My father Pt. Wamanrao Sadolikar brought this raag from present day Pakistan( then it was India) around 1938 -39 and made it popular. This was told to us by Prof. V. R. Athavale ( head, department of music S. N. D. T. University Mumbai between 1970 - 80). When we verified with our father about this and he told us how he got the raag with lot of persistance. Because the person who taught him the raag was a tough and difficut person. Prof. Vinaykrao Patwardhan has included this raag in his book Raag - Vidnyan , you may get details about this raag in the book.
Madhyalaya bandish~ Sthayi: Erī sakhī, kaise ke milana bhaīko Una bina morā jiyā ghabarāvata Antara: Jabase gaye, morī sudhahu na līnī Una bina kachu na suhāvata
Becoz it is Agra gharana rendition...dhrupad Alaap is must...this gharana has maintained dhrupad lineage in the form of adopting it in the khyal at the start of rendition
Dear Indrajeet, I appreciate your keen interest. Rag Bheem is specially sung in Agra Gharana. It includes both Gandhars. Hence actually can not be classified satisfactorily in Thhat System. But considering it's similarity with Bheempalasi, it may be classified in Kafi Thaat. Bheem anga or some phrases of Bheem are included In Bheempalasi. They are : --- ni Sa ga Re Sa, Ma Pa ni Dha Pa and Sa ni Dha Pa. Madhyam nyas swar is common in both the ragas. Major difference is 1) the application of Shuddha Gandhar in Bheem as :-- ni Sa Ga Ga Ma, Pa Ma Ga Ma and 2) the phrase :-- ni ga Re Sa . It's an afternoon melody ( 12 to 4 ).
@@pranavmusical95 I learned raag palasi from my guru before few weeks, Ur saying is correct but sudh nishad is also there in palasi.Its raag swaroop is- k(ga) ma pa k(ni) pa,ma pa ni sa',sa' k(ni) ma pa k(ga),ma k(ga) re sa
My father Pt. Wamanrao Sadolikar brought this raag from present day Pakistan( then it was India) around 1938 -39 and made it popular. This was told to us by Prof. V. R. Athavale ( head, department of music S. N. D. T. University Mumbai between 1970 - 80). When we verified with our father about this and he told us how he got the raag with lot of persistance. Because the person who taught him the raag was a tough and difficut person. Prof. Vinaykrao Patwardhan has included this raag in his book Raag - Vidnyan , you may get details about this raag in the book.
Thankyou for update 👌
Wow Thank you sirji for this wonderful information
Ragga Bheem is the frist time for me ,in all respect class one ।।।।।🙏🎉🙏🎉🙏🎉👍👍
BTW, Bheem is also known Raag Gavati
@@nrao8977 no. Different
After a long time I had the opportunity to listen to my favourite raga tuned by dr.purnima.28/8/2024.
Excellent rendering of Bhim. Performance clearly shows the Talim of Great Pandit Babanrao Haldankar. Very neatly and beautifully sung.
I am very happy to discover the ancient raga Bheem performed divinely by great artists.
Thank you for sharing this great performance!
Kya bat, kya bat,bahut khub. Excellent performance. Really enjoyed. Thanks for this beautiful rag. Excellent sangat. Namaskar.
With each of yours swara lagao... There is a sensation of a wire sonouring inside the whole body.
Pranam Pournima Mam.
Out of this world. I am listening it again and again.
Same here 😊
Superb, Poornima Didi ko Pranam, 🙏🏽
An amazing evening it was FEA - thanks again.
Great Artist!😊😊
Madhyalaya bandish~
Sthayi:
Erī sakhī, kaise ke milana bhaīko
Una bina morā jiyā ghabarāvata
Antara:
Jabase gaye, morī sudhahu na līnī
Una bina kachu na suhāvata
I always knew that Raag Gawati is also known as Bheem... But now listening to something completely different. Can somebody help??
I do not find any defect in the recording.
Very beautiful
😊
Great rendition
Excellent!
excellent
The raga bheem resembles with malgunj Or barona. Madam will you kindly clear confusion. Is this raga related to Bhim Palashree.
Can anyone tell me anything more about her musical pedigree with Agra gharana?
Why the alapchari seems me like on dhrupad style pls reply me maa'm
Becoz it is Agra gharana rendition...dhrupad Alaap is must...this gharana has maintained dhrupad lineage in the form of adopting it in the khyal at the start of rendition
somebody plz tell something about Raag....samay/ prahar, character, thaat..... relation to bhimpalasi?
Dear Indrajeet, I appreciate your keen interest. Rag Bheem is specially sung in Agra Gharana.
It includes both Gandhars. Hence actually can not be classified satisfactorily in Thhat System. But considering it's similarity with Bheempalasi, it may be classified in Kafi Thaat. Bheem anga or some phrases of Bheem are included In Bheempalasi. They are : --- ni Sa ga Re Sa, Ma Pa ni Dha Pa and
Sa ni Dha Pa.
Madhyam nyas swar is common in both the ragas.
Major difference is 1) the application of Shuddha Gandhar in Bheem as :--
ni Sa Ga Ga Ma, Pa Ma Ga Ma and 2) the phrase :-- ni ga Re Sa .
It's an afternoon melody ( 12 to 4 ).
Dr.Pournima Dhumale mam thanks for your kind reply
@@dr.pournimadhumale5841 ma'am pls explain raag palasi
Jignesh Solanki Raag Palasi to my knowledge is sung as Bhimpalas without the Dhaiwat.
@@pranavmusical95 I learned raag palasi from my guru before few weeks, Ur saying is correct but sudh nishad is also there in palasi.Its raag swaroop is- k(ga) ma pa k(ni) pa,ma pa ni sa',sa' k(ni) ma pa k(ga),ma k(ga) re sa
Is the recording defective. It pauses every 3 to 4 sec even on super fast network
Ashutosh Jha it's playing very well on my device.
I am not having any problems - plays well.