and provides a visual representation of what lies below the surface of a few types of materials. It requires a flat surface, but something like it might actually work.
I was about to suggest this as well. Probably the better way to "examine" that area in this case before doing anything physical to it.
0:37 That's not how I remembered it. Love you too!
My early 70's Ventura V6 is in that same category. I bought it for 125dollars in a "Head Shop" in Waterbury ct. I still have it. I did over 400 gigs , stage , r adio and lots of jam sessions. All the Martin guys kept watching me! Great to hear the comments from the community!🎶🎵🎶
The first guitar repair I ever attempted was the 12 string version of this guitar that my dad had. It was the fender style bolt on variety you talked about, and the huge(!) neck block had separated from the body inside and split. Removed the top, made a new block out of maple and fudged it all back together. Aside from the messed up bindings, good as new! Never did replace the bindings, and dad played it til he passed 2 years ago.
It' s an " It is what it is guitar" , it should be appreciated for How it sounds " as it is" and bearing the innate flaws, since it' s a cheap; anyway even that " barely better then it was" it' s a great result!👌🏼
Cheap isn't cheap if the price is right. Buy what you like! I have a free guitar!
Hard to appreciate something for how it sounds if it's unplayable
The morning calisthenics mantra gave me fond nostalgia for the movie and tv series Gung Ho. Thanks for that!
Well, hey there gang! Good to see you!
You got to know when to hold 'em, know when to fold 'em. Good lesson.
Seen the Japanese dry dock workers singing company song and exercising before starting work (71) surreal. Enjoyed your video allways learn something. 👍🥃Respect to you mate
I have a 1970s Kiso Suzuki D35 clone guitar, and it's very strangely made but sounds reaaally good. Mine has the 60s gibson style metal saddle but doesn't have those crazy neck bolts. Maybe you could have used those stud wall finder/detector to check if there was another bolt above. Great video! Thanks
I truly appreciate your videos. Bought a hat and tshirt to help support your endeavors. Best of luck.
A lot of us got some good information, out of this, with some valuable wisdom, so many thanks for that.
We are having the same kind of week sir. Id do the 'lol" but we both know, it is not funny. carry on sir, thanks for your videos. very very helpful to my daily running shop in my store. respectfully, Vinny.
I have an epiphone of the exact same vintage. 1972 FT570-BL made in japan.I've had a few problems I've had to fix over the years, but thankfully, I never had to remove the neck!
OK...sometimes I click on your site just to listen to that neat guitar info. Really! 😁
I totally understand fixing stuff even tho it makes no financial sense. I love having things that I made memories with, that I have used for a long time, that have character from repairs, use and so on. That's worth it to me as it far surpasses the joy I get from having something new. Whilst it is exciting getting something new that feeling wears off really quickly, unlike the joy I get from things I that have history as this type of joy only grows with time.
Thanks for posting this. If I ever run into a joint like that will pull the frets and fix the action with a hand plane on the fretboard.
Ah yes, my weekly source of amazing craftsmanship and Simpsons deep cuts... Goes down smooth
I'm going through this exact thing with a 90s estaban guitar. I replaced the neck with a martin 23" scale and swapped the drilled bridge for a classical. Nothing like the labor of love.
Love your vids, keep it up. Very professional
One possible fix: remove the frets and plane the fingerboard so it slopes downwards from the highest fret to the nut, then deepen the fret slots, refret, and hopefully the fingerboard is thick enough to pull this trick off. Once upon a time, CF Martin used this procedure on guitars that needed a very slight neck reset. If feasible, this would allow you to raise the bridge saddle and get back some volume and tone, while keeping the action playable.
I’ve owned two instruments made in the Matsumoku factory and they’re both quite good.
I have an early 70's Sigma DM-5. Can't imagine it's worth anything but it sure has provided lots of pleasure over the years.
Thank you for these videos. Loving them…
I love Gibson's euphemism 'laminate' meaning plywood. Hofner archtops of the 50's and 60's that I've seen had spruce soundboards carved from solid like violins and were sadly underrated at the time.
As did many Harmony f-hole guitars. The neck were glunky, the tuners were poor, but the tops were solid spruce, albeit on the thick side.
Good efort! Thank you for trying and showing us also one of your defeats.
An online catalog of strange neck joint systems would be a fantastic resource. Also, by adding the guitar type to all your titles would stop those emails....maybe......probably not..... :)
Thank you for posting. I would have run into this situation blind.
I had ine from 1973 and it was a sunburst. It souded great.
Wonderful done video As always. Old epiphone looked licked it was well cared for. With the small amount of adjust ment done no harm no fowel.
Next 70s Japanese guitar might benifit from a trip to border security.
Explane of some concerns you might have of shipping arrangements
Maby get a free xray.
I think if I were to really try and fix that with a time / cost no object approach, I'd drill into the front of that heel block looking for the head of that screw or bolt that had the acorn nut fitted onto it inside the guitar. But yeah the outcome would still be uncertain... I know what you need in your arsenal next, Ted: an X-ray machine! This video was truly intriguing. Not least because I have loads of '70s Japanese acoustics! Three Arias, a Suzuki, a Yamaki, a Tokai and K. Yairi. That's clearly too many! None of them need a neck reset, but I put a bridge doctor in the Suzuki
I'd consider using a dremel extension hose - cut the threaded shaft then drill that out
You'd most likely have to do the same after cutting through the inner block higher up too
My guess is that nut just acted as a clamp to hold the neck tight into the heel block mortice while the glue set.
@@Iazzaboyce Yeah - mine too
@@no1beatsj Yeah that could work too or a hole saw from the inside, picking up on your idea of working from inside... In any event it would entail some terrifying, expensive, time consuming surgery. No wonder Ted backed off. He's a smart one!
@@Iazzaboyce Yeah like Ted said the idea was get the guitars made and shipped who cares how they are put together. Not are they built using time honoured methods of luthiery! So built in clamp buried in the heel join? Why not eh? Mine all seem to be built conventionally, thankfully although one or two of them look outlandish!
I'm in the middle of restoring my mothers Epi FT from that era. It's the guitar I started on. Thankfully the neck angle is still good but many braces have let go and I decided to pull the back off. The whole time im just thinking that I wouldn't bother if it was a customers...
Somebody asked me to take a look at a similar guitar with the neck bolt. there was no movement in it at all . On researching the guitar it was suggested that the neck bolt was used to hold the neck in place as they glued it in . A no go job !!!!
about 6 months ago I sold a 5102t matsumoku epiphone 70/71 precursor to the e250 no pitchfork on pickguard 2 staple pickups beautiful guitar
Ted, I found that sometimes taking the back off allows me to tip the neck and block to get a reset. I use a long clamping beam with shims against the bridge to hold my desired angle. Then re-install the back. The back will be a bit too long and the binding channels will have to be re-routed. Still a lot of work but, when it absolutely has to be fixed, it's a viable option! 😉🙃🤣
About 3/4 the way through, I'm guessing there's another screw under that triangular block
That's exactly what I was thinking, a big bolt underneath a glued block
I had the same thought. Double lag bolt in the heel (like a banjo neck). I wonder if neodymium magnets would be able to detect them through the heel? The nut will be under those triangular neckblock braces.
On an early Taiwan-built Yamaha, I could not loosen the fingerboard from the body. I heated it a lot, with an iron like your’s, and the glue would not budge a bit. With an unplayable string height, I resorted to a kung-foo neck reset, sawing the neck along the body (carefully) and doing lots of sandpaper pulls, then glueing the neck back together. It came out surprisingly good and saved a nice-sounding guitar from the scrap heap.
That's great! Did you have to saw through a metal screw? How did you deal with the truss rod?
@@twoodfrd There was nothing but wood until I got to the truss rod. Angling the saw around each side of the rod and stopping at the fingerboard, it weakened things enough to bring the neck back tight to the body at the bottom of the heal. I did a number of sandpaper pulls to further widen the slot and glued it back together. Some sawdust and glue filled the open areas of the saw slot - not real pretty, but not too bad. It brought the old girl back to life…
@@twoodfrd there was no screw, luckily. Near the truss rod, I sawed as close to the fingerboard as I could on each side, while avoiding the truss rod. It was close enough to allow the neck angle to change without much stress.
Had similar dilemma with 1975 Takamine with epoxy set neck. No one wanted to work on it. Sometimes it’s time to just hang it on the wall and enjoy the memories.
I had an 80's "Aria" as kid ad after a fall fro the bike due to a missed ice patch the guitar "developed" a very similar crack to the lower one showed here as well as a good amount of flaking between neck and body. Wish I still had it but it got stolen from my parents basement (and they didn't tell me so I could go looking in the local pawnshops etc)
Another great insight into what comes into the shop. It's a good illustration about how the cost/benefit ratio comes into play.
Based on your $1200 quote for the necessary fix, I did a quick search and found a good selection of Larrivee guitars well under that price.
Hokey Pokey loves U2, Brotha! Many thanks for the vidzzz!!
Excellent video, fishbulb!
I have a Sigma guitar from that time frame and the construction looks much the same. Mine needs a reset, but the cost over runs the value... bummer!! It was giving to me new, when I was fifty years younger and I am preparing to attempt the reset myself?? I double nutted the strange bolt and backed it out with a 10mm wrench (wood screw /threaded bolt combo). I have not yet gained the bravery to put heat and drill to the guitar, but I really don't need a wall hanger. My feeling is 6 to one, half dozen to the other!! Wish me luck!!!
It is what it is. Thanks for sharing.
I have a couple of the bolt on Norlin era Epis.
One is a 6 string and plays and sounds fine.
One is a 12 string basket case I bought cheap back when I was too young to know better.
Somthing horrible has happened at the neck joint.
I didn't pay much for it so I probably got my money's worth in tuners.
I got the song and it had me in stitches. 👍🤣
People rag on about Fender and Epiphone acoustics with bolt on necks but as you said, if you need a neck reset it's going to be a lot more economical for the user. Once again - Leo was right!
I haven't read the comments and I'm two years late to help. It's a horizontal mortise encasing the truss rod. I know this because I had one come through my shop. The glue joint came loose and after loosening the fretboard over the body and removing the nut I was able to just yank the neck out. So this was a Friday guitar whereas somebody was in a hurry to leave.
This answers my questions about whether it would be worth it to try to fix the action on a mid-70's Suzuki dreadnought I've had for decades. At least it looks good hanging on the wall :(
It depends. They're not all like this!
I hope the postal service down here gets on the ball for you. I had a recent package go from philidelphia, to phoenix, then to virginia, before getting to me in tucson. All for the new higher shipping rates.
I dunno how u havnt got like 10 million subscribers… sometimes the gang loses the battle but not the war. Hang in there gang
I have a 1975 Fender F65, with snow frets. The action is a little high..its a great guitar, I just don't know how to fix it myself. I'll have to take it to a repair store
I always enjoy your videos! Do you sometimes wish you could do a necropsy to figure out how the neck was set even if it's a one-way trip? And might the white cap on the heel be hiding something?
It would be interesting to get an industrial x-ray of that joint. I've got a late-70's or early-80's Korean import that I bought used in 1983. It has a 3-dowel mortise and tenon neck. I've seen photos of the same model with the neck off. Not impossible, but not worth it. I'm going to re refret it with a little bit taller wire and lower the saddle as much as can be done. It's not bad, and that should do the trick.
I am lucky enough to have access to an X ray machine and shooting a film of an unfamiliar neck joint has been very helpful.
just spent £50 on a frequensator tailpiece because i thought it was a good idea.. it was really, as i look at it and love it in a new way. it’s good for soul i think. i get the same feeling knowing onions are in the house or toilet rolls 😀
Amazing repair
I have repaired 3 guitars with big bellies without bridge doctors. A torpedo level with a 5 pound weight + 3 months wait time. Add humidity to speed it up as you like.
Sorry it didn't come up as another win. In fact, this was a first in the videos I watch of yours that you couldn't fix? So why not? I think (if trying to be honest) it's just as important that we (me) learn from our mistakes sometimes more. Like a video you did on Yamaha guitar. You show me that taking my FG-180's (red label) neck out may truly ruin the guitar and might lead to a broken guitar and by watch all various repairs it would be best to put a bridge back on, check for best placement of the bridge and making the bridge to be thin down with a saddle that can sit lower, but that's for later. Thank to you Ted, I learned a lot of better Luthiering from your work you filmed.
Epiphone FT-147
1975-1976
Square-shoulder dreadnought body style
Body:
Laminated spruce top
Mahogany back & sides
Neck:
Set mahogany neck
Rosewood fingerboard with dot inlays
25.5" scale
Binding:
Multi-ply top binding
Single-ply back binding
Multi-ply 3-ring rosette
Hardware:
Adjustable rosewood bridge with dot inlays
Plate-mounted tuners with round buttons
Tortoise pickguard
Gung ho? I loved that movie as a kid. Also, I just lost a battle with my miter saw, so "can't win em all" resonates...
Great video! Very interesting and informative.
Why not loosen the back off of the neck block and sides near the heel? Then you can pull the headstock back which will take the end of neck heel closer to the end block. This can get you the desired neck angle but you’ll have trim the back near the heel.Then re glue it and you should have the neck angle you want.
I’ve tried it a few times and it works. It might be the only choice for guitars that need resets but aren’t designed to come apart.It would be less work and less of a bill for these Asian guitars.
I explained to my luthier one time and he was not into the idea.
If you disconnect the headblock from the back of the guitar, and disconnect the sides from the back a few inches either side of the neck joint you can freely change the action. Just trim a few MM off of the back, align and clamp back together and fix the binding. Voila, quick neck reset on any low quality guitar without touching the actual neck joint.
I want you to post a video showing this operation. I've slipped the back on 7 guitars, but I want to see you do it. You're the only person I've come across that describes it as easy.
@@twoodfrd you would've been separating only slightly more wood than what you did with the fretboard tongue and the worst added difficulty is messing with binding which I believe you are quite good at. I wasn't trying to step on any toes, but it's a legitimate way to fix these type of guitars that no one else had brought up yet. I've done it on a couple cheap 70's import guitars fairly easy and I'm nowhere near as good of a guitar repairman as you. I don't post videos of repairs I do because I don't want to deal with everyone telling me I did it wrong.😂 I am genuinely sorry if I offended you I've learned a lot from your videos.
@@twoodfrd I stand by my opinion but I take back the word "easy" easy and guitar repair should probably never be used in the same paragraph.
7:00 an X-ray device is needed.
Last resort fix: replace the fingerboard with a new one that is tapered and thicker where needed for lower action. 🧐
Or just make a long, tapered shim to run between fingerboard and neck.
u need an x ray, at least a wall stud finder. thanks for another great video! cheers!
Would have been interesting to get an XRAY image of that neck joint to see what that screw was all about.
They frown on it when I show up in the emergency room with my little wooden buddies.
@@twoodfrd Haha!! If I were running the emergency room, I would have prioritized you, bud. Love your videos!
I have a strange Japanese guitar from the seventies imported by Selmer. The neck dovetail is in line with the neck! Only one of those I've seen.
Another very interesting video! You have to wonder exactly what is going on with that heel, I suspect that there’s a dowel or another screw somewhere I don’t think that the manufacturers were looking to far into the future and the problems that would be encountered carrying out a neck reset when building these instruments . I’m a bit curious as to why the action is so high as everything looks ipretty good condition wise with no apparent evidence of top distortion or heel movement and the neck is straight. I suppose that one solution would be to fit a tapered fingerboard but that would cost many times the value of the guitar. I used to have one of the bolt on Japanese Epiphone flat tops and it was a really good sounding guitar with a very low action for an acoustic. I seem to remember seeing you work on repairing some body damage on one some time ago.
Sometimes,one has to learn to let things go.
Coolvids.