Recording a BAND using ONLY RIBBON MICS | Studio Session
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- Опубликовано: 6 сен 2024
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Have you used ribbon mics? Whats your favorite? This was mine (affiliate link) sweetwater.sjv.io/Wq2Y4Z
I have not but I think I'm going two get a pair of golden age project R1 MK2 ribbons @ $179 a piece They are a very affordable way to get into it and all the reviews say they are pretty darn good.
I loved this. I have 12 ribbons at the studio, including an R44 and a pair of R84s. Seeing that N22 in action and hearing the 5A was so nice, especially in this context.
The n22 was the surprise for me. I’m the KU5a turns heads for sure. But I didn’t find anything I didn’t like the n22 on
This rules man. Thanks again for having us in, so psyched on this!
me too brotato chip
I LOVE the Blindside reference! What a throwback haha
Wow - a great introduction to a band I've never heard before. Taking some time to check them out. 👍 I'm so stoked to hear the release of this track.
I think their drummer smashes cymbals too hard... but that's me - I'm opinionated about drums (I could go on and on). Dynamics, baby - as the percussionist, you control the entire space and dynamics are key.
Always a blast to work with you, Jeremy! And always absolutely blown away by the results 🔥
Same here!
sounds insanely good man, ur a world class engineer n mixer, sounds so big and thick and smooth, many thanks, Leon
thanks!
really cool video Jeremy!
thanks duder
Omg the room mic tech with the snare drums 😂 I love the creativity
grainy my dude...
Surprised on how well the overheads and rooms turned out
❤ these experimental videos. You have the facility, ability, and the legit skills to do these. Awesome.
I'm not of the "dUh, xyz isn't metal mor0n" folks, but I think putting metal in title of this video is misleading, mainly because recording an actual metal band (growl vocals, distorted chuggy guitars, blast-beats/double kick drums) with ribbons would be a whole another challenge. Because of that even though it's a wonderful video I feel a bit underwhelmed that it's not what it claimed to be. Still enjoyed it, just not as much as I would if I haven't been teased with metal in the title
That’s what this was. Double kick. Screams. Thrash parts. Breakdowns. I realize my editor picked out choruses a lot. But it’s a heavy band.
I have an R92 that I use all over the place. It's my go-to kick out mic, actually. I can't wait until I can justify/afford picking up a KU5A, though. And I'd love to get an R-10 to have around as well.
Do you not colour-grade your footage? It can add a good hour or two to your workflow but I think is always worthwhile, especially with the high-quality image you're capturing with whatever video equipment you're using.
Yes. Everything is slog 3 . So if it wasn’t it would look horrible.
We dropped contrast on the flashback parts to Denote changes in time
The kick sounds a lot better than I thought it would. Really cool session!
Sounds amazing!!
Great video.
Cool idea, super results
Cheers from Texas!
🤟😺🤟
Thanks! It was a blast
This is awesome! Just what I wanted to see today! Sounds great too! Holy shit, let us know when this is released! Tune actually sounds good too!
For sure. Band is Josh Powell There are a couple more experiments coming with them
Sounds great!! Scary putting those nice mics near hard hitting metal drummers. Respect!
First off this band and recording rules! Second i wouldn’t really call this metal, more great indie rock.
metal with indie vibes... or indie with breakdowns. lol
@@RecordingStudioLoser fair enough haha. i was thinking more the indie with breakdowns. still great job!
This is rad! Nice work all!
Thanks a ton!
I have been finding it really hard to get to any of my other non - ribbon mics lately... Se electronics R1, RCA 44b, AEA ku5a, custom long ribbon + samar transformer, Pair Russian amorphous transformer, + Rode ntr. All so very very different....
This is awesome, nicely done!
Thank you! Cheers!
I heard ribbon mics are delicate, was that something you had to worry about when using them for drums/bass cab recording?
They can be. I mentioned that with the r44. It reality if your careful you’ll be fine.
Appreciate all the work man.
My pleasure
Dude I've used 3 57s and a pair of $200 overheads and got a pro mix. Ic choice is something that can get in the way of creativity. Same as preamp choice etc etc. if it sounds good it sounds good
Absolutely. I’ve used 57s as overheads. Freaking great.
Different brushes for different pictures.
a metal/rock drummer with no kick port?! egads! sounds good, will you do a mixing video on these tracks? did you eq much while tracking? I know it's a huge part of production these days but I always cringe a little when people record rock to a click, you lose so much feel and character.
Toms sound great. Kick n snare are meh. But impressive with mic selection. I think that mic on kick would be a great replacement for a sun kick mic.
i feel like i could have done it if I have 7 N22s. It was fun to work in these constraints though
3:49 could you have tried it without the reso head on the kick? A lot of bands have recorded that way. You probably would have gotten a lot more attack out of it.
But in any case, kick sounds absolutely awesome the way you did it 🤘
That’s what I wanted to do. Drummer was Leary. If we hadn’t landed where we did yeah I would’ve ripped that reso off
Are you using the kalis for monitoring? And how do you like them
Great vid. What mic pre’s did you use?
Sounds great, but as someone that listens to like grindcore and math metal, this is barely even an indie rock sound… like Cursive sounds heavier than this, and I’d get laughed out of the room if I called them metal lol
This is giving more “Stone Temple Pilots minus the flanger” vibes than metal, but I mean 🤷🏻♂️🤷🏻♂️🤷🏻♂️
I've come to the conclusion im old
"metal"
Hopefully not on vocals
oh yeah