Harsh industrial techno hardware jam | Behringer RD9, Pro1, Kobol Expander 2600 Tekk Noise Hardcore

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  • Опубликовано: 8 фев 2025
  • #techno #hardwarejam #analog
    A harsh industrial techno jam with analog hardware synths. Featuring the #behringer 2600, Kobol Expander, Neutron, Pro-1 and RD-9. This one is big, fat, dirty & mean.

Комментарии • 14

  • @hauptmannderbiertrinkerbri7760
    @hauptmannderbiertrinkerbri7760 3 месяца назад +2

    Sounds very good! Thank you!

  • @LokiGuitar
    @LokiGuitar 3 месяца назад +1

    Some cool sounds in there, i preferred the more rhythmic harsh parts over the little melodic elements except towards the end. The atmosphere came in kind of weird but settled early and was nice through out.

    • @electronictiger
      @electronictiger  3 месяца назад +1

      Thanks Loki! I appreciate your feedback. I find it difficult to stay on rhythmically harsh parts for long. I enjoy it in other people's music, a lot actually! But somehow in my own I move away from it (too) quickly. Anyway, I'm happy you enjoyed the track. And thank you again for your comment!

  • @danlopez2012
    @danlopez2012 3 месяца назад +1

    He's Back!! You pose a lot of questions im nowhere near wise enuff to answer from a live jam perspective. Otherwise, agreed on all the creative muscle references. Music to me is like a problem challenge to be solved. Each project endeavor has its own space that cannot be solved while IN the process & requires creative breath. like intellectual challenges that require time n effort then a 'Sleep On It' phase so the subconscious can workout some unknowns. & Sometime, some time away from the desk yields the weird return of creativity that just vomits results that seem to create themselves as if we're juct channeling whats waiting to come to this realm :) then again I may be full of poop so. take everything i share with a grain of salt

    • @danlopez2012
      @danlopez2012 3 месяца назад +1

      BTW, sounds great, love dark stuff. Always seems to fuel the passion for some reason

    • @electronictiger
      @electronictiger  3 месяца назад +1

      Thanks for noticing Dan! Much appreciated. That "sleep on it" phase is so important indeed. And quite right, sometimes it seems like ideas just appear out of nowhere.

    • @electronictiger
      @electronictiger  3 месяца назад +1

      @@danlopez2012 Very happy to hear that as well. Yes, there is definitely an energy to the dark stuff that I like very much as well.

    • @danlopez2012
      @danlopez2012 3 месяца назад +1

      @@electronictiger ☺️

  • @Pro-gressive
    @Pro-gressive 3 месяца назад +1

    Really nice jam, industrial and rough techno is so cathartic to listen to. Regarding the kicks, do you have any FX with an envelope follower you can map to drive or distortion so that it can help the transients a bit? Great as always, came for the techno, stayed for the philosophy.

    • @electronictiger
      @electronictiger  3 месяца назад

      Thanks Pro-gressive, the envelope follower to envelope is a really interesting idea! I might be able to conjure up something. Also glad to hear you've enjoyed the philosophy.

  • @iloveACID
    @iloveACID 3 месяца назад +1

    😊 awsome it's like something I expect to hear in a dirty dark lit club with strobe light and people munching on white doves 😂 nice

  • @danwhite7629
    @danwhite7629 2 месяца назад +1

    Nice stuff as always man. Can I ask 2 questions?
    1. What do you use to sequence your synths that don't have built in sequencer?
    2. Do you record seperate audio tracks into a DAW or just a stereo output for mixdown?
    Thanks!

    • @electronictiger
      @electronictiger  2 месяца назад

      @@danwhite7629 Thanks Dan!
      1. I'm using the Five12 Vector hardware sequencer. With the Jack Expander for additional outputs. Along with a Novation Launchpad Mini to control the Vector.
      Five12 recently released the Vector Mark II. Which is even more powerful than the Mark I that I have.
      2. It's both, really. I record separate audio tracks. But I try to make all my mixing and creative decisions before I start recording. So I don't have to do too much afterwards. But I like the idea of having access to the individual sounds if I need to.
      Does that answer your questions?