You always bring fun to the serious Type conversations! Examples in this video are obviously wrong. Could you choose something more challenging, to wrap my head around? 😆 How do you approach design in general, are you more of a metric or optical person? More of these educative videos with guests! I've noticed that my clients think geometric sans fonts are perfectly created. But often these fonts have issues with overall composition. I first "sense" fonts optically, and secondary is a learned metric.
it would be better if Alanna had an option to draw and show what she is talking about, when you are discussing the typefaces. She seems very nice. Good new knowledge, thanks
You always bring fun to the serious Type conversations! Examples in this video are obviously wrong. Could you choose something more challenging, to wrap my head around? 😆
How do you approach design in general, are you more of a metric or optical person?
More of these educative videos with guests!
I've noticed that my clients think geometric sans fonts are perfectly created. But often these fonts have issues with overall composition. I first "sense" fonts optically, and secondary is a learned metric.
Super interesting and fun, thanks for that talk! And, just to be sure - the spacing on your T-shirt (Typo grapher) is intentional, no :)
it would be better if Alanna had an option to draw and show what she is talking about, when you are discussing the typefaces. She seems very nice. Good new knowledge, thanks
This was very helpful.
Happy to hear that, Ian ☺️☺️
A good word to compare line weights is TWERK.
That’s a great tip! I’ll add it to the blog post!