Easy 2 5 1 Hacks for Saxophone

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  • Опубликовано: 19 июл 2024
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    Learn this easy way to sound great on saxophone over 2 5 1 chord progressions - in both major and minor keys.
    If you're improvising on saxophone, the 2 5 1 chord progression is one you need to know. Learn this easy technique for playing over major and minor 2 5 1 progressions in this free lesson.
    Get access to all the resources - PDF and backing tracks - inside Sax School. Get access with a 14 day free trial.
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    Free lessons on our blog: saxschoolonline.com/blog/
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    Chapters:
    0:00 - About this lesson
    0:50 - The Flavors of 2 5 1
    2:21 - Importance of knowing the 2 5 1s
    4:17 - The Major 2 5 1
    9:19 - Let’s hear the Major 2 5 1
    10:59 - The Minor 2 5 1
    14:13 - Let’s hear the Minor 2 5 1
    15:20 - Summary of the 2 5 1
    16:53 - Example of 2 5 1 changes
    18:24 - Joel’s Pro Advice
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Комментарии • 32

  • @darnocab
    @darnocab 8 дней назад

    Something about the simplicity of this approach has really helped to relax me and unlock my playing. Thank you so much. I'll definitely be checking out more of your videos.
    I really enjoyed playing tonight and using some of your instruction. Thanks again.

  • @Jaujau933
    @Jaujau933 7 месяцев назад +4

    Joel does an amazing job, great tenor style and sound, super teacher. 👏👏👏😎

  • @Filippsax
    @Filippsax 3 месяца назад +2

    Cool! Thanks a lot!😊 It's so easy and sounds good!

  • @larrywarr3954
    @larrywarr3954 7 месяцев назад +3

    Great lesson. It proves sometimes less is more when it comes to notes played. 😊

    • @JoelPurnell
      @JoelPurnell 7 месяцев назад

      Thanks! One of my favourite sayings! Hope you’re well. Joel. 👍🏼

  • @claragary
    @claragary 7 месяцев назад +2

    Wow, this is so great!! Thank you very much! You sound amazing💯

    • @JoelPurnell
      @JoelPurnell 7 месяцев назад +1

      Thanks! 👍🏼

  • @BrianBurgess-jg6bs
    @BrianBurgess-jg6bs 7 месяцев назад +2

    Excellent content- thank you so much for posting cheers

  • @DobrisaDobrenic
    @DobrisaDobrenic 6 месяцев назад +1

    Fantastic, Joel!

  • @deadvolume
    @deadvolume 4 месяца назад +1

    Great stuff. I’ve been relying on targeting 3rds way too much to outline the harmony on ii Vs, the fact that the 3rd is completely missing from the V might force me to get a different sound in my ears. I think this approach also gets you thinking about rhythm a bit more due to the limited note choices.

    • @JoelPurnell
      @JoelPurnell 4 месяца назад

      Thanks! Yes, rebalancing a choice of fewer notes with rhythm is a great tactic. Best wishes. Joel.

  • @paulearley9704
    @paulearley9704 7 месяцев назад +2

    Sounds fantastic. Tomorrow night's practice session I think.

    • @JoelPurnell
      @JoelPurnell 7 месяцев назад

      Thanks! Sounds like a plan! 👍🏼

  • @JulienT976
    @JulienT976 7 месяцев назад +1

    Keeo it simple lesson txs a lot 😊

    • @JoelPurnell
      @JoelPurnell 7 месяцев назад

      No problem! 👍🏼

  • @tioliak
    @tioliak 3 месяца назад +1

    7:30 It sounds like Post-Bebop era

  • @w2tty
    @w2tty 7 месяцев назад +3

    Wow. Only those four notes? Sounds so full!

    • @JoelPurnell
      @JoelPurnell 7 месяцев назад

      Thanks! Quality not quantity (of notes that is!) Best wishes. Joel. 👍🏼

  • @raseshgandhi6702
    @raseshgandhi6702 6 месяцев назад +1

    Great 👍🎉

  • @JanKuppinger
    @JanKuppinger 7 месяцев назад +1

    Wish I could give you more than one Like! 🙂

    • @JoelPurnell
      @JoelPurnell 7 месяцев назад

      Ha! Thanks. 👍🏼

  • @HealingWord_Psalm107-20
    @HealingWord_Psalm107-20 6 месяцев назад +1

    Joel. What is your last name? Where can I hear more of your playing? I love your tenor sound. Do you do private instruction? I’m really in need of some feedback and guidance about sound production.

  • @Skattepu
    @Skattepu 5 месяцев назад +1

    Great stuff! What happens when the V7 has been tritone substituted (with I#7) for chromatic root movement? Would the iim4 itself have to be substituted for, say, the “v#m4”?

    • @JoelPurnell
      @JoelPurnell 5 месяцев назад +1

      Thanks! You can play the minor group starting on the 5th of any dominant chord. So if it was Dm7 Db7#11 Cmaj7, it suggest trying Dm4 Abm4 Em4 groups. Little bit trickier, but sounds great. Best wishes. Joel.

  • @chriswright2553
    @chriswright2553 7 месяцев назад +1

    Joel, you have a great tenor sound. Really rich and focused.
    On minor 2-5-1, how about suggesting adding in the leading note as a fifth option over the dominant seven flat nine? Boosts the clarity even more for not much more effort. Something to suggest for more advanced players? What do you think?

    • @JoelPurnell
      @JoelPurnell 7 месяцев назад

      Thanks! Sure, if you want to take it up a level to create a differential between the 2 & 5, try adding the b7 on the 2 chord, and the 3 to the 5 chord. Works on both major & minor 2-5s. Hope you’re well. Joel. 👍🏼

  • @kwootamuckbear9294
    @kwootamuckbear9294 7 месяцев назад +1

    Where’s the pdf🤔🎶🎵🎷

    • @JoelPurnell
      @JoelPurnell 7 месяцев назад

      Hi. Just follow the link in the description. It’s available inside Sax School. 👍🏼

  • @thomasschneider1785
    @thomasschneider1785 6 месяцев назад

    How do you no the one in a 2 5 1; just because you have two # doesn’t mean your in D? Help