Etude no. 11, Op. 60 by Matteo Carcassi - Guitar Etude Series | Gohar Vardanyan
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- Опубликовано: 8 сен 2024
- For private lessons with Gohar visit: www.goharvardan...
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📶Advanced Intermediate because of the right and left-hand articulations to cut the notes short.
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🎸Guitar: 2012 Jean Rompré
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Strings: RC Strings Recital
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Gohar Vardanyan is sponsored by Strings By Mail (www.StringsByMa...), a complete source for strings. accessories, & sheet music.
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more classes like this, thanks for sharing your knowledge, time and experience, greetings from Mexico
Thank you for this instruction. It is an honor to get this glimpse from a master player and teacher.
Complimenti Gohar
Thank you Gohar. Your lessons are the best on RUclips. You.inspire me.
Wow I ve been practing this etude just these days. What a perfect timing. Thank you
Tks so much❤❤❤
Thank you for this video! I'm working on this study now and have been conflicted about how to approach it and what technique to use. Your advice really helps.
i played this etude No. 11 without staccato and with staccato. Both are fine to my ears.
This is cool! Thanks for posting!
Hello Gohar! I have recently put a set of Royal Classics Sonata Light, thanks to you, because I saw your video and I wanted to try them(I know you don't play the light) , and you are right, the trebles are so comfortable to play and the feel is very good so thank you, I normally don't change what I like but something told me to try!
I am also a woman who plays the guitar.
PS pretty hot here in London too!
Thanks Gohar, you are one of my favourite woman guitarist.
Thank you...
I’m glad you like the strings. I tend to stick with what I like too. If the light tension works for you, that’s great. For me they are too soft, I tend to buzz 🐝 them.
@@GoharVardanyan Hi Gohar, do you think using hard tension strings can be helpful for fast right hand studies like Carcassi 7 or Giuliani 5 (op 48)?
@@Thefare1234 I haven't found the tension to have too much of an impact on speed, personally... I prefer normal-tension because my guitar sounds better with normal-tension and it's less taxing on the left hand to play bars, slurs, vibrato, etc... It's a personal preference and the guitars preference :)
@@GoharVardanyan
I usually play daddario extra hard but the man who sold me the guitar told me not to... Anyway, the action is 4 mm on basses and quite high for me so I put on the lights.... Yes, it is soft, I will try the sonata next time!
Yea, sometimes they say that extra hard tension isn’t good for the guitar either, because it puts too much much tension on the body. I find that on some guitars high tension strings make it sound choked. You have to find what works for you, my guitar is 3.5mm/4.5mm for the action, and I use normal tension. Because I play with full volume and power, I can’t use lower action without buzzing, tried to balance that with hard tension, but I didn’t like it. It’s so personal.
It's beautiful
So sweet
Sounds great!
very nice ... awesome
Very attractive music
Very Good!
Great
I've been playing and thinking about this study a lot recently (maybe too much!), and I'd like to propose a compromise. Instead of playing both voices detached, I think it sounds better with the soprano line played legato and the bass line detached. I know this isn't how it's normally played, or how my teacher wants me to practice it, but being a stubborn old goat I think it makes better sense this way. Think of this etude as two people arguing--the soprano is trying to appeal to reason and affection, while the bass line mocks her.
I looked for other examples of pieces marked "Agitato" and immediately hit on the 3rd movement of Beethoven's Moonlight Sonata, op. 27 no. 2. It's marked "Presto agitato". Every pianist I know plays the first theme with the right hand relatively legato, the left hand relatively detached, and without the pedal. This is particularly noticeable when the second theme appears: it's played very legato in the right hand, but still agitated in the left, and here and there some pedal. It's that driving bass line that gives this piece its sense of urgency, and it's in the bass where playing somewhat detached creates the most impact.
I know it's unfair to compare this little Carcassi etude to one of the monuments of Western music, but like I said I've been thinking about this too much!
Guitar goddess
Wow
Hi Gohar. This is one of the 9 Carcassi etudes I play from memory. I play it using rest stroke but I see you are using free stroke. What do you think of that? I used to play number one rest stroke but your video on that etude convinced me to use free stroke, and I started doing that. Thanks for your tutorials. I had 3 different teachers when I was a music major in the early 70’s but looking back, they really didn’t teach me much. I feel I’m 95% self taught from instructional VHS tapes and observing many concert guitarists over the years. I think I’ve done pretty well working on my own.
I look at rest stroke and free stroke as just tools that I have, and I'll use the one that sounds the best or conveys what I'm trying to say with the phrase the right way. I think too many people create too many rules around them - this has to be "rest-stroke", that has to be "free stroke"... I don't think it's anyone's business which stroke it is, as long as it sounds good :) That being said, you do have to work on both strokes so that could use them interchangeably to be able to decide which one is better ;)
Very nice. One of my favorite practice warm up pieces except I tend to let the notes ring too long.
You should use specifically warm.up , right hand and left hand exercices to warm up and not just starts your practice session with random etudes that could cause several daMages to your hands
You are wonderful ❤️ you have inspired me to do a piano RUclips lesson channel cheers Sonia Joy of Brighton 🎉😂
Ótimo!! Quer dizer Ótima!!!!!!
Please check... bar 16.. Line 4 first bar.. I can hear that "B" instead of "B Flat" Can you please check this and revert back..
I packed up my Carcassi books in case I'd need to evacuate (wildfires). Time to dig them out of the car!
Great and nice too.
THANKS.
What kind of guitar are you playing?
Andros thank you. The guitar is a 2012 Jean Rompre
@@GoharVardanyan wow sound it's so good (of course you are an excellent musician). I play a simple Yamaha C40, don't like more after 3 years. Do you advice me a guitar better than mine for 5-600euros? I'm just an amateur and I play very different than you (unluckily) Thanks for your videos
@@malcolm426 Salvador Cortez CS-65
@@malcolm426 If you feel like your guitar is no longer serving you, as in, you want to get a certain sound, and you know you can do it but the guitar isn't up to the standard, then yes, you will need to upgrade. You just have to realize that even the nicest guitar isn't magical, you still have to be the one who makes it sound good, although it will make it easier. I'm not familiar with the kind of guitars in Europe that you can get for that price, so unfortunately I can't really recommend any. I'd say, if you have the ability to go to a shop and try a few, that would be best. You can see if your problems are because of the guitar, or because you have work on your playing some more before upgrading.
Staccato?
And I thought this was an easy one...it will probably take me a few weeks to learn all that staccato.
мы строим альгамбру
Ma'am
we won
...Qxd2: checkmate
Ma'am
I like a girl that knows her Carcassi. Very traditional. Mediteranean Neo Barroque.
I would like to play la Cavatina with this guitar queen and see how strong her barred forth fret pinkie vibrato slurs are.
Okay. Confession.
I secretly learn things when I watch her.
Dear Miss.
I am practicing my speed bursts all the time, but one can only go so fast.
But I will practice them for you.
Guitar Goddess you will see, one day we will spidercrawl together.
But you must wear a mask.
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