Gert. What a wonderful magical mystery tour round the registrstion of the organ. I was both "bamboozled" and enchanted! It was so interesting to learn how you paint musical pictures with the change in registration. Thank you for your generosity in sharing your passionate and knowledge.
Thank you - so clearly explained. Over the years I can recall these stops on reed organs, electronic organs and pipe organs. You could not have gone through it more clearly.
Thank you. This video makes me appreciate the artistry and technical know-how of the various registrants who have performed with you throughout the years. I love them all!! I miss Jan.
A very interesting and informative video, which gives a good insight into the King of Instruments'. Thank you so much to Gert for explaining everything so well, and for sharing this with us. I am already looking forward to the next concert!
Heartfelt thanks for your very clear comments and demonstration of organ registration. Long ago, as a young seminarian (Boston, USA) I advised on the registrations for a fellow seminarian organist, and later as curate in a NY City parish assisted in the installation of a 32' bombard stop ( capped 16' ) suspended horizontally. What a joy: when played, I was never sure whether it was the nearby subway roaring into its station!🤔🙂. In later years, I oversaw installation of several historic organs in Vermont churches, successfully, but wish I'd then had your outstandingly excellent demonstration to use then to show my parish commities. Long ago, for me, as a concert organist, church musician, and organ scholar, you are, to my ear, unsurpassed!! Even at 80, I will return again and again to reference this demo -- and to the excellent concerts in which you personifiy in your exhaustive knowledge of organ sound and registration. MULTOS BRAVOS (and all best wishes to you, your lovely wife and child !!) You and your music are truly, especially in these troubled times, a gift from God. As a humble old musician and clergyman, to a young humane genius : thanks be to God, and you, for keeping our art alive!!!!!
Your knowledge of the organ is a great asset to your performances. You have been a good student of your profession. Always look forward to your future concerts.
Excellent video. Thanks. Very clear concise overview of some of the issues snd choices. I liked your choice of the illustrating the stops using the Schnitger Organ in Groningen.
Thank you for explaining the organ. It really helps to understand it better. Our own personal lesson from the Mastro himself, Gert, teaching us Organ Registration 101 🤗
Hoi Gert, dank je wel voor je heldere uitleg! Ik ben de afgelopen tijd muziek gaan schrijven voor orgel en had klankbeelden in mijn hoofd, maar kon mij geen registernamen meer herinneren. Toen ik jong was, is er mij wel veel uitgelegd, maar door een hoop omstandigheden os het weg gezakt. Jouw film brengt me weer op weg, dank je wel voor het delen alle kennis en klank. De transparantie die tussen alle stemmen ontstaat in jouw manier van registreren, bevalt mij enorm. Vriendelijke groet, Annemieke Lustenhouwer
Thanks, Gert for all your efforts to promote the culture of organ music and the knowledge about the instrument. Your talent as a musician is unique but you passion for organ is shared. Just keep it up!
This was most interesting. I remember a video when you were in the organ Loft of a Church explaining registrations. This reminded me of it. Thank you, I look forward to you've next live stream.
I use to work for an Organ building company. Here is some really heavy food for thought. The pipe organ was one of the most complex man made pieces of engineering for MANY years. It is very under appreciated for what little technology folks had back in the day. The one thing that we will always argue over repeatedly is MIXTURES. heh. any organ builder will feud over the discussion of mixtures. its just one of them things.... :)
This video combined with some Flentrop videos on organ building give a good basic overview of an organ's mechanics. How everything works together, is finally "mixed" by the player, and produces music. From Chicago, U.S.A.
So, I watched this video TEN times in a row and memorized every stop name you mentioned, but when I sat down to FINALLY play Bach I still couldn't get past the first measure! I thought this course would finally do it for me!!! But, NO. I WANT MY MONEY BACK!!! My dream is destroyed. I've given up completely. That new 4-manual organ I bought for $138,000 goes into the trash can today!!! /s
Thanks for all the explanations Mr. Van Hoef! I believe modern organs are a software miracle, being able to reproduce - almost seamlessly - the sound of the wind pipes thru the loudspeakers. I listened to one of this newer software defined organs, which looked similar to yours but not so good, and I initially refused to believe to my ears. Certainly there is a difference with the spatiality of tens of thousands of pipes - but the results are unbelievable nonetheless. I'm grateful that you have shown how to register your new wonder organ machine.
Amazing! It's making the whole art of organ playing sound fascinating! I'm not a musician, just a listener and this will make my listening so much more interesting.
Wat een duidelijke uitleg Gert! Prachtig deze achtergrond informatie. Ik ga proberen de registers en stemmen te herkennen in je concert morgen want daar ben ik bij!
op pcorgan.nl hoor em lees je vele voorbeelden van de registraties bij de demo's van ...ig HW orgels. heel leerzaam om ook de verschillende klanken van dezelfde reg.naam te horen.
I really appreciate the detailed explanation. I tried to get my uncle to teach me registration but he could not explain it as well and now he is gone to be with the Lord. His favourite stops were the Viola de Gamba and the Voix Celeste.
Samen met mijn dochter die vol interesse deze les mee volgt als aanvulling op haar piano studie. Bedankt Gert, ik denk dat we gaan sparen voor een orgel, een droom van een 11 jarige die graag een lied speelt na de mis. 😊👍
Gert thank you for a very interesting explanation, I will mostproberly watch and listen to the video quite a few times more to understand it even better, and I think it will make me understand the music so much more.
Thanks, Gert, that was fascinating and instructive. I play the piano and always think the instructions are all written down there on the page. To me, it looks like the written music for the organ is just a recipe and a lot of the art goes into the mixing and 'cooking'. If I had my way I would stick sellotape over the 'tremolo' button and write on it 'do not touch'!
Mooie uitleg over het mixen van stemmen, dit smaakt naar meer (onderscheid tussen barok en Franse stijl). Leuk om jullie gisteren in Naarden ontmoet te hebben, concert met hindernissen voor organist en publiek.
Gert, could you please make a video about your hauptwerk home instrument. I would love to know more about the organ , its setup and the samples you use.
I am always interested in the pieces played when demonstrating in this way, of course i recognised a couple of passages from pieces but particularly at the beginning of this video i ponder whether its just made up passages or passages from longer pieces and if so what were they, in one of your videos from a few years ago you were playing a flentrop organ, the video clip was 1.47 long. I ponder what passages you were playing then too :)))
Ha Gert, prachtige uitleg! Wat ik zelf ook vaak doe als ik bijvoorbeeld een psalm speel, is de melodie uitkomend in de linkerhand spelen met een Fluit 8' plus een Dulciaan (dus een tenorstem zeg maar) en dan een wat hogere begeleiding met wat omspelingen in de rechterhand met fluiten of een (niet-overheersende) Prestant 8'. En uiteraard met de gebruikelijke pedaalstemmen erbij. Dat is zó mooi! 👌🏻
Hi Gert, at 20:22 you played a small piece of music, I liked it and would like to listen to it in full. Please, who is the composer and what is the name of the piece?
Thanks for this informative video on registration settings. You are truly a master on the organ. One question: how do you keep track of the pedals when playing two manuals at the same time. How do you find your way around the pedals without looking down being ready for the next pedal or pedals to be played next and as fast you play the pedals ????
So good having subtitles Gert, saves you so much time. Do you do it by a voice recognition programme, I hope so. Great sound at 7/45, that looks a very high tech organ. I love to listen to it & your patient explanations. Many thanks John
I also learned in 2nd grade how to read notes. We had a music teacher that taught us how to read notes and take tests naming notes whether single, double or triple notes in the treble clef. I learned cords by having a cord organ growing up, soon there after I was able to play cords and treble clef. I would write the cords at the top of the treble clef staff and because I new where my notes were on the keyboard, I was able to play the pedal board on the organ. I had an organist at the church teach me to play the church music and add a note or 2 extra short improvise as I was playing. Then I played church services for a number of years. Now its just for my own pleasure playing an electronic keyboard. Also can play piano.
Gert , zou jij ook een video kunnen maken over een aantal mooie registraties van heel zacht tot het volle werk van het Hoofdorgel van de Laurenskerk in Rotterdam
Excellent, informative presentation. Thank you Gert! ( p.s. very surprised with the amount of tremulant on the Martinikerk organ - almost like a theater organ! )
This was very interesting. I always wondered what the decision thoughts were on which stops to use and how an organist can create his own personal touch in his interpretation of a piece of music.
Fijne video Gert. Dank je. Echter ik heb nogal kort termijn geheugen, en moet ik het noteren op papier om bij mijn 2 klaviers te proberen. Heb je een klad overzichtje voor ons? Zou gaaf zijn. Veel plezier met orgelspelen!!
When I was a student back in the early 70s I, not being a musician, went on a short course called "The Musician Speaks" a number of well known musicians spoke about their instrument. One of them was an organist, his talk was not anywhere near as interesting as yours.
Beste Gert, wat een super uitleg ! ik droom al erg lang van een thuis orgel, een Content zou erg gaaf zijn, wat zou voor klein behuisd en budget gezien een mooie optie zijn om volgens je uitleg een barok orgel te registreren?
niet op elke registerknop staat een voetlengte ........ je hebt werktuigelijke registers tremulanten, koppels, windlossers. etc. een 16 voet is niet te zacht , je hoort m direct bij de pijp minder sterk, tenzij de pijp in een kas vlak bij je staat krijg je akoestische koppeling. de ontwikkeling van een bastoon heeft een aantal meters nodig, bij een 16 voet is dat meestal een meter of 6 voordat je hem kunt horen , wordt versterkt door staande golven bijvoorbeeld als hij reflecterend in een hoek terecht komt.... de amplitude moet tot ontwikkeling komen, hoe lager de toon hoe breder die wordt en afhankelijk van de akoestiek wordt bepaalt waar bepaalde bastonen wel of niet hoorbaar zijn. Op sommige plekken vallen de bastonen helemaal weg, terwijl 40 cm verderop je doof kan worden van dezelfde toon. sterker nog een afstand van 5 cm kan een bastoon onhoorbaar maken of hoorbaar. En dat is niet overdreven. Dan nog iets. . Bach Schrijft bijvoorbeeld bij "wachet auf ruft uns die stimme" absoluut geen koppel voor en alleen maar een 16 voet , en 2 maal een 8 voet. Echte rop sommige orgels werkt dit niet. Dan kun je nog plena / plenums maken op verschillende type pijpen. Prestant/fluiten en je kunt natuurlijk een plenum op basis maken van tongwerken/prestanten of fluiten . Strijkers zijn ook weer een reeks apart.... De zwevende, dubbelzwevende registers. Dubbelkorige registers. Zeker in de martinikerk heb je aan de diskant een dubbelkorig register bijv. . elk orgel is uniek het blijft experimenteren.
Indien een componist geen specifieke registers voorschrijft kan elke vorm van registratie gebruikt worden. De allereerste orgels zijn ontstaan in de vorm van blokwerken. waar tientallen pijpen per toets konden klinken. Verder. tis een barok orgel. Misschien handig te spreken over enkelvoudige of samengestelde vulstemmen / aliquoten .
I enjoyed this a great deal as i am still learning even though I had to stop it to read the english translation. For some reason the sound quality was not as good as your concerts as I got a lot of buzzing, but I enjoyed the little bit you played as well. THANK YOU!
Speaking of registration....Jan was always a very active registrant for your work. You made great music together! No complaints about Marjolein...I am just old school when it comes to your early YT clips. and btw...if you could use a wireless headset microphone for your verbal presentation it would be easier to understand you. The regular microphone you use for the room is fine for the orgel but it doesn't deliver your voice as well especially when you are looking away from the camera.
Gert has been giving us music for free for many years now. His music opened our hearts and minds and souls, and hopefully wallets at paypal. Organ registers have been pressed, its time now also for cash register to be pressed. By now, founds and institutions should be competing, which will donate more and offer better deal, with no strings attached. I am probably slow in my thinking, founds and worldly institutions already donated, in which case, only eventual old strings should be renegotiated and detached.
+gertrw *Thanks for an explanation of registration suitable for the music-appreciation learner.* I've a contingency project for a combination digital instrument for OMS Japanese Christian Church (Walnut Creek, CA, USA) that combines a Dolby Laboratories Atmos playback system and a 108-rank organ; in this design, I've specificated parallel principal and flute chori in four of five Divisions, including a sub-octave Gedeckt, fifth flute, and major tenth, twelfth, and minor fourteenth principals. (The _Bryſtværk_ is a slightly expanded continuo organ with 8'4'1' flutes, 2' principal, two-rank mixture and 8' Vox Humana.)
duidelijke uitleg van diverse registraties hoe het orgel kan klinken, Een weldaad voor het gehoor. Dank je wel!
Gert. What a wonderful magical mystery tour round the registrstion of the organ. I was both "bamboozled" and enchanted! It was so interesting to learn how you paint musical pictures with the change in registration. Thank you for your generosity in sharing your passionate and knowledge.
Ik vind het zo fantastisch wat u kunt. U speelt niet alleen op het orgel, maar ook met het orgel. Bewondering!
Thank you - so clearly explained. Over the years I can recall these stops on reed organs, electronic organs and pipe organs. You could not have gone through it more clearly.
Organ registration tutorials like this are not very common. You did a fantastic job on this one, Gert
Thank you. This video makes me appreciate the artistry and technical know-how of the various registrants who have performed with you throughout the years. I love them all!! I miss Jan.
Erg bedankt. Het was allemaal heel helder en duidelijk. Ik hoop als je weer meer weet dat je ons dat meedeeld. Succes
A very interesting and informative video, which gives a good insight into the King of Instruments'. Thank you so much to Gert for explaining everything so well, and for sharing this with us. I am already looking forward to the next concert!
Heartfelt thanks for your very clear comments and demonstration of organ registration. Long ago, as a young seminarian (Boston, USA) I advised on the registrations for a fellow seminarian organist, and later as curate in a NY City parish assisted in the installation of a 32' bombard stop ( capped 16' ) suspended horizontally. What a joy: when played, I was never sure whether it was the nearby subway roaring into its station!🤔🙂. In later years, I oversaw installation of several historic organs in Vermont churches, successfully, but wish I'd then had your outstandingly excellent demonstration to use then to show my parish commities. Long ago, for me, as a concert organist, church musician, and organ scholar, you are, to my ear, unsurpassed!! Even at 80, I will return again and again to reference this demo -- and to the excellent concerts in which you personifiy in your exhaustive knowledge of organ sound and registration. MULTOS BRAVOS (and all best wishes to you, your lovely wife and child !!) You and your music are truly, especially in these troubled times, a gift from God. As a humble old musician and clergyman, to a young humane genius : thanks be to God, and you, for keeping our art alive!!!!!
Your knowledge of the organ is a great asset to your performances.
You have been a good student of your profession.
Always look forward to your future concerts.
Excellent video. Thanks. Very clear concise overview of some of the issues snd choices. I liked your choice of the illustrating the stops using the Schnitger Organ in Groningen.
Thank you for explaining the organ. It really helps to understand it better. Our own personal lesson from the Mastro himself, Gert, teaching us Organ Registration 101 🤗
Hoi Gert, dank je wel voor je heldere uitleg! Ik ben de afgelopen tijd muziek gaan schrijven voor orgel en had klankbeelden in mijn hoofd, maar kon mij geen registernamen meer herinneren. Toen ik jong was, is er mij wel veel uitgelegd, maar door een hoop omstandigheden os het weg gezakt. Jouw film brengt me weer op weg, dank je wel voor het delen alle kennis en klank. De transparantie die tussen alle stemmen ontstaat in jouw manier van registreren, bevalt mij enorm. Vriendelijke groet, Annemieke Lustenhouwer
Thanks, Gert for all your efforts to promote the culture of organ music and the knowledge about the instrument. Your talent as a musician is unique but you passion for organ is shared. Just keep it up!
What a joy to hear the color of the organ explained so precisely. Wish I had his insight when I was starting out as a church organist 50 years ago.
This was most interesting. I remember a video when you were in the organ Loft of a Church explaining registrations. This reminded me of it. Thank you, I look forward to you've next live stream.
I know that video. I think this is a great idea. It helps us realise some of the complexity of playing the organ.
Thank you for the English subtitles. Much better than when you have to say everything in both languages.
I use to work for an Organ building company. Here is some really heavy food for thought. The pipe organ was one of the most complex man made pieces of engineering for MANY years. It is very under appreciated for what little technology folks had back in the day. The one thing that we will always argue over repeatedly is MIXTURES. heh. any organ builder will feud over the discussion of mixtures. its just one of them things.... :)
Great ! since the time that I waited for an explanatory video! being a beginner organist, I didn't know how to do it! Thanks Gert!
This video combined with some Flentrop videos on organ building give a good basic overview of an organ's mechanics. How everything works together, is finally "mixed" by the player, and produces music. From Chicago, U.S.A.
Bedankt Gert voor de heldere uitleg! Wat een hoop mogelijkheden heeft dat orgel zeg!
Bedankt Gert. Goed dat dit een keer zo duidelijk wordt uitgelegd.
So, I watched this video TEN times in a row and memorized every stop name you mentioned, but when I sat down to FINALLY play Bach I still couldn't get past the first measure! I thought this course would finally do it for me!!! But, NO. I WANT MY MONEY BACK!!! My dream is destroyed. I've given up completely. That new 4-manual organ I bought for $138,000 goes into the trash can today!!! /s
Steven, maybe you need to have Gert give you a private lesson on your new organ so it won't go into the trash. 😬
The video is up for 60 minutes and you watched 10 times 30 = 300 minutes 😂 That must be an interesting size trashcan as well 😜
Thanks for all the explanations Mr. Van Hoef!
I believe modern organs are a software miracle, being able to reproduce - almost seamlessly - the sound of the wind pipes thru the loudspeakers. I listened to one of this newer software defined organs, which looked similar to yours but not so good, and I initially refused to believe to my ears. Certainly there is a difference with the spatiality of tens of thousands of pipes - but the results are unbelievable nonetheless.
I'm grateful that you have shown how to register your new wonder organ machine.
Gert, muchas gracias por tu generosidad, al compartir tu maravillosa vocación de organista, abundantes bendiciones para ti y tu hermosa familia.
Amazing! It's making the whole art of organ playing sound fascinating! I'm not a musician, just a listener and this will make my listening so much more interesting.
Wat een duidelijke uitleg Gert! Prachtig deze achtergrond informatie. Ik ga proberen de registers en stemmen te herkennen in je concert morgen want daar ben ik bij!
Het zou nu leuk zijn om eens een keer de registratie erbij te vermelden als je weet een concert geeft. Zou voor mij een leermoment zijn.
op pcorgan.nl hoor em lees je vele voorbeelden van de registraties bij de demo's van ...ig HW orgels. heel leerzaam om ook de verschillende klanken van dezelfde reg.naam te horen.
I really appreciate the detailed explanation. I tried to get my uncle to teach me registration but he could not explain it as well and now he is gone to be with the Lord. His favourite stops were the Viola de Gamba and the Voix Celeste.
Thanks for an interesting talk & demonstration. Sound very clear.
Well done, Maestro van Hoef.
Gert, wat ontzettend leuk dat je dit doet!
Dank je, meer?
Samen met mijn dochter die vol interesse deze les mee volgt als aanvulling op haar piano studie. Bedankt Gert, ik denk dat we gaan sparen voor een orgel, een droom van een 11 jarige die graag een lied speelt na de mis. 😊👍
Gert thank you for a very interesting explanation, I will mostproberly watch and listen to the video quite a few times more to understand it even better, and I think it will make me understand the music so much more.
Wat een geweldige uitleg! 👌🏼 Ik luister vaak naar Iver Kleive…
Thanks, Gert, that was fascinating and instructive. I play the piano and always think the instructions are all written down there on the page. To me, it looks like the written music for the organ is just a recipe and a lot of the art goes into the mixing and 'cooking'. If I had my way I would stick sellotape over the 'tremolo' button and write on it 'do not touch'!
Good video. You make school FUN! Thank you from Butte MT USA
Thank you Gert for the demonstration! Very interesting!🤗👍👍👍
Mooie uitleg over het mixen van stemmen, dit smaakt naar meer (onderscheid tussen barok en Franse stijl). Leuk om jullie gisteren in Naarden ontmoet te hebben, concert met hindernissen voor organist en publiek.
Gert, could you please make a video about your hauptwerk home instrument. I would love to know more about the organ , its setup and the samples you use.
Bedankt Gert, goed uitgelegd👍👍
Great demonstration. Also great sound.
I am always interested in the pieces played when demonstrating in this way, of course i recognised a couple of passages from pieces but particularly at the beginning of this video i ponder whether its just made up passages or passages from longer pieces and if so what were they, in one of your videos from a few years ago you were playing a flentrop organ, the video clip was 1.47 long. I ponder what passages you were playing then too :)))
Ha Gert, prachtige uitleg! Wat ik zelf ook vaak doe als ik bijvoorbeeld een psalm speel, is de melodie uitkomend in de linkerhand spelen met een Fluit 8' plus een Dulciaan (dus een tenorstem zeg maar) en dan een wat hogere begeleiding met wat omspelingen in de rechterhand met fluiten of een (niet-overheersende) Prestant 8'. En uiteraard met de gebruikelijke pedaalstemmen erbij. Dat is zó mooi! 👌🏻
Nicely done! Giving away your secrets 😉
Hi Gert, at 20:22 you played a small piece of music, I liked it and would like to listen to it in full. Please, who is the composer and what is the name of the piece?
It’s BWV 543, a piece by Bach.
@@GertvanHoeforganist 🙂 Thanks!! You are a great!
Dank je Gert voor de uitleg.
Thanks for this informative video on registration settings. You are truly a master on the organ. One question: how do you keep track of the pedals when playing two manuals at the same time.
How do you find your way around the pedals without looking down being ready for the next pedal or pedals to be played next and as fast you play the pedals ????
Thanks for bringing this video into my life. It gives my playing a very good equality
Very very nice video Gert, you're fantastic! Can i ask you about the name of this organ in this video? Thanks a lot!
So good having subtitles Gert, saves you so much time. Do you do it by a voice recognition programme, I hope so. Great sound at 7/45, that looks a very high tech organ. I love to listen to it & your patient explanations. Many thanks John
Superleuke video Gert!
Great show ! Very interesting for me Techie, do you also play around with Synthesizers like Minimoog or NordLead ?
I also learned in 2nd grade how to read notes. We had a music teacher that taught us how to read notes and take tests naming notes whether single, double or triple notes in the treble clef. I learned cords by having a cord organ growing up, soon there after I was able to play cords and treble clef. I would write the cords at the top of the treble clef staff and because I new where my notes were on the keyboard, I was able to play the pedal board on the organ. I had an organist at the church teach me to play the church music and add a note or 2 extra short improvise as I was playing. Then I played church services for a number of years. Now its just for my own pleasure playing an electronic keyboard. Also can play piano.
Goed bezig topper heel erg leerzaam
Leuk! Leerzaam, en had al gehoopt dat je dit een keer zou doen👍
Gert , zou jij ook een video kunnen maken over een aantal mooie registraties van heel zacht tot het volle werk van het Hoofdorgel van de Laurenskerk in Rotterdam
Mijn dank voor dit inkijkje. 🙏
Excellent, informative presentation. Thank you Gert! ( p.s. very surprised with the amount of tremulant on the Martinikerk organ - almost like a theater organ! )
This was very interesting. I always wondered what the decision thoughts were on which stops to use and how an organist can create his own personal touch in his interpretation of a piece of music.
finally a lesson!!! thank you Gert!
Geweldige uitleg ! Heb je een tip voor een relatief goedkoop digitaal orgel zodat ik ook snachts kan spelen ? Ik speed nu piano
Bijzonder interessant en je legt het heel
Goed en begrijpbaar uit. Bedanktv
Fijne video Gert. Dank je. Echter ik heb nogal kort termijn geheugen, en moet ik het noteren op papier om bij mijn 2 klaviers te proberen. Heb je een klad overzichtje voor ons? Zou gaaf zijn. Veel plezier met orgelspelen!!
Zou je ook een keer een filmpje kunnen maken over het leren van improviseren?
Hello, what about the name of music since 25:28s? Thank you
It was a short improvisation. The melody could have been used for a introduction to a hymn
@@GertvanHoeforganist Great melody，I can't wait anymore for the version of a completed piece. Thank you, Mr Gert.
@@GertvanHoeforganist please play your Roll Tide Improvisation. Thursday was a bummer without your concert!!
waar speel je nu
Ik heb geluisterd en hoorde steeds over je praten over het orgel van de martinkerk. Kun je dit ook instellen op je huisorgel. Alvast bedankt
You are amazing !
Do Dutch organs ever have Christmas Bells, or is that only in the Lutheran churches?
Yep, a few of neo-baroque Dutch organs do have a Cymbelster (Zimbelstern) but I am not quite sure it was a common thing.
W'rom vertelt hij niet er bij w'rom 't 'n hoofdwerk of rugwerk heet ?
Well done, Gert!!! :))))
Mooie rustige uitleg. Maar een gedekt 8 kan je toch moeilijk een basisregister op het hoofdwerk noemen?
Really awesome!
When I was a student back in the early 70s I, not being a musician, went on a short course called "The Musician Speaks" a number of well known musicians spoke about their instrument. One of them was an organist, his talk was not anywhere near as interesting as yours.
Beste Gert, wat een super uitleg !
ik droom al erg lang van een thuis orgel, een Content zou erg gaaf zijn, wat zou voor klein behuisd en budget gezien een mooie optie zijn om volgens je uitleg een barok orgel te registreren?
Beste Maximus, het beste is dan om een mailtje te sturen naar content. Sales@contentorgans.com . Veel plezier in de zoektocht naar een orgel!
Je moet de video in delen verdelen, per familie of divisies. Dankjewel voor de informatie.
niet op elke registerknop staat een voetlengte ........ je hebt werktuigelijke registers tremulanten, koppels, windlossers. etc. een 16 voet is niet te zacht , je hoort m direct bij de pijp minder sterk, tenzij de pijp in een kas vlak bij je staat krijg je akoestische koppeling. de ontwikkeling van een bastoon heeft een aantal meters nodig, bij een 16 voet is dat meestal een meter of 6 voordat je hem kunt horen , wordt versterkt door staande golven bijvoorbeeld als hij reflecterend in een hoek terecht komt.... de amplitude moet tot ontwikkeling komen, hoe lager de toon hoe breder die wordt en afhankelijk van de akoestiek wordt bepaalt waar bepaalde bastonen wel of niet hoorbaar zijn. Op sommige plekken vallen de bastonen helemaal weg, terwijl 40 cm verderop je doof kan worden van dezelfde toon. sterker nog een afstand van 5 cm kan een bastoon onhoorbaar maken of hoorbaar. En dat is niet overdreven. Dan nog iets. . Bach Schrijft bijvoorbeeld bij "wachet auf ruft uns die stimme" absoluut geen koppel voor en alleen maar een 16 voet , en 2 maal een 8 voet. Echte rop sommige orgels werkt dit niet. Dan kun je nog plena / plenums maken op verschillende type pijpen. Prestant/fluiten en je kunt natuurlijk een plenum op basis maken van tongwerken/prestanten of fluiten . Strijkers zijn ook weer een reeks apart.... De zwevende, dubbelzwevende registers. Dubbelkorige registers. Zeker in de martinikerk heb je aan de diskant een dubbelkorig register bijv. . elk orgel is uniek het blijft experimenteren.
thanks, teacher!
Als je bijvoorbeeld een 16'ft subbas hebt is dan de tweede C op het pedaal een 8'ft?
Dat klopt, dat is vergelijkbaar met bijvoorbeeld een gedekt 8vt
Lekker bezig
Indien een componist geen specifieke registers voorschrijft kan elke vorm van registratie gebruikt worden. De allereerste orgels zijn ontstaan in de vorm van blokwerken. waar tientallen pijpen per toets konden klinken. Verder. tis een barok orgel. Misschien handig te spreken over enkelvoudige of samengestelde vulstemmen / aliquoten .
het schnitger orgel = zeer goede keus als hauptwerk. het is een schitterend instrument.
"grumpy bear" 😂 - who's been reading children's stories? 😉
Bedankt
I enjoyed this a great deal as i am still learning even though I had to stop it to read the english translation. For some reason the sound quality was not as good as your concerts as I got a lot of buzzing, but I enjoyed the little bit you played as well. THANK YOU!
great
Thanks for eng subt. and for tutorial
👍
🙂😊
Speaking of registration....Jan was always a very active registrant for your work. You made great music together!
No complaints about Marjolein...I am just old school when it comes to your early YT clips.
and btw...if you could use a wireless headset microphone for your verbal presentation it would be easier to understand you. The regular microphone you use for the room is fine for the orgel but it doesn't deliver your voice as well especially when you are looking away from the camera.
Gert has been giving us music for free for many years now. His music opened our hearts and minds and souls, and hopefully wallets at paypal.
Organ registers have been pressed, its time now also for cash register to be pressed. By now, founds and institutions should be competing, which will donate more and offer better deal, with no strings attached. I am probably slow in my thinking, founds and worldly institutions already donated, in which case, only eventual old strings should be renegotiated and detached.
Thank you(:
Wish you giving up English as well we do not understand the language you are speaking. We love your work and music
Use the subtitles
Geluid is te zacht
jaap de jong Dan zet je die harder
I made a gemshorn flute.
Het stemgeluid is echt te zachtjes. Tip: gebruik een revers-microfoon. Doen!
+gertrw *Thanks for an explanation of registration suitable for the music-appreciation learner.* I've a contingency project for a combination digital instrument for OMS Japanese Christian Church (Walnut Creek, CA, USA) that combines a Dolby Laboratories Atmos playback system and a 108-rank organ; in this design, I've specificated parallel principal and flute chori in four of five Divisions, including a sub-octave Gedeckt, fifth flute, and major tenth, twelfth, and minor fourteenth principals. (The _Bryſtværk_ is a slightly expanded continuo organ with 8'4'1' flutes, 2' principal, two-rank mixture and 8' Vox Humana.)
Bass sound
"Gert en zijn opa samen op het orgel
"
(voor altijd) :
ruclips.net/video/nYsj8mc_hDc/видео.html
Jim Hill, thank you for sharing this. I had not seen this one.
Elk orgel heeft een eigen aanpak nodig. Er zijn geen 2 orgels gelijk.