The Rolling Stones - Jumping Jack Flash Guitar Lesson
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- Опубликовано: 18 сен 2024
- Lovepedal High Power twin tweed Buy Now: goo.gl/Muf6RR
The Rolling Stones "Jumping Jack Flash" guitar lesson. Today we're using the Lovepedal High Power Tweed Twin with a low gain setting to give a harmonically rich rhythm tone to a Fender Custom Shop Telecaster. Keith is said to have recorded this on an acoustic with open D tuning and a capo on the 2nd fret (E) but can also be seen playing it live with an open G tuning and a capo on the 4th . In order to give a single guitar the versatility to play the main and overdubbed parts, a tuning of open E does the job well. One finger chords a always a benefit of open tunings and with the right technique, you can continue the chords of the chorus and layer the melody over the top for a complex sound by your lonesome. Enjoy your riff of the day guitar lesson!
Just bought my first Tele yesterday and this is the first Tele-song I've learnt after buying it. Awesome thanks!
Haha nice spambots
This is keith Richard's genius right here. To take something simple.and make it sound amazing.
The main was actually Bill Wymans
Bill's driving riff was apparent from the get go
@@andrewhudson8966 The main what?
@@cubistone Bill was a good bass player, but sometimes keef got frustrated and played bass lines. Sympathy for the Devil for instance. Keef ain’t no bass player but what he played sounded ok I guess.
Plus brian played this part
Like a fool I tried to play this song for years in standard tuning and it never sounded right.
Then I saw a YT Video about how it’s really played in an E or D tuning. I forget which and then I Down Tuned the Guitar 🎸 with an Tuning App. Another innovation that didn’t exist 20 years ago. The I hit the chords and VIOLA! It was easy and sounds exactly like the recording. It was a Revelation! With the right tuning suddenly the riffs and the song are incredibly easy to play and fun! I was amazed!
All those years of playing it wrong and the chords not sounding right were over! I thought Keef, you Sly Bugger! You fooled everyone with your drop down Tunings and I realize he probably leaves most of his guitars in drop Down tunings.
I can finally play JJ Flash correctly now after all these years! What a relief!
Keef is one sly guy! He fooled me with his slick alternate Tunings!
And it took the Internet and RUclips to finally help me figure it out.
Otherwise, on my own I’d never know!
Yes, you can play this piece in standard tuning! Other tunings like E major, G major etc makes it easier to play. You only have to use one index finger to fret notes. Eg if the guitar is tune to E then the third fret with one finger gives a G chord and so on👍 You are not a fool?!...just didn’t know little guitar tricks🤔
I have to say of all the lessons I've seen online you nail this simple but, oh so hard to capture the vibe of song, better than anyone else I've seen.
Great lesson and very good version indeed: it might not be perfect but, as he explains at the beginning, this version in "open E" brilliantly mixes two guitar parts together.
This tune (with the original tuning(s)) can get any crowd up on their feet. Thanks!
Andy....you're killing me. I've messed around with this for years trying to make it sound good....thanks for 'the secret'...cheers mate, D.
This song has always been intriguing because you're never really sure how it's played on the guitar either live or on record, whether in standard, open E, open D or open G tuning, or any combination/capo positions with different overdubs. I've researched by looking at old videos and back then the primary focus was on Mick Jagger and you can't really see what the guitarists are playing. One exception is THE ROLLING STONES ROCK AND ROLL CIRCUS circa 1968 and both Keith and Brian Jones (for what it's worth) are playing uncapoed guitars and it's unclear if Keith is playing in standard tuning but it appears that he is. By 1969 as seen in the Stones' Hyde Park concert, Keith has already switched to the familiar 4th fret capo/surely open G tuning that he'd adopted around that time from Ry Cooder with the 1969 Muscle Shoals LET IT BLEED/STICKY FINGERS recording sessions (and has become his religion ever since), and Mick Taylor is playing uncapoed and most likely in standard tuning, and I believe that Ronnie Wood also plays that way.
One point worth mentioning is that the familiar intro riff that appears on the record was always excluded and never played in the live versions of the song, which is a bummer because it's so great, not to mention that the original distorted "half-acoustic, half-electric" sound by recording with a cassette recorder and playing back through a mic is just as much a part of the true feel of the track as anything. I suppose that it proves that point that the track was recorded with a combination of tunings and the open D or E tuning was used for the intro, and the Stones never bothered to try to replicate that live onstage, but I'll always wonder why Keith never came up with an amicable adaptation that could be used within his open G tuning. (And I've never heard that question asked in any interview with him.) Thanks.
DDEENY Rock and Roll Circus version is in standard. Studio version used an acoustic in open D capo'd at the 2nd, and the other guitar is in open E. There could very well be other acoustics layered on top but there is a Nashville tuned guitar somewhere in the mix.
I find the tricky thing with Rock and Roll Circus video is I'm just not sure what Brian actually is or isn't doing. You make a good point though.
I've always thought this song should be a snap to get but something really quirky about it. Great great song for sure.
charles schwartz I don't remember it that well but i guess Brian's parts except for no expectations are muted.
m
+DDEENY
thanks!
Wonderful! The best lesson ever about this song in RUclips, however let me point out some things. You are correct on the tunning. The studio version of the song had the guitars tuned to Open-E kind of intervals, and not Open-G as some stubborn guys like to parole. If you take your lessons and try to play along with the original 1968 version, it will feel slightly out of tunning, coz for some reason, the instruments were tuned flat on the whole song. So, take your Open-E tuning and flat it to a "Open-Eb", and try it again, your guitar will couple with Keith's immediately! Also, the correct riff for the first part of the song is what you show between 2:38 and 2:45, both guitars play the riff like that until the interlude comes. When the interlude is gone, one of the guitars change the way to play the riff on the open mode (as you show between 2:47 and 2:55), and the other stays tight (as between 2:38 and 2:45), and it goes like this till the end of the song. Listen carefully and you will catch it as well.
its tuning not tunning dude.😃
The guitars were not tuned flat. One of the tape recorders used for mastering the record was running too fast. So when that master tape was used for making the record on another right speed taperecorder it went flat on the record.
I use open D with capo on the 1st
@@bradford2806 That will do it as well
@@frankmesander4914 I suspected it might have been something of the sort, thanks for sharing this.
Great lesson, thanks man! Anybody who gave it a thumbs down should just GET OFF OF OUR CLOUD! ;-)
Yeah, that's the RIFF !
That was a badass comment
Andy got me into the Stones. Can't thank him enough.
Best most concise lessons on the web. Just the basic sketches. Thanks.
Yes it can be very irritating when every single note is explained individually
I'm just a stickler for 440 tuning. If you're taking 3 guitars out to play, more power to you! There aren't too many songs, if any, that I couldn't figure out with 440 tuning. Some songs won't be perfect, but very few people would be able to hear the difference. Let me make it abundantly clear that I'm no great guitarist and my ego is not a problem. When asked if I'm any good my favorite response is "I don't think I suck"! The NYC subways was my favorite place to play. Spring St. used to be my favorite stop to play. Now retired, more or less, I'm kinda old. Thanks & keep playing...!!!
Beautiful tone, bro! Love that sound!
that Telecaster is IN - CRE - DI - BLE
The Best riff ❤
One of the first songs I learned.
continue to be very helpful for learning the rolling stone song
Best version yet.
What a great teacher!
I have a Stones bootleg I DL’d called Obsidian and it has various outtakes or early takes some just music of songs from the early 60’s up to the early 80’s and the Jumping Jack Flash which is presumably contemporary and recorded in Spring 68 sounds like it has Mick Taylor playing on it. It’s definitely not Brian Jones, it could be Keith + Keith overdubs but it has that Taylor melodic blues runs. I have heard prior to joining Taylor did jam with the Stones and in those days there would only been a few recording studios and the musicians would have all known each other.
Like your version. Closest to the original record. Nice job and thanks!
Sounds great!.. Thanks again!... Lovin' the tele, and the pedal!.. But as mentioned below, the different tunings almost make the new Gibson self tuning guitars seem worthwhile!... And i never thought id say it!!!...
Thanks for the lesson. Great job, please keep them coming.
You freaking marketing geniuses, that Tele, god, i'm drooling
First of all, the original recording is in B flat. It so happens that the guitar is tuned half a step down. And so the music stays in A major. The intro starts in B major, then E major and A major... The chorus (but it's all right...) goes into D major... A major.... E major and goes back to B major. .. Regardless of the issues related to Open G, Open E... Nashville tune... etc... all the music is perfectly playable (in the original style) with 2 guitars tuned as I said above. My opinion.
you're definitely right. I'm no musician but I've been experimenting exactly this. and I've found the same result
@@jpvisuals726 The ProGuitarShop Demos work is very good. But the original JJF is played by 3 or 4 guitars... It often seems to me that in many JJF tutorials the idea is conveyed that certain things are played on a single guitar. Anyway... if you listen to a good mix of the original, with headphones, you'll understand exactly how the various guitars work (all, as far as I know, played by KR...). Greetings.
Excellent Content, Presentation ,and Style !
That was absolutely awesome
👍😎 sounds great in open E
I really like this, well done
Great lesson thankyou
Props to you on your great intruction technique!
i wish pgs andy , chappers , the captain and phil x would have a youtube jam !!!!
No Gearmandude?
If this comment isn't a stamp in time for the guitar community in 2014, I don't know what is
Great lesson!Thanks.
Sounds just like the record to my ears.
Finally found one that actually sounds like the studio version, not the live version which i think is way inferior
Man keep going with the lessons, i've been looking for a while for a channel that could improve my playing, this is it :D
Thank You
Wow Andy, You've been busy the last few days! I really like it!
Good stuff thanks
A meaningful lesson!
WTF is going on???5 lessons in a row without trying to sell me a pedal or humboldt hotrod.i'm really liking this pgs thank you.
Wow Andy, You've been busy the last few days! I really like it!
Props to you on your great intruction technique!
3:13 that open e sounds viscious
thanks so much
Great arrangement!
Thanks for the open e version! Great!
This is the best (sounding, not necessarily most accurate) version by far as far as lesson vids go, imo. Bite the bullet and tune your guitar for this version XD
great lesson the intro
I learned how to play this song by watching the first video for this pedal. And then I bought the pedal.
Great to know!
Awesome. Thankyou!
Toally awesome. Another thing, in case keith kicks, your in man!
Keith plays it differently but either way it sounds great, good job
great! thank you :)
Really good thanks man.
Nice work, Andy.
🎸👍sweet
💙thank you! I Love it, ich liebe es!
If you want digital stuff like this check out the James Taylor Variax stuff done in partnership with Line 6 I think it was, I have heard quite a few demos and it sounds pretty damn good but the price tags are comparable to high end 'analog' gear.
Man you are good!! Now you know how to teach .
I didn't know Fender made a tele in tuxedo black. I have a Fernandes TE-2 in that color, it's great.
Keith plays it differently but either way it sounds great, good job
great lesson the intro
💙thank you! I Love it, ich liebe es!
Beautiful tone, bro! Love that sound!
Amber M. Norsworthy I think this is Ronnie
@@nathanmacfarlane8317no it was brian
Good one thank you....
great dude!
good stuff!
nice shirt!
I guess it's never going to sound quite right unless you play it on a slightly out-of-tune acoustic with a mic in the sound hole. But I'm not crazy about how it sounds in open E - seems flabby compared to the open-G capoed version. Anyway, w/e. A good lesson as always, with a minimum of talking and clear visuals.
Gold
i like it ...
i wish pgs andy , chappers , the captain and phil x would have a youtube jam !!!!
Keith plays it differently but either way it sounds great, good job
good stuff!
Bravissimo
For lessons Andy uses a pick.
great video...thanks....but now I gotta have 2 extra stones guitars tuned to open G and open E....LOL...!~
Next Rolling Stones Song I Can't Get No Satisfaction
i wish pgs andy , chappers , the captain and phil x would have a youtube jam !!!!
Check out a Aretha Franklin singing jumping jack flash with Keith Richard. She rocks . powerful. Rock and roll. Not Aretha normal style but she cuts loose. Please check this out
Naw....Sorry, this song needs "angry white boy" attitude. No one does it justice but Mick.
bravo
Try dropping that G# down to E. The whole tuning just E 's and B's with unison E on strings 3 and 4.
Those slides are easy when you don't have calluses on your fingers and hands from working but I got it
🤘
I have always played this in E standard major.
tom fogle rhythm yes, lead no. Lead is always in standard
Always thought the RR circus version was the best
Muito bom!
No doubt Andy is tunned a little more precise than the original
This is not standard tuning?
I don't find that pedal on your website. Who is manufacturer? What type of effect is it?
Did Brian play a rickenbacker on the t track?
vid starts at 1:00
TheParadiseInc jk 1:57
Is it like that all the way through even on the track
I m going Crazy because It seem that A chord play as B. Can you add the charts? I used Guitar tuna ti check my Guitar
Hey Andy! Great tone and noticed you're using a pick, why the change of heart??
Open G - Capo 4rd fret is the way to go ;) But this sounds surprisingly good though
+bla blab Keith Richard has said in "guitar magazine" interview that he played it in Open D with a capo at 2nd fret, which makes it open E essentially. And on the recording the analogue tape machine was slightly slowed down. (maybe a 1/2 step.)...don't know why but that's what Iv'e read.I have seen some guys on YT teach it in Open Eb for this reason.
Do you know if it was Keith or Brian who played the chorus overdubs?
Brian did. That high singular note walk Down
The open e sounds right,
Guitar was not born to produce endless single note runs,it came to be to do this,taking advantage of the six strings,solos are great but only part of the playing.Think Mick Ronson,Keith Richards.By the way,can you please make a Video for Tallyman,Jeff Beck?
Amen. Nothing I hate worse than watching a guitar demo on the internet, or a lesson or whatever......and some wanker is shredding at a million miles an hour. It's like "How do expect me to evaluate the gear you are demoing, when everything you play sounds like an angry bee?.......And besides, I would be embarrassed to play like that. Have some self respect and play something people other than other guitar players might want to listen to."
Why does Andy always change his shirt to tell us about free pedal Friday? Seems like a lot of effort.
The video is fuzzy but this is the performance! ruclips.net/video/ohVf8n3TnEI/видео.html Watch Brian Jones' finger work at 2:10. The sound of his Telecaster is unmistakable. Keith is barely audible higher up on the fret board of his LP Custom.
Well this may be old news and, in a way, maybe it's a shame to have the 'right' way laid down in stone - how else does technique and your ear evolve if not straining to play your own way... But here's a Keith interview Reverb just posted. Look about 3/4 of the way down for the answer...
reverb.com/news/what-the-hell-happened-keith-richards-remembers-the-60s
What’s that background song? It jamming
Thanks, the background music for PGS was primarily comprised of songs written by myself or Jamie Wolfert (Harsh Tones, Inc. chan). This particular tune is mine-- a Zep inspired one for sure.
e-tuning sounds great...
Como logro tal afinacion en la guitarrra