Iron Man by Black Sabbath, everyone plays it on the 5th string 2nd fret, which is incorrect. If you watch Tony Iommi live, he plays it on the 6th string 7th fret.
I think the reason Pat is voicing the chord like that is Foo Fighters have 3 guitar players and his role is usually the connection from guitar to bass. He frequently plays with baritone guitars to get this affect. It would make sense he brings a bit of the bass melody in his chord voicings.
In Nirvana, Pat played full barre chords, Kurt played basic power chords for everything except open G chords for some songs. And in The Germs, he had most of the melody. Pat has always had the role of giving the band a full sound.
Winger (Reb Beach) - Seventeen. My one major "win" as a young, budding guitarist back in the day was discovering that Guitar Magazine had the tab wrong for the main riff. I saw Winger play it live on MTV New Year's Eve 88/89, and realized he was making different, "easier" shapes by just moving his pinky around, rather than bunching up and trying to shift frets on the B string. It also sounded "more correct" to my ear, and I was so happy to find years later, Reb himself saying exactly the same thing: that everyone gets it wrong, and then he demonstrated how to do it properly. Side note-- if you can find the multi-track stems for that song, the rhythm part is so much more nuanced and interesting than I remember, which should be no surprise to any Reb Beach fans.
I’ve played WTTJ with the open Bb since I learned it for the first time. I think a key part of nailing the tone is to have the pick completely parallel to the string (as opposed to in an angle), I feel like you get more mid-range that way.
Enter Sandman is the first one that comes to mind after watching Danilo Vicari's video last week. Hetfield plays it in a way that allows all the strings to ring out. Slightly less comfortable to play but sounds spot on (because it is).
"Wish you were here"-Pink Floyd is one that I learned one way,seen others playing it that way,but recently learned the way Gilmour plays it. Both look and sound almost identical. "Crazy train"-Ozzy,is another one. I learned the main riff from some magazine long time ago but then learned their is a slight difference in the actual way Randy did it. Nirvana has several as well but Kurt would slightly change his songs too. That is a sweet guitar.
Our cover band knows a lot of songs. To remember them, we tend to simplify things and rarely play songs EXACTLY like the recording. Bottom line is pretty much nobody in the audience knows or cares.
Im sorry Buddy, but Welcome to the jungle is still wrong dude. You slide into that B-Note from the A-Note on the G-String (talking standard tuning here of course) Slash even does it in the video. That’s also why he ends the walkdown with the middlefinger on the B-Note on the A-String, so it’s easy to slide into that b with the ringfinger. That little sliding detail makes the riff in my opinion, because it adds the little change instead of spaming the b string all over the riff. And by the way there is also a really distinct palm muting technique that I just can’t explain here by writing this comment. Love your videos anyways, I’m just such a slash nerd I had to write this comment, maybe you can relate !
And you still forgot something, the second time he repeats the riff is different from the others, a detail wich is very noticable but being ignored by almost everyone. The only cover i found with it is by Kfir Ochaion, but he is missing the slides. Slash also doesnt do that live, but sometimes he varies one or two repititions in a similar way. I wonder if besides Slash anyone has played this riff ecactly like on the recording at all :)
Great video as always! It's pretty funny how so many of us get what seems like the most simple stuff wrong. Get some Scar Zone for that noggin. Worked wonders on a scar I had that looked like I lost a bar fight instead of a thyroid gland.
For some reason nobody cuts the tips of their fingrers off before playing these riffs correctly? Django is another, that cannot be played correctly by anyone! Unless you are willing to suffer physical deformity and get it just right, you can't play these guys riffs the same way! Yes you can imitate them and get the melody exactly right, but you will never obtain the correct fingerings these guys had to torture themselves into to be musicians. Tell me you can play Rick Rhenstrom's riffs right!
I frequent Flatland Guitar here in Fargo. They've grown and still just as awesome as ever. I'm so glad they are still around and thriving. I wouldn't want to go anywhere else.
I play in tribute bands and the worst fear is that there'll be another guitarist in the audience spotting where you haven't learned the parts properly. But you know, when you're having to learn 3 hours worth of songs you take a few short cuts. I've been playing guitar 38 years and your videos make me realize I have no idea what I'm doing. 😂
Playing the melody is the most important part, regardless of any other differences. Even when in a different key. You'll even see bands like Van Halen record in E then play live in E flat. It used to be the industry standard to record in standard tuning, then play live in dropped D or completely dropped E flat tuning live. Ratt, Dokken, Van Halen, Poison, etc. This is due to having a male singer that isn't proficient with a falsetto or higher register chest voice. It turns out that E flat is the highest note an untrained male singer can typically hit. Thus in the studio when you get 10 takes on the vocals you can hit the high E, G, B, G#, but live, you only get one chance, and it can't be at the end of your range if you are going to nail it every time, it has to be in your comfort zone. Guns and Roses is really notable for this. Axel rarely could hit the higher notes in the recordings live without his tone breaking up into an unmusical sound. Hetfield is exactly the same. Rush is extremely notable for this, as they will play their first set in standard tuning, and their second set in dropped tuning because Geddy can't hit the higher notes for 3 hours straight, but has no problem with the slightly lower pitch.
Hey Tyler - I live near that guitar shop in North Dakota (Flatland Guitar), and that guy still works there, he's awesome! In fact, Flatland expanded their store in the last year and they carry a lot more cool guitar equipment. Excellent callback!
In your comment about back in black you mentioned the a first inversion having d flat in the bass. It’s C sharp , same note but harmonically correct. Seeing as your talking about how people do things wrong 😉
Smoke on the Water. When I first started playing guitar that was all power chords. Once the ear got more trained I could tell I wasn't playing it right. This was long before the internet and the ease of access to tabs, sheet music, and tutorial videos we have now. Total facepalm moment when you finally learn it correctly, but that's the journey.
And what _is_ the correct way? That is one song that should go on a list of songs that the guy who played it on the record either intentionally or mistakenly show how they play it live(or when asked), as opposed to the actual way they recorded it. There are still debates happening right now, on the interview he shows how he’s doing it on an acoustic, and every live version, whether Deep Purple or Rainbow era. 😂
2 things. 1) Tell us more about that Kiesel guitar! (9:21 YES!) 2) I think you should put makeup on that scar and make it look different each video. Like a happy face one video, a question mark next video, etc. etc.
Starting with Back in Black, you should have talked about the picking vs pull-off in the main riff and the way Angus plays it (first picked, second pull-off) is different from most people (all pull-offs).
1:12 I thought you were gonna go into the rundown things on the higher then lower strings. Not sure which one is right on the E, B and G (play open B then bend G 2nd fret or play B 3rd fret, then G 2nd, then bend). But I'm sure I was taught wrong with the Low one. Sticking to the first couple of frets on the D, A and maybe E. I can't even remember how I was taught to do it.
I've seen 'Silent Lucidity' by Queensryche played 'wrong' many times. Online tabs direct towards playing the opening riff with the open G-string, but Chris DeGarmo plays it on the 5th fret of the D-string. The shape is also easier to shift around, which he does for the follow-up riff.
Yes, this really used to bug me seeing tabs without the bass note when any live video made it obvious how he was playing it. Plus you can hear the wound string.
SRV played “Scuttle Buttin’” differently live than in the recording. The main lick is played with a whole step bend at the 2nd and 3rd frets on the recording, but nailing these bends night after night live was way too gnarly on .13 gauge strings so he changed to a slide up instead
I recently showed a kid how to play "Kashmir" by Led Leppelin... I think it opened a lot of doors for him when he realized the song was in DADGAD tuning
I agree, the two stringer, is the actual power chord, and three strings qualifies as well, it’s just adding the higher octave of the root, as you mention.
Glad you said "more on this guitar soon." The whole time I was thinking "what did you do to that Kiesel?!" It looks great but I'm pretty sure it didn't come from them with that purple LED switch, or those pickups. 😆
Buddy I just cannot get over that gash. And old Chinese technician once told me "Sometimes you don't go to the problem. The problem comes to you." and man! I just feel bad for you damn!!!
Another song I’ve seen people play wrong is All Right Now by Free, even though it sounds like just a regular A-D/A switch you can hear Paul Kossof playing an A on the high E string for both chords if you listen closely
In bass you have Billie Jean's riff, everybody plays it beginning at D string 4th fret, but every time you play the initial note it you also have to play E string 2th fret
On jungle once you go to the d string grab the B note on the G-string and you can be a lot more sloppy with it without worrying about adding the dreaded open G to the riff by accident.
Pretty sure Battery is still wrong here 🥺🧐 The D diad is supposed to be Eb and the last 3 powerchords are F#, G and G# (instead of A 👀) I learned this the hard way too 🤣👀
good vid Tyler, Good info, Can't wait for that new guitar info in the video, Haven't seen one of those, Looks killer.. And a kill switch, Rock on Buckethead style!
i learned battery correctly by ear...and as i watch people fuck it up .i am pretty proud..i have a savant perfect pich ear though...you remind me of myself very young...i am 50 and had to learn it all the hard way...ear to the record...cheap gorilla amp and a tube screamer on a lyle elctric guitar...good luck even finding one of those...i also played master of puppets opening as hammet did down the neck rather than the scale method a lot of dumb asses always tried to play assuming i was wrong. :D
Great video. I hear John Mayer go for a wink at Hey Joe in the way he played Voodoo child, right? Always love riffs turned over on their heads. Cheers, MC
I still think you're playing Battery wrong, the start of the end bit is correct (7th fret A string and 5th fret D string) but it should go to 6th fret A and 4th fret D, not 5 and 4 if that makes sense
I think you still got battery wrong. I could be way off but I’m pretty sure those diads are E over G and then Eb over F# giving it that evil feel, are my ears wrong?
To be honest i miss a little bit the opportunity to learn music/guitar theory on guitar Super System. I mean I know there are beginner videos but I think it goes from 0-50 real quick
What riff do you see people play "wrong"?
Shape of my heart - sting
Iron Man by Black Sabbath, everyone plays it on the 5th string 2nd fret, which is incorrect. If you watch Tony Iommi live, he plays it on the 6th string 7th fret.
Cant stop, only playing one string at a time
Water on the smoke
Whole lotta love. There’s an open D there that no one plays, and a lot of people play it with fast chugging that doesn’t exist in the actual song.
Tyler’s rocking so hard his brains started punching through the skull.
He headbanged so hard he "rattled something up".
He played Master exploder
I figured he was switching to drums, and got a lobotomy.
@@VeryGood464 He rattled his goddamn head
It's a zombie bite
I think the reason Pat is voicing the chord like that is Foo Fighters have 3 guitar players and his role is usually the connection from guitar to bass. He frequently plays with baritone guitars to get this affect. It would make sense he brings a bit of the bass melody in his chord voicings.
In Nirvana, Pat played full barre chords, Kurt played basic power chords for everything except open G chords for some songs.
And in The Germs, he had most of the melody. Pat has always had the role of giving the band a full sound.
Winger (Reb Beach) - Seventeen. My one major "win" as a young, budding guitarist back in the day was discovering that Guitar Magazine had the tab wrong for the main riff. I saw Winger play it live on MTV New Year's Eve 88/89, and realized he was making different, "easier" shapes by just moving his pinky around, rather than bunching up and trying to shift frets on the B string. It also sounded "more correct" to my ear, and I was so happy to find years later, Reb himself saying exactly the same thing: that everyone gets it wrong, and then he demonstrated how to do it properly.
Side note-- if you can find the multi-track stems for that song, the rhythm part is so much more nuanced and interesting than I remember, which should be no surprise to any Reb Beach fans.
Reb is such a beast!
I still can't believe someone smashed you with a bottle. Sick looking guitar
I’ve played WTTJ with the open Bb since I learned it for the first time. I think a key part of nailing the tone is to have the pick completely parallel to the string (as opposed to in an angle), I feel like you get more mid-range that way.
Also on the Welcome To The Jungle riff there’s a cool slide when it repeats which makes it even better
Enter Sandman is the first one that comes to mind after watching Danilo Vicari's video last week. Hetfield plays it in a way that allows all the strings to ring out. Slightly less comfortable to play but sounds spot on (because it is).
I like John Mayer’s little allusion to “Hey Joe” with that chromatic ascending pattern on the turn around in “Voodoo Chile”
"Wish you were here"-Pink Floyd is one that I learned one way,seen others playing it that way,but recently learned the way Gilmour plays it. Both look and sound almost identical. "Crazy train"-Ozzy,is another one. I learned the main riff from some magazine long time ago but then learned their is a slight difference in the actual way Randy did it. Nirvana has several as well but Kurt would slightly change his songs too. That is a sweet guitar.
Everytime I listen to Wish You Were Here I spot something I'm doing wrong.
Tyler still played Battery wrong lmao
I noticed that
I think this is the first and only video on Music Is Win where it features Mötley Crüe with Nikki Sixx sitting with Slash
Riffs are usually easy to get - it's the signature leads that can be almost impossible, even for the original artist to replicate.
I remember that old video of yours “top 5 James Hetfield riffs”. And the whole comment section was telling u u played Battery wrong.
Another part of the opening to Welcome to the Jungle players skip is sliding into the notes… it’s a little nuance that gives it extra flavor
Love the Keisel. Kill switch & sustainer. Just need a Floyd to complete the trilogy. Also, the Voodoo has the Hey Joe run in your demo
In battery. You take the minor third shape and move it down a half step for that part.
Our cover band knows a lot of songs. To remember them, we tend to simplify things and rarely play songs EXACTLY like the recording. Bottom line is pretty much nobody in the audience knows or cares.
If it sounds good keep doing it
Im sorry Buddy, but Welcome to the jungle is still wrong dude.
You slide into that B-Note from the A-Note on the G-String (talking standard tuning here of course)
Slash even does it in the video.
That’s also why he ends the walkdown with the middlefinger on the B-Note on the A-String, so it’s easy to slide into that b with the ringfinger.
That little sliding detail makes the riff in my opinion, because it adds the little change instead of spaming the b string all over the riff.
And by the way there is also a really distinct palm muting technique that I just can’t explain here by writing this comment.
Love your videos anyways, I’m just such a slash nerd I had to write this comment, maybe you can relate !
And you still forgot something, the second time he repeats the riff is different from the others, a detail wich is very noticable but being ignored by almost everyone. The only cover i found with it is by Kfir Ochaion, but he is missing the slides. Slash also doesnt do that live, but sometimes he varies one or two repititions in a similar way. I wonder if besides Slash anyone has played this riff ecactly like on the recording at all :)
Standard tuning in E flat.
Great video as always! It's pretty funny how so many of us get what seems like the most simple stuff wrong.
Get some Scar Zone for that noggin. Worked wonders on a scar I had that looked like I lost a bar fight instead of a thyroid gland.
Surprised no mention of all the Sabbath riffs everybody plays on the A and D strings that Iommi plays around the 12th fret on the E and A.
Paranoid
For some reason nobody cuts the tips of their fingrers off before playing these riffs correctly?
Django is another, that cannot be played correctly by anyone!
Unless you are willing to suffer physical deformity and get it just right, you can't play these guys riffs the same way! Yes you can imitate them and get the melody exactly right, but you will never obtain the correct fingerings these guys had to torture themselves into to be musicians.
Tell me you can play Rick Rhenstrom's riffs right!
@@christophermyers8157 nonsense.
You played 'Back in Black' just fine. Originally, the guitars only play A; it's the bass that plays a C#, not the guitars.
But it does sound better the other way
whatever you prefer@@vaibanez17
I frequent Flatland Guitar here in Fargo. They've grown and still just as awesome as ever. I'm so glad they are still around and thriving. I wouldn't want to go anywhere else.
I play in tribute bands and the worst fear is that there'll be another guitarist in the audience spotting where you haven't learned the parts properly. But you know, when you're having to learn 3 hours worth of songs you take a few short cuts. I've been playing guitar 38 years and your videos make me realize I have no idea what I'm doing. 😂
Playing the melody is the most important part, regardless of any other differences. Even when in a different key.
You'll even see bands like Van Halen record in E then play live in E flat.
It used to be the industry standard to record in standard tuning, then play live in dropped D or completely dropped E flat tuning live.
Ratt, Dokken, Van Halen, Poison, etc. This is due to having a male singer that isn't proficient with a falsetto or higher register chest voice. It turns out that E flat is the highest note an untrained male singer can typically hit. Thus in the studio when you get 10 takes on the vocals you can hit the high E, G, B, G#, but live, you only get one chance, and it can't be at the end of your range if you are going to nail it every time, it has to be in your comfort zone.
Guns and Roses is really notable for this. Axel rarely could hit the higher notes in the recordings live without his tone breaking up into an unmusical sound. Hetfield is exactly the same.
Rush is extremely notable for this, as they will play their first set in standard tuning, and their second set in dropped tuning because Geddy can't hit the higher notes for 3 hours straight, but has no problem with the slightly lower pitch.
Hey Tyler - I live near that guitar shop in North Dakota (Flatland Guitar), and that guy still works there, he's awesome! In fact, Flatland expanded their store in the last year and they carry a lot more cool guitar equipment. Excellent callback!
Now that Tyler’s Nueralink has been installed he’s ready to rock harder than ever!!!! 🤘🏼
In your comment about back in black you mentioned the a first inversion having d flat in the bass. It’s C sharp , same note but harmonically correct. Seeing as your talking about how people do things wrong 😉
is the Battery riff really like that? I've always heard 2 minor chords playing. on the A-string frets :7-7-6-7
Slash calling the Open B an Open E by accident is so relatable haha. Reminds me of when I first started out!
he will get there one day. i'm sure he will be massive
Smoke on the Water. When I first started playing guitar that was all power chords. Once the ear got more trained I could tell I wasn't playing it right. This was long before the internet and the ease of access to tabs, sheet music, and tutorial videos we have now. Total facepalm moment when you finally learn it correctly, but that's the journey.
And what _is_ the correct way?
That is one song that should go on a list of songs that the guy who played it on the record either intentionally or mistakenly show how they play it live(or when asked), as opposed to the actual way they recorded it.
There are still debates happening right now, on the interview he shows how he’s doing it on an acoustic, and every live version, whether Deep Purple or Rainbow era.
😂
It is powerchords. Just upside down (rootnote is higher note and 5th is lower)
2 things. 1) Tell us more about that Kiesel guitar! (9:21 YES!) 2) I think you should put makeup on that scar and make it look different each video. Like a happy face one video, a question mark next video, etc. etc.
I just now learned the "welcome to the jungle" intro properly...40 years later!! thanx Tyler
Starting with Back in Black, you should have talked about the picking vs pull-off in the main riff and the way Angus plays it (first picked, second pull-off) is different from most people (all pull-offs).
I find it so cool how he came to the shop in ND, and now I work there!
1:12 I thought you were gonna go into the rundown things on the higher then lower strings. Not sure which one is right on the E, B and G (play open B then bend G 2nd fret or play B 3rd fret, then G 2nd, then bend). But I'm sure I was taught wrong with the Low one. Sticking to the first couple of frets on the D, A and maybe E. I can't even remember how I was taught to do it.
I've seen 'Silent Lucidity' by Queensryche played 'wrong' many times. Online tabs direct towards playing the opening riff with the open G-string, but Chris DeGarmo plays it on the 5th fret of the D-string. The shape is also easier to shift around, which he does for the follow-up riff.
Yes, this really used to bug me seeing tabs without the bass note when any live video made it obvious how he was playing it. Plus you can hear the wound string.
Sounded like you were going to jump into "Hey Joe" from "Voodoo Chile". :)
SRV played “Scuttle Buttin’” differently live than in the recording.
The main lick is played with a whole step bend at the 2nd and 3rd frets on the recording, but nailing these bends night after night live was way too gnarly on .13 gauge strings so he changed to a slide up instead
I recently showed a kid how to play "Kashmir" by Led Leppelin... I think it opened a lot of doors for him when he realized the song was in DADGAD tuning
4:08 but aren’t power “chords” technically diads anyway? They only contain two notes, the root and the perfect fifth. (And maybe the octave.)
I agree, the two stringer, is the actual power chord, and three strings qualifies as well, it’s just adding the higher octave of the root, as you mention.
Yes
I love your rendition of black dog!
Glad you said "more on this guitar soon." The whole time I was thinking "what did you do to that Kiesel?!" It looks great but I'm pretty sure it didn't come from them with that purple LED switch, or those pickups. 😆
Buddy I just cannot get over that gash.
And old Chinese technician once told me "Sometimes you don't go to the problem. The problem comes to you." and man!
I just feel bad for you damn!!!
This video gets an automatic like from me because you let your pup read the add making any add way more tolerable
Another song I’ve seen people play wrong is All Right Now by Free, even though it sounds like just a regular A-D/A switch you can hear Paul Kossof playing an A on the high E string for both chords if you listen closely
The hard thing about WTTJ is you need to be 100% precise for it to sound good
I’m shocked you didn’t mention Smoke On The Water or Bark at the Moon.
That Modern Eagle doesn't get enough love. You should play it more often.
In bass you have Billie Jean's riff, everybody plays it beginning at D string 4th fret, but every time you play the initial note it you also have to play E string 2th fret
Isn’t battery still different? I always heard as a minor Eb not major D. Sounded for me to here the D in there
That riff hendrix and mayer played was from "Hey Joe".
That is part of Hendrixs charm. He never played his songs or their solos the exact same live.
Every alcoholic deserves good beer everyday, slash.
Are you going to do a video on the sweet new Kiesel? And John Mayers lick was pretty much hey joe riff exactly
On jungle once you go to the d string grab the B note on the G-string and you can be a lot more sloppy with it without worrying about adding the dreaded open G to the riff by accident.
What guitar is that looks sweet
the open B in welcome to the jungle is also very obvious
Pets doing ad breaks is the best thing in 2023
daaang that head injury has boy hallucinating. he thinks he can hear that dog.
Pretty sure Battery is still wrong here 🥺🧐
The D diad is supposed to be Eb and the last 3 powerchords are F#, G and G# (instead of A 👀)
I learned this the hard way too 🤣👀
Yah back in black.. I played like him when it comes to A..
looks like John Mayer used a riff from Hey Joe in his Voodoo Chile
What guitar model is he playing in most of the takes in this vid?
Is that scar on your face from the dog being upset with you putting words in its mouth
If that dog's gonna endorse your super system, I'm gonna need to see him play, see his results
Fyn fact- that Voodoo Child motif that Hendrix and Mayer played is the same exact one from Hey Joe right after the solo.
My very favorite way to play "Welcome to the Jungle" is to play any, I mean any, other song ever recorded since the beginning of time. Cheers!
good vid Tyler, Good info, Can't wait for that new guitar info in the video, Haven't seen one of those, Looks killer.. And a kill switch, Rock on Buckethead style!
That weong black dog is so goddamn cool tho, ngl. Gonna try to make a song using it
Very nerdy guitar vid... love that ❤❤❤❤
What kind of guitar is that? It looks and sounds awesome!
That kiesel guitar he uses is insane looking 🤘🤘🤘
That Keisel looks so freakin good.
The end of Basket Case has a weird inversion cord going on that I learned long ago and can't ever remember it as I'm playing it 😂
i learned battery correctly by ear...and as i watch people fuck it up .i am pretty proud..i have a savant perfect pich ear though...you remind me of myself very young...i am 50 and had to learn it all the hard way...ear to the record...cheap gorilla amp and a tube screamer on a lyle elctric guitar...good luck even finding one of those...i also played master of puppets opening as hammet did down the neck rather than the scale method a lot of dumb asses always tried to play assuming i was wrong. :D
The intro that should not be named, due to copyright. Also, nobody plays the exact arpeggio to "Nothing Else Matters" verse.
Great video. I hear John Mayer go for a wink at Hey Joe in the way he played Voodoo child, right? Always love riffs turned over on their heads. Cheers, MC
bro that guitar is so beautiful
Pantera - Walk. Almost every cover of this song has the riff wrong. I think people just have a hard time nailing that pre-bend.
that guitar is so amazingly beautiful
Those voicings without the 5ths are quite used in jazz. Named shell chords
Looking forward to hear more about that guitar. I was wondering the whole video about the glowing bit. Plus it just looks sick as fuck.
What kind of guitar is that you have there I like it
We need more Howard😂😂
What guitar is he using? I somehow missed/can’t find a video of him talking about it
I’ve never seen a guitar finished like that. It’s pretty cool
I still think you're playing Battery wrong, the start of the end bit is correct (7th fret A string and 5th fret D string) but it should go to 6th fret A and 4th fret D, not 5 and 4 if that makes sense
Interesting. That Voodoo Chilewalk that you play at around 9.12 is exactly the same that he plays on Hey Joe.
He's playing Voodo Child, not Voodo Chile, two different songs.
the battery mistake is kinda stupid since you can just hear what is being played
Shoutout to the Peavey Classic 30 in the background.
Wh does your app only have one review? I would like if some people who use it (if there are) would leave some
My dogs like bed time story's! They run to the kennels at night when I say, "Who wants a bedtime story?" Funny! 😅
I fckin love that guitar
Crazy, I just installed a kill switch button on my guitar 2 weeks ago! I like it better then the toggle switch on the les paul.
GREAT Video as usual ❤❤
That keisel. 🔥 what's the glowing button??
I’ve always been crap at covers (ADHD), usually I end up having to adjust so that they stick in my head.
The acdc lick, one of the fuitarsnis doing the c#, not just the base. I assume it was Malcolm. But it could be angus
I think you still got battery wrong. I could be way off but I’m pretty sure those diads are E over G and then Eb over F# giving it that evil feel, are my ears wrong?
Tyler, that white jacket looks killer
To be honest i miss a little bit the opportunity to learn music/guitar theory on guitar Super System. I mean I know there are beginner videos but I think it goes from 0-50 real quick