Dr. BMK had a unique talent of transforming every concert into a enjoyable and memorable experience to the audience! Superb team work by Sri. Manjunath, Sri. Sivaraman and Sri. Subramaniam! Thanks to the Sanskrit Series team!
True to the name of the series - Varishta (Excellent) . Marvelous mridangam and ghatam play. The maestro Sri U.K. Sivaraman looks so relaxed. and at ease - it's like he is really playing ! Thank you very much for sharing.
They have a different way of hand counting than westerners. I can't figure out how they're counting but I like it. The clap pattern and varying speeds are interesting
stellar performance from the mridangam wizard I think this is the only concert where even the audience took part in thani avarthanam - 7:25 to 8.00. by the by, where did this happen ?
Amazing performance.... but why is there an abrupt cut between the Mridhangam’s solo and the duet of Ghatam and Mridhangam.... why is the Ghatam solo missing....? Why purposely edited it....???
Can't for the life of me understand why BMK includes percussionists during kalpana swara. The beauty of one of the best parts of the concert totally loses it's momentum and intensity. Thank God this hasn't become mainstream.
Absolutely true. Flow will be missed. Someone could have apprised him about it. Though I am his ardent follower, I will not listen to when he involves mridangam while swara prastharam.
Absolutely ridiculous idea to give mridangam and ghata chance to play during kalpana swaras. The whole beauty of the kalpana swara rending is completely lost. What a terrible waste.
I have no clue about your expertise in Carnatic music but I can very confidently say if the younger generation take your advice seriously, they are going to ruin their creativity and stop enjoying the ecstasy of music. It will sound like hell.
@@1973ravik You will get "creativity", "ecstacy" by introducing the mridanga and ghata to play exclusively during kalpana swara? Music will sound like hell if they don't play!!! Really? Are you kidding me. It wasn't being played since the advent of music, and all those years the rasikas were being punished with hellish kalpana swaras because mridanga and ghata were not getting to play exclusively? This comment's got to be the biggest joke of the year.
Dr. BMK had a unique talent of transforming every concert into a enjoyable and memorable experience to the audience! Superb team work by Sri. Manjunath, Sri. Sivaraman and Sri. Subramaniam! Thanks to the Sanskrit Series team!
Magical performance by Umayalpuram Sir. Hand of God in Rhythm - need a life time to understand the intricacies !
Class indeed ..pranams to Dr BMK.& E.M.Subramaniam, who passed away in 2015.
I'm amazed at the synchronicities. Everything blends yet is simultaneously distinct. Kinda like Indian food.
U. Sivaraman's mridangam has a unique resonance and his mastery of the instrument is excellent.
True to the name of the series - Varishta (Excellent) . Marvelous mridangam and ghatam play. The maestro Sri U.K. Sivaraman looks so relaxed. and at ease - it's like he is really playing ! Thank you very much for sharing.
They have a different way of hand counting than westerners. I can't figure out how they're counting but I like it. The clap pattern and varying speeds are interesting
Great experience. Nice to hear balamurali and it is great to watch Manjunath and subramaniam keeping pace with legends Sivaraman and Balamurali
It's actually Legendapuram Sivaraman sir!
thundering performance.....by the legend Vidwan Umayalpuram Sivaraman sir.....
Truly magnificent! Many thanks for sharing this absolute delight.
Wonderful music concert. Thanks for swaralaya team
Concert so beautiful
i have never heard anyone rendering swaras like Dr Bala Murali.. its like he just plays with the numbers...
Wow what fireworks from UKS sir!
Legend of rhythm -umayalpuram
Dr. M.B. Krisha is always a greatest singer.
stellar performance from the mridangam wizard
I think this is the only concert where even the audience took part in thani avarthanam - 7:25 to 8.00.
by the by, where did this happen ?
Wow life time renders
7:20 to till end is really superb.... I love that Ghatam and Mrudangam combination...
Gatham and Miruntham combination is very fine I never expect this thanks to the team
"Superb Dr MB ....garu... with Mysore Manjunath in the same pace.... Excell Thani... Pori ;parakkirathu....
Balamuraligaru SUPERB
Wow🙏🙏 goosebumps...
ஆகா சபாஷ் அற்புதம்
Magical fingers .. great Dr.UKS
How wonderful - GREAT!!!
3:12 sivaraman sir👏👏👏
Varistha all songs amazing.
Violin - super 🙏❤️🌹
🙏🙏🙏🙏🙏🙏🙏🙏🙏
Amazing performance.... but why is there an abrupt cut between the Mridhangam’s solo and the duet of Ghatam and Mridhangam.... why is the Ghatam solo missing....? Why purposely edited it....???
Uplode all varista songs .please
Super
In malayalam one saying is there." Thokkil kayari vedi vekkuka"... I feel his playing like that in neraval and swara swinging... ..
GREAT PERFORMANCE BY BALA MURALI JI.-----BY MALLADI VENKATESHWARA SARMA (ASTROLOGER}
Naman to the great souls 🙏🏼
an outstanding performence
Oh my god!!!!!!!!!!
celestial! to say the least
Excelent........
wonderful!
Hi
Correct it. It is NAdavrAngini. Not NAdatarangini.
Nice performance
amazing
NAdavArangini
Magical
Can't for the life of me understand why BMK includes percussionists during kalpana swara. The beauty of one of the best parts of the concert totally loses it's momentum and intensity. Thank God this hasn't become mainstream.
Absolutely true. Flow will be missed. Someone could have apprised him about it. Though I am his ardent follower, I will not listen to when he involves mridangam while swara prastharam.
Your immense respect for UKS is glaring in your comment. Pun intended.
Best
I always try to his style
what is the song called from 0:10 - 0:30
It's a thillana in the ragam kunthalavarali, composed by Dr. Balamuralikrishna himself.
excellent
Absolutely ridiculous idea to give mridangam and ghata chance to play during kalpana swaras. The whole beauty of the kalpana swara rending is completely lost. What a terrible waste.
Allowing mridanga and ghata to play during the kalpana swaras completely ruined the experience. Future generations, please do not copy this concept.
I have no clue about your expertise in Carnatic music but I can very confidently say if the younger generation take your advice seriously, they are going to ruin their creativity and stop enjoying the ecstasy of music. It will sound like hell.
@@1973ravik You will get "creativity", "ecstacy" by introducing the mridanga and ghata to play exclusively during kalpana swara? Music will sound like hell if they don't play!!! Really? Are you kidding me. It wasn't being played since the advent of music, and all those years the rasikas were being punished with hellish kalpana swaras because mridanga and ghata were not getting to play exclusively? This comment's got to be the biggest joke of the year.
You don't need to advise the stalwarts. They are much better placed than a mundane Rasika.