I live in Ukraine, I came across your lessons and I'm just delighted, I'm 54 years old, but all my playing was based on regular chords, but after watching your channel I'm just delighted with septacords, how beautiful they sound, and also give me some tips on how to train my fingers for solos) Although the only advice can give is to keep practicing and go faster. Thank you very much!
I have never before seen this much information - GREAT information - packed so concisely into such a brief lesson. Absolutely fantastic. I am thrilled! Lots to work on, and thank you a million times.
Thia is the best l ever found. Thank you... At last this set you on the proper track to understand Modes and Scale for guitar players. Better than hours of theory.
Really enjoying this lesson. Sharing with lots of friends. As you are progressing through the different 7th chords - Cmaj7 with Ionian mode, D7 Dorian, E7 phyrigan mode etc.. What is the rationale in the mode selected? Is that random/able to change? Is it positional? Is the second position always Dorian? If we did this same exercise but started with Emaj7 - Would the F#m7 be also dorian because its the second note/position in an Emajor scale? Thank you again for these lessons and even answering a question on the first lesson I had. Can't wait to check out the rest of your page.
Hi - Yes, that's correct. Dorian is always the 2nd Mode in a Major Scale/Key. And the Diatonic chord sequence is the same as well. As a note: All of the chords can be expanded upon, and certain Modes can be interspersed with ones... But that's for a future lesson :-) I hope that helps. And thanks for watching - Howard
Heya, thanks so much for this. Question though: why wouldn't Dm7 and Em7 mode have the same fingering? Aren't modes also transferable like the Arpeggios?
Hi - Even though Dm7 and Em7 have the same intervals, they "appear" at different degrees of the C Major Scale - C, Dm, Em, F ,G ,Am etc. If you used the same Mode for the Em7, it would have an F# in it, which belongs to a different key... Hope that helps :-)
I don't suppose there is any way for you to give private lessons? And/or are you thinking of continuing these on youtube? Thanks!@@247GuitarwithHowardHart
Correct me if I'm wrong regarding the reason you are correlating the modes to the cmaj7 chord. Like the C major and A minor scales, all 7 modes were shown in the corresponding keys that only use natural notes (no sharps or flats). In other words- the keys you showed the modes in are made of the same notes used in the Cmaj scale. Was this done only to show the modes in a convenient way to understand or is there somthing else you are emphasizing?
I see the Modes in 3 different ways. 1st is understanding them and "seeing" them Diatonically, and how they work with the chords in a given key. This is the most basic way, and a solid starting point and foundation. They can then be combined with the Arpeggios for even more color. 2nd is seeing them individually... as independent scales, and the different moods and colors they create. I didn't go into this in this particular lesson. 3rd is using them to traverse key changes - I also didn't go into this in this lesson either. Thanks so much for watching - Howard :-)
Can you recommend some jazz songs that are good to try and learn that arent slow ballads? Eg Miles Davis music is great, but it's not performed on guitar so hard to know what's a good track to try and study/ learn.
Most of the standards are an excellent place to start... Giant Steps, All Blues etc. But if you're looking for guitar specific material, Bright Size Life by Metheny is good, and maybe some of Grant Green's Blue Note recordings.
Why you don't try those Brazilian/Latin Jazz songs like BossaNova: Desafinado, The Girl from Ipanema, Chega de Saudade, A Felicidade, Agua de Beber, by Antonio Jobim, etc.
![I.N "HALLUCINATION" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/n5B5q1Hwt_U/mqdefault.jpg)
A billion years of knowledge in one video... crazy... only if the internet blew up 10 years ago
I think these two videos are the most important guitar lessons I’ve ever had. Thanks so much. I’m going to work on these
Im soon to be 67 years old. The best..no tricks..thank you.
I live in Ukraine, I came across your lessons and I'm just delighted, I'm 54 years old, but all my playing was based on regular chords, but after watching your channel I'm just delighted with septacords, how beautiful they sound, and also give me some tips on how to train my fingers for solos) Although the only advice can give is to keep practicing and go faster. Thank you very much!
Thank you - Keep on playing! :-)
Ah.. so that's how you do it.
Brilliant, thank you. What a great communicator.
I have never before seen this much information - GREAT information - packed so concisely into such a brief lesson.
Absolutely fantastic.
I am thrilled!
Lots to work on, and thank you a million times.
Glad it was helpful. Thank so much :-)
Best jazz starter lesson online thanks for sharing
sweet.. nice to have the clean sound going ...very pleasant ..thank you howard
Thia is the best l ever found. Thank you... At last this set you on the proper track to understand Modes and Scale for guitar players. Better than hours of theory.
Thanks so much :-)
Great Leson ❤❤❤
EXCELLENT HOWARD THANS
Excellent
Thank you so much 😀
Brilliant 👍👍
Thanks bud good lesson
Voicings are everything when trying to be musical harmonically
Subbed! Nothing too intense, great teaching method.
Awesome, thank you!
I can't thank you enough 👍
Magnifico !! Muchas gracias maestro.
fantastic
I see your using "Relative modes" that only contain the notes in the C Major scale (C, D, E, F, G, A, B) no sharps or flats. cool. Thanks.
Excellent. I would pay for this if you did something like your blues rock course you did before..........Thanks!
Wow, thanks!
Really enjoying this lesson. Sharing with lots of friends. As you are progressing through the different 7th chords - Cmaj7 with Ionian mode, D7 Dorian, E7 phyrigan mode etc..
What is the rationale in the mode selected? Is that random/able to change? Is it positional? Is the second position always Dorian?
If we did this same exercise but started with Emaj7 - Would the F#m7 be also dorian because its the second note/position in an Emajor scale?
Thank you again for these lessons and even answering a question on the first lesson I had. Can't wait to check out the rest of your page.
Hi - Yes, that's correct. Dorian is always the 2nd Mode in a Major Scale/Key. And the Diatonic chord sequence is the same as well.
As a note: All of the chords can be expanded upon, and certain Modes can be interspersed with ones... But that's for a future lesson :-) I hope that helps. And thanks for watching - Howard
Thank you!
Thanku thanku so much ❤
So crispy and Irie.
Heya, thanks so much for this. Question though: why wouldn't Dm7 and Em7 mode have the same fingering? Aren't modes also transferable like the Arpeggios?
Hi - Even though Dm7 and Em7 have the same intervals, they "appear" at different degrees of the C Major Scale - C, Dm, Em, F ,G ,Am etc. If you used the same Mode for the Em7, it would have an F# in it, which belongs to a different key... Hope that helps :-)
I don't suppose there is any way for you to give private lessons? And/or are you thinking of continuing these on youtube? Thanks!@@247GuitarwithHowardHart
My man
Correct me if I'm wrong regarding the reason you are correlating the modes to the cmaj7 chord. Like the C major and A minor scales, all 7 modes were shown in the corresponding keys that only use natural notes (no sharps or flats). In other words- the keys you showed the modes in are made of the same notes used in the Cmaj scale. Was this done only to show the modes in a convenient way to understand or is there somthing else you are emphasizing?
I see the Modes in 3 different ways. 1st is understanding them and "seeing" them Diatonically, and how they work with the chords in a given key. This is the most basic way, and a solid starting point and foundation. They can then be combined with the Arpeggios for even more color.
2nd is seeing them individually... as independent scales, and the different moods and colors they create. I didn't go into this in this particular lesson.
3rd is using them to traverse key changes - I also didn't go into this in this lesson either.
Thanks so much for watching - Howard :-)
Can you recommend some jazz songs that are good to try and learn that arent slow ballads? Eg Miles Davis music is great, but it's not performed on guitar so hard to know what's a good track to try and study/ learn.
Most of the standards are an excellent place to start... Giant Steps, All Blues etc. But if you're looking for guitar specific material, Bright Size Life by Metheny is good, and maybe some of Grant Green's Blue Note recordings.
@@247GuitarwithHowardHart Great ,will check these out thanks!
Why you don't try those Brazilian/Latin Jazz songs like BossaNova: Desafinado, The Girl from Ipanema, Chega de Saudade, A Felicidade, Agua de Beber, by Antonio Jobim, etc.
JAZZ GUITAR LESSON - PART 2
Thank you ❤
You're welcome 😊
Thank You
You're welcome... Thanks for watching :-)