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TRIPTYKON with the Metropole Orkest - Rex Irae (Live at Roadburn 2019 / Official Video)
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- Опубликовано: 14 май 2020
- TRIPTYKON with the Metropole Orkest - Rex Irae (Live at Roadburn 2019 / Official Video). Taken from the album "Requiem - Live at Roadburn 2019)", out May 15th, 2020. Order now: Triptykon.lnk....
Triptykon with the Metropole Orkest - Requiem, performed live at Roadburn 2019, Tilburg, Netherlands, April 12, 2019
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Triptykon:
Hannes Grossmann: drums, percussion
V. Santura: guitars
Vanja Slajh: bass
Tom Gabriel Warrior: voice, guitars
Grave Eternal as well as full Requiem 2019 live performance arranged by Florian Magnus Maier, with V. Santura and Tom Gabriel Warrior. Rex Irae originally arranged by Martin Eric Ain, Reed St. Mark, and Tom Gabriel Warrior; classical sections originally arranged by Lothar Krist, 1987. Winter originally arranged by Christoph Littmann and Tom Gabriel Warrior, 2006.
Produced by V. Santura & Tom Gabriel Warrior. Musical directors: Florian Magnus Maier, V. Santura, and Tom Gabriel Warrior.
Concert rehearsals recorded by Dirk Overeem at Studio 3 @ MCO, Hilversum, Netherlands, April 11, 2019. Roadburn festival live concert recording by Dirk Overeem at 013 Poppodium, Tilburg, Netherlands, April 12, 2019. Audio assistants: David te Mervelde and Davin Stothard (Da Capo). FOH engineer: Paul Pouwer. Triptykon FOH engineer: Elmar Packwitz.
Additional recordings conducted by V. Santura at Woodshed Studio, Landshut, Germany, January to June 2019. Audio post-production and editing by V. Santura at Woodshed Studio, Landshut, Germany June 2019.
Mixed and mastered by V. Santura at Woodshed Studio, Landshut, Germany, July 2019.
Video direction by Max Boeree for BigEars Productions, Netherlands; video editing by Max Boeree, V. Santura, and Tom Gabriel Warrior.
Executive producers: Antje Lange and Tom Gabriel Warrior, for Prowling Death Records.
Century Media A&R: Leif Jensen.
Rex Irae published by Maldoror Musikverlag, Grave Eternal and Winter published by Edition Diktatur des Kapitals.
Requiem co-lead vocalist: Safa Heraghi
Conductor: Jukka Iisakkila
Metropole Orkest:
Violin: Arlia de Ruiter, Denis Koenders, Federico Nathan, Ruben Margarita
Viola: Norman Jansen, Julia Jowett, Iris Schut, Wouter Huizinga
Cello: Annie Tangberg, Jascha Albracht, Dionne Nijsten, Charles Watt, Mariëtte Laport, Susanne Rosmolen
Double Bass: Erik Winkelmann, Arend Liefkes
Horn: Pieter Hunfeld, Diechje Minne
Trumpet: Dave Vreuls
Tenor Trombone: Jan Oosting
Bass Trombone: Martin van den Berg
Contrabass Trombone: Brandt Attema
Percussion: Murk Jiskoot
Timpani: Eddy Koopman
Keyboard: Jasper Soffers
Choir; Kobra Ensemble: Ingrid Doude van Troostwijk, Lea Klarenbeek, Sterre Konijn, Nina Rompa
Artistic Manager MO: Robert Soomer
Monitoring and Recording: Dirk Overeem
Audio assistants: David te Mervelde and Davin Stothard (Da Capo)
FOH Engineers: Elmar Packwitz & Paul Pouwer
Head of Production: Sophie Koopmans
Orchestra assistants: Hein Bouwman and Jan Visser
Filming: Bigears Productions
Director: Max Boeree
Camera: Alex de Waal, Wim Oosthoek, Walter Juijn
Remote Camera Operator: Alle van der Wal
#triptykon #celticfrost #requiem
![TRIPTYKON 🤘 Aurorae !! Live Wacken 2016 [HDadv Remastered - MikeNadi] [1080p]](http://i.ytimg.com/vi/tdFj6KGMIlk/mqdefault.jpg)
As a 16 year old metal head in 1987 pandemonium blew me away, Rex Irae being my standout track, 2020 as a 49 year old metal head listening to this beautiful performance is simply outstanding.
Right there with you at 48. Have spent the day digging up classics of FROST and HAMMER
Me too
48 jahre chiming in. Frost, et al, are still amazing.
I saw Celtic Frost on the "Into The Pandemonium" tour when I was 15!
Another 49er...
Oh god yes.
I literally cannot believe i've waited 33 years to hear this. Absolutely incredible, note-perfect, even capturing the '87 guitar sound and those off-kilter guitar solos. This song ruled the summer of '87 for me. After Pandemonium, i was primed for Alternative Metal: King's X, Warrior Soul, Mordred, Bathory, Living Colour, Jane's Addiction, Nirvana... that album and this song opened the gates. Momentous.
this is just a sad poor version of the original. the original is much better.
@@maniaque37 not fair . look at the complexity of this. of course its not going to be 100% like the original. but it sounds very good and strong. played very close note for note too. and no band (except Rush maybe??) sounds the same live as on record
Who's is this song originally?
@@anfrankogezamartincic1161 celtic frost , same singer
@@anfrankogezamartincic1161 CELTIC FROST 1987
Her voice is from another realm
Flawless, that’s the best metal + orchestra I’ve ever heard and the opera vocal is unbelievable. I met Tom on the Pandemonium in Birmingham when they toured with Kreator a life time ago, can’t believe he’s still turning out masterful performances like this / immense
When was that?
👏👏👏
Tom W deserved to play with orchestra , i cant say it about Metallica and many others , but Tom and his CF/Triptykon were always true dark art
Her vocals are mesmerizing
You have to listen studio version .
As love enslaved the night
@@slaykanat the singer on the studio version may have had better technique, but was annoying. Safa is bringing in a different style and more soul.
it is a very poor version of the original song actually. we need new material. full new albums.
Her vocals are soy-millenial garbage.
This is almost overwhelming… absolutely high art.
I'm thoroughly convinced Tom Warrior is a time traveler. I've been a fan of his since I was 12. And in America where they weren't widely known.
@@LordVulcan93 I’m also an American fan since I was 15. I saw Celtic Frost at a tiny club in Connecticut in 1986 with Voivod… none of my friend understood my love of that band. After all of these years, revealing Tom’s extensive catalogue of mind and genre bending music, I am vindicated.
This is the most sophisticated a Black Metal band has ever got ... anytime, anywhere ... just ... pure ... excellence ! The theatrical trade offs between the two vocalists are otherwordly , hell yeah !!!!!
How is this masterpiece so low on views? Show it in schools, teach the value of good, deep, beautiful music and how it evolves.
Hail !!! Triptykon!!!❤🧑🚒🤘🍷🤣
This is high art, 30 years in the making. Yet it seems to go unnoticed. What has the world come to
i don't get how a live performance can be so flawless , its like a studio recording.
did this seriously sound that good live ? the female vocals especially are astounding , i think i would be in tears if i had witnessed this
I was there, and honestly, it sounds a lot better here to me. It was mixed and mastered professionally afterwards of course. Getting the mix right on the spot as it's happening must have been very hard, so I don't blame them.
Tom,we grew up listening to your music,the mystery,the poetry in lyrics,the heavy dark feeling,the genuine artistic inspiration and expression,the originality,you were always ahead of your time and you still are one of the few remaining poets of metal in my book,a true artist,this version of this amazing song is incredible and i feel the need to thank you once more for speaking right into my heart and also for keeping the flame alive.
No volume level on any home system could do justice to the enormity of this beautiful racket.
I can imagine being immersed in it, feeling the bass drum in my diaphragm, the instant flash of pain you soon get used to during sound check, the majesty of the combined voices. Amazing. ... god I miss gigs... 🤘🏻🖤🤘🏻
Love the chord progression at 3:51. Celtic Frost was always so groundbreaking.
This preformance deserves so much more praise.
Great crystal clear vocals and the guitar mixes are spectacular.
Into the Pandemonium,ich war am ausflippen.
The gods an originators of new Avantgarde Metal.....und es folgte das Warten.Und das zahlt sich im Leben aus.Meinen aller tiefsten Respekt vor dieser einmaligen Lebensleistung
Simply great!!! What a band, what singers, what musical experience!!!
This is euphoric! Ever since I first heard this in '87 I have wished to see Celtic Frost do the entire Pandemonium album live w/ an orchestra, and especially Rex Irae. Into the Pandemonium will always be for me one of the most important metal albums of all time. Love Morbid Tales and To Mega Therion, of course, but this was groundbreaking, both sonically and thematically, paving the way for sooooo much that came after it. The dark languishing and melancholic moods are expressed beautifully. This is art. There are depths here most would never traverse. I absorbed this album for months after it was released. And I still return to it time and time again. Thank you
Absolutely agree.
5:24 what a voice! I am in awe......
Thomas G Warrior is the King of Metal, what an epic and beautiful production, well worth the wait.
I, honestly, do not believe that I am worthy of playing music after hearing that. I ... um ... except for hearing the other parts ot the Requiem. Winter, and Grave Eternal. I take back any, all things, that I have EVER said about Cold Lake and selling out and any of that. 100 percent. Tom Warrior, THANK YOU!! This...THIS. IS. MUSIC.
Tom G Warrior is the best I have never heard anything so beautiful in my life before
Hellhammer, Celtic Frost, Triptykon ALWAYS been astonish and outstanding!!! RULESSSS!!! MTNX TOM!!!
The first thing I thought of after watching Gojira’s incredible performance at the Paris Olympics opening ceremony yesterday. My favorite CF song since it blew me away when it originally came out. Never saw this version before! So cool to see it live with a full orchestra. Incredible!
I've loved this cd from day one 1987 17 years old major influence on my life and new understanding of deeper thoughtful music ,thank you Tom G and your female singer deserves so much praise she and you are perfect contrasts you'll be forever a musical hero of mine thank you.
Part 6 of the cd is absolutely stunning. What a great song.
Yearning for a new Triptykon album for years now. But even a live album they manage to form into a piece of art.
Outstanding performance by the orchestra and from Triptykon, from the actual atmosphere to the mixing, unbelievably Grandiose.
This comment section is just full of close-minded, and uninformed people... Really sad.
This is a project that started in 87 with "Into the Pandemonium".
Of course this dont sound exactly like the usual Triptykon or Celtic Frost (Even though I can see that all over the place), it's a REQUIEM, a musical composition, so thats why the use of the orchestra and the beautiful choir.
I guess we found some of the people who never listened to Celtic frost in the comments. Rex irae was ahead of its time in 1987. As for this live performance, it’s ok of course it wasn’t going to be as dark as Triptykon since that music concept wasn’t even formed until monotheist came out in 2006. Tom G. Warrior wanted to finish this project for Martin Eric Ain. Seeing this only makes me excited for the new Triptykon album, hoping for a 2021 release.
What? I am super confussed by the second part of your comment. It wasnt going to be as dark... and then im lost.
I totally agree. Rex irae was ahead of its time. Play some mexican radio!
@@dhararahl2488 more confusing shit. What does mexican radio have to do with an old celtic frost song?
@@beerdrinker1486 it is also one of their songs in into the pandemonium album
@@dhararahl2488 they have a song called "mexican radio" ?
Terrific song! I love this version! I love this lady's voice. It fits beautifully into the song.
Good song and good performance, the vocals blend well in the duet. Good to see Fischer still delivering the goods after all these years.
Love this Voice from the Woman.💖
All i can say is, thank you Mr. Tom G. Warrior for giving the fans this amazing musical gift!
nice to see lars ulrich in celtic frost
This entire album is amazing. Its a bloody masterpiece
Absolutely awesome! A truly majestic classic. It's been part of my whole life as a lifelong Celtic Frost fan, but this Triptykon version is wicked.
This is so much more intense and striking than the studio version on Into the Pandemonium.
A true masterpiece from the days of Celtic Frost, and improved a thousand percent.
Safa Heraghi looks and sounds soo beautiful here.
Triptykon seems to have given a lot of emphasis on the orchestral elements to give these songs a bigger sound for the live setting. While it may have taken away a lot of the darker elements of the studio versions, I still really like this
Cool picture. The vocalist Safa Heraghi also did the female vocals for the 3rd disc of Triangle: The Supernal Clear Light of the Void. Another interesting fact, the drums and percussion for Triangle were recorded at Woodshed Studio that is owned by V. Santura. The mixing and mastering also took place there.
@@Adrian_888 excuse me, what's that thing "the supernal...of the void"? Is it an album? I can't find anything about it 😅
Seit 1987 darauf gewartet auf die Trilogie-ich habe die Ehre und hebe die Haare.
Mein davor unvollendeter Kreis schliesst sich,ich danke dir Tom!
This band continues to invent new ways to be heavy...
Wow!, I didn't know this video existed. I've been a fan of CF since Morbid Tales was released. Between Morbid Tales, To Mega Therion, & Into The Pandemonium (released within three years of eachother!), it broke so many barriers and rules. Totally unique and intriguing. Great performance! I remember reading a CF article back in the days of To Mega or Pandemonium and Tom spoke of the plan for future albums that sounded very exciting. Of course they took a detour instead shortly after, from apparent pressures from their label. Unfortunate. They are the only artist like this that i still listen to from the 80s. Excuse me while i watch the performance again!
such a masterpiece
Es tut mir leid, das ich mich als Celtic Frost/ Triptykon Fan erst jetzt melde! Ich habe alles über die Jahre (80er) bis heute gesammelt, gelesen und stand immer zur Band! Hoch und Tief gibt es überall! Das Requiem ist eine wunderbare DVD!!! Ist ein schöner Abschluss Tom! Ich hoffe Du machst weiter! Denn Deine Musik ist einzigartig!!!🤘🤘🤘🤘😃
You have joined your father's feast
Those who saw essence or fall
Floods of dramatic silence
And words, from whom we don't know
Let me dream
Flee from false
I have tasted the weight of lust
My hands on the skein of height
A pallid death
Mirage into dark
The horizons echo your glance
Following a detractive sleep
I am the wrath beneath the heavens
The downfall's monologue
Fallen into the vision of effect
Quiet as gods can be
(Joining the king's words)
Orgies of fear
Inbreeding and death
I have walked Carthaginian's sands
I've touched those buried walls
I am the
All mortal is love?
Remembrance has won
Breathing glorified innocence
Quiescence has died therefore
I am the
We stood before the portals of Babylon
And saw it's petrified fall
Have seen your decline's symbols
But carried another life
We tasted the wine of Persepolis,
As mute as our era's breath
Death was never a fragment of
Exalting fantasy
Remembrance ii, this last region last of fire
Orgasmic cries tears and words
Wrath and strength oh, gods! for you!
Before the throne, death
Fright and praise
A faded light
Intimate rests my book
Unwritten what seems true
I am the art of might!
You remaining king
Take your predecessor's hand
You son of my jade gift
I am the
The first beauty and the beast vocal style
I had the lp back then when I was just a teenager, a fan till today, this is impressive, this is how it was supposed to sound back then and I can see how far Tom's vision went in those days. Absolutely impressive performance.
Nice cover of the legendary song from Martin Ain RIP and Tom Warrior. Martin was a very fun down to earth guy, had the extreme honor of meeting him in 07. God bless bro
so powerful... so dark.... her voice....
Tom is legend
thomas gabriel is genious in year 1987 i like this song today its classic ! true masterpiece dark and beautiful song so thanks thomas and other
Nice a Celtic Frost classic.... Vary nice... Love It!!!!
While this song did come out a few years before I was born, it was and still is obviously way ahead of its time. And Safa did a fantastic job with her part. Tom has always been ahead of the game, and one of the major reasons I love Doom Metal as much as I do.
Totally masterful, absolutely LOVE it!
All I have in my head is a slow epic battle between Trypticon and Metroplex, signalling Cybertron's final hour.
Into The ... was amazing yesterday and is superlative today with a real orchestRa Thanks Tom G warrior you and your music give me The power to resist in this world when iwas in a black hole of my life , so unreal condition
Bought Roadburn and flight tickets the minute after the announcement appeared on my FB page because I would have felt like a failed metalhead not to attend this after 35 years of worshipping Hellhammer, Celtic Frost and Triptykon.
Epic performance, tinged with a slight sadness because this came to be because of Martin Eric Ain's death.
“Destroy Autobot City!”
“Crush Metroplex!”
So glad they finally decided to implement orchestral elements to there music
They did that in "into the pandemonium"album in 1987.
Tom G. still here - Still making my soul sing. A dying god, we all shall fall.
Breathtakingly moving and mesmerizing. BTW, all the REQUIEM is an astonishingly organic, vigorous and ultimately beautiful fusion between heavy metal and symphonic orchestration, all the more surprising because this kind of thing is almost always bound to catastrophic results. Mr. Tom G. Warrior really hits the spot here, very good stuff, sometimes echoing things like Mahler, Univers Zero, Magma, Pink Floyd circa AHM and obviously all kinds of goth music.
An orchestra and a Metal band - great
Espectacular. Mañana recibiré mi edición en vinilo. Temazo!!!
yes.
Cool music ❤
Hands down.
Amazing. Also, sexiest bass player in the universe.
Goosebumps, wow!
So proud of LA Turtle for making it into the band! Didn’t know he was such a great drummer!
I remember when i first head this song I was blown away !!
Bought the record bundle hell yea I support anything Fischer. Even apollyon sun
The whole of into the pandemonium was about 20-30yrs ahead of its time! Tom g is way ahead of most other musicians.
Based!
Amazing performance, I actually prefer this to the original, feels more complete with the orchestra.
Safa Heraghi has such a powerful voice!
Is that the singer? The band should hire her, shes very good. No Floor Jansen or Diane van Giersbergen, but still very good.
@@beerdrinker1486 Yes, this is her. She has an amazing voice and I loved that she added some rasp at the end there, sounded great. I like Triptykon's usual collab (Simone Vollenweider) but Safa brings more diversity and power to their sound. I'd loose my shit if she'd feature on the new LP. Check out her feature in Dark Fortress' song On Fever's Wings
Splendid. Mine arrived today. Oh yeah...
you can't get more metal than this
This is fucking AMAZING.
Wow... this is absolutely amazing.
Love this performance it is incredible
The Maestro
It is impossible to express how much I love this
Hermoso, gracias por tanto
Never knew this existed live wow
Beautiful song....
About Hannes Grossmann, considering his drumming background, playing drums with Triptykon must be a children play!
actually i liked whole album in to the pandemonium! i remember when my friends dont like pandemonium album maybe it was too kind of art album after megatherion album but this song was head of a time ! and its still is to me celtic frost was one of greatest bands in my youth
Early avant garde Metal(1987) by Celtic Frost.🤘
Неплохо. Организованность с оркестром..класс!
Incredible, espec the fm vocalist
Damned that's proper music !
This is pure brilliance!!!
Vanja is a very beautiful bass player.
Yes, she makes me a little more gay every time I see her!
Music excellent!!!🧑🚒🤘❤🎸🎶🍷
God she is beautiful!!!
This shows how much Roadburn values the right stage setup. The sound engineering is always great during RB, one of my highlights that year.
Just amazing. A perfect balance. !
esto va cogiendo forma a lo celtic frost, sonido para poner los pelos de punta. saludos
Just a masterpiece