That is an incredible piece of music. And a pitch-perfect, fantastic performance. Always great audio/video in this channel as well. Thank you for sharing this.
Magnifique œuvre d'une compositrice qui mériterait une plus large audience. Merci au hr-Sinfonieorchester, de l'avoir mis à son programme. Les bonnes surprises viennent souvent de cet orchestre que j'aime tant écouter, bravo aux musiciens et au chef, que je découvre également. ∙ Großartiges Werk eines Komponisten, der ein breiteres Publikum verdient. Vielen Dank an das hr-Sinfonieorchester, das es in sein Programm aufgenommen hat. Die guten Überraschungen kommen oft von diesem Orchester, das ich so gerne höre, Glückwunsch an die Musiker und den Dirigenten, den ich auch für mich entdecke. ∙(trad. by G....E)
This was a wonderful performance by the hr-Sinfonieorchester - Frankfurt Radio Symphony under the inspired direction of Maestro Jader Bignamini. What an amazing discovery!
Hard to believe this great work was only recorded previously once. Thanks hr-Sinfonieorchester, for making my day. Dora finally done justice by a great orchestra!
Pejačević is considered a major Croatian composer. She left behind a considerable catalogue of 58 opuses (106 compositions), mostly in late Romantic style, including songs, piano works, chamber music, and several compositions for large orchestra, arguably her best. Her Symphony in F-sharp minor is considered by scholars the first modern symphony in Croatian music. Most of her music has yet to be published and released on compact disc, although concerted efforts have been made recently to rectify this situation.(Wikipedia).
A tremendous symphony. I find discussions about influences and the composer's musical language beside the point. All composers build on what came before and whatever the musical language (and Pejačević's is no more conservative than that of Elgar or Rachmaninov whose symphonies date from the same period - in some respects less so), what is important is whether that language and those influences are mastered and assimilated into a distintive musical voice. This strikes me as patently and triumphantly the case here. I would add that Pejačević wrote this symphony when she was 32 years old and that she died aged just 37.
Would have been even longer until I discovered this composer if weren't for this channel. Thank you! Definitely going to listen to more of her music now! 🎶
What a beautiful music. It's unbelievable that we know absolutely nothing about it, I should have some for my delight.Many Thanks for this great summer pleasure.
I watched this when it was livestreamed in early march while on vacation, and I stayed up late watching the whole thing. This is one of the most amazing performances I have ever seen, and I personally LOVE the 4th movement the best!
Rare to have female composer in those times unlike toda, where we aslo have more female solist than before. This is Dora Pejačević a greate symhpony Dora Pejačević.
Eine grandiose Interpretation eines weithin unbekannten Werks. Es hat mich begeistert, wie das Orchester unter der inspirierenden Leitung des Dirigenten sozusagen "alles gegeben hat", um diese Sinfonie so aufzuführen. Das Werk ist für mich ein sympatischer Blumenstrauß von spätromantischen Erinnerungen an diverse Komponisten. Da ist gelegentlich die Instrumentierung von Rachmaninov zu erleben, im 4. Satz auch Cesar Francks Sinfonie. Im 3. Satz fühle ich mich an die Taube von Dvorak erinnert. Aber es gibt auch Brucknerreminiszenzen, sogar Brahms mit den satten Streicherklängen. Nicht zu vergessen viele Anklänge an Richard Strauss und auch einige an Hans Rott. Wie auch immer, auch wenn diese Sinfonie keine originäre Tonsprache erkennen lässt, ist sie doch sehr hörenswert und sollte häufiger gespielt werden.
Es ist meine erste Gelegenheit, diese spätromantische Sinfonie anzuhören. Erstaunlich fein komponiert und wunderschön aufgeführt mit farbenreichen doch perfekt entsprechenden Tönen aller Instrumente. Der intelligente und geniale Dirigent leitet das ausgezeichnete Orchester im veränderlichen Tempo und mit künstlerisch kontrollierter Dynamik. Danke fürs wertvolle Onlinestellen!
Thanks for this beautiful masterpiece by a female composer! I have listened to many female composers' works, and I believe Dora's command of orchestral composition is frankly en par or even better than some male composers of her time, IMO. Too sad that she had to die prematurely!
You might like some of the music available on my channel as well. There is quite a wide variety especially from the end of late Romanticism, including Pejačević's two violin sonatas.
I am listening to this for the first time and it is certainly very pleasant on the ear, but I'm finding it difficult to discern the structure of the work. It breaks no new ground harmonically and it repeatedly seems to promise development but just when it seems to be heading towards developing its themes, pulls back and more or less repeats itself. So I will continue to enjoying it for what it is along with a sense of frustration for what it might have been. Or for not seeing what is actully there after all. The audience certainly enjoyed it, so perhaps it's me after all -- it's just that I look for at least more adventurous harmony in what I gather is a 20th century work.
Lovely stuff. Pretty old-fashioned for when it was written, but that doesn’t matter now. Dvorakish and surprisingly for this date I can’t hear much (if any ) Wagner influence. Though of course it was a lot harder to get to hear stuff.
i´m so happy that the most famous female composer from my country is worldwide played
I think she is not only the most famous female Croatian composer but the most famous Croatian composer altogether.
her symphony is scheduled to play next thursday in Kosice, Slovak filharmonia
This is a great symphony. Far too rarely performed...
That is an incredible piece of music. And a pitch-perfect, fantastic performance. Always great audio/video in this channel as well. Thank you for sharing this.
Magnifique œuvre d'une compositrice qui mériterait une plus large audience. Merci au hr-Sinfonieorchester, de l'avoir mis à son programme. Les bonnes surprises viennent souvent de cet orchestre que j'aime tant écouter, bravo aux musiciens et au chef, que je découvre également. ∙
Großartiges Werk eines Komponisten, der ein breiteres Publikum verdient. Vielen Dank an das hr-Sinfonieorchester, das es in sein
Programm aufgenommen hat. Die guten Überraschungen kommen oft von diesem Orchester, das ich so gerne höre, Glückwunsch an die Musiker und den Dirigenten, den ich auch für mich entdecke. ∙(trad. by G....E)
This was a wonderful performance by the hr-Sinfonieorchester - Frankfurt Radio Symphony under the inspired direction of Maestro Jader Bignamini. What an amazing discovery!
Hard to believe this great work was only recorded previously once. Thanks hr-Sinfonieorchester, for making my day. Dora finally done justice by a great orchestra!
Twice, actually!
Twice, actually!
Pejačević is considered a major Croatian composer. She left behind a considerable catalogue of 58 opuses (106 compositions), mostly in late Romantic style, including songs, piano works, chamber music, and several compositions for large orchestra, arguably her best. Her Symphony in F-sharp minor is considered by scholars the first modern symphony in Croatian music. Most of her music has yet to be published and released on compact disc, although concerted efforts have been made recently to rectify this situation.(Wikipedia).
Thank you for this information, necessary for me!
Yes, true our beautiful contessa Dora!🇭🇷
A tremendous symphony. I find discussions about influences and the composer's musical language beside the point. All composers build on what came before and whatever the musical language (and Pejačević's is no more conservative than that of Elgar or Rachmaninov whose symphonies date from the same period - in some respects less so), what is important is whether that language and those influences are mastered and assimilated into a distintive musical voice. This strikes me as patently and triumphantly the case here. I would add that Pejačević wrote this symphony when she was 32 years old and that she died aged just 37.
Symphony in F-sharp minor for large orchestra, Op. 41 (1916 - 1917, rev. 1920; dedicated to her mother baroness Lilla Vay de Vaya).
Would have been even longer until I discovered this composer if weren't for this channel. Thank you! Definitely going to listen to more of her music now! 🎶
What an interesting piece. You can just imagine how thrilled Dora would have been to hear this marvelous performance. Her star is on the rise.
Yes! Thank you so much for showcasing lesser known composers!
Thank you for this! This piece needs greater recognition!
What a beautiful music. It's unbelievable that we know absolutely nothing about it, I should have some for my delight.Many Thanks for this great summer pleasure.
Wonderful that hr is bringing back to life this forgotten composer! More, please!
I watched this when it was livestreamed in early march while on vacation, and I stayed up late watching the whole thing. This is one of the most amazing performances I have ever seen, and I personally LOVE the 4th movement the best!
BEAUTIFUL.¨!!!!!!!!
Rare to have female composer in those times unlike toda, where we aslo have more female solist than before. This is Dora Pejačević a greate symhpony Dora Pejačević.
Maestro Bignamini, great job doing all this from memory. Also, he carries character of Maestro Metah.
Eine grandiose Interpretation eines weithin unbekannten Werks. Es hat mich begeistert, wie das Orchester unter der inspirierenden Leitung des Dirigenten sozusagen "alles gegeben hat", um diese Sinfonie so aufzuführen. Das Werk ist für mich ein sympatischer Blumenstrauß von spätromantischen Erinnerungen an diverse Komponisten. Da ist gelegentlich die Instrumentierung von Rachmaninov zu erleben, im 4. Satz auch Cesar Francks Sinfonie. Im 3. Satz fühle ich mich an die Taube von Dvorak erinnert. Aber es gibt auch Brucknerreminiszenzen, sogar Brahms mit den satten Streicherklängen. Nicht zu vergessen viele Anklänge an Richard Strauss und auch einige an Hans Rott. Wie auch immer, auch wenn diese Sinfonie keine originäre Tonsprache erkennen lässt, ist sie doch sehr hörenswert und sollte häufiger gespielt werden.
me encanta ese primer movimiento y el sonido de esta orquesta es impecable
Es ist meine erste Gelegenheit, diese spätromantische Sinfonie anzuhören. Erstaunlich fein komponiert und wunderschön aufgeführt mit farbenreichen doch perfekt entsprechenden Tönen aller Instrumente. Der intelligente und geniale Dirigent leitet das ausgezeichnete Orchester im veränderlichen Tempo und mit künstlerisch kontrollierter Dynamik. Danke fürs wertvolle Onlinestellen!
je decouvre cette compositrice que je ne connaissais pas c'est magnifique
Thanks for this beautiful masterpiece by a female composer! I have listened to many female composers' works, and I believe Dora's command of orchestral composition is frankly en par or even better than some male composers of her time, IMO. Too sad that she had to die prematurely!
Thanks for the upload I like to investigate works from the 20th c (not avant garde) that are seldom performed.
You might like some of the music available on my channel as well. There is quite a wide variety especially from the end of late Romanticism, including Pejačević's two violin sonatas.
try Jakov Gotovac, Krešimir Baranović and Fran Lhotka :)
and also Stevan Hristić
I am listening to this for the first time and it is certainly very pleasant on the ear, but I'm finding it difficult to discern the structure of the work. It breaks no new ground harmonically and it repeatedly seems to promise development but just when it seems to be heading towards developing its themes, pulls back and more or less repeats itself. So I will continue to enjoying it for what it is along with a sense of frustration for what it might have been. Or for not seeing what is actully there after all. The audience certainly enjoyed it, so perhaps it's me after all -- it's just that I look for at least more adventurous harmony in what I gather is a 20th century work.
Beau compromis entre R. Strauss, Mahler, trop beau
have you guys ever thought about playing any Raff symphonies
I like the orchestra, but can understand why this is not popular music.
?
Lovely stuff. Pretty old-fashioned for when it was written, but that doesn’t matter now. Dvorakish and surprisingly for this date I can’t hear much (if any ) Wagner influence. Though of course it was a lot harder to get to hear stuff.
What kind of contrabassoon that used in here?
I'm pretty sure it's a kronwalt
Definitely a Kronwalt or a Fast. You can see the bicycle cable at 40:45
I believe the timpanist is American born with a Jewish name?