Incredibly Useful Exercises, STRING CROSSING CURVES

A simple, but PROFOUND examination of motions in the right arm during string crossings while changing bows. Based on Caroline Emery's groundbreaking book "Bow Works".
Buy "Bow Works" HERE
www.store.jana...
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Brought to you with generous support by Houston Luthier and bass maker Joey Naeger. Visit him at joeynaegerbass...
Produced and Edited by David Means at "Design with Means": designwithmean...
[e-mail]
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Laban Movement Analysis, if you really want to dig deep into analyzing motions of string crossings!
labaninstitute...
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Check out the "Incredibly Useful Exercises" series of workout books, available on the Amazon store in your country (.US .UK .DE .FR .ES .IT .JP .CA)
Volume 1 (Mindfulness, Awareness, Control)- amzn.to/30AhVE2
Volume 17 (All Exercises) - amzn.to/3krtjtC
Full Collection:
INCREDIBLY USEFUL EXERCISES:
Volume 1 - Mindfulness, Awareness, Control - amzn.to/30AhVE2
Volume 2 - Expression, Beauty - amzn.to/2PBYxjA
Volume 3 - Hand Shaping, Precision - amzn.to/3a98sqc
Volume 4 - Lower Octave Mastery Part 1 - amzn.to/3fyegLe
Volume 5 - Lower Octave Mastery Part 2 - amzn.to/3a8N8RH
Volume 6 - Lower Octave Mastery Part 3 - amzn.to/2Pw9Iua
Volume 7 - Lower Octave Mastery Part 4 - amzn.to/2Dnc6RJ
Volume 8 - Upper Octave Mastery Part 1 - amzn.to/2XDsNPw
Volume 9 - Upper Octave Mastery Part 2 - amzn.to/2Cd20Ci
Volume 10 - Whole Fingerboard Familiarity - amzn.to/3fB04RL
Volume 11 - Velocity - amzn.to/2XGn77t
Volume 12 - Power - amzn.to/30AYxXx
Volume 13 - Hybrid Workout #1 - amzn.to/2Cd2oRg
Volume 14 - Hybrid Workout #2 - amzn.to/3kprOwc
Volume 15 - Hybrid Workout #3 - amzn.to/3id0Tlo
Volume 16 - Hybrid Workout #4 - amzn.to/3gzL8V8
Volume 17 - All Exercises - amzn.to/3krtjtC
Volume 18 - Primers (Primers for 3-note progressive scales, Vomits, and Oompah, 3 of the more complex exercises in the series) - amzn.to/2XFwqV6

[@jonathanwinspear6232]

Thanks Dennis, look forward to learning something new every week.

[@incrediblyusefulexercises]

Thanks, Jonathan!

[@Opus766]

I'm going to ponder this one today when I practice and I love those two excerpts.
@ 3:05 you called out the wrong IUE :)

[@incrediblyusefulexercises]

Bwaha! All that editing and I never noticed it. Interesting blind spot - thanks Wiggly!

[@clemensappenroth3505]

As always, incredibly useful!!! Thank you so much!

[@incrediblyusefulexercises]

You're more than welcome, Clemens. Thanks for watching!

[@charliegordan6354]

Love that intro so much, and these exercises !

[@incrediblyusefulexercises]

Thanks, Charlie!

[@manuelpino3722]

Hi Dennis, you mentioned having to work for a year on fixing your “door knobbing” habit; did you consciously work on it every time you used the bow, or did you focus on correcting the issue in isolated sessions?
I’m afraid I’m undoing the good work of the exercise every time I play other stuff that allows the bad habit to creep back in. Thanks 🙏

[@incrediblyusefulexercises]

Hi, Manuel. Thank you for the thought - it's a great question, and I"ve been thinking a lot about it. I think the answer lies in my playing at the Houston opera. When we play operas, we play two at a time, running on alternating nights. The toughest combinations for me are when one opera is a "heavy", and one is Handel. One night, I'll be digging into the string with a pretty active right hand, and then for Handel, (especially with the period-style conductors), I'm using an early classical bow with a sensitive response, I have to turn my right hand OFF, neutralize my bow hold, and use my arm. It's like learning to play the bass all over again. When I'm playing like that, and it's working really well, the bow responds to correct technique. Any time I try to press the bow, or do what I did the previous night, the string will scratch, or not grab. So the only way the bow will work is if my wrist is not rotating or spinning. Then my arm gets to do all the work, and it's easy. I think that' the bottom line - keep my right arm as simple as possible. Then, I get it, and I go back to the "heavy" opera, and it's spectacular. I learned that the good habits I learned in period opera transferred to the modern operas, but not the other way around. The modern bow and steel strings are too forgiving for bad technique, so it can creep in without penalty. I hope this answer gives some insight. Your question really is perfect. Let me know if that helps. Happy new year to you and yours, and I hope you're well. Dennis

[@manuelpino3722]

Thank you for this great answer 🙏

[@Badtvset]

Does this work for German bow?

[@incrediblyusefulexercises]

Badtvset, yes, absolutely. The curves are the same, no matter which bow you use, and curve #4 is still the biggest challenge.

[@clemensappenroth3505]

Do you recomment Emerys book for german bow players equally? Thank you.

[@incrediblyusefulexercises]

Yes, absolutely. It’s not limited to either. Good question - thank you