What a beautiful haunting song. What make the Beatles better than most rock bands,like the Rolling Stones is the Beatles have 3 great songwriting lead singers . And the drummer sings as well.
Excelente! Gostei muito dos vocais isolados. Você consegue isolar os vocais do Paul em "Hey Jude" (sem o coro de fundo) até o final da música?? Obrigado.
It´s interesting that both John and George play G#m on the parts ( " for red is the colour that will make me blue) when the harmony vocals suggest its a C#m chord.
No se si me entiendas en español.. pero lo que siempre he podido distinguir es que buscaban de extender lo más posible la armonía de sus canciones no solo usando sus instrumentos y acordes con ellos sino con sus voces.. entonces tenías bajo.. guitarras.. posiblemente algún piano u órgano y arreglos a dos y tres voces.. cubriendo la mayor cantidad de octavas en la armonía posible! Incluso en sus inicios cuando contaban con menor cantidad de tracks tendían a hacer esto..
@@flouisbailey G#m and C#m are chords related to the key of the song and are parte of the major scale or the key and the major pentatonic too.. so I don't think that it's related to the E blues scale.. that you will find a G and C natural and sharp too probably..
@@RicardoAldana1988 I was using an example of how a note can be used to transition into another KEY. Using a “blue note” as a stepping stone, just a thought. These guys slowed the tape machine ect. to paint with sound, I think they broke a few rules.👑
@@RicardoAldana1988 Exactly. This case seems more like the chords contradicting the melody. The main melody on that phrase starts on a C# and descends to a E, so it should not be a G#m. I always played a C#m/G# , but the resulting harmony should be named C#m7(9)/G# . There is no blue note on this song.
While Paul might get the high harmonies, I think George has the more complicated harmony to perform. But it sounds magical!
The harmony vocals are so awesome to hear
Phenomenal job on singing those dissonant harmony notes!
❗️❤️🙏🏻👏Потрясающая завораживающая песня! Божественные вокалы!!! Шедевр, masterpiece! Thanks Cristhofer 👏🔥
,
B side of Ticket To Ride. One of the ones John didn't like. See if you can find the film of The Bangles singing it on Chris Carter's show.
What a beautiful haunting song. What make the Beatles better than most rock bands,like the Rolling Stones is the Beatles have 3 great songwriting lead singers . And the drummer sings as well.
"haunting" is the perfect word :)
Гениально
Excelente! Gostei muito dos vocais isolados. Você consegue isolar os vocais do Paul em "Hey Jude" (sem o coro de fundo) até o final da música?? Obrigado.
It´s interesting that both John and George play G#m on the parts ( " for red is the colour that will make me blue) when the harmony vocals suggest its a C#m chord.
No se si me entiendas en español.. pero lo que siempre he podido distinguir es que buscaban de extender lo más posible la armonía de sus canciones no solo usando sus instrumentos y acordes con ellos sino con sus voces.. entonces tenías bajo.. guitarras.. posiblemente algún piano u órgano y arreglos a dos y tres voces.. cubriendo la mayor cantidad de octavas en la armonía posible! Incluso en sus inicios cuando contaban con menor cantidad de tracks tendían a hacer esto..
Ground breakers, I can see it like a BLUE note just passing by on a trip to another tone.
@@flouisbailey G#m and C#m are chords related to the key of the song and are parte of the major scale or the key and the major pentatonic too.. so I don't think that it's related to the E blues scale.. that you will find a G and C natural and sharp too probably..
@@RicardoAldana1988
I was using an example of how a note can be used to transition into another KEY. Using a “blue note” as a stepping stone, just a thought. These guys slowed the tape machine ect. to paint with sound, I think they broke a few rules.👑
@@RicardoAldana1988 Exactly. This case seems more like the chords contradicting the melody. The main melody on that phrase starts on a C# and descends to a E, so it should not be a G#m. I always played a C#m/G# , but the resulting harmony should be named C#m7(9)/G# . There is no blue note on this song.