Thanks for asking, John. The video in which I further discuss the development of timbre is at the link below. I will also put in inbthe information section for this video. Peace and thanks for watching. ruclips.net/video/OInqTQzOuGU/видео.html
Hi, great video, thanks for sharing. ...I'm a little confused, I get the idea when you play with the same melody with different instruments... but afterwards when talking about coloring the voice... that's when I get confused, a flute cannot sound like a piano... ever :O ... so... is your timbre a limit?... How can you play with it?
TheLovely0ne Hi. Thank you for watching. Since timbre is defined as the character or quality of the sound, the same voice can produce a different quality depending on the vocal technique: one voice can create a nasal timbre that might be used for a pop song as I indicated in the video, and then turn around and use a more harsh or growling vocal approach when singing a blues song, or a more full bodied chest voice when singing Broadway, or a twangy sound for country songs. All of these different qualities (timbres) can be produced by the same voice using different vocal techniques.
+Phillip Ma'aelopa Hi. Thanks for the question. I like Jazmine's voice. I think it is pretty and expressive. However, my concern with her is that I can hear places when she is pushing from her throat when she wants to increase volume, and/or be more dramatic and if she keeps that up she will damage her voice. She can create the same effect but the energy needs to come from her diaphragm, otherwise she can shorten her career unnecessarily. Also, there is a trend with some women R&B vocalists in the past few years in which they become sharp (out of tune) as they let their vibrato flow and that needs to be addressed as well.
Thanks for this! A very clear explanation and good examples!
+John Potter Thank you!
Thank you for the upload. Do you have link to video you mentioned showing how to find and develop timbre.
Thanks for asking, John. The video in which I further discuss the development of timbre is at the link below. I will also put in inbthe information section for this video. Peace and thanks for watching. ruclips.net/video/OInqTQzOuGU/видео.html
Hi, great video, thanks for sharing.
...I'm a little confused, I get the idea when you play with the same melody with different instruments... but afterwards when talking about coloring the voice... that's when I get confused, a flute cannot sound like a piano... ever :O ... so... is your timbre a limit?... How can you play with it?
TheLovely0ne Hi. Thank you for watching. Since timbre is defined as the character or quality of the sound, the same voice can produce a different quality depending on the vocal technique: one voice can create a nasal timbre that might be used for a pop song as I indicated in the video, and then turn around and use a more harsh or growling vocal approach when singing a blues song, or a more full bodied chest voice when singing Broadway, or a twangy sound for country songs. All of these different qualities (timbres) can be produced by the same voice using different vocal techniques.
Hi Angela Celeste May i was just wondering, how would you describe Jazmine Sullivan's voice? I appreciate in advance for your reply :)
+Phillip Ma'aelopa Hi. Thanks for the question. I like Jazmine's voice. I think it is pretty and expressive. However, my concern with her is that I can hear places when she is pushing from her throat when she wants to increase volume, and/or be more dramatic and if she keeps that up she will damage her voice. She can create the same effect but the energy needs to come from her diaphragm, otherwise she can shorten her career unnecessarily. Also, there is a trend with some women R&B vocalists in the past few years in which they become sharp (out of tune) as they let their vibrato flow and that needs to be addressed as well.