I love you guys. This channel has single handedly helped me progress in my piano playing so much. Never stop making videos please, your hard work never goes unnoticed. ❤
Every now and then I come to your channel to learn about jazz theory. I love being able to have this much information accessible and easy to comprehend! I have been using this kind of chord structure since I started producing music haha
I am a proud,life long Blues devotee’. I began on guitar at the age of ten. At church, my fellow guitarist friend introduced me to his fathers copy of the the Library of Congress recordings. The raw rhythm and amazing syncopation expressed w/ primal modality has reached across six decades and constantly challenged and engaged my heart and soul. I believed that the inspired iterations of the jazz masters beyond the grasp of a simple Blues man. But the few times I have watched the video great podcast, I see that whole world opening to me! Thank you so much. I am hoping to find the means to budget full participation in this great program. Thank you
Brilliant!! This explained so many questions for me. I am a saxophone player that does a lot of arranging. I have always struggled with writing out piano parts so I tend to just put chord symbols. NOW, I think I can give the pianist real parts also. Thank you!!
Now finally I've found where did A Bu found these gorgeous resolution in his ballade in E, which are one tone above the A7-Dmaj7 resolving Coltrane's Countdown. A Bu does B7-Emaj7 in the exact same way.
Omfg this is exacty something I've been slowly realizing in my chart reading studies, and you have a video deep diving head first. Love this channel! And I'm a guitarist lol!
The fifth is a strong harmonic, so it's kinda implicit already on the root. The third on the other hand is weaker and can be of two types, so it gives more character to the chord
Hi ! Suppose we just have a melody, how do we find the root of this melody? and how do I know in the shell if my seventh is minor or major, same thing for the third! Thank you for understanding.
Adam just a curiosity: Are you using the sustain pedal ? As I am not much practice in playing these voicings would you recommend to study with or without it ? Thank you.
Theres a Cb in the real book for the song airegin and i dislike it even more than the idea Ab being a G# but it is 2023 and I think its just fine if we let notes be non binary and call themselves whatever they want😅
You start out great...nice and slow, but then you're blasting through this like a college calculus teacher, going faster, and faster, fasterfasterasterastseraster!!!!! To the point where I almost have to slow down the playback to 50% speed to keep up.
I love you guys. This channel has single handedly helped me progress in my piano playing so much. Never stop making videos please, your hard work never goes unnoticed. ❤
This is the some of the best teaching.
Every now and then I come to your channel to learn about jazz theory. I love being able to have this much information accessible and easy to comprehend! I have been using this kind of chord structure since I started producing music haha
I am a proud,life long Blues devotee’. I began on guitar at the age of ten. At church, my fellow guitarist friend introduced me to his fathers copy of the the Library of Congress recordings. The raw rhythm and amazing syncopation expressed w/ primal modality has reached across six decades and constantly challenged and engaged my heart and soul. I believed that the inspired iterations of the jazz masters beyond the grasp of a simple Blues man. But the few times I have watched the video great podcast, I see that whole world opening to me! Thank you so much. I am hoping to find the means to budget full participation in this great program. Thank you
Thank you so much for using the electronic visual keyboard! Makes so much of a difference in learning! ❤
This is to state that your Short chords training for all keys are really amazing
Great lesson! You’re a great teacher!
Thanks for your teaching. I have seen many jazz piano music teachings, but your teaching is simpler and easier to understand. ❤
Thank you again Adam. You're videos help me when I'm stuck in a rut with piano and these videos give me something else to focus on.
Brilliant!! This explained so many questions for me. I am a saxophone player that does a lot of arranging. I have always struggled with writing out piano parts so I tend to just put chord symbols. NOW, I think I can give the pianist real parts also. Thank you!!
YES he’s back with some more golden nuggets for all of us! Love you Adam!
This is so good! I’m about to subscribe to Open Studio. Adam and Peter offer so much useful material!
You are doing right the free PDF is very good for me because not everyone have money to pay for the pdf thus for me you are amazing
RSP. I'm here for it. Thanks for sharing!
You're definitely the MAN Adam! Easy to understand and great results.
Now finally I've found where did A Bu found these gorgeous resolution in his ballade in E, which are one tone above the A7-Dmaj7 resolving Coltrane's Countdown. A Bu does B7-Emaj7 in the exact same way.
It’s a lovely sound.
Omfg this is exacty something I've been slowly realizing in my chart reading studies, and you have a video deep diving head first. Love this channel! And I'm a guitarist lol!
Keep doing the right job
Beautiful
Great class, I learned alot, many thanks!
Thank you for this. Love it!
Excellent lesson. Thank you sir!
3 thumbs up...because 1 is from the extra hand I woke up with this morning! 🤣
Hahah
I feel so embarrassed that I am not paying for this.
Make a donation!!
Don't be. Instead appreciate that these folks choose to share this wealth of knowledge with everyone :) Be thankful!
you can always say "thanks" using the new button RUclips has, or buy one of their many courses/subscribe to their site
🤫
beautiful love you bro please more
Is there any special treatment for inverted chords in this formula ? Or is it working only for the root position chords?
Could someone explain why the 3rd is more important than the 5th?
The fifth is a strong harmonic, so it's kinda implicit already on the root. The third on the other hand is weaker and can be of two types, so it gives more character to the chord
@@cicero.vargas Thank you! That's very helpful.
in what situation is the 6 part of the shell voicing? on major 7ths if the melody is the root?
Do you have an online course?
Too good.
Hi !
Suppose we just have a melody, how do we find the root of this melody? and how do I know in the shell if my seventh is minor or major, same thing for the third!
Thank you for understanding.
Extra thumbs up!
I need a piano 😢
Adam just a curiosity: Are you using the sustain pedal ? As I am not much practice in playing these voicings would you recommend to study with or without it ? Thank you.
Works on guitar too. With some adaption😏
What about half diminished? Is the b5 a shell note or a pretty note? Is the b5 mandatory?
Shell is always 3 and 7. b5 is also not a pretty note neither mandatory but as it is not a perfect 5 it is kind of an important colour.
How does drop-x voicings relate to this?
Brilliant thumbnail btw…
You down with RSP (Root, Shell, Pretty)? You know me.
I thought But not for me started on the II7
I agree.
So basically the formula comes down to; screw fifths, unless they’re pretty
Magic chords, cookie cutter chords, rootless, shell, root + shell + pretty... How am I gonna suppose to digest all this? xD
To digest most effectively, do a lot of chewing first.
@@christheother9088agreed. take it in one by one. start with root shell pretty because it's really practical
thanks Adam Maness openstudio " the middle hand "
THEORY ALERT! The 13th of g# minor should be e#, not f natural. DAMMIT! But even with this "glitch", it was a great lesson (as always!)
There's no E# or Cb in jazz ;-)
Theres a Cb in the real book for the song airegin and i dislike it even more than the idea Ab being a G# but it is 2023 and I think its just fine if we let notes be non binary and call themselves whatever they want😅
You start out great...nice and slow, but then you're blasting through this like a college calculus teacher, going faster, and faster, fasterfasterasterastseraster!!!!! To the point where I almost have to slow down the playback to 50% speed to keep up.
First time first
I think your exposition of the topic is too fast and it is almost impossible to follow you, if possible speak more slowly, thanks